The First Cantata Year, Vol. 7

~ Release by Johann Sebastian Bach; Gaechinger Cantorey, Hans-Christoph Rademann (see all versions of this release, 2 available)

Tracklist

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1Mein liebster Jesus ist verloren, BWV 154: Aria "Mein liebster Jesus ist verloren"
tenor vocals:
Benedikt Kristjánsson (tenor) (from 2024-01-13 until 2024-01-14)
orchestra:
Gaechinger Cantorey (from 2024-01-13 until 2024-01-14)
conductor:
Hans-Christoph Rademann (choral conductor) (from 2024-01-13 until 2024-01-14)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 2024-01-13 until 2024-01-14)
recording of:
Kantate, BWV 154 "Mein liebster Jesus ist verloren": I. Aria (Tenor) "Mein liebster Jesus ist verloren" (from 2024-01-13 until 2024-01-14)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-01-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 154 "Mein liebster Jesus ist verloren"
Johann Sebastian Bach2:45
2Mein liebster Jesus ist verloren, BWV 154: Recitativo "Wo treff ich meinen Jesum an"
tenor vocals:
Benedikt Kristjánsson (tenor) (from 2024-01-13 until 2024-01-14)
orchestra:
Gaechinger Cantorey (from 2024-01-13 until 2024-01-14)
conductor:
Hans-Christoph Rademann (choral conductor) (from 2024-01-13 until 2024-01-14)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 2024-01-13 until 2024-01-14)
recording of:
Kantate, BWV 154 "Mein liebster Jesus ist verloren": II. Recitativo (Tenor) "Wo treff ich meinen Jesum an" (from 2024-01-13 until 2024-01-14)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-01-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 154 "Mein liebster Jesus ist verloren"
Johann Sebastian Bach0:38
3Mein liebster Jesus ist verloren, BWV 154: Choral "Jesu, mein Hort und Erretter"
choir vocals:
Gaechinger Cantorey (from 2024-01-13 until 2024-01-14)
orchestra:
Gaechinger Cantorey (from 2024-01-13 until 2024-01-14)
conductor:
Hans-Christoph Rademann (choral conductor) (from 2024-01-13 until 2024-01-14)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 2024-01-13 until 2024-01-14)
recording of:
Kantate, BWV 154 "Mein liebster Jesus ist verloren": III. Choral "Jesu, mein Hort und Erretter" (from 2024-01-13 until 2024-01-14)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-01-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Martin Jahn (German poet of the 17th century)
part of:
Breitkopf 389 Choralgesänge (number: 365)
part of:
Kantate, BWV 154 "Mein liebster Jesus ist verloren"
Johann Sebastian Bach1:06
4Mein liebster Jesus ist verloren, BWV 154: Aria "Jesu, lass dich finden"
alto vocals:
Alex Potter (countertenor) (from 2024-01-13 until 2024-01-14)
orchestra:
Gaechinger Cantorey (from 2024-01-13 until 2024-01-14)
conductor:
Hans-Christoph Rademann (choral conductor) (from 2024-01-13 until 2024-01-14)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 2024-01-13 until 2024-01-14)
recording of:
Kantate, BWV 154 "Mein liebster Jesus ist verloren": IV. Aria (Alt) "Jesu, laß dich finden" (from 2024-01-13 until 2024-01-14)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-01-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 154 "Mein liebster Jesus ist verloren"
Johann Sebastian Bach3:46
5Mein liebster Jesus ist verloren, BWV 154: Arioso "Wisset ihr nicht, dass ich sein muss in dem"
bass vocals:
Matthias Winckhler (German baritone) (from 2024-01-13 until 2024-01-14)
orchestra:
Gaechinger Cantorey (from 2024-01-13 until 2024-01-14)
conductor:
Hans-Christoph Rademann (choral conductor) (from 2024-01-13 until 2024-01-14)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 2024-01-13 until 2024-01-14)
recording of:
Kantate, BWV 154 "Mein liebster Jesus ist verloren": V. Arioso (Bass) "Wisset ihr nicht, daß ich sein muß" (from 2024-01-13 until 2024-01-14)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-01-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 154 "Mein liebster Jesus ist verloren"
Johann Sebastian Bach1:05
