Planet Rock: The Best Rock Album in the Universe

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 2 disponibili)

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1▼CD
#TitoloArtistaValutazioneDurata
1The Chain
Rumours of Fleetwood Mac4:28
2Bat out of Hell
Meat Loaf4:52
3All the Young Dudes
Mott the Hoople3:29
4Crazy Crazy Nights
produttore:
Ron Nevison
tecnico di missaggio:
Ron Nevison (dal 1987-06 al 1987-07)
voce principale:
Paul Stanley (KISS frontman)
diritti fonografici (℗) detenuti da:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1987)
mixata presso:
Can‐Am Recorders in Tarzana, Los Angeles, California, Stati Uniti (dal 1987-06 al 1987-07)
registrazione di:
Crazy Crazy Nights
autore:
Adam Mitchell (Scottish-Canadian songwriter) e Paul Stanley (KISS frontman)
editore:
Downtown DMP Songs, Hori Productions America Inc., Piccadilly Music Corporation e Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
sub-editore:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) e 大洋音楽 (Taiyō Music)
KISS4.153:45
5Wind of Change
assistente tecnico:
Shay Baby, Attie Bauw, Albert Boekholt e Tom Fletcher (engineer)
tecnico:
Erwin Musper e Keith Olsen (US producer and engineer)
produttore:
Keith Olsen (US producer and engineer) e Scorpions (German rock band)
tecnico di missaggio:
Shay Baby, Erwin Musper e Keith Olsen (US producer and engineer)
batteria e percussione :
Herman Rarebell (drummer, Germany) (nel 1990)
chitarra acustica :
Rudolf Schenker (nel 1990)
chitarra basso :
Francis Buchholz (nel 1990)
chitarra elettrica [lead guitar] e chitarra elettrica [rhythm guitar] :
Matthias Jabs (nel 1990) e Rudolf Schenker (nel 1990)
chitarra slide :
Matthias Jabs (nel 1990)
tastiera ospite :
Koen van Baal (nel 1990)
voce di accompagnamento:
Francis Buchholz (nel 1990), Matthias Jabs (nel 1990), Klaus Meine (nel 1990), Herman Rarebell (drummer, Germany) (nel 1990) e Rudolf Schenker (nel 1990)
voce principale:
Klaus Meine (nel 1990)
diritti fonografici (℗) detenuti da:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1990, nel 1991) e The Island Def Jam Music Group (American holding company, not normally a release label) (nel 1990)
registrata presso:
Goodnight LA Studios in Van Nuys, California, Stati Uniti (nel 1990) e Wisseloord Studios in Hilversum, Noord-Holland (North Holland), Paesi Bassi, Kingdom of the Netherlands (nel 1990)
mixata presso:
Wisseloord Studios in Hilversum, Noord-Holland (North Holland), Paesi Bassi, Kingdom of the Netherlands
registrazione di:
Wind of Change (nel 1990)
paroliere e compositore:
Klaus Meine
editore:
BMG Rights Management GmbH (not for release label use! file releases under its imprint “BMG” (2008–present)), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Polygram Music, PRI Music, Inc. e Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Scorpions3.855:10
6Owner of a Lonely Heart
tecnico:
Gary Langan
produttore:
Trevor Horn
batteria :
Alan White (Yes drummer) (nel 1983)
chitarra :
Trevor Rabin (South African musician and score composer) (nel 1983)
chitarra basso :
Chris Squire (Yes bassist) (nel 1983)
tastiera :
Tony Kaye (nel 1983)
voce principale:
Jon Anderson (Yes/Jon & Vangelis) (nel 1983)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1983, nel 2003) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1983, nel 2003)
registrata presso:
Sarm Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, Regno Unito (nel 1983)
registrazione di:
Owner of a Lonely Heart (nel 1983)
autore:
Jon Anderson (Yes/Jon & Vangelis), Trevor Horn, Trevor Rabin (South African musician and score composer) e Chris Squire (Yes bassist)
editore:
Affirmative Music (publisher), BMG Chrysalis Scandinavia AB (not for release label use! file releases under its imprint “BMG Chrysalis”), BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Carbert Music Inc., Carlin America, Inc., Carlin Music Corporation, Downtown Music Publishing, Downtown Music Publishing International Inc., Downtown Music Publishing LLC (PRS-affiliated), Hebbes Music Group Pty. Ltd., Kassner Associated Publishers, Ltd., SPZ Music, Inc. (BMI affiliated), Tremander Songs, Unforgettable Songs (ASCAP-affiliated), Unforgettable Songs Ltd., Warner Bros. Music (publisher; do NOT use as release label), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music Scandinavia, Warner Chappell North America, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell (Warner/Chappell Music, Inc.) e Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
sub-editore:
エイベックス・ミュージック・パブリッシング 第7出版事業部 (Avex Music Publishing, 7th Publishing Division), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 BMG事業部 (fino al 2014-12-31), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (dal 2015-01-01 a oggi) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (dal 2017-04-01 a oggi)
Yes3.954:23
7Since You’ve Been Gone
tecnico di registrazione:
Leigh Mantle (nel 1979-04) e Dr. Michael Palmer (engineer) (nel 1979-04)
tecnico:
Gary Edwards (producer, engineer)
produttore:
Roger Glover
batteria :
Cozy Powell (nel 1979-04)
chitarra :
Ritchie Blackmore (nel 1979-04)
chitarra basso :
Roger Glover (nel 1979-04)
tastiera :
Don Airey (nel 1979-04)
voce principale:
Graham Bonnet (British rock vocalist) (nel 1979-04)
diritti fonografici (℗) detenuti da:
Polydor Incorporated (manufacturer & distribution company, US subsidiary of Polydor International) (nel 1979), Polydor Records Inc. (nel 1979), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1979), UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1979) e Universal Records Inc. (not for release label use! a division of UMG Recordings, Inc.) (nel 1979)
registrata presso:
Château de Pelly in Desingy, Haute-Savoie, Auvergne-Rhône-Alpes (Alvernia-Rodano-Alpi), Francia (nel 1979-04) e Maison Rouge Mobile Studio (nel 1979-04)
parte di:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 82)
registrazione cover di:
Since You Been Gone (nel 1979-04)
paroliere e compositore:
Russ Ballard
editore:
BMG Gold Songs, BMG Rights Management GmbH (not for release label use! file releases under its imprint “BMG” (2008–present)), Complete Music Ltd., EMI Virgin Music Ltd. (do not use this as a release label!), Island Music (Island Music Ltd.), Island Music Ltd., Russell Ballard Ltd, Union Square Music Songs Ltd. e Virgin Music (Publishers) Ltd.
