Luboshutz and Nemenoff: The Art of Duo-Piano Playing

~ Release by Pierre Luboshutz, Genia Nemenoff (see all versions of this release, 1 available)

Tracklist

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1▼CD
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1Sonata for Two Pianos in D, K. 448: I. Allegro con spirito
piano:
Pierre Luboshutz (Russian concert pianist) (on 1940-02-09) and Genia Nemenoff (classical concert pianist) (on 1940-02-09)
recorded at:
RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, United States (on 1940-02-09: piano)
recording of:
Sonata for 2 Pianos in D major, K. 375a/448: I. Allegro con spirito (on 1949-02-09)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1781)
arrangement of:
Sonata for 2 Pianos in D major, K. 375a/448: I. Allegro con spirito (catch-all for arrangements)
part of:
Sonata for 2 Pianos in D major, K. 375a/448
Wolfgang Amadeus Mozart5:32
2Sonata for Two Pianos in D, K. 448: II. Andante
piano:
Pierre Luboshutz (Russian concert pianist) (on 1940-02-09) and Genia Nemenoff (classical concert pianist) (on 1940-02-09)
recorded at:
RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, United States (on 1940-02-09: piano)
recording of:
Sonata for 2 Pianos in D major, K. 375a/448: II. Andante (on 1940-02-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Sonata for 2 Pianos in D major, K. 375a/448
Wolfgang Amadeus Mozart7:38
3Sonata for Two Pianos in D, K. 448: III. Allegro molto
piano:
Pierre Luboshutz (Russian concert pianist) (on 1940-02-09) and Genia Nemenoff (classical concert pianist) (on 1940-02-09)
recorded at:
RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, United States (on 1940-02-09: piano)
recording of:
Sonata for 2 Pianos in D major, K. 375a/448: III. Allegro molto & Coda (on 1940-02-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Sonata for 2 Pianos in D major, K. 375a/448
Wolfgang Amadeus Mozart5:55
4Piano Concerto no. 10 in E-flat for Two Pianos, K. 365/316A: I. Allegro
piano:
Pierre Luboshutz (Russian concert pianist) (on 1938-10-25) and Genia Nemenoff (classical concert pianist) (on 1938-10-25)
orchestra:
Boston Symphony Orchestra (on 1938-10-25)
conductor:
Serge Koussevitzky (Serge Koussevitsky) (on 1938-10-25)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1938-10-25: piano)
recording of:
Concerto for 2 Pianos & Orchestra no. 10 in E-flat major, K. 316a/365: I. Allegro (on 1938-10-25)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1779)
part of:
Concerto for 2 Pianos & Orchestra no. 10 in E-flat major, K. 316a/365
Wolfgang Amadeus Mozart10:08
5Piano Concerto no. 10 in E-flat for Two Pianos, K. 365/316A: II. Andante
piano:
Pierre Luboshutz (Russian concert pianist) (on 1938-10-25) and Genia Nemenoff (classical concert pianist) (on 1938-10-25)
orchestra:
Boston Symphony Orchestra (on 1938-10-25)
conductor:
Serge Koussevitzky (Serge Koussevitsky) (on 1938-10-25)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1938-10-25: piano)
recording of:
Concerto for 2 Pianos & Orchestra no. 10 in E-flat major, K. 316a/365: II. Andante (on 1938-10-25)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1779)
part of:
Concerto for 2 Pianos & Orchestra no. 10 in E-flat major, K. 316a/365
Wolfgang Amadeus Mozart7:36
6Piano Concerto no. 10 in E-flat for Two Pianos, K. 365/316A: III. Rondo: Allegro
piano:
Pierre Luboshutz (Russian concert pianist) (on 1938-10-25) and Genia Nemenoff (classical concert pianist) (on 1938-10-25)
orchestra:
Boston Symphony Orchestra (on 1938-10-25)
conductor:
Serge Koussevitzky (Serge Koussevitsky) (on 1938-10-25)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1938-10-25: piano)
recording of:
Concerto for 2 Pianos & Orchestra no. 10 in E-flat major, K. 316a/365: III. Rondo. Allegro (on 1938-10-25)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1779)
part of:
Concerto for 2 Pianos & Orchestra no. 10 in E-flat major, K. 316a/365
Wolfgang Amadeus Mozart7:00
7Rondo for Two Pianos in C, op. posth. 73
piano:
Pierre Luboshutz (Russian concert pianist) (on 1945-06-12) and Genia Nemenoff (classical concert pianist) (on 1945-06-12)
recorded at:
RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, United States (on 1945-06-12: piano)
recording of:
Rondo in C major for two pianos, op. 73 (on 1945-06-12)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1828)
part of:
Works of Fryderyk Chopin by opus number (number: op. 73)
Fryderyk Chopin8:52
8Andante and Variations in B-flat, op. 46
piano:
Pierre Luboshutz (Russian concert pianist) (on 1945-06-11) and Genia Nemenoff (classical concert pianist) (on 1945-06-11)
recorded at:
RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, United States (on 1945-06-11: piano)
recording of:
Andante und Variationen, op. 46 (for two pianos) (on 1945-06-11)
composer:
Robert Schumann (German classical composer) (in 1843)
piano arranger:
Robert Schumann (German classical composer) (in 1843)
part of:
Works of Robert Schumann by opus number (number: op. 46)
arrangement of:
Andante und Variationen, WoO 10 (for horn, 2 cellos and 2 pianos)
Robert Schumann13:03