6Mein liebster Jesus ist verloren, BWV 154: Recitativo "Dies ist die Stimme meines Freundes"
orchestra:
Gaechinger Cantorey (from 2024-01-13 until 2024-01-14)
conductor:
Hans-Christoph Rademann (choral conductor) (from 2024-01-13 until 2024-01-14)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 2024-01-13 until 2024-01-14)
recording of:
Kantate, BWV 154 "Mein liebster Jesus ist verloren": VI. Recitativo (Tenor) "Dies ist die Stimme meines Freundes" (from 2024-01-13 until 2024-01-14)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-01-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 154 "Mein liebster Jesus ist verloren"
Johann Sebastian Bach1:54
7Mein liebster Jesus ist verloren, BWV 154: Aria "Wohl mir, Jesus ist gefunden"
alto vocals:
Alex Potter (countertenor) (from 2024-01-13 until 2024-01-14)
tenor vocals:
Benedikt Kristjánsson (tenor) (from 2024-01-13 until 2024-01-14)
orchestra:
Gaechinger Cantorey (from 2024-01-13 until 2024-01-14)
conductor:
Hans-Christoph Rademann (choral conductor) (from 2024-01-13 until 2024-01-14)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 2024-01-13 until 2024-01-14)
recording of:
Kantate, BWV 154 "Mein liebster Jesus ist verloren": VII. Aria (Duetto Alt, Tenor) "Wohl mir, Jesus ist gefunden" (from 2024-01-13 until 2024-01-14)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-01-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 154 "Mein liebster Jesus ist verloren"
Johann Sebastian Bach3:30
8Mein liebster Jesus ist verloren, BWV 154: Choral "Meinen Jesum lass ich nicht"
choir vocals:
Gaechinger Cantorey (from 2024-01-13 until 2024-01-14)
orchestra:
Gaechinger Cantorey (from 2024-01-13 until 2024-01-14)
conductor:
Hans-Christoph Rademann (choral conductor) (from 2024-01-13 until 2024-01-14)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 2024-01-13 until 2024-01-14)
recording of:
Kantate, BWV 154 "Mein liebster Jesus ist verloren": VIII. Choral "Meinen Jesum Laß ich nicht" (from 2024-01-13 until 2024-01-14)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-01-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Christian Keymann (17th century hymnwriter)
part of:
Breitkopf 389 Choralgesänge (number: 244)
part of:
Kantate, BWV 154 "Mein liebster Jesus ist verloren"
Johann Sebastian Bach0:55
9Mein Gott, wie lang, ach lange?, BWV 155: Recitativo "Mein Gott, wie lang, ach lange?"
soprano vocals:
Miriam Feuersinger (soprano) (from 2024-01-13 until 2024-01-14)
orchestra:
Gaechinger Cantorey (from 2024-01-13 until 2024-01-14)
conductor:
Hans-Christoph Rademann (choral conductor) (from 2024-01-13 until 2024-01-14)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 2024-01-13 until 2024-01-14)
recording of:
Kantate, BWV 155 "Mein Gott, wie lang, ach lange": I. Recitativo "Mein Gott, wie lang, ach lange" (from 2024-01-13 until 2024-01-14)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1716-01-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1716)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 155 "Mein Gott, wie lang, ach lange"
Johann Sebastian Bach1:41
10Mein Gott, wie lang, ach lange?, BWV 155: Aria "Du musst glauben, du musst hoffen"
alto vocals:
Alex Potter (countertenor) (from 2024-01-13 until 2024-01-14)
tenor vocals:
Benedikt Kristjánsson (tenor) (from 2024-01-13 until 2024-01-14)
orchestra:
Gaechinger Cantorey (from 2024-01-13 until 2024-01-14)
conductor:
Hans-Christoph Rademann (choral conductor) (from 2024-01-13 until 2024-01-14)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 2024-01-13 until 2024-01-14)
recording of:
Kantate, BWV 155 "Mein Gott, wie lang, ach lange": II. Aria (Duetto Alt, Tenor) "Du mußt glauben, du mußt hoffen" (from 2024-01-13 until 2024-01-14)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1716-01-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1716)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 155 "Mein Gott, wie lang, ach lange"
Johann Sebastian Bach4:51
11Mein Gott, wie lang, ach lange?, BWV 155: Recitativo "So sei, o Seele, sei zufrieden!"