Rainbow43:17
8Eye of the Tiger
assistente tecnico:
Hill Swimmer
tecnico:
Phil Bonnano e Mike Clink
produttore:
Jim Peterik e Frankie Sullivan (US guitarist and songwriter, member of Survivor)
diritti fonografici (℗) detenuti da:
Scotti Bros. Industries Inc (company credits only; do not use as release label!) (nel 1982), Volcano Entertainment III, L.L.C. (nel 1982, nel 1985) e Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 2016)
registrata presso:
Rumbo Recorders in Canoga Park, Los Angeles, California, Stati Uniti
parte di:
Billboard: Greatest of All Time Hot 100 Songs (numero: 28) e VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 63)
registrazione di:
Eye of the Tiger
autore:
Jim Peterik e Frankie Sullivan (US guitarist and songwriter, member of Survivor)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Easy Action Music, Ensign Music Corporation, Holy Moley Music, Rude Music (publisher; do NOT use as release label), Rude Music Inc, Sony/ATV Harmony UK, Sony/ATV Melody, Three Wise Boys Music LLC, Warner Chappell North America Limited (UK-registered publishing company, affiliated with PRS), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (, fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
sub-editore:
Productions et Éditions Cinématographiques Françaises, Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Sony/ATV Music Publishing France, Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music Publishing (fino al 2017-03-31) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) (dal 2017-04-01 a oggi)
parte di:
The 55th Academy Award for Best Original Song (numero: 2)
Survivor4.454:05
9Black Betty
diritti fonografici (℗) detenuti da:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (nel 1977), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1977), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1977), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1977) e CBS Schallplatten GmbH (nel 1990)
registrazione cover di:
Black Betty
paroliere e compositore:
[traditional] (special purpose artist) e Huddie William Ledbetter
editore:
Kensington Music Ltd., Robert Mellin Music Publishing Corp., Sony/ATV Music Publishing Australia Pty Ltd., TRO-Folkways Music Publishers, Inc., Folkways Music Publ. Co. (publisher) (dal 1977 a oggi) e TRO (publisher) (dal 1977 a oggi)
Ram Jam3.853:56
10More Than a Feeling (single version)
Boston4:38
11Barracuda
produttore:
Mike Flicker
batteria :
Michael Derosier (dal 1977-02 al 1977-04)
chitarra acustica :
Nancy Wilson (guitarist/singer of “Heart”) (dal 1977-02 al 1977-04)
chitarra basso :
Steve Fossen (dal 1977-02 al 1977-04)
chitarra e mellotron :
Howard Leese (dal 1977-02 al 1977-04)
chitarra elettrica :
Roger Fisher (US rock guitarist) (dal 1977-02 al 1977-04)
voce principale:
Ann Wilson (lead singer of Heart) (dal 1977-02 al 1977-04)
arrangiatore:
Heart (rock band, Ann and Nancy Wilson)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1977), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1977), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1977) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1977)
registrata presso:
Kaye–Smith Studios in Seattle, Washington, Stati Uniti (dal 1977-02 al 1977-04)
mixata presso:
Royaltone Studios in North Hollywood, Los Angeles, California, Stati Uniti e Kaye–Smith Studios in Seattle, Washington, Stati Uniti (dal 1977-02 al 1977-04)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 34)
registrazione di:
Barracuda (dal 1977-02 al 1977-04)
autore:
Michael Derosier, Roger Fisher (US rock guitarist), Ann Wilson (lead singer of Heart) e Nancy Wilson (guitarist/singer of “Heart”)
editore:
BMG Songs, Inc., IQ Music Ltd., Know Music, Of the Roses Music, Play My Music, Rosebud Music, Strange Euphoria Music, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Music Publishing MGB Ltd., Universal Music–MGB Songs, Universal/MCA Music Ltd. (not for release label use!) e Wilsongs
sub-editore:
Shinko Music Entertainment Co., Ltd. e Universal Music Publishing, Synch Division
Heart4.14:22
12The Final Countdown (single version)
produttore:
Kevin Elson
diritti fonografici (℗) detenuti da:
CBS Records AB (SE subsidiary of CBS Records, renamed Sony Music Entertainment (Sweden) AB in 1991) (nel 1986), CBS, Inc. (US broadcasting company; file no releases here!) (nel 1986), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1986), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1987) e Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1987)
registrazione di:
The Final Countdown
paroliere e compositore:
Joey Tempest (Swedish singer)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI (EMI Records, or EMI Music only if there is no other imprint), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Music Sweden AB (not for release label use! SE subsidiary of EMI), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) e Seven Doors Music
Europe4.23:56
13Aqualung
registrazione di:
Aqualung (Jethro Tull)
paroliere:
Ian Anderson (of Jethro Tull) e Jennie Franks
compositore:
Ian Anderson (of Jethro Tull)
Jethro Tull6:35
14Love Walked In
Thunder6:24
15All Right Now
registrazione di:
All Right Now
autore:
Andy Fraser (English bassist, member of Free) e Paul Rodgers
editore:
Blue Mountain Music, Blue Mountain Music Ltd., Blue Mountain Music Scandinavia, Catherine’s Peak Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Irving Music, Inc., Kobalt Music Publishing Ltd. (UK), Polygram Music e Universal Music Publishing (use ONLY if no country‐specific information is available)
Free3:33
16Werewolves of London
Warren Zevon3:25
17No More Heroes
registrazione di:
No More Heroes
autore:
Jet Black (UK drummer Brian Duffy, member of The Stranglers), Jean‐Jacques Burnel, Hugh Cornwell (English rock musician) e Dave Greenfield
editore:
Complete Music Ltd.
