| # | Title | Artist | Rating | Length |
|---|
| 1 | I Can’t Go for That (No Can Do) | Daryl Hall & John Oates | 4 | 5:07 |
| 2 | All Around the World | Lisa Stansfield | 5 | 4:27 |
| 3 | Looking for a New Love | Jody Watley | 5 | 3:59 |
| 4 | Girlfriend | Pebbles | | 4:16 |
| 5 | Straight Up | Paula Abdul | | 4:08 |
| 6 | Tell It to My Heart | Taylor Dayne | 3.75 | 3:38 |
| 7 | Lessons in Love | Level 42 | 3.6 | 4:01 |
| 8 | Sho’ You Right | Barry White | | 4:33 |
| 9 | Party All the Time | Eddie Murphy | | 3:57 |
| 10 | Get Down on It | Kool & the Gang | 4 | 3:31 |
| 11 | I Don’t Believe You Want to Get Up and Dance (Oops Up Side Your Head) | The Gap Band | | 3:25 |
| 12 | Carribean Queen (No More Love on the Run) | Billy Ocean | 4 | 4:02 |
| 13 | Stay With Me Tonight | Jeffrey Osborne | | 4:56 |
| 14 | Lovely Day- producer:
- Clarence McDonald and Bill Withers
- bass guitar:
- Jerry Knight (in 1977)
- drums (drum set) and shakers:
- Russell Kunkel (in 1977)
- guitar:
- Ray Parker (in 1977)
- keyboard:
- Clarence McDonald (in 1977)
- percussion:
- Ralph MacDonald (in 1977)
- lead vocals:
- Bill Withers (in 1977)
- arranger:
- Clarence McDonald
- concertmaster:
- Charles Veal (in 1977)
- phonographic copyright (℗) by:
- CBS Records Ltd. (in 1977), CBS, Inc. (in 1977) and Columbia Records (in 1977)
- part of:
- Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 402)
- recording of:
- Lovely Day (in 1977)
- writer:
- Skip Scarborough and Bill Withers
- publisher:
- Chappell Music Ltd., Chelsea Music Publishing Co., Ltd., Golden Withers Music, Plaid Flowers Music, Sweet Cookie Music, Unichappell Music, Inc., Warner–Tamerlane Publishing Corp. , フジパシフィックミュージック , ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
| Bill Withers | 4.6 | 4:14 |
| 15 | Every Little Step- assistant recording engineer:
- Don Emerson and John Guggenheim
- recording engineer and editor:
- Jon Gass
- producer:
- Babyface and L.A.
- assistant mixer:
- Toni Greene and Fred Howard
- mixer:
- Babyface , Jon Gass and L.A.
- instruments:
- Babyface and L.A.
- background vocals:
- Babyface , Bobby Brown , Kayo , Daryl Simmons and Karyn White
- phonographic copyright (℗) by:
- UMG Recordings, Inc. (in 1988)
- produced for:
- LaFace Inc.
- recorded at:
- Silverlake Studios in Hollywood, Los Angeles, California, United States
- mixed at:
- Elumba Recording in Hollywood, Los Angeles, California, United States
- recording of:
- Every Little Step
- writer:
- Antonio “L.A.” Reid and Babyface
- publisher:
- Chappell Music Ltd., Hip Trip Music and Kear Music
| Bobby Brown | 3 | 3:56 |
| 16 | The Lover in Me- assistant engineer:
- Andy "Opie" Batwinas (task: mixing), Don Sullivan , Toni Greene and Fred Howard
- engineer:
- Jon Gass and Jon Gass (task: mixing)
- producer:
- L.A. & Babyface
- mixer:
- Babyface and L.A. Reid
- drums (drum set) [drums] and percussion:
- L.A. Reid
- keyboard [keyboards]:
- Babyface and Kayo
- solo saxophone:
- Larry Williams
- background vocals:
- Babyface , Sheena Easton, Daryl Simmons and Karyn White
- produced for:
- La'Face, Inc.
- recorded at:
- Elumba Recording Studio in Hollywood, Los Angeles, California, United States and Galaxy Sound in Hollywood, Los Angeles, California, United States
- mixed at:
- Larrabee Sound in West Hollywood, California, United States
- remixed at:
- Elumba Recording Studio in Hollywood, Los Angeles, California, United States
- instrumental versions:
- The Lover in Me (instrumental) by Sheena Easton, The Lover in Me (instrumental) by Sheena Easton and The Lover in Me (instrumental) by Sheena Easton
- recording of:
- The Lover in Me
- writer:
- Antonio M. Reid, Kenneth Edmonds and Daryl Simmons
- publisher:
- Green Skirt Music , Hip Trip Music and Kear Music
| Sheena Easton | | 5:01 |
| 17 | Roses | Haywoode | | 3:46 |
| 18 | Once Bitten, Twice Shy | The Smooth Jazz All Stars | | 3:34 |
| 19 | Say Yeah | The Limit | | 4:24 |
| 20 | If You Let Me Stay | Terence Trent D’Arby | 3.5 | 3:14 |
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