bass vocals:
Tobias Berndt (baritone) (from 2024-01-13 until 2024-01-14)
orchestra:
Gaechinger Cantorey (from 2024-01-13 until 2024-01-14)
conductor:
Hans-Christoph Rademann (choral conductor) (from 2024-01-13 until 2024-01-14)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 2024-01-13 until 2024-01-14)
recording of:
Kantate, BWV 155 "Mein Gott, wie lang, ach lange": III. Recitativo (Bass) "So sei, o Seele! sei zufrieden!" (from 2024-01-13 until 2024-01-14)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1716-01-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1716)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 155 "Mein Gott, wie lang, ach lange"
Johann Sebastian Bach2:03
12Mein Gott, wie lang, ach lange?, BWV 155: Aria "Wirf, mein Herze, wirf dich noch"
soprano vocals:
Miriam Feuersinger (soprano) (from 2024-01-13 until 2024-01-14)
orchestra:
Gaechinger Cantorey (from 2024-01-13 until 2024-01-14)
conductor:
Hans-Christoph Rademann (choral conductor) (from 2024-01-13 until 2024-01-14)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 2024-01-13 until 2024-01-14)
recording of:
Kantate, BWV 155 "Mein Gott, wie lang, ach lange": IV. Aria (Sopran) "Wirf, mein Herze, wirf dich noch" (from 2024-01-13 until 2024-01-14)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1716-01-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1716)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 155 "Mein Gott, wie lang, ach lange"
Johann Sebastian Bach2:13
13Mein Gott, wie lang, ach lange?, BWV 155: Choral "Ob sichs anließ, was wollt er nicht"
choir vocals:
Gaechinger Cantorey (from 2024-01-13 until 2024-01-14)
orchestra:
Gaechinger Cantorey (from 2024-01-13 until 2024-01-14)
conductor:
Hans-Christoph Rademann (choral conductor) (from 2024-01-13 until 2024-01-14)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 2024-01-13 until 2024-01-14)
recording of:
Kantate, BWV 155 "Mein Gott, wie lang, ach lange": V. Choral "Ob sichs anließ, als wollt er nicht" (from 2024-01-13 until 2024-01-14)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1716-01-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1716)
librettist:
Paul Speratus (in 1524)
part of:
Breitkopf 389 Choralgesänge (number: 88)
part of:
Kantate, BWV 155 "Mein Gott, wie lang, ach lange"
Johann Sebastian Bach1:05
14Herr, wie du willt, so schicks mit mir, BWV 73: Coro e Recitativo "Herr, wie du willt, so schicks mit mir"
choir vocals:
Gaechinger Cantorey (from 2024-01-20 until 2024-01-21)
orchestra:
Gaechinger Cantorey (from 2024-01-20 until 2024-01-21)
conductor:
Hans-Christoph Rademann (choral conductor) (from 2024-01-20 until 2024-01-21)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 2024-01-20 until 2024-01-21)
recording of:
Kantate, BWV 73 "Herr, wie du willt, so schicks mit mir": I. Choral e Recitativo (Tenor, Bass, Sopran) "Herr, wie du willt, so schicks mit mir" (from 2024-01-20 until 2024-01-21)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 73 "Herr, wie du willt, so schicks mit mir"
Johann Sebastian Bach4:31
15Herr, wie du willt, so schicks mit mir, BWV 73: Aria "Ach senks doch den Geist der Freuden"
tenor vocals:
Daniel Johannsen (tenor) (from 2024-01-20 until 2024-01-21)
orchestra:
Gaechinger Cantorey (from 2024-01-20 until 2024-01-21)
conductor:
Hans-Christoph Rademann (choral conductor) (from 2024-01-20 until 2024-01-21)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 2024-01-20 until 2024-01-21)
recording of:
Kantate, BWV 73 "Herr, wie du willt, so schicks mit mir": II. Aria (Tenor) "Ach senke doch den Geist der Freuden" (from 2024-01-20 until 2024-01-21)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 73 "Herr, wie du willt, so schicks mit mir"
Johann Sebastian Bach4:06
16Herr, wie du willt, so schicks mit mir, BWV 73: Recitativo "Ach unser Wille bleibt verkehrt"
bass vocals:
Tobias Berndt (baritone) (from 2024-01-20 until 2024-01-21)
orchestra:
Gaechinger Cantorey (from 2024-01-20 until 2024-01-21)