9Allegro Brilliant in A, op. 92
piano:
Pierre Luboshutz (Russian concert pianist) (on 1945-06-12) and Genia Nemenoff (classical concert pianist) (on 1945-06-12)
recorded at:
RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, United States (on 1945-06-12: piano)
recording of:
Allegro brillant, op. 92 (on 1945-06-12)
composer:
Felix Mendelssohn (composer) (in 1841)
part of:
Works of Felix Mendelssohn by opus number (number: op. 92) and Felix Mendelssohn Bartholdy: Thematisch-systematisches Verzeichnis der musikalischen Werke (MWV) (number: MWV T 4)
Felix Mendelssohn / Pierre Luboshutz7:47
10Scherzo from A Midsummer Night's Dream, op. 61
piano:
Pierre Luboshutz (Russian concert pianist) (on 1941-02-21) and Genia Nemenoff (classical concert pianist) (on 1941-02-21)
recorded at:
RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, United States (on 1941-02-21: piano)
recording of:
Scherzo from A Midsummer Night's Dream, op. 61 (transcription for 2 pianos) (on 1941-02-21)
composer:
Felix Mendelssohn (composer)
arranger:
Isidor Philipp (French pianist and composer)
is based on:
Ein Sommernachtstraum, op. 61: 1. Scherzo. Allegro vivace
Felix Mendelssohn / Isidor Philipp4:09
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1The Bat — A Fantasy from Johann Strauss's Die Fledermaus
piano:
Pierre Luboshutz (Russian concert pianist) (in 1959) and Genia Nemenoff (classical concert pianist) (in 1959)
recording of:
The Bat — A Fantasy from Johann Strauss's Die Fledermaus (in 1959)
composer:
Pierre Luboshutz (Russian concert pianist)
is based on:
Die Fledermaus
Pierre Luboshutz9:34
2Waltzes from Der Rosenkavalier, op. 56
piano:
Pierre Luboshutz (Russian concert pianist) (on 1949-12-27) and Genia Nemenoff (classical concert pianist) (on 1949-12-27)
recorded at:
RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, United States (on 1949-12-27: piano)
recording of:
Walzerfolge aus »Der Rosenkavalier« (arr. Victor Babin for two pianos) (on 1949-12-27)
composer:
Richard Strauss (German composer)
arranger:
Victor Babin (Russian-American pianist and composer)
Richard Strauss / Victor Babin5:09
3Rondo from Sonata no. 3 in D minor for Violin and Piano
piano:
Pierre Luboshutz (Russian concert pianist) (in 1952) and Genia Nemenoff (classical concert pianist) (in 1952)
arranger:
Pierre Luboshutz (Russian concert pianist)
recording of:
Sonata, op. 10 no. 3 in G major: II. Rondo - Presto (catch-all for arrangements) (in 1952)
composer:
Carl Maria von Weber (composer)
arrangement of:
Sonata, op. 10 no. 3 in G major: II. Rondo - Presto
Carl Maria von Weber / Pierre Luboshutz2:45
4Overture from Le nozze di Figaro, K. 492
piano:
Pierre Luboshutz (Russian concert pianist) (on 1941-02-21) and Genia Nemenoff (classical concert pianist) (on 1941-02-21)
recorded at:
RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, United States (on 1941-02-21: piano)
recording of:
Le nozze di Figaro, K. 492: Sinfonia (for two pianos, Conus) (on 1941-02-21)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
arranger:
Лев Эдуардович Конюс (Lev Conus, Russian pianist)
arrangement of:
Le nozze di Figaro, K. 492: Sinfonia
Wolfgang Amadeus Mozart / Konus3:47
5Largo al factotum from Il barbiere di Siviglia
piano:
Pierre Luboshutz (Russian concert pianist) (on 1945-06-12) and Genia Nemenoff (classical concert pianist) (on 1945-06-12)
recorded at:
RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, United States (on 1945-06-12: piano)
recording of:
Il barbiere di Siviglia: “Largo al factotum” (for two pianos, Kovacs) (on 1945-06-12)
composer:
Gioachino Rossini (composer)
arranger:
Stephen Kovacs (pianist)
arrangement of:
Il barbiere di Siviglia: Atto I, N°2. Cavatina “Largo al factotum” (Figaro) (Arie des Figaro)
Gioachino Rossini / Stephen Kovacs3:05
6Passacaglia from Suite no. 7 in G minor, HWV 432
piano:
Pierre Luboshutz (Russian concert pianist) (from 1941-02-21 until 1941-03-03) and Genia Nemenoff (classical concert pianist) (from 1941-02-21 until 1941-03-03)
arranger:
Pierre Luboshutz (Russian concert pianist)
recorded at:
RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, United States (from 1941-02-21 until 1941-03-03: piano)
recording of:
Suite de pièce in G minor, Vol. 1 no. 7, HWV 432: VI. Passacaglia. Allegro commodo (catch-all for arrangements) (from 1941-02-21 until 1941-03-03)
composer:
George Frideric Handel (German‐British baroque composer)
arrangement of:
Suite de pièce in G minor, Vol. 1 no. 7, HWV 432: VI. Passacaglia. Allegro commodo
George Frideric Handel / Pierre Luboshutz8:03
7Scaramouche, op. 165b: I. Vif
piano:
Pierre Luboshutz (Russian concert pianist) (on 1949-06-01) and Genia Nemenoff (classical concert pianist) (on 1949-06-01)
recorded at:
RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, United States (on 1949-06-01: piano)
recording of:
Scaramouche, op. 165b: I. Vif (for two pianos) (on 1949-06-01)
composer:
Darius Milhaud (composer)
part of:
Scaramouche, op. 165b (for two pianos)
Darius Milhaud2:59
8Scaramouche, op. 165b: II. Modéré
piano:
Pierre Luboshutz (Russian concert pianist) (on 1949-06-01) and Genia Nemenoff (classical concert pianist) (on 1949-06-01)