The Stranglers3:28
18Here I Go Again ’87
Whitesnake4:34
2▼CD
#TitoloArtistaValutazioneDurata
1Can I Play With Madness
registrazione di:
Can I Play With Madness
autore:
Bruce Dickinson (Iron Maiden vocalist), Steve Harris (Iron Maiden bassist) e Adrian Smith (UK guitarist/songwriter, Iron Maiden)
editore:
Universal Music–Z Tunes LLC e Zomba Music Publishing (music publisher – add no releases here!) (nel 1988)
Iron Maiden3:32
2Drop Dead Legs (45 version)
assistente tecnico:
Ken Deane
tecnico:
Donn Landee
produttore:
Ted Templeman
basso :
Michael Anthony (US bassist, formerly of Van Halen)
batteria e percussione :
Alex Van Halen
chitarra :
Edward Van Halen
voce di accompagnamento:
Michael Anthony (US bassist, formerly of Van Halen), Edward Van Halen e Alex Van Halen
voce principale:
David Lee Roth
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1983, nel 1984) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1983)
registrata presso:
5150 (Eddie Van Halen's recording studio) in Studio City, Los Angeles, California, Stati Uniti
registrazione di:
Drop Dead Legs
paroliere e compositore:
Michael Anthony (US bassist, formerly of Van Halen), Edward Van Halen, David Lee Roth e Alex Van Halen
editore:
Mugambi Publishing, Diamond Dave Music (nel 1984) e Van Halen Music (nel 1984)
Van Halen3.44:13
3School’s Out
tecnico:
Roy Cicala e Shelly Yakus
produttore:
Bob Ezrin
basso elettrico :
Dennis Dunaway (original bass player for Alice Cooper)
batteria :
Neil Smith (former Alice Cooper drummer)
chitarra e voce di accompagnamento:
Reggie Vincent
chitarra elettrica :
Michael Bruce (of Alice Cooper) e Glen Buxton (American guitarist)
tastiera :
Michael Bruce (of Alice Cooper) e Bob Ezrin
voce principale:
Alice Cooper (the musician born Vincent Damon Furnier, changed his name legally to Alice Cooper in 1974)
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1972, nel 1974) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1972)
è stato produttore per:
Alive Enterprises Incorporated e Nimbus 9 Productions
registrata presso:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Stati Uniti
parte di:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 35), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 293) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 319)
registrazione di:
School’s Out
autore:
Michael Bruce (of Alice Cooper), Glen Buxton (American guitarist), Alice Cooper (the musician born Vincent Damon Furnier, changed his name legally to Alice Cooper in 1974), Dennis Dunaway (original bass player for Alice Cooper) e Neal Smith (former Alice Cooper drummer)
editore:
Bizarre Music Co. (US work publisher), BMG Platinum Songs US, Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ezra Music, Ezra Music Corp., Opus 19 Music, Primary Wave Music Publishing, Sony/ATV Music Publishing, Third Palm Music, Universal Music Publishing Group, Warner Bros. Music (publisher; do NOT use as release label) e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-editore:
フジパシフィックミュージック (Fujipacific Music, Inc.) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Alice Cooper4.23:29
4Hot Blooded (radio edit)
registrazione di:
Hot Blooded
autore:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King) e Mick Jones (Foreigner/Spooky Tooth, worked in France)
editore:
Evansongs Ltd. (publisher), Somerset Songs Publishing Inc., Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (fino al 2014-12-31), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (fino al 2017-03-31), フジパシフィックミュージック (Fujipacific Music, Inc.) (dal 2015-01-01 a oggi) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (dal 2017-04-01 a oggi)
Foreigner3:03
5We’re Not Gonna Take It
tecnico di registrazione e tecnico di missaggio:
Geoff Workman
assistente tecnico:
Gary McGachan
tecnico:
John Agnello (engineer & producer), Greg Laney e Geoff Workman
produttore:
Tom Werman
batteria :
A.J. Pero
chitarra basso :
Mark Mendoza (Twisted Sister bassist)
chitarra elettrica :
Jay Jay French e Eddie Ojeda
voce di accompagnamento:
Jay Jay French, Mark Mendoza (Twisted Sister bassist), Eddie Ojeda, A.J. Pero e Dee Snider
voce principale:
Dee Snider
arrangiatore:
Twisted Sister e Tom Werman
registrata presso:
Cherokee Studios in Hollywood, Los Angeles, California, Stati Uniti (dal 1984-02 al 1984-03), The Record Plant (New York) in Midtown Manhattan, New York, New York, Stati Uniti (dal 1984-02 al 1984-03) e Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, Stati Uniti (dal 1984-02 al 1984-03)
mixata presso:
Cherokee Studios in Hollywood, Los Angeles, California, Stati Uniti
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 21), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 47) e Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (numero: 81)
registrazione di:
We’re Not Gonna Take It
paroliere e compositore:
Dee Snider
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Universal Tunes
parte di:
“The Filthy Fifteen” (PRMC’s list of songs with “offensive lyrical content”) (numero: 7)
Twisted Sister4.553:37
6Nothin’ but a Good Time
tecnico:
Duane Baron
produttore:
Tom Werman
tecnico di missaggio:
Duane Baron, John Purdell e Tom Werman
batteria :
Rikki Rockett
chitarra :
C.C. DeVille
chitarra basso :
Bobby Dall
voce principale:
Bret Michaels
registrazione di:
Nothin’ but a Good Time
autore:
Bobby Dall, C.C. DeVille, Bret Michaels e Rikki Rockett