conductor:
Hans-Christoph Rademann (choral conductor) (from 2024-01-20 until 2024-01-21)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 2024-01-20 until 2024-01-21)
recording of:
Kantate, BWV 73 "Herr, wie du willt, so schicks mit mir": III. Recitativo (Bass) "Ach, unser Wille bleibt verkehrt" (from 2024-01-20 until 2024-01-21)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 73 "Herr, wie du willt, so schicks mit mir"
Johann Sebastian Bach0:34
17Herr, wie du willt, so schicks mit mir, BWV 73: Aria "Herr, so du willt"
bass vocals:
Tobias Berndt (baritone) (from 2024-01-20 until 2024-01-21)
orchestra:
Gaechinger Cantorey (from 2024-01-20 until 2024-01-21)
conductor:
Hans-Christoph Rademann (choral conductor) (from 2024-01-20 until 2024-01-21)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 2024-01-20 until 2024-01-21)
recording of:
Kantate, BWV 73 "Herr, wie du willt, so schicks mit mir": IV. Aria (Bass) "Herr, so du willt" (from 2024-01-20 until 2024-01-21)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 73 "Herr, wie du willt, so schicks mit mir"
Johann Sebastian Bach3:48
18Herr, wie du willt, so schicks mit mir, BWV 73: Choral "Das ist des Vaters Wille"
choir vocals:
Gaechinger Cantorey (from 2024-01-20 until 2024-01-21)
orchestra:
Gaechinger Cantorey (from 2024-01-20 until 2024-01-21)
conductor:
Hans-Christoph Rademann (choral conductor) (from 2024-01-20 until 2024-01-21)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 2024-01-20 until 2024-01-21)
recording of:
Kantate, BWV 73 "Herr, wie du willt, so schicks mit mir": V. Choral "Das ist des Vaters Wille" (from 2024-01-20 until 2024-01-21)
lyricist:
Ludwig Helmbold
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 328)
part of:
Kantate, BWV 73 "Herr, wie du willt, so schicks mit mir"
Johann Sebastian Bach1:01
19Jesus schläft, was soll ich hoffen?, BWV 81: Aria "Jesus schläft, was soll ich hoffen"
alto vocals:
Marie Henriette Reinhold (from 2024-01-20 until 2024-01-21)
orchestra:
Gaechinger Cantorey (from 2024-01-20 until 2024-01-21)
conductor:
Hans-Christoph Rademann (choral conductor) (from 2024-01-20 until 2024-01-21)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 2024-01-20 until 2024-01-21)
recording of:
Kantate, BWV 81 "Jesus schläft, was soll ich hoffen": I. Aria (Alt) "Jesus schläft, was soll ich hoffen?" (from 2024-01-20 until 2024-01-21)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 81 "Jesus schläft, was soll ich hoffen"
Johann Sebastian Bach4:04
20Jesus schläft, was soll ich hoffen?, BWV 81: Recitativo "Herr! Warum trittest du so ferne"
tenor vocals:
Daniel Johannsen (tenor) (from 2024-01-20 until 2024-01-21)
orchestra:
Gaechinger Cantorey (from 2024-01-20 until 2024-01-21)
conductor:
Hans-Christoph Rademann (choral conductor) (from 2024-01-20 until 2024-01-21)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 2024-01-20 until 2024-01-21)
recording of:
Kantate, BWV 81 "Jesus schläft, was soll ich hoffen": II. Recitativo (Tenor) "Herr, warum trittest du so ferne?" (from 2024-01-20 until 2024-01-21)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 81 "Jesus schläft, was soll ich hoffen"
Johann Sebastian Bach1:09
21Jesus schläft, was soll ich hoffen?, BWV 81: Aria "Die schäumenden Wellen von Belials Bächen"
tenor vocals:
Daniel Johannsen (tenor) (from 2024-01-20 until 2024-01-21)
orchestra:
Gaechinger Cantorey (from 2024-01-20 until 2024-01-21)
conductor:
Hans-Christoph Rademann (choral conductor) (from 2024-01-20 until 2024-01-21)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 2024-01-20 until 2024-01-21)
recording of:
Kantate, BWV 81 "Jesus schläft, was soll ich hoffen": III. Aria (Tenor) "Die schäumenden Wellen von Belials Bächen" (from 2024-01-20 until 2024-01-21)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 81 "Jesus schläft, was soll ich hoffen"
Johann Sebastian Bach2:57
22Jesus schläft, was soll ich hoffen?, BWV 81: Arioso "Ihr Kleingkäubigen, warum seid ihr so furchtsam?"