recorded at:
RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, United States (on 1949-06-01: piano)
recording of:
Scaramouche, op. 165b: II. Modéré (for two pianos) (on 1941-06-01)
composer:
Darius Milhaud (composer)
part of:
Scaramouche, op. 165b (for two pianos)
Darius Milhaud3:56
9Scaramouche, op. 165b: III. Brazileira: Mouvement de samba
piano:
Pierre Luboshutz (Russian concert pianist) (on 1949-06-01) and Genia Nemenoff (classical concert pianist) (on 1949-06-01)
recorded at:
RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, United States (on 1949-06-01: piano)
recording of:
Scaramouche, op. 165b: III. Brazileira (Mouvement de samba) (for two pianos) (on 1941-06-01)
composer:
Darius Milhaud (composer)
part of:
Scaramouche, op. 165b (for two pianos)
Darius Milhaud2:16
10Valse tzigane, op. 7
piano:
Pierre Luboshutz (Russian concert pianist) (on 1940-02-08) and Genia Nemenoff (classical concert pianist) (on 1940-02-08)
recorded at:
RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, United States (on 1940-02-08: piano)
recording of:
Valse tzigane, op. 7 (on 1940-02-08)
composer:
Mischa Levitzki
Mischa Levitzki2:22
11Danza ritual del fuego from El amor brujo
piano:
Pierre Luboshutz (Russian concert pianist) (on 1941-10-08) and Genia Nemenoff (classical concert pianist) (on 1941-10-08)
arranger:
Pierre Luboshutz (Russian concert pianist)
recorded at:
RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, United States (on 1941-10-08: piano)
recording of:
El amor brujo: VIII. Danza ritual del fuego (catch-all for arrangements) (on 1941-10-08)
composer:
Manuel de Falla (Spanish composer)
arrangement of:
El amor brujo: VIII. Danza ritual del fuego
Manuel de Falla / Pierre Luboshutz3:08
12Tambourin Chinois, op. 3
piano:
Pierre Luboshutz (Russian concert pianist) (on 1945-06-12) and Genia Nemenoff (classical concert pianist) (on 1945-06-12)
arranger:
Pierre Luboshutz (Russian concert pianist)
recorded at:
RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, United States (on 1945-06-12: piano)
recording of:
Tambourin chinois, op. 3 (catch-all for arrangements) (on 1945-06-12)
composer:
Fritz Kreisler (Austrian‐American violinist and composer)
arrangement of:
Tambourin chinois, op. 3 (original, for violin and piano)
Fritz Kreisler / Pierre Luboshutz3:36
13The Lark
piano:
Pierre Luboshutz (Russian concert pianist) (on 1941-03-03) and Genia Nemenoff (classical concert pianist) (on 1941-03-03)
arranger:
Pierre Luboshutz (Russian concert pianist)
recorded at:
RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, United States (on 1941-03-03: piano)
recording of:
A Farewell to Saint Petersburg: No. 10. The Lark (Жаворонок) (catch-all for arrangements) (on 1941-03-03)
composer:
Михаил Иванович Глинка (Mikhail Glinka, Russian composer)
arrangement of:
A Farewell to Saint Petersburg: No. 10. The Lark (Жаворонок)
Mikhail Glinka / Pierre Luboshutz5:31
14Orientale from Kaleidoscope, op. 50, no. 9
piano:
Pierre Luboshutz (Russian concert pianist) (on 1940-02-08) and Genia Nemenoff (classical concert pianist) (on 1940-02-08)
arranger:
Pierre Luboshutz (Russian concert pianist)
recorded at:
RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, United States (on 1940-02-08: piano)
recording of:
Kaleidoscope, op. 50: No. 9. Orientale (catch-all for arrangements) (on 1940-02-08)
composer:
Цезарь Антонович Кюи (composer)
arrangement of:
Kaleidoscope, op. 50: No. 9. Orientale
César Antonovich Cui / Pierre Luboshutz2:58
15Danse russe from Petrouchka
piano:
Pierre Luboshutz (Russian concert pianist) (on 1939-09-15) and Genia Nemenoff (classical concert pianist) (on 1939-09-15)
arranger:
Pierre Luboshutz (Russian concert pianist)
recorded at:
RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, United States (on 1939-09-15: piano)
recording of:
Pétrouchka : Tableau Ic. Danse russe (catch-all for arrangements) (on 1939-09-15)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
arrangement of:
Pétrouchka : Tableau Ic. Danse russe (1911 version)
Igor Stravinsky / Pierre Luboshutz2:32
16Coronation Scene from Boris Godunov
piano:
Pierre Luboshutz (Russian concert pianist) (on 1940-02-08) and Genia Nemenoff (classical concert pianist) (on 1940-02-08)
arranger:
Pierre Luboshutz (Russian concert pianist)
recorded at:
RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, United States (on 1940-02-08: piano)
recording of:
Boris Godunov: Prologue. "I am sick at heart" (Coronation Scene) (catch-all for arrangements) (on 1940-02-08)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer)
arrangement of:
Boris Godunov: Prologue. "I am sick at heart" (Coronation Scene)
Modest Mussorgsky / Pierre Luboshutz3:16
17Polka from Age of Gold, op. 22
piano:
Pierre Luboshutz (Russian concert pianist) (on 1941-10-06) and Genia Nemenoff (classical concert pianist) (on 1941-10-06)
arranger:
Pierre Luboshutz (Russian concert pianist)
recorded at:
RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, United States (on 1941-10-06: piano)
recording of:
Suite from "The Age of Gold", op. 22a: III. Polka (catch-all for arrangements) (on 1941-10-06)
composer:
Дмитрий Дмитриевич Шостакович (Dmitri Shostakovich, composer)
arrangement of:
Suite from "The Age of Gold", op. 22a: III. Polka
Dmitri Shostakovich / Pierre Luboshutz2:35
18Waltz from The Golden Mountains, op. 30
piano:
Pierre Luboshutz (Russian concert pianist) (on 1949-12-27) and Genia Nemenoff (classical concert pianist) (on 1949-12-27)
arranger:
Pierre Luboshutz (Russian concert pianist)
recorded at:
RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, United States (on 1949-12-27: piano)
recording of:
Suite from Golden Mountains, op. 30a: II. Waltz. Andante (catch-all for arrangements) (on 1949-12-27)
composer:
Дмитрий Дмитриевич Шостакович (Dmitri Shostakovich, composer)
arrangement of:
Suite from Golden Mountains, op. 30a: II. Waltz. Andante
Dmitri Shostakovich / Pierre Luboshutz4:29
19Finale from New Dance, op. 18
piano:
Pierre Luboshutz (Russian concert pianist) (on 1941-03-04) and Genia Nemenoff (classical concert pianist) (on 1941-03-04)
recorded at:
RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, United States (on 1941-03-04: piano)
partial recording of:
New Dance, op. 18b (on 1941-03-04)
composer:
Wallingford Riegger (American composer)
Wallingford Riegger4:43
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1Variations on a Theme of Haydn, op. 56b
piano:
Pierre Luboshutz (Russian concert pianist) (on 1941-03-04) and Genia Nemenoff (classical concert pianist) (on 1941-03-04)
recorded at:
RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, United States (on 1941-03-04: piano)
recording of:
Variations on a Theme by Joseph Haydn, op. 56b (for two pianos) (on 1941-03-04)
composer:
Johannes Brahms (German composer)
part of:
Johannes Brahms. Thematisch-Bibliographisches Werkverzeichnis (number: op. 56b)
is based on:
Divertimento in B-flat major, Hob. II:46: 2. Chorale St. Antoni
Johannes Brahms15:45
2Liebeslieder Waltzes, op. 52a: I. Rede, Mädchen
piano:
Pierre Luboshutz (Russian concert pianist) (on 1946-05-24) and Genia Nemenoff (classical concert pianist) (on 1946-05-24)
choir vocals:
Victor Chorale (RCA Victor recording chorus) (on 1946-05-24)
conductor:
Robert Shaw (conductor) (on 1946-05-24)
recorded at:
RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, United States (on 1946-05-24: choir vocals, piano)
recording of:
Liebeslieder-Walzer, op. 52: Nr. 1. Rede, Mädchen, allzu liebes (on 1946-05-24)
composer:
Johannes Brahms (German composer) (in 1869)
librettist:
Georg Friedrich Daumer
part of:
Liebeslieder-Walzer, op. 52 (Liebeslieder Waltzes, op. 52)
Johannes Brahms1:08
3Liebeslieder Waltzes, op. 52a: II. Am Gesteine rauscht die Flut
piano:
Pierre Luboshutz (Russian concert pianist) (on 1946-05-24) and Genia Nemenoff (classical concert pianist) (on 1946-05-24)
choir vocals:
Victor Chorale (RCA Victor recording chorus) (on 1946-05-24)
conductor:
Robert Shaw (conductor) (on 1946-05-24)
recorded at:
RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, United States (on 1946-05-24: choir vocals, piano)
recording of:
Liebeslieder-Walzer, op. 52: Nr. 2. Am Gesteine rauscht die Flut (on 1946-05-24)
composer:
Johannes Brahms (German composer) (in 1869)
librettist:
Georg Friedrich Daumer
part of:
Liebeslieder-Walzer, op. 52 (Liebeslieder Waltzes, op. 52)
Johannes Brahms0:41
4Liebeslieder Waltzes, op. 52a: III. O die Frauen
piano:
Pierre Luboshutz (Russian concert pianist) (on 1946-05-24) and Genia Nemenoff (classical concert pianist) (on 1946-05-24)
choir vocals:
Victor Chorale (RCA Victor recording chorus) (on 1946-05-24)
conductor:
Robert Shaw (conductor) (on 1946-05-24)
recorded at:
RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, United States (on 1946-05-24: choir vocals, piano)
recording of:
Liebeslieder-Walzer, op. 52: Nr. 3. O die Frauen (on 1946-05-24)
composer:
Johannes Brahms (German composer) (in 1869)
librettist:
Georg Friedrich Daumer
part of:
Liebeslieder-Walzer, op. 52 (Liebeslieder Waltzes, op. 52)
Johannes Brahms1:01
5Liebeslieder Waltzes, op. 52a: IV. Wie des Abends schöne Röte
piano:
Pierre Luboshutz (Russian concert pianist) (on 1946-05-24) and Genia Nemenoff (classical concert pianist) (on 1946-05-24)
choir vocals:
Victor Chorale (RCA Victor recording chorus) (on 1946-05-24)
conductor:
Robert Shaw (conductor) (on 1946-05-24)
recorded at:
RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, United States (on 1946-05-24: choir vocals, piano)
recording of:
Liebeslieder-Walzer, op. 52: Nr. 4. Wie des Abends schöne Röte (on 1946-05-24)
composer:
Johannes Brahms (German composer) (in 1869)
librettist:
Georg Friedrich Daumer
part of:
Liebeslieder-Walzer, op. 52 (Liebeslieder Waltzes, op. 52)
Johannes Brahms0:39
6Liebeslieder Waltzes, op. 52a: V. Die grüne Hopfenranke
piano:
Pierre Luboshutz (Russian concert pianist) (on 1946-05-24) and Genia Nemenoff (classical concert pianist) (on 1946-05-24)
choir vocals:
Victor Chorale (RCA Victor recording chorus) (on 1946-05-24)
conductor:
Robert Shaw (conductor) (on 1946-05-24)
recorded at:
RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, United States (on 1946-05-24: choir vocals, piano)