editore:
Cyanide Publishing
Poison4.53:43
7Silver Machine (original single version)
produttore:
Doctor Technichal (UK guitarist/synthesizer singer/songwriter, member of Hawkwind) e Hawkwind
batteria :
Simon King (drummer) (il 1972-02-13)
chitarra :
Dave Brock (UK guitarist/synthesizer singer/songwriter, member of Hawkwind) (il 1972-02-13)
chitarra aggiunto e chitarra basso aggiunto:
Guy Pratt (il 1972-02-13)
chitarra basso e voce principale:
Lemmy Kilmister (“Lemmy” from Motörhead) (il 1972-02-13)
flauto e sassofono :
Nik Turner (il 1972-02-13)
sintetizzatore :
Dik Mik Davies (il 1972-02-13) e Del Dettmar (il 1972-02-13)
voce:
Dave Brock (UK guitarist/synthesizer singer/songwriter, member of Hawkwind) (il 1972-02-13), Robert Calvert (il 1972-02-13) e Nik Turner (il 1972-02-13)
remixer:
The Scourge of the Earth
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1972)
registrata presso:
Roundhouse in Camden Town, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito (il 1972-02-13)
mixata presso:
Morgan Studios (Morgan Sound Studios) in Willesden, Brent (Borgo londinese di Brent), London (Greater London), England, Regno Unito
edit di:
Silver Machine (12″ mix) di Hawkwind infected by The Scourge of the Earth
registrazione dal vivo di:
Silver Machine (il 1972-02-13)
paroliere:
Robert Calvert
compositore:
Sylvia MacManus (UK guitarist/synthesizer singer/songwriter, member of Hawkwind)
editore:
EMI United Partnership Ltd. e United Partnership Ltd.
Hawkwind3.654:37
8Living After Midnight
diritti fonografici (℗) detenuti da:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 1980)
registrazione di:
Living After Midnight
autore:
Kenneth Downing, Rob Halford e Glenn Tipton
editore:
EMI Music Publishing Ltd. (PRS‐affiliated) e EMI Songs Ltd.
Judas Priest3:11
9Highway Song
Blackfoot7:02
10Round and Round (45 version)
registrazione di:
Round and Round
autore:
Robbin Crosby, Warren DeMartini e Stephen Pearcy
editore:
Ratt Music e Time Coast Music
Ratt4:24
11New Girl Now
produttore:
Tom Treumuth
registrazione di:
New Girl Now
paroliere e compositore:
Derry Grehan
Honeymoon Suite3:37
12Slow Ride (single version)
diritti fonografici (℗) detenuti da:
Bearsville Records Inc. (nel 1975) e Rhino Records, Inc. (company credits only; not for release label use!) (nel 1976)
edit di:
Slow Ride (long version) di Foghat
registrazione di:
Slow Ride
paroliere e compositore:
Dave Peverett
editore:
Kohaw Music Inc. e WC Music Corp.
Foghat4.53:56
13Laugh ’n’ a ½
D‐A‐D3:31
1418 and Life
tecnico di registrazione, produttore e tecnico di missaggio:
Michael Wagener
tecnico aggiunto:
Dave Kent (engineer)
batteria :
Rob Affuso
chitarra :
Scotti Hill e Dave “The Snake” Sabo
chitarra basso :
Rachel Bolan
voce di accompagnamento:
Rachel Bolan, Scotti Hill e Dave “The Snake” Sabo
voce principale:
Sebastian Bach (Canadian metal singer)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1989)
registrata presso:
Royal Recorders in Lake Geneva, Wisconsin, Stati Uniti (nel 1988)
parte di:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 60)
registrazione di:
18 and Life
autore:
Rachel Bolan e Dave “The Snake” Sabo
Skid Row4.053:51
15House of Pain
produttore e tecnico di missaggio:
John Jansen (US recording engineer and producer)
batteria :
Mark Michals
chitarra :
Brent Muscat e Greg Steele
chitarra basso :
Eric Stacy
voce principale:
Taime Downe
registrazione di:
House of Pain
autore:
Taime Downe e Greg Steele
editore:
Gypsy Fetish Music
Faster Pussycat55:45
16Kayleigh
tecnico di registrazione:
Thomas Stiehler
produttore:
Chris Kimsey
tecnico di missaggio:
Mark Freegard e Chris Kimsey
batteria e percussione :
Ian Mosley (dal 1985-03 al 1985-05)
chitarra :
Steve Rothery (dal 1985-03 al 1985-05)
chitarra basso :
Pete Trewavas (bassist for Marillion / Edison’s Children / Transatlantic) (dal 1985-03 al 1985-05)
tastiera :
Mark Kelly (Marillion keyboardist) (dal 1985-03 al 1985-05)
voce principale:
Fish (Derek William Dick, ex‐Marillion frontman) (dal 1985-03 al 1985-05)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
registrata presso:
Hansa Studios in Berlin, Germania (dal 1985-03 al 1985-05)
registrazione di:
Kayleigh (dal 1985-03 al 1985-05)
paroliere:
Derek William Dick
compositore:
Derek William Dick, Mark Kelly (Marillion keyboardist), Ian Mosley, Steve Rothery e Pete Trewavas (bassist for Marillion / Edison’s Children / Transatlantic)
editore:
Chappell, Charisma Music Publishing Co Ltd., Charisma Music Publishing Ltd. e Marillion Music
Marillion3.74:06
17I Wanna Go Where the People Go
tecnico:
Pete 'Pee Wee' Coleman
produttore:
Simon Efemey e The Wildhearts
tecnico di missaggio:
Al Clay
registrata presso e mixata presso:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, Regno Unito
prodotta presso:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, Regno Unito
video musicali:
I Wanna Go Where the People Go di The Wildhearts
registrazione di:
I Wanna Go Where the People Go
paroliere e compositore:
Ginger Wildheart (frontman of The Wildhearts)
The Wildhearts5:05
18When the Children Cry
assistente tecnico:
Garth Richardson (Canadian music producer and engineer)
tecnico, produttore e tecnico di missaggio:
Michael Wagener
chitarra :
Vito Bratta
voce principale:
Mike Tramp
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1987)
registrazione di:
When the Children Cry
paroliere e compositore:
Vito Bratta
autore:
Mike Tramp
White Lion3.54:17
3▼CD
#TitoloArtistaValutazioneDurata
1How You Remind Me
produttore:
Chad Kroeger, Mike Kroeger, Rick Parashar, Ryan Peake e Ryan "Nik" Vikedal
tecnico di missaggio:
Randy Staub
basso :
Mike Kroeger
batteria [drums] :
Ryan "Nik" Vikedal
chitarra [guitars] :
Chad Kroeger e Ryan Peake
voce:
Ryan Peake
voce principale:
Chad Kroeger
diritti fonografici (℗) detenuti da:
The All Blacks B.V. (company, for copyrights purposes) (nel 2001)
video musicali:
How You Remind Me di Nickelback
parte di:
Billboard Year-End Hot 100 2002 (numero: 1) e BILLIONS CLUB
registrazione di:
How You Remind Me
paroliere:
Chad Kroeger
compositore:
Chad Kroeger, Mike Kroeger, Ryan Peake e Ryan Vikedal
editore:
Arm Your Dillo Publishing Inc., M. Kroeger Publishing, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) e Zero-G Music Inc.
Nickelback3.653:44
2Are You Gonna Be My Girl
assistente tecnico:
Evil Chris
tecnico:
Greg Fidelman (Greg Fields)
tecnico aggiunto:
Greg Gordon (producer/engineer)
produttore e tecnico di missaggio:
Brooklyn’s own Dave Sardy (American score composer)
editor:
Greg Gordon (producer/engineer)
batteria :
Chris Cester
chitarra :
Cam Muncey e Nic Cester
chitarra aggiunto:
Brooklyn’s own Dave Sardy (American score composer)
chitarra basso :
Mark Wilson (Bass player for Jet)
voce:
Cam Muncey, Chris Cester e Nic Cester
diritti fonografici (℗) detenuti da:
Elektra Entertainment Group Inc. (not for release label use! a division of Warner Music Group) (nel 2003), Real Horrorshow Pty. Ltd. (nel 2003) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 2003)
registrata presso:
Larrabee East in Los Angeles, California, Stati Uniti e Sunset Sound in Hollywood, Los Angeles, California, Stati Uniti
mixata presso:
The Village (Village Studios, aka The Village Recorder) in Los Angeles, California, Stati Uniti
parte di:
triple j’s Hottest 100 (Australian annual music listener poll) (numero: 2003), Sean Michaels: The Top 30 Songs of 2003 (numero: runner-up) e Indie 88: Top 500 Indie Rock Songs (numero: 364)
registrazione di:
Are You Gonna Be My Girl
autore:
Nic Cester e Cameron Muncey
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Universal Music Publishing (use ONLY if no country‐specific information is available) e Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
Jet3.73:34
3I Believe in a Thing Called Love
assistente tecnico di registrazione:
Will Bartle
tecnico, produttore e tecnico di missaggio:
Pedro Ferreira
assistente tecnico di missaggio:
Nick Taylor (UK recording engineer)
basso :
Frankie Poullain
batteria :
Ed Graham
chitarra :
Dan Hawkins (member of The Darkness and Stone Gods) e Justin Hawkins
voce principale:
Justin Hawkins
registrata presso:
Chapel Studios in Lincolnshire, England, Regno Unito
mixata presso:
Roundhouse Studios in London (Greater London), England, Regno Unito
parte di:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 94)
registrazione di:
I Believe in a Thing Called Love
autore:
Daniel Francis Hawkins (member of The Darkness and Stone Gods), Francis Gilles Poullain-Patterson, Edwin James Graham e Justin Hawkins
The Darkness4.23:35
4My Sharona
basso :
Prescott Niles (nel 1979-04)
batteria :
Bruce Gary (nel 1979-04)
chitarra [lead guitar] :
Berton Averre (nel 1979-04)
chitarra [rhythm guitar] e voce principale:
Doug Fieger (in The Knack) (nel 1979-04)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1979, nel 2002) e Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1979)
registrazione di:
My Sharona (nel 1979-04)
autore:
Berton Averre e Douglas Fieger (in The Knack)
editore:
Campbell Connelly (Australia) P/L, Campbell Connelly & Co. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Eighties Music, Music Sales Corporation (American copyright holder in both popular and classical music), Small Hill Music, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing MGB Australia e Wise Brothers Music LLC
The Knack4.24:00
5Second Chance
assistente tecnico:
Doug McKean e Aaron Walk
tecnico:
Doug McKean
tecnico aggiunto:
Dorian Crozier
produttore:
Bob Cavallo e Rob Cavallo
assistente tecnico di missaggio:
Keith Armstrong (US engineer)
tecnico di missaggio:
Chris Lord‐Alge
editor aggiunto:
Lars Fox
voce principale:
Brent Smith
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 2008, nel 2010) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 2008, nel 2010)
registrata presso:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti e Lightning Sound Studios in Hidden Hills, California, Stati Uniti
mixata presso:
Resonate Music in Burbank, California, Stati Uniti
registrazione di:
Second Chance
autore:
Dave Bassett (songwriter & producer) e Brent Smith
editore:
Driven by Music, EMI Blackwood Music Inc., Two of Everything Music e WB Music Corp. (1929–2019)
Shinedown53:40
6Mountain Song
batteria :
Stephen Perkins (American drummer)
chitarra :
Dave Navarro (American guitarist)
chitarra basso :
Eric Avery
voce:
Perry Farrell
parte di:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 71)
registrazione di:
Mountain Song
paroliere:
Perry Farrell
compositore:
Eric Avery, Perry Farrell, Dave Navarro (American guitarist) e Stephen Perkins (American drummer)
Jane’s Addiction4.754:01
7Please Come In
Black Stone Cherry3:55
8Epic (radio remix edit) (45 version)
registrazione di:
Epic
paroliere:
Mike Patton (Faith No More, Mr. Bungle, Fantômas, etc.)