bass vocals:
Tobias Berndt (baritone) (from 2024-01-20 until 2024-01-21)
orchestra:
Gaechinger Cantorey (from 2024-01-20 until 2024-01-21)
conductor:
Hans-Christoph Rademann (choral conductor) (from 2024-01-20 until 2024-01-21)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 2024-01-20 until 2024-01-21)
recording of:
Kantate, BWV 81 "Jesus schläft, was soll ich hoffen": IV. Arioso (Bass) "Ihr Kleingläubigen, warum seid ihr so furchtsam?" (from 2024-01-20 until 2024-01-21)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 81 "Jesus schläft, was soll ich hoffen"
Johann Sebastian Bach1:04
23Jesus schläft, was soll ich hoffen?, BWV 81: Aria "Schweig, schweig, aufgetürmtes Meer"
bass vocals:
Tobias Berndt (baritone) (from 2024-01-20 until 2024-01-21)
orchestra:
Gaechinger Cantorey (from 2024-01-20 until 2024-01-21)
conductor:
Hans-Christoph Rademann (choral conductor) (from 2024-01-20 until 2024-01-21)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 2024-01-20 until 2024-01-21)
recording of:
Kantate, BWV 81 "Jesus schläft, was soll ich hoffen": V. Aria (Bass) "Schweig, aufgetürmtes Meer!" (from 2024-01-20 until 2024-01-21)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 81 "Jesus schläft, was soll ich hoffen"
Johann Sebastian Bach4:57
24Jesus schläft, was soll ich hoffen?, BWV 81: Recitativo "Wohl mir, mein Jesus spricht ein Wort"
orchestra:
Gaechinger Cantorey (from 2024-01-20 until 2024-01-21)
conductor:
Hans-Christoph Rademann (choral conductor) (from 2024-01-20 until 2024-01-21)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 2024-01-20 until 2024-01-21)
recording of:
Kantate, BWV 81 "Jesus schläft, was soll ich hoffen": VI. Recitativo (Alt) "Wohl mir, mein Jesus spricht ein Wort" (from 2024-01-20 until 2024-01-21)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 81 "Jesus schläft, was soll ich hoffen"
Johann Sebastian Bach0:28
25Jesus schläft, was soll ich hoffen?, BWV 81: Choral "Unter deinen Schirmen"
choir vocals:
Gaechinger Cantorey (from 2024-01-20 until 2024-01-21)
orchestra:
Gaechinger Cantorey (from 2024-01-20 until 2024-01-21)
conductor:
Hans-Christoph Rademann (choral conductor) (from 2024-01-20 until 2024-01-21)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 2024-01-20 until 2024-01-21)
recording of:
Kantate, BWV 81 "Jesus schläft, was soll ich hoffen": VII. Choral "Unter deinen Schirmen" (from 2024-01-20 until 2024-01-21)
lyricist:
Johann Franck (German poet of the 17th century)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 197)
part of:
Kantate, BWV 81 "Jesus schläft, was soll ich hoffen"
Johann Sebastian Bach1:07
2▼CD
#TitleArtistRatingLength
1Erfreute Zeit im neuen Bunde, BWV 83: Aria "Erfreute Zeit im neuen Bunde"
alto vocals:
Marie Henriette Reinhold (from 2024-01-20 until 2024-01-21)
orchestra:
Gaechinger Cantorey (from 2024-01-20 until 2024-01-21)
conductor:
Hans-Christoph Rademann (choral conductor) (from 2024-01-20 until 2024-01-21)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 2024-01-20 until 2024-01-21)
recording of:
Kantate, BWV 83 "Erfreute Zeit im neuen Bunde": I. Aria (Alto) "Erfreute Zeit im neuen Bunde" (from 2024-01-20 until 2024-01-21)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 83 "Erfreute Zeit im neuen Bunde"
Johann Sebastian Bach6:43
2Erfreute Zeit im neuen Bunde, BWV 83: Aria e Recitativo "Herr, nun lässest du deinen Diener"
bass vocals:
Tobias Berndt (baritone) (from 2024-01-20 until 2024-01-21)
orchestra:
Gaechinger Cantorey (from 2024-01-20 until 2024-01-21)
conductor:
Hans-Christoph Rademann (choral conductor) (from 2024-01-20 until 2024-01-21)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 2024-01-20 until 2024-01-21)
