The In Sound From Way Out!

~ Release by Beastie Boys (see all versions of this release, 11 available)

Tracklist

1▼CD
#TitleRatingLength
1Groove Holmes
miscellaneous support:
Mark Ramos Nishita (task: master carpender)
engineer:
Mario Caldato Jr.
producer:
Beastie Boys and Mario Caldato Jr.
bass:
MCA
clavichord, keyboard [D6], organ and Wurlitzer electric piano [wurlitzer]:
Mark Ramos Nishita
congas [conga] and cuíca [cuica]:
Juanito Vazquez
drums (drum set) [drums]:
Mike D (member of Beastie Boys)
guitar:
Adrock
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1992)
recorded at and mixed at:
G-Son Studios in Atwater Village, Los Angeles, California, United States
engineered at:
PCP Labs
recording of:
Groove Holmes
writer:
Adam Horovitz, Michael Diamond (member of Beastie Boys), Mark Ramos‐Nishita and Adam Yauch
publisher:
Brooklyn Dust Music
3.652:32
2Sabrosa
assistant engineer:
Settly (New Orleans-based instrumentalist and record producer)
engineer:
Mario Caldato Jr.
producer:
Beastie Boys
bass [Fender Jazz, Zelinger] and double bass [acoustic uprights]:
MC Adam Yauch
drums (drum set) [trap kit]:
Mike D (member of Beastie Boys)
guitar:
Adrock
keyboard:
Money Mark
percussion:
Eric Bobo
recording of:
Sabrosa
composer:
Adam Horovitz, Eric Bobo, Michael Diamond (member of Beastie Boys), Mark Ramos‐Nishita and Adam Yauch
3.353:33
3Namaste
miscellaneous support:
Mark Ramos Nishita (task: master carpender)
engineer:
Mario Caldato Jr.
producer:
Beastie Boys and Mario Caldato Jr.
bass:
MCA
clavichord, keyboard [D6], organ and Wurlitzer electric piano [wurlitzer]:
Mark Ramos Nishita
drums (drum set) [drums]:
Mike D (member of Beastie Boys)
guitar:
Adrock
percussion:
James Bradley, Jr.
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1992)
recorded at and mixed at:
G-Son Studios in Atwater Village, Los Angeles, California, United States
engineered at:
PCP Labs
recording of:
Namaste
writer:
Adam Horovitz, Michael Diamond (member of Beastie Boys), Mark Ramos‐Nishita and Adam Yauch
publisher:
Brooklyn Dust Music
33:59
4Pow
miscellaneous support:
Mark Ramos Nishita (task: master carpender)
engineer:
Mario Caldato Jr.
producer:
Beastie Boys and Mario Caldato Jr.
bass:
MCA
clavichord, keyboard [D6], organ and Wurlitzer electric piano [wurlitzer]:
Mark Ramos Nishita
drums (drum set) [drums]:
Mike D (member of Beastie Boys)
guitar:
Adrock
percussion:
James Bradley, Jr.
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1992)
recorded at and mixed at:
G-Son Studios in Atwater Village, Los Angeles, California, United States
engineered at:
PCP Labs
recording of:
Pow
writer:
Adam Horovitz, Mario Caldato Jr., Michael Diamond (member of Beastie Boys) and Adam Yauch
publisher:
Brooklyn Dust Music
32:16
5Son of Neckbone
engineer:
Mario Caldato Jr.
producer:
Beastie Boys and Mario Caldato Jr.
performer:
Eric Bobo and Mark Ramos‐Nishita
recording of:
Son of Neckbone
composer:
Adam Horovitz, Eric Bobo, Michael Diamond (member of Beastie Boys), Mark Ramos‐Nishita and Adam Yauch
33:24
6In 3’s
miscellaneous support:
Mark Ramos Nishita (task: master carpender)
engineer:
Mario Caldato Jr.
producer:
Beastie Boys and Mario Caldato Jr.
bass:
MCA
Batá drum [bata'] and shekere [shakeree]:
Arturo (Ture) Oliva
clavichord, keyboard [D6], organ and Wurlitzer electric piano [wurlitzer]:
Mark Ramos Nishita
drums (drum set) [drums]:
Mike D (member of Beastie Boys)
guitar:
Adrock
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1992)
recorded at and mixed at:
G-Son Studios in Atwater Village, Los Angeles, California, United States
engineered at:
PCP Labs
recording of:
In 3’s
writer:
Adam Horovitz, Michael Diamond (member of Beastie Boys), Mark Ramos‐Nishita and Adam Yauch
publisher:
Brooklyn Dust Music
3.552:19
7Eugene’s Lament
assistant engineer:
Settly (New Orleans-based instrumentalist and record producer)
engineer:
Mario Caldato Jr.
bass [Fender Jazz, Zelinger] and double bass [acoustic uprights]:
MC Adam Yauch
drums (drum set) [trap kit]:
Mike D (member of Beastie Boys)
guitar:
Adrock
keyboard:
Money Mark
percussion:
Eric Bobo
violin:
Eugene Gore
recording of:
Eugene’s Lament
composer:
Adam Horovitz, Eric Bobo, Eugene Gore, Michael Diamond (member of Beastie Boys), Mark Ramos‐Nishita and Adam Yauch
2.82:11
8Bobo on the Corner
assistant engineer:
Settly (New Orleans-based instrumentalist and record producer)
engineer:
Mario Caldato Jr.
bass [Fender Jazz, Zelinger] and double bass [acoustic uprights]:
MC Adam Yauch
drums (drum set) [trap kit]:
Mike D (member of Beastie Boys)
guitar:
Adrock
keyboard:
Money Mark
percussion:
Eric Bobo
recording of:
Bobo on the Corner
composer:
Ad‐Rock, Mike D (member of Beastie Boys), Eric Bobo, Mark Ramos‐Nishita and Adam Yauch
31:18
9Shambala
recording of:
Shambala
composer:
Adam Horovitz, Eric Bobo, Michael Diamond (member of Beastie Boys), Mark Ramos‐Nishita and Adam Yauch
3:16
10Lighten Up
miscellaneous support:
Mark Ramos Nishita (task: master carpender)
engineer:
Mario Caldato Jr.
producer:
Beastie Boys and Mario Caldato Jr.
bass:
MCA
Batá drum [bata'] and shekere [shakeree]:
Arturo (Ture) Oliva
clavichord, keyboard [D6], organ and Wurlitzer electric piano [wurlitzer]:
Mark Ramos Nishita
congas [conga] and cuíca [cuica]:
Juanito Vazquez
drums (drum set) [drums]:
Mike D (member of Beastie Boys)
guitar:
Adrock
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1992)
recorded at and mixed at:
G-Son Studios in Atwater Village, Los Angeles, California, United States
engineered at:
PCP Labs
recording of:
Lighten Up
writer:
Adam Horovitz, Michael Diamond (member of Beastie Boys), Mark Ramos‐Nishita and Adam Yauch
publisher:
Brooklyn Dust Music
3.22:46
11Ricky’s Theme
assistant engineer:
Settly (New Orleans-based instrumentalist and record producer)
engineer:
Mario Caldato Jr.
bass [Fender Jazz, Zelinger] and double bass [acoustic uprights]:
MC Adam Yauch
drums (drum set) [trap kit]:
Mike D (member of Beastie Boys)
guitar:
Adrock
keyboard:
Money Mark
percussion:
Eric Bobo
music video for:
Ricky’s Theme by Beastie Boys
recording of:
Ricky’s Theme
composer:
Adam Horovitz, Eric Bobo, Michael Diamond (member of Beastie Boys), Mark Ramos‐Nishita and Adam Yauch
3.753:45
12Transitions
recording of:
Transitions
composer:
Adam Horovitz, Michael Diamond (member of Beastie Boys), Mark Ramos‐Nishita and Adam Yauch
42:35
13Drinkin’ Wine
recording of:
Drinkin’ Wine
lyricist and composer:
Adam Horovitz, Mario Caldato Jr., Michael Diamond (member of Beastie Boys), Mark Ramos‐Nishita and Adam Yauch
4:42
14Get It Together (Buck Wild inst.)
instrumental recording of:
Get It Together
writer:
Adam Horovitz, Kamaal Ibn John Fareed (NYC-based hip hop artist Q-Tip), Michael Diamond (member of Beastie Boys) and Adam Yauch
publisher:
Brooklyn Dust Music, Jazz Merchant Music (Publishing company related to Q-Tip), Universal Music–Z Tunes LLC and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
4:19
15Get It Together (A.B.A. inst.)
instrumental recording of:
Get It Together
writer:
Adam Horovitz, Kamaal Ibn John Fareed (NYC-based hip hop artist Q-Tip), Michael Diamond (member of Beastie Boys) and Adam Yauch
publisher:
Brooklyn Dust Music, Jazz Merchant Music (Publishing company related to Q-Tip), Universal Music–Z Tunes LLC and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
3:53
16Sure Shot (European b‐box mix inst.)
instrumental recording of:
Sure Shot
additional writer:
Jeremy Steig
writer:
Ad‐Rock, Mario Caldato Jr., Mike D (member of Beastie Boys), DJ Hurricane and Adam Yauch
3:03
17Sure Shot (Large Professor inst.)
instrumental recording of:
Sure Shot
additional writer:
Jeremy Steig
writer:
Ad‐Rock, Mario Caldato Jr., Mike D (member of Beastie Boys), DJ Hurricane and Adam Yauch
3:02