compositore:
Mike Bordin (American drummer), Roddy Bottum, Billy Gould e Jim Martin (ex-Faith No More guitarist)
editore:
Big Thrilling Music (music publishing company), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) e Vomit God Music (Mike Patton’s music publishing company)
Faith No More53:57
9Seventeen
Winger3:59
10Don’t Know What You Got (Till It’s Gone)
Cinderella5:16
11Holy Diver
Dio5:52
12Alone Again
tecnico aggiunto:
Gary McGachan
produttore:
Tom Werman
produttore associato:
Roy Thomas Baker (producer)
tecnico di missaggio:
Michael Wagener
batteria :
Mick Brown (US drummer, formerly of Dokken)
chitarra :
Don Dokken e George Lynch
chitarra basso e tastiera :
Jeff Pilson
voce di accompagnamento:
Mick Brown (US drummer, formerly of Dokken) e Jeff Pilson
voce principale:
Don Dokken
diritti fonografici (℗) detenuti da:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (nel 1984) e Elektra Entertainment Group (not for release label use! a division of Warner Communications, Inc. for the United States, and WEA International Inc. for the world outside the United States) (nel 1984)
registrazione di:
Alone Again
autore:
Mick Brown (US drummer, formerly of Dokken), Don Dokken, George Lynch e Jeff Pilson
editore:
E/A Music Inc., Megadude Music, WB Music Corp. (1929–2019) e エイベックス・ミュージック・パブリッシング (Avex Music Publishing Inc.)
Dokken3.654:20
13New Thing
assistente tecnico:
Dave Kent (engineer) e Michael Koppelman
tecnico:
Dan Harjung
tecnico aggiunto:
Rich Denhart (producer/engineer)
produttore:
Enuff Z’Nuff e Ron Fajerstein
tecnico di missaggio:
Paul Lani
basso elettrico :
Chip Z’Nuff
batteria :
Vic "Vikki" Foxx (US hard rock drummer)
chitarra elettrica [lead guitar] :
Derek Frigo
voce principale:
Donnie Vie (US vocalist, formerly of Enuff Z’Nuff)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1989) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1989)
registrata presso e mixata presso:
Royal Recorders in Lake Geneva, Wisconsin, Stati Uniti
video musicali:
New Thing (music video) di Enuff Z’Nuff
registrazione di:
New Thing
autore:
Donnie Vie (US vocalist, formerly of Enuff Z’Nuff) e Chip Z’Nuff
editore:
Enuff Z’Nuff Songs Inc., Fajerstein Music Inc., Octa Music Inc. e WB Music Corp. (1929–2019) (fino al 2019-05-28)
sub-editore:
MCA Music Ltd. e Warner/Chappell Music Ltd. (1996–2019)
Enuff Z’Nuff4:20
14Pull Me Under
assistente tecnico:
Steve Regina
tecnico:
Doug Oberkircher
produttore:
David Prater (producer and drummer)
tecnico di missaggio:
Doug Oberkircher e David Prater (producer and drummer)
batteria e percussione :
Mike Portnoy (dal 1991-10 al 1991-12)
chitarra [Guitars] :
John Petrucci (US guitarist, composer and producer) (dal 1991-10 al 1991-12)
chitarra basso [Bass] :
John Myung (dal 1991-10 al 1991-12)
tastiera [Keyboards] :
Kevin Moore (prog rock keyboardist) (dal 1991-10 al 1991-12)
voce di accompagnamento e voce principale:
James LaBrie (dal 1991-10 al 1991-12)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US)
registrata presso:
Bear Tracks Recording Studio in Suffern, New York, Stati Uniti (dal 1991-10 al 1991-12) e The Hit Factory in Manhattan, New York, New York, Stati Uniti (dal 1991-10 al 1991-12)
mixata presso:
Bear Tracks Recording Studio in Suffern, New York, Stati Uniti (dal 1991-10 al 1991-12)
video musicali:
Pull Me Under (official music video) di Dream Theater
parte di:
Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (numero: 91)
registrazione di:
Pull Me Under (dal 1991-10 al 1991-12)
paroliere:
Kevin Moore (prog rock keyboardist)
compositore:
James LaBrie, Kevin Moore (prog rock keyboardist), John Myung, John Petrucci (US guitarist, composer and producer) e Mike Portnoy
Dream Theater4.558:13
15Symphony of Destruction
assistente tecnico e assistente tecnico di missaggio:
Fred Kelly Jr.