recording of:
Kantate, BWV 83 "Erfreute Zeit im neuen Bunde": II. Aria (Bass) "Herr, nun lässest du deinen Diener" (from 2024-01-20 until 2024-01-21)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 83 "Erfreute Zeit im neuen Bunde"
Johann Sebastian Bach3:42
3Erfreute Zeit im neuen Bunde, BWV 83: Aria "Eile, Herz voll Freudigkeit"
tenor vocals:
Daniel Johannsen (tenor) (from 2024-01-20 until 2024-01-21)
orchestra:
Gaechinger Cantorey (from 2024-01-20 until 2024-01-21)
conductor:
Hans-Christoph Rademann (choral conductor) (from 2024-01-20 until 2024-01-21)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 2024-01-20 until 2024-01-21)
recording of:
Kantate, BWV 83 "Erfreute Zeit im neuen Bunde": III. Aria (Ten) "Eile, Herz, voll Freudigkeit" (from 2024-01-20 until 2024-01-21)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 83 "Erfreute Zeit im neuen Bunde"
Johann Sebastian Bach5:46
4Erfreute Zeit im neuen Bunde, BWV 83: Recitativo "Ja, merkt dein Glaube noch"
alto vocals:
Marie Henriette Reinhold (from 2024-01-20 until 2024-01-21)
orchestra:
Gaechinger Cantorey (from 2024-01-20 until 2024-01-21)
conductor:
Hans-Christoph Rademann (choral conductor) (from 2024-01-20 until 2024-01-21)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 2024-01-20 until 2024-01-21)
recording of:
Kantate, BWV 83 "Erfreute Zeit im neuen Bunde": IV. Recitativo (Alto) "Ja, merkt dein Glaube noch viel Finsternis" (from 2024-01-20 until 2024-01-21)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 83 "Erfreute Zeit im neuen Bunde"
Johann Sebastian Bach0:42
5Erfreute Zeit im neuen Bunde, BWV 83: Choral "Er ist das Heil und selig Licht"
choir vocals:
Gaechinger Cantorey (from 2024-01-20 until 2024-01-21)
orchestra:
Gaechinger Cantorey (from 2024-01-20 until 2024-01-21)
conductor:
Hans-Christoph Rademann (choral conductor) (from 2024-01-20 until 2024-01-21)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 2024-01-20 until 2024-01-21)
recording of:
Kantate, BWV 83 "Erfreute Zeit im neuen Bunde": V. Choral (Coro) "Er ist das heil und selig Licht" (from 2024-01-20 until 2024-01-21)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 250)
part of:
Kantate, BWV 83 "Erfreute Zeit im neuen Bunde"
Johann Sebastian Bach0:52
6Nimm, was dein ist, und gehe hin, BWV 144: Coro "Nimm, was dein ist und gehe hin"
choir vocals:
Gaechinger Cantorey (from 2024-02-17 until 2024-02-19)
orchestra:
Gaechinger Cantorey (from 2024-02-17 until 2024-02-19)
conductor:
Hans-Christoph Rademann (choral conductor) (from 2024-02-17 until 2024-02-19)
recorded at:
Christuskirche (Christuskirche Gänsheide, Stuttgart) in Stuttgart, Baden-Württemberg, Germany (from 2024-02-17 until 2024-02-19)
recording of:
Kantate, BWV 144 "Nimm, was dein ist, und gehe hin": I. Coro "Nimm, was dein ist, und gehe hin" (from 2024-02-17 until 2024-02-19)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-02-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 144 "Nimm, was dein ist, und gehe hin"
Johann Sebastian Bach1:37
7Nimm, was dein ist, und gehe hin, BWV 144: Aria "Murre nicht, lieber Christ"
alto vocals:
Alex Potter (countertenor) (from 2024-02-17 until 2024-02-19)
orchestra:
Gaechinger Cantorey (from 2024-02-17 until 2024-02-19)
conductor:
Hans-Christoph Rademann (choral conductor) (from 2024-02-17 until 2024-02-19)
recorded at:
Christuskirche (Christuskirche Gänsheide, Stuttgart) in Stuttgart, Baden-Württemberg, Germany (from 2024-02-17 until 2024-02-19)
recording of:
Kantate, BWV 144 "Nimm, was dein ist, und gehe hin": II. Aria (Alt) "Murre nicht, lieber Christ" (from 2024-02-17 until 2024-02-19)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-02-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 144 "Nimm, was dein ist, und gehe hin"
Johann Sebastian Bach5:45
8Nimm, was dein ist, und gehe hin, BWV 144: Choral "Was Gott tut, das ist wohlgetan"
choir vocals:
Gaechinger Cantorey (from 2024-02-17 until 2024-02-19)
orchestra:
Gaechinger Cantorey (from 2024-02-17 until 2024-02-19)
conductor:
Hans-Christoph Rademann (choral conductor) (from 2024-02-17 until 2024-02-19)
recorded at:
Christuskirche (Christuskirche Gänsheide, Stuttgart) in Stuttgart, Baden-Württemberg, Germany (from 2024-02-17 until 2024-02-19)
recording of:
Kantate, BWV 144 "Nimm, was dein ist, und gehe hin": III. Choral "Was Gott tut, das ist wohlgetan" (from 2024-02-17 until 2024-02-19)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-02-06)
composer:
Samuel Rodigast (German poet) and Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 338)
part of:
Kantate, BWV 144 "Nimm, was dein ist, und gehe hin"
Johann Sebastian Bach1:01
9Nimm, was dein ist, und gehe hin, BWV 144: Recitativo "Wo die Genügsamkeit regiert"
tenor vocals:
Daniel Johannsen (tenor) (from 2024-02-17 until 2024-02-19)
orchestra:
Gaechinger Cantorey (from 2024-02-17 until 2024-02-19)
conductor:
Hans-Christoph Rademann (choral conductor) (from 2024-02-17 until 2024-02-19)
recorded at:
Christuskirche (Christuskirche Gänsheide, Stuttgart) in Stuttgart, Baden-Württemberg, Germany (from 2024-02-17 until 2024-02-19)
recording of:
Kantate, BWV 144 "Nimm, was dein ist, und gehe hin": IV. Recitativo (Tenor) "Wo die Genügsamkeit regiert" (from 2024-02-17 until 2024-02-19)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-02-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 144 "Nimm, was dein ist, und gehe hin"
Johann Sebastian Bach1:01
10Nimm, was dein ist, und gehe hin, BWV 144: Aria "Genügsamkeit ist ein Schatz"
soprano vocals:
Miriam Feuersinger (soprano) (from 2024-02-17 until 2024-02-19)
orchestra:
Gaechinger Cantorey (from 2024-02-17 until 2024-02-19)
conductor:
Hans-Christoph Rademann (choral conductor) (from 2024-02-17 until 2024-02-19)
recorded at:
Christuskirche (Christuskirche Gänsheide, Stuttgart) in Stuttgart, Baden-Württemberg, Germany (from 2024-02-17 until 2024-02-19)
recording of:
Kantate, BWV 144 "Nimm, was dein ist, und gehe hin": V. Aria (Sopran) "Genügsamkeit ist ein Schatz in diesem Leben" (from 2024-02-17 until 2024-02-19)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-02-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 144 "Nimm, was dein ist, und gehe hin"
Johann Sebastian Bach3:32
11Nimm, was dein ist, und gehe hin, BWV 144: Choral "Was mein Gott will, das gscheh allzeit"
choir vocals:
Gaechinger Cantorey (from 2024-02-17 until 2024-02-19)
orchestra:
Gaechinger Cantorey (from 2024-02-17 until 2024-02-19)
conductor:
Hans-Christoph Rademann (choral conductor) (from 2024-02-17 until 2024-02-19)
recorded at:
Christuskirche (Christuskirche Gänsheide, Stuttgart) in Stuttgart, Baden-Württemberg, Germany (from 2024-02-17 until 2024-02-19)
recording of:
Kantate, BWV 144 "Nimm, was dein ist, und gehe hin": VI. Choral "Was mein Gott will, das gscheh allzeit" (from 2024-02-17 until 2024-02-19)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-02-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 343)
part of:
Kantate, BWV 144 "Nimm, was dein ist, und gehe hin"
Johann Sebastian Bach1:28
12Gleichwie der Regen und Schnee vom Himmel fällt, BWV 18.2: Sinfonia
orchestra:
Gaechinger Cantorey (from 2024-02-17 until 2024-02-18)
conductor:
Hans-Christoph Rademann (choral conductor) (from 2024-02-17 until 2024-02-18)