recording of:
Liebeslieder-Walzer, op. 52: Nr. 5. Die grüne Hopfenranke (on 1946-05-24)
composer:
Johannes Brahms (German composer) (in 1869)
librettist:
Georg Friedrich Daumer
part of:
Liebeslieder-Walzer, op. 52 (Liebeslieder Waltzes, op. 52)
Johannes Brahms1:27
7Liebeslieder Waltzes, op. 52a: VI. Ein kleiner, hübscher Vogel
piano:
Pierre Luboshutz (Russian concert pianist) (on 1946-05-24) and Genia Nemenoff (classical concert pianist) (on 1946-05-24)
choir vocals:
Victor Chorale (RCA Victor recording chorus) (on 1946-05-24)
conductor:
Robert Shaw (conductor) (on 1946-05-24)
recorded at:
RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, United States (on 1946-05-24: choir vocals, piano)
recording of:
Liebeslieder-Walzer, op. 52: Nr. 6. Ein kleiner, hübscher Vogel (on 1946-05-24)
composer:
Johannes Brahms (German composer) (in 1869)
librettist:
Georg Friedrich Daumer
part of:
Liebeslieder-Walzer, op. 52 (Liebeslieder Waltzes, op. 52)
Johannes Brahms2:19
8Liebeslieder Waltzes, op. 52a: VII. Wohl schön bewandt war es
piano:
Pierre Luboshutz (Russian concert pianist) (on 1946-05-24) and Genia Nemenoff (classical concert pianist) (on 1946-05-24)
choir vocals:
Victor Chorale (RCA Victor recording chorus) (on 1946-05-24)
conductor:
Robert Shaw (conductor) (on 1946-05-24)
recorded at:
RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, United States (on 1946-05-24: choir vocals, piano)
recording of:
Liebeslieder-Walzer, op. 52: Nr. 7. Wohl schön bewandt war es (on 1946-05-24)
composer:
Johannes Brahms (German composer) (in 1869)
librettist:
Georg Friedrich Daumer
part of:
Liebeslieder-Walzer, op. 52 (Liebeslieder Waltzes, op. 52)
Johannes Brahms1:15
9Liebeslieder Waltzes, op. 52a: VIII. Wenn so lind dein Auge mir
piano:
Pierre Luboshutz (Russian concert pianist) (on 1946-05-24) and Genia Nemenoff (classical concert pianist) (on 1946-05-24)
choir vocals:
Victor Chorale (RCA Victor recording chorus) (on 1946-05-24)
conductor:
Robert Shaw (conductor) (on 1946-05-24)
recorded at:
RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, United States (on 1946-05-24: choir vocals, piano)
recording of:
Liebeslieder-Walzer, op. 52: Nr. 8. Wenn so lind dein Auge mir (on 1946-05-24)
composer:
Johannes Brahms (German composer) (in 1869)
librettist:
Georg Friedrich Daumer
part of:
Liebeslieder-Walzer, op. 52 (Liebeslieder Waltzes, op. 52)
Johannes Brahms1:11
10Liebeslieder Waltzes, op. 52a: IX. Am Donaustrande
piano:
Pierre Luboshutz (Russian concert pianist) (on 1946-05-24) and Genia Nemenoff (classical concert pianist) (on 1946-05-24)
choir vocals:
Victor Chorale (RCA Victor recording chorus) (on 1946-05-24)
conductor:
Robert Shaw (conductor) (on 1946-05-24)
recorded at:
RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, United States (on 1946-05-24: choir vocals, piano)
recording of:
Liebeslieder-Walzer, op. 52: Nr. 9. Am Donaustrande (on 1946-05-24)
composer:
Johannes Brahms (German composer) (in 1869)
librettist:
Georg Friedrich Daumer
part of:
Liebeslieder-Walzer, op. 52 (Liebeslieder Waltzes, op. 52)
Johannes Brahms1:49
11Liebeslieder Waltzes, op. 52a: X. O wie sanft die Quelle
piano:
Pierre Luboshutz (Russian concert pianist) (on 1946-05-24) and Genia Nemenoff (classical concert pianist) (on 1946-05-24)
choir vocals:
Victor Chorale (RCA Victor recording chorus) (on 1946-05-24)
conductor:
Robert Shaw (conductor) (on 1946-05-24)
recorded at:
RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, United States (on 1946-05-24: choir vocals, piano)
recording of:
Liebeslieder-Walzer, op. 52: Nr. 10. O, wie sanft die Quelle (on 1946-05-24)
composer:
Johannes Brahms (German composer) (in 1869)
librettist:
Georg Friedrich Daumer
part of:
Liebeslieder-Walzer, op. 52 (Liebeslieder Waltzes, op. 52)
Johannes Brahms0:55
12Liebeslieder Waltzes, op. 52a: XI. Nein, es ist nicht auszukommen
piano:
Pierre Luboshutz (Russian concert pianist) (on 1946-05-24) and Genia Nemenoff (classical concert pianist) (on 1946-05-24)
choir vocals:
Victor Chorale (RCA Victor recording chorus) (on 1946-05-24)
conductor:
Robert Shaw (conductor) (on 1946-05-24)
recorded at:
RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, United States (on 1946-05-24: choir vocals, piano)
recording of:
Liebeslieder-Walzer, op. 52: Nr. 11. Nein, es ist nicht auszukommen (on 1946-05-24)
composer:
Johannes Brahms (German composer) (in 1869)
librettist:
Georg Friedrich Daumer
part of:
Liebeslieder-Walzer, op. 52 (Liebeslieder Waltzes, op. 52)
Johannes Brahms0:50
13Liebeslieder Waltzes, op. 52a: XII. Schlosser auf, und mache Schlösser
piano:
Pierre Luboshutz (Russian concert pianist) (on 1946-05-24) and Genia Nemenoff (classical concert pianist) (on 1946-05-24)
choir vocals:
Victor Chorale (RCA Victor recording chorus) (on 1946-05-24)
conductor:
Robert Shaw (conductor) (on 1946-05-24)
recorded at:
RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, United States (on 1946-05-24: choir vocals, piano)
recording of:
Liebeslieder-Walzer, op. 52: Nr. 12. Schlosser auf, und mache Schlösser (on 1946-05-24)
composer:
Johannes Brahms (German composer) (in 1869)
librettist:
Georg Friedrich Daumer
part of:
Liebeslieder-Walzer, op. 52 (Liebeslieder Waltzes, op. 52)
Johannes Brahms0:42
14Liebeslieder Waltzes, op. 52a: XIII. Vögelein durchrauscht die Luft
piano:
Pierre Luboshutz (Russian concert pianist) (on 1946-05-24) and Genia Nemenoff (classical concert pianist) (on 1946-05-24)
choir vocals:
Victor Chorale (RCA Victor recording chorus) (on 1946-05-24)
conductor:
Robert Shaw (conductor) (on 1946-05-24)
recorded at:
RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, United States (on 1946-05-24: choir vocals, piano)
recording of:
Liebeslieder-Walzer, op. 52: Nr. 13. Vöglein durchrauscht die Luft (on 1946-05-24)
composer:
Johannes Brahms (German composer) (in 1869)
librettist:
Georg Friedrich Daumer
part of:
Liebeslieder-Walzer, op. 52 (Liebeslieder Waltzes, op. 52)
Johannes Brahms0:37
15Liebeslieder Waltzes, op. 52a: XIV. Sieh, wie ist die Welle klar
piano:
Pierre Luboshutz (Russian concert pianist) (on 1946-05-24) and Genia Nemenoff (classical concert pianist) (on 1946-05-24)
choir vocals:
Victor Chorale (RCA Victor recording chorus) (on 1946-05-24)
conductor:
Robert Shaw (conductor) (on 1946-05-24)
recorded at:
RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, United States (on 1946-05-24: choir vocals, piano)
recording of:
Liebeslieder-Walzer, op. 52: Nr. 14. Sieh', wie ist die Welle klar (on 1946-05-24)
composer:
Johannes Brahms (German composer) (in 1869)
librettist:
Georg Friedrich Daumer
part of:
Liebeslieder-Walzer, op. 52 (Liebeslieder Waltzes, op. 52)
Johannes Brahms0:57
16Liebeslieder Waltzes, op. 52a: XV. Nachtigall, sie singt so schön
piano:
Pierre Luboshutz (Russian concert pianist) (on 1946-05-24) and Genia Nemenoff (classical concert pianist) (on 1946-05-24)
choir vocals:
Victor Chorale (RCA Victor recording chorus) (on 1946-05-24)
conductor:
Robert Shaw (conductor) (on 1946-05-24)
recorded at:
RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, United States (on 1946-05-24: choir vocals, piano)
recording of:
Liebeslieder-Walzer, op. 52: Nr. 15. Nachtigall, sie singt so schön (on 1946-05-24)
composer:
Johannes Brahms (German composer) (in 1869)
librettist:
Georg Friedrich Daumer
part of:
Liebeslieder-Walzer, op. 52 (Liebeslieder Waltzes, op. 52)
Johannes Brahms1:24
17Liebeslieder Waltzes, op. 52a: XVI. Ein dunkeler Schacht ist Liebe
piano:
Pierre Luboshutz (Russian concert pianist) (on 1946-05-24) and Genia Nemenoff (classical concert pianist) (on 1946-05-24)
choir vocals:
Victor Chorale (RCA Victor recording chorus) (on 1946-05-24)
conductor:
Robert Shaw (conductor) (on 1946-05-24)
recorded at:
RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, United States (on 1946-05-24: choir vocals, piano)
recording of:
Liebeslieder-Walzer, op. 52: Nr. 16. Ein dunkeler Schacht ist Liebe (on 1946-05-24)
composer:
Johannes Brahms (German composer) (in 1869)
librettist:
Georg Friedrich Daumer
part of:
Liebeslieder-Walzer, op. 52 (Liebeslieder Waltzes, op. 52)
Johannes Brahms1:06
18Liebeslieder Waltzes, op. 52a: XVII. Nicht wandle, mein Licht
piano:
Pierre Luboshutz (Russian concert pianist) (on 1946-05-24) and Genia Nemenoff (classical concert pianist) (on 1946-05-24)
choir vocals:
Victor Chorale (RCA Victor recording chorus) (on 1946-05-24)
conductor:
Robert Shaw (conductor) (on 1946-05-24)
recorded at:
RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, United States (on 1946-05-24: choir vocals, piano)
recording of:
Liebeslieder-Walzer, op. 52: Nr. 17. Nicht wandle, mein Licht (on 1946-05-24)
composer:
Johannes Brahms (German composer) (in 1869)
librettist:
Georg Friedrich Daumer
part of:
Liebeslieder-Walzer, op. 52 (Liebeslieder Waltzes, op. 52)
Johannes Brahms1:51
19Liebeslieder Waltzes, op. 52a: XVIII. Es bebet das Gesträuche
piano:
Pierre Luboshutz (Russian concert pianist) (on 1946-05-24) and Genia Nemenoff (classical concert pianist) (on 1946-05-24)
choir vocals:
Victor Chorale (RCA Victor recording chorus) (on 1946-05-24)
conductor:
Robert Shaw (conductor) (on 1946-05-24)
recorded at:
RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, United States (on 1946-05-24: choir vocals, piano)
recording of:
Liebeslieder-Walzer, op. 52: Nr. 18. Es bebet das Gesträuche (on 1946-05-24)
composer:
Johannes Brahms (German composer) (in 1869)
librettist:
Georg Friedrich Daumer
part of:
Liebeslieder-Walzer, op. 52 (Liebeslieder Waltzes, op. 52)
Johannes Brahms1:14
20Perpetual Motion on Brahms' Vergebliches Ständchen
piano:
Pierre Luboshutz (Russian concert pianist) (in 1952) and Genia Nemenoff (classical concert pianist) (in 1952)
recording of:
Perpetual Motion on a Theme of Brahms (in 1952)
composer:
Mischa Portnoff (American composer and pianist) (in 1937)
is based on:
5 Romanzen und Lieder, op. 84: Nr. 4. Vergebliches Ständchen
Mischa Portnoff3:17
21Sicilienne from Sonata for Flute and Klavier in E-flat, BWV 1031
piano:
Pierre Luboshutz (Russian concert pianist) (on 1939-09-12) and Genia Nemenoff (classical concert pianist) (on 1939-09-12)
recorded at:
RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, United States (on 1939-09-12: piano)