tecnico e tecnico di missaggio:
Max Norman
tecnico aggiunto:
Micajah Ryan
produttore:
Dave Mustaine e Max Norman
batteria :
Nick Menza
chitarra :
Marty Friedman (former Megadeth guitarist, living in Tokyo) e Dave Mustaine
chitarra basso :
David Ellefson
voce di accompagnamento:
David Ellefson, Marty Friedman (former Megadeth guitarist, living in Tokyo) e Nick Menza
voce principale:
Dave Mustaine
remixer:
Dave Mustaine (nel 2004) e Ralph Patlan (nel 2004)
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1992, nel 2005) e Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 2004)
registrata presso:
The Enterprise (aka Enterprise Studios) in Burbank, California, Stati Uniti (dal 1992-01-06 al 1992-04-28)
registrazione di:
Symphony of Destruction (nel 2004)
paroliere e compositore:
Dave Mustaine
editore:
Mustaine Music (nel 1992), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) (nel 1992) e Theory Music (nel 1992)
Megadeth3.84:03
16Walk
direzione artistica:
Bob Defrin (US art director & graphic designer)
tecnico, produttore e tecnico di missaggio:
Terry Date (American record producer and engineer) e Vinnie Paul
co-produttore:
Pantera (metal band)
basso elettrico :
Rex Brown
batteria :
Vinnie Paul
chitarra :
Diamond Darrell
voce principale:
Philip Anselmo
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1992) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1992)
registrata presso e mixata presso:
Pantego Sound Studio in Pantego, Texas, Stati Uniti
parte di:
Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (numero: 29)
registrazione di:
Walk
autore:
Phil Anselmo, Rex Brown, Darrell Lance Abbott e Vinnie Paul
Pantera3.955:15
17Motorhead
tecnico:
Dave Edmunds (dal 1975-09 al 1975-12) e Fritz Fryer (dal 1975-12 al 1976-02)
produttore:
Dave Edmunds (dal 1975-09 al 1975-12)
produttore aggiunto:
Fritz Fryer (dal 1975-12 al 1976-02)
basso elettrico e voce principale:
Lemmy Kilmister (“Lemmy” from Motörhead) (dal 1975-09 al 1976-02)
batteria :
Phil “Philthy Animal” Taylor (former Motörhead drummer) (dal 1975-12 al 1976-02)
chitarra elettrica :
Larry Wallis (dal 1975-09 al 1976-02)
registrata presso:
Rockfield Studios in Monmouth, Monmouthshire, Wales, Regno Unito (dal 1975-09 al 1976-02)
registrazione di:
Motorhead (dal 1975-09 al 1976-02)
paroliere e compositore:
Lemmy Kilmister (“Lemmy” from Motörhead)
editore:
United Artists Music Ltd.
Motörhead2:49
18Hail to the King
registrazione di:
Hail to the King
autore:
Brian Haner, Jr., Jonathan Seward (guitarist for Avenged Sevenfold), Matthew Charles Sanders e Zackary Baker
editore:
EMI Blackwood Music Inc., Lewis Christ Publishing, S. Gates Music, Skeletons and Bowties Publishing e Slayer St. Publishing
Avenged Sevenfold45:05
4▼CD
#TitoloArtistaValutazioneDurata
1Caroline (edit)
Status Quo2:43
2Sweet Home Alabama
registrazione di:
Sweet Home Alabama
supporto a vario titolo:
Ronnie Van Zant
autore:
Ed King (US guitarist, bassist & songwriter), Gary Rossington e Ronnie Van Zant
editore:
Hustler Inc., Leeds Music Corp., MCA Music Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing GmbH e Universal/MCA Music Publishing Pty Ltd
Lynyrd Skynyrd3:39
3Stay With Me
produttore:
Faces (successor of “Small Faces”, members Rod Stewart, Ron Wood) e Glyn Johns
batteria :
Kenney Jones (drummer for Small Faces, Faces, and The Who)
chitarra :
Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
chitarra basso :
Ronnie Lane
piano elettrico Wurlitzer :
Ian McLagan
voce principale:
Rod Stewart
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1971) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1971)
registrazione di:
Stay With Me
autore:
Rod Stewart e Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
editore:
EMI April Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Warner Bros. Music Co., Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996) e WB Music Corp. (1929–2019)
Faces4.54:39
4Dear Mr. Fantasy
produttore:
Jimmy Miller (producer for Rolling Stones/Nirvana etc)
registrata presso:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Regno Unito (dal 1967-04 al 1967-11)
registrazione di:
Dear Mr. Fantasy (nel 1967)
paroliere:
Jim Capaldi
compositore:
Steve Winwood e Chris Wood (rock musician, member of Traffic)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) e Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.)