recording of:
Flute Sonata in E-flat major, BWV 1031: II. Siciliano (for two pianos, Luboshutz) (on 1939-09-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Pierre Luboshutz (Russian concert pianist)
arrangement of:
Flute Sonata in E-flat major, BWV 1031: II. Siciliano
Johann Sebastian Bach / Pierre Luboshutz3:25
22Organ Concerto after Vivaldi in A minor, BWV 593: I. Allegro maestoso
piano:
Pierre Luboshutz (Russian concert pianist) (on 1949-05-31) and Genia Nemenoff (classical concert pianist) (on 1949-05-31)
recorded at:
RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, United States (on 1949-05-31: piano)
recording of:
Concerto a-Moll (nach A. Vivaldi, op. 3 Nr. 8), BWV 593: I. (Allegro) (for piano, Philipp) (on 1949-05-31)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Isidor Philipp (French pianist and composer)
arrangement of:
Concerto a-Moll (nach A. Vivaldi, op. 3 Nr. 8), BWV 593: I. (Allegro)
part of:
Concerto a-Moll (nach A. Vivaldi, op. 3 Nr. 8), BWV 593 (for piano, Philipp)
Johann Sebastian Bach / Isidor Philipp4:16
23Organ Concerto after Vivaldi in A minor, BWV 593: II. Adagio
piano:
Pierre Luboshutz (Russian concert pianist) (on 1949-05-31) and Genia Nemenoff (classical concert pianist) (on 1949-05-31)
recorded at:
RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, United States (on 1949-05-31: piano)
recording of:
Concerto a-Moll (nach A. Vivaldi, op. 3 Nr. 8), BWV 593: II. Adagio (for piano, Philipp) (on 1949-05-31)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Isidor Philipp (French pianist and composer)
arrangement of:
Concerto a-Moll (nach A. Vivaldi, op. 3 Nr. 8), BWV 593: II. Adagio senza pedale à due Clav.
part of:
Concerto a-Moll (nach A. Vivaldi, op. 3 Nr. 8), BWV 593 (for piano, Philipp)
Johann Sebastian Bach / Isidor Philipp4:42
24Organ Concerto after Vivaldi in A minor, BWV 593: III. Allegro
piano:
Pierre Luboshutz (Russian concert pianist) (on 1949-05-31) and Genia Nemenoff (classical concert pianist) (on 1949-05-31)
recorded at:
RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, United States (on 1949-05-31: piano)
recording of:
Concerto a-Moll (nach A. Vivaldi, op. 3 Nr. 8), BWV 593: III. Allegro (for piano, Philipp) (on 1949-05-31)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Isidor Philipp (French pianist and composer)
arrangement of:
Concerto a-Moll (nach A. Vivaldi, op. 3 Nr. 8), BWV 593: III. Allegro
part of:
Concerto a-Moll (nach A. Vivaldi, op. 3 Nr. 8), BWV 593 (for piano, Philipp)
Johann Sebastian Bach / Isidor Philipp3:39
25Nun komm, der Heiden Heiland, BWV 61
piano:
Pierre Luboshutz (Russian concert pianist) (on 1949-06-01) and Genia Nemenoff (classical concert pianist) (on 1949-06-01)
recorded at:
RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, United States (on 1949-06-01: piano)
recording of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland": I. Coro "Nun komm, der Heiden Heiland" (for two pianos, Luboshutz) (on 1949-06-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Pierre Luboshutz (Russian concert pianist)
arrangement of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland": I. Coro "Nun komm, der Heiden Heiland"
Johann Sebastian Bach / Pierre Luboshutz4:45
26Concerto in C for Two Klaviers, BWV 1061: I. Allegro
piano:
Pierre Luboshutz (Russian concert pianist) (on 1947-07-15) and Genia Nemenoff (classical concert pianist) (on 1947-07-15)
orchestra:
Boston Symphony Orchestra (on 1947-07-15)
conductor:
Serge Koussevitzky (Serge Koussevitsky) (on 1947-07-15)
recorded at:
Tanglewood in Lenox, Massachusetts, United States (on 1947-07-15: piano)
live recording of:
Concerto in C major for Two Harpsichords, BWV 1061: I. Allegro (on 1947-06-15)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Concerto in C major for Two Harpsichords, BWV 1061
Johann Sebastian Bach7:24
27Concerto in C for Two Klaviers, BWV 1061: II. Largo
piano:
Pierre Luboshutz (Russian concert pianist) (on 1947-07-15) and Genia Nemenoff (classical concert pianist) (on 1947-07-15)
orchestra:
Boston Symphony Orchestra (on 1947-07-15)
conductor:
Serge Koussevitzky (Serge Koussevitsky) (on 1947-07-15)
recorded at:
Tanglewood in Lenox, Massachusetts, United States (on 1947-07-15: piano)
live recording of:
Concerto in C major for Two Harpsichords, BWV 1061: II. Adagio (on 1947-07-15)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Concerto in C major for Two Harpsichords, BWV 1061
Johann Sebastian Bach5:32
28Concerto in C for Two Klaviers, BWV 1061: III. Presto
piano:
Pierre Luboshutz (Russian concert pianist) (on 1947-07-15) and Genia Nemenoff (classical concert pianist) (on 1947-07-15)
orchestra:
Boston Symphony Orchestra (on 1947-07-15)
conductor:
Serge Koussevitzky (Serge Koussevitsky) (on 1947-07-15)
recorded at:
Tanglewood in Lenox, Massachusetts, United States (on 1947-07-15: piano)
live recording of:
Concerto in C major for Two Harpsichords, BWV 1061: III. Vivace (on 1947-07-15)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Concerto in C major for Two Harpsichords, BWV 1061
Johann Sebastian Bach6:40
4▼CD
#TitleArtistRatingLength
1Lindaraja
piano:
Pierre Luboshutz (Russian concert pianist) (in 1952) and Genia Nemenoff (classical concert pianist) (in 1952)
recording of:
Lindaraja, L. 97, CD 103 (for 2 pianos) (in 1952)
composer:
Claude Debussy (French composer) (in 1901-04)
premiered at:
[concert] (1926-10-28)
publisher:
Editions Jobert (in 1926-10)
part of:
Catalogue François Lesure des œuvres de Claude Debussy (Version de 1977 “L.”) (number: L. 97) and Catalogue François Lesure des œuvres de Claude Debussy (Version révisée en 2001 “CD”) (number: CD 103)
Claude Debussy5:38
2Danse Macabre, op. 40
piano:
Pierre Luboshutz (Russian concert pianist) (on 1941-10-29) and Genia Nemenoff (classical concert pianist) (on 1949-10-29)
recorded at:
RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, United States (on 1949-10-29: piano)
recording of:
Danse macabre, op. 40 (for two pianos, composer) (on 1941-10-29)
composer:
Camille Saint‐Saëns (composer) (in 1874)
arranger:
Camille Saint‐Saëns (composer)
arrangement of:
Danse macabre, op. 40 (symphonic poem for orchestra)
Camille Saint‐Saëns7:35
3Variations on a theme of Beethoven, op. 35
piano:
Pierre Luboshutz (Russian concert pianist) (on 1939-09-15) and Genia Nemenoff (classical concert pianist) (on 1939-09-15)
recorded at:
RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, United States (on 1939-09-15: piano)
recording of:
Variations on a Theme of Beethoven, op. 35 (on 1939-09-15)
composer:
Camille Saint‐Saëns (composer) (in 1874)
dedicated to:
Alfred Jaëll
part of:
Works of Camille Saint-Saëns by opus number (number: op. 35)
is based on:
Sonata for Piano no. 18 in E-flat major, op. 31 no. 3: III. Minuetto. Moderato e grazioso
Camille Saint‐Saëns15:55
4Three Pieces for Two Pianos: Ostinato
piano:
Pierre Luboshutz (Russian concert pianist) (in 1962) and Genia Nemenoff (classical concert pianist) (in 1962)
partial recording of:
Three Pieces for two pianos, op. 61 (in 1962)
composer:
Արամ Խաչատրյան (Aram Khachaturian, Soviet-Armenian composer) (in 1944)
part of:
Compositions of Aram Khachaturian (number: op. 61)
Aram Khachaturian5:01
5Three Pieces for Two Pianos: Romance
piano:
Pierre Luboshutz (Russian concert pianist) (in 1962) and Genia Nemenoff (classical concert pianist) (in 1962)
partial recording of:
Three Pieces for two pianos, op. 61 (in 1962)
composer:
Արամ Խաչատրյան (Aram Khachaturian, Soviet-Armenian composer) (in 1944)
part of:
Compositions of Aram Khachaturian (number: op. 61)
Aram Khachaturian3:37
6Three Pieces for Two Pianos: Fantastic Waltz
piano:
Pierre Luboshutz (Russian concert pianist) (in 1962) and Genia Nemenoff (classical concert pianist) (in 1962)
partial recording of:
Three Pieces for two pianos, op. 61 (in 1962)
composer:
Արամ Խաչատրյան (Aram Khachaturian, Soviet-Armenian composer) (in 1944)
part of:
Compositions of Aram Khachaturian (number: op. 61)
Aram Khachaturian3:32
7Introduction, Passacaglia and Fugue, op. 96
piano:
Pierre Luboshutz (Russian concert pianist) (in 1952) and Genia Nemenoff (classical concert pianist) (in 1952)
recording of:
Introduktion, Passacaglia und Fuge, op. 96 (2Pf) (in 1952)
composer:
Max Reger (German composer) (until 1906)
Max Reger17:52
8Concerto for Two Pianos and Orchestra: I. Molto moderato
piano:
Pierre Luboshutz (Russian concert pianist) (on 1944-04-15) and Genia Nemenoff (classical concert pianist) (on 1944-04-15)
orchestra:
The Philadelphia Orchestra (on 1944-04-15)
conductor:
Harl McDonald (American composer, conductor, pianist) (on 1944-04-15)
recording of:
Concerto for 2 Pianos: I. Molto moderato (on 1944-04-15)
composer:
Harl McDonald (American composer, conductor, pianist) (in 1936)
part of:
Concerto for 2 Pianos
Harl McDonald7:02
9Concerto for Two Pianos and Orchestra: II. Theme and Variations: Andante espressivo
piano:
Pierre Luboshutz (Russian concert pianist) (on 1944-04-15) and Genia Nemenoff (classical concert pianist) (on 1944-04-15)
orchestra:
The Philadelphia Orchestra (on 1944-04-15)
conductor:
Harl McDonald (American composer, conductor, pianist) (on 1944-04-15)
recording of:
Concerto for 2 Pianos: II. Theme and Variations: Andante espressivo (on 1944-04-15)
composer:
Harl McDonald (American composer, conductor, pianist) (in 1936)
part of:
Concerto for 2 Pianos
Harl McDonald6:48
10Concerto for Two Pianos and Orchestra: III. Juarezca: Allegro
piano:
Pierre Luboshutz (Russian concert pianist) (on 1944-04-15) and Genia Nemenoff (classical concert pianist) (on 1944-04-15)
orchestra:
The Philadelphia Orchestra (on 1944-04-15)
conductor:
Harl McDonald (American composer, conductor, pianist) (on 1944-04-15)
recording of:
Concerto for 2 Pianos: III. Juarezca: Allegro (on 1944-04-15)
composer:
Harl McDonald (American composer, conductor, pianist) (in 1936)
part of:
Concerto for 2 Pianos
Harl McDonald6:58

Credits

Release

associate producer:Scott Kessler (classical producer)
producer:Ward Marston (classical restoration, mastering)
booklet editor:Gregor Benko (classical producer/archivist)
discography entry:https://www.marstonrecords.com/collections/frontpage/products/luboshutz-nemenoff [info]