Traffic55:38
5Life’s Been Good
Joe Walsh4:39
61969
produttore:
John Cale (The Velvet Underground founder)
batteria :
Scott Asheton
chitarra basso :
Dave Alexander (bassist for The Stooges)
chitarra elettrica :
Ron Asheton
voce principale:
Iggy Stooge
registrazione di:
1969
autore:
Dave Alexander (bassist for The Stooges), Ron Asheton, Scott Asheton e Iggy Pop
The Stooges4.354:05
7China Grove
tecnico:
Donn Landee
produttore:
Ted Templeman
armonica (a bocca) :
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”)
chitarra :
Jeff “Skunk” Baxter, Tom Johnston (guitarist and vocalist with “The Doobie Brothers”) e Patrick Simmons
chitarra steel :
Jeff “Skunk” Baxter
congas , piatti e timbales :
Michael Hossack
membranofono :
John Hartman (drummer for the Doobie Brothers) e Michael Hossack
organo , pianoforte e tastiera :
Bill Payne
percussione :
John Hartman (drummer for the Doobie Brothers) e Ted Templeman
sintetizzatore :
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”) e Patrick Simmons
sintetizzatore ospite :
Malcolm Cecil e Robert Margouleff
voce:
John Hartman (drummer for the Doobie Brothers), Tom Johnston (guitarist and vocalist with “The Doobie Brothers”), Tiran Porter e Patrick Simmons
arrangiatore archi :
Nick de Caro
arrangiatore basso :
Tiran Porter
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (, nel 1973) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1973)
registrata presso:
Warner Brothers Studios, North Hollywood in Hollywood, Los Angeles, California, Stati Uniti
registrazione di:
China Grove
paroliere e compositore:
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
The Doobie Brothers4.653:15
8Rock & Roll (Loaded original stereo album)
The Velvet Underground4:41
9Hush
tecnico:
Barry Ainsworth (engineer)
produttore e tecnico di missaggio:
Derek Lawrence (British producer)
basso elettrico :
Nick Simper (il 1968-05-11)
batteria :
Ian Paice (il 1968-05-11)
chitarra elettrica :
Ritchie Blackmore (il 1968-05-11)
organo Hammond e voce di accompagnamento:
Jon Lord (il 1968-05-11)
voce principale:
Rod Evans (il 1968-05-11)
diritti fonografici (℗) detenuti da:
HEC Enterprises Ltd. (nel 1968)
registrata presso:
Pye Studios in London (Greater London), England, Regno Unito (il 1968-05-11)
registrazione cover di:
Hush (South, Royal, Deep Purple) (il 1968-05-11)
paroliere e compositore:
Joe South (fino al 1967)
editore:
BMG Music Publishing Ltd., BMG Ufa (not for release label use! this is a music publisher), Lowery-Chappell Music e Sony/ATV Music Publishing Australia Pty Ltd.
Deep Purple4.24:25
10Smokin’ in the Boys Room
Brownsville Station2:57
11Run Run Run
tecnico:
Chris Hinshaw
produttore:
Tom Dowd e Jo Jo Gunne (US band active 1971–1975)
basso :
Mark Andes
batteria :
William “Curly” Smith (Jo Jo Gunne musician)
chitarra :
Matt Andes
tastiera :
Jay Ferguson (Californian rock & roll artist, member of Spirit & Jo Jo Gunne)
voce:
Mark Andes, Matt Andes, Jay Ferguson (Californian rock & roll artist, member of Spirit & Jo Jo Gunne) e William “Curly” Smith (Jo Jo Gunne musician)
remixer:
Tom Dowd
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1972)
registrazione di:
Run Run Run
autore:
Matt Andes e Jay Ferguson (Californian rock & roll artist, member of Spirit & Jo Jo Gunne)
editore:
Bulge Music e Hollenbeck Music
Jo Jo Gunne32:33
12Roxette
registrazione di:
Roxette
compositore:
Wilko Johnson
editore:
EMI United Partnership Ltd.
Dr. Feelgood2:55
13Blitzkrieg Bop
assistente tecnico:
Don Hünerberg
tecnico:
Rob Freeman (engineer)
produttore:
Craig Leon (musician, arranger, composer and producer)
produttore associato:
Thomas Erdelyi (Tommy Ramone)
batteria :
Tommy Ramone
chitarra :
Johnny Ramone
chitarra basso :
Dee Dee Ramone
voce principale:
Joey Ramone
registrata presso:
Plaza Sound Studios in New York, New York, Stati Uniti
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 25), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 64), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 92) e Indie 88: Top 500 Indie Rock Songs (numero: 93)
registrazione di:
Blitzkrieg Bop (nel 1976-01)
autore:
Douglas Glenn Colvin, Thomas Erdelyi (Tommy Ramone), Jeffrey Hyman e John Cummings
editore:
Bleu Disque Music Co., Inc. (publisher) e Taco Tunes Inc.
Ramones4.652:12
14Tom Sawyer
assistente tecnico:
Robbie Whelan
tecnico:
Paul Northfield
produttore:
Terry Brown (producer) e Rush (Canadian rock trio)
batteria e percussione :
Neil Peart (dal 1980-10 al 1980-11)
chitarra :
Alex Lifeson (dal 1980-10 al 1980-11)
chitarra basso , minimoog , sintetizzatore e voce principale:
Geddy Lee (dal 1980-10 al 1980-11)
arrangiatore:
Terry Brown (producer) e Rush (Canadian rock trio)
diritti fonografici (℗) detenuti da:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 2022)
registrata presso e mixata presso:
Le Studio in Morin‐Heights, Québec (Quebec), Canada (dal 1980-10 al 1980-11)
parte di:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 19) e Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 91)
registrazione di:
Tom Sawyer (dal 1980-10 al 1980-11)
paroliere:
Pye Dubois e Neil Peart
compositore:
Geddy Lee e Alex Lifeson
editore:
Ole Core Music Publishing
Rush4.554:33
15Just Like Paradise
David Lee Roth4:04
16Coming of Age
assistente tecnico:
John Aguto, Ed Goodreau e Bill Kennedy (recording engineer)
tecnico e produttore:
Ron Nevison
registrata presso:
A&M Studios in Hollywood, Los Angeles, California, Stati Uniti
registrazione di:
Coming of Age (Damn Yankees)
autore:
Jack Blades (of Night Ranger), Ted Nugent e Tommy Shaw (of Styx)
Damn Yankees2.654:20
17I Don’t Love You Anymore
registrazione di:
I Don't Love You Any More
autore:
Guy Bailey e Spike (UK singer/songwriter, member of Quireboys)
The Quireboys4:58
18Hit Me With Your Best Shot
registrazione di:
Hit Me With Your Best Shot
paroliere e compositore:
Eddie Schwartz
editore:
Round Hill Songs e Sony Music Publishing (Germany) GmbH
Pat Benatar2:52

Accreditamenti

Pubblicazione

ASIN:UK: B07CCG1XK8 [info]