recorded at:
Christuskirche (Christuskirche Gänsheide, Stuttgart) in Stuttgart, Baden-Württemberg, Germany (from 2024-02-17 until 2024-02-18)
recording of:
Kantate, BWV 18.2 "Gleichwie der Regen und Schnee vom Himmel fällt": I. Sinfonia (Leipzig version) (from 2024-02-17 until 2024-02-18)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Kantate, BWV 18.2 "Gleichwie der Regen und Schnee vom Himmel fällt" (Leipzig version)
Johann Sebastian Bach4:36
13Gleichwie der Regen und Schnee vom Himmel fällt, BWV 18.2: Recitativo "Gleich wie der Regen und Schnee vom Himmel fällt"
bass vocals:
Tobias Berndt (baritone) (from 2024-02-17 until 2024-02-18)
orchestra:
Gaechinger Cantorey (from 2024-02-17 until 2024-02-18)
conductor:
Hans-Christoph Rademann (choral conductor) (from 2024-02-17 until 2024-02-18)
recorded at:
Christuskirche (Christuskirche Gänsheide, Stuttgart) in Stuttgart, Baden-Württemberg, Germany (from 2024-02-17 until 2024-02-18)
recording of:
Kantate, BWV 18.2 "Gleichwie der Regen und Schnee vom Himmel fällt": II. Recitativo (Basso) "Gleichwie der Regen und Schnee" (Leipzig version) (from 2024-02-17 until 2024-02-18)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Kantate, BWV 18.2 "Gleichwie der Regen und Schnee vom Himmel fällt" (Leipzig version)
Johann Sebastian Bach1:20
14Gleichwie der Regen und Schnee vom Himmel fällt, BWV 18.2: Recitativo e Coro "Mein Gott, hier wird mein Herz sein"
bass vocals:
Tobias Berndt (baritone) (from 2024-02-17 until 2024-02-18)
choir vocals:
Gaechinger Cantorey (from 2024-02-17 until 2024-02-18)
tenor vocals:
Benedikt Kristjánsson (tenor) (from 2024-02-17 until 2024-02-18)
orchestra:
Gaechinger Cantorey (from 2024-02-17 until 2024-02-18)
conductor:
Hans-Christoph Rademann (choral conductor) (from 2024-02-17 until 2024-02-18)
recorded at:
Christuskirche (Christuskirche Gänsheide, Stuttgart) in Stuttgart, Baden-Württemberg, Germany (from 2024-02-17 until 2024-02-18)
recording of:
Kantate, BWV 18.2 "Gleichwie der Regen und Schnee vom Himmel fällt": III. Recitativo (Tenore, Basso, Coro) "Mein Gott, hier wird mein Herze sein" (Leipzig version) (from 2024-02-17 until 2024-02-18)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Kantate, BWV 18.2 "Gleichwie der Regen und Schnee vom Himmel fällt" (Leipzig version)
Johann Sebastian Bach5:43
15Gleichwie der Regen und Schnee vom Himmel fällt, BWV 18.2: Aria "Mein Seelenschatz ist Gottes Wort"
soprano vocals:
Miriam Feuersinger (soprano) (from 2024-02-17 until 2024-02-18)
orchestra:
Gaechinger Cantorey (from 2024-02-17 until 2024-02-18)
conductor:
Hans-Christoph Rademann (choral conductor) (from 2024-02-17 until 2024-02-18)
recorded at:
Christuskirche (Christuskirche Gänsheide, Stuttgart) in Stuttgart, Baden-Württemberg, Germany (from 2024-02-17 until 2024-02-18)
recording of:
Kantate, BWV 18.2 "Gleichwie der Regen und Schnee vom Himmel fällt": IV. Aria (Soprano) "Mein Seelenschatz ist Gottes Wort" (Leipzig version) (from 2024-02-17 until 2024-02-18)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Kantate, BWV 18.2 "Gleichwie der Regen und Schnee vom Himmel fällt" (Leipzig version)
Johann Sebastian Bach3:25
16Gleichwie der Regen und Schnee vom Himmel fällt, BWV 18.2: Choral "Ich bin, o Herr, aus Herzens Grund"
choir vocals:
Gaechinger Cantorey (from 2024-02-17 until 2024-02-18)
orchestra:
Gaechinger Cantorey (from 2024-02-17 until 2024-02-18)
conductor:
Hans-Christoph Rademann (choral conductor) (from 2024-02-17 until 2024-02-18)
recorded at:
Christuskirche (Christuskirche Gänsheide, Stuttgart) in Stuttgart, Baden-Württemberg, Germany (from 2024-02-17 until 2024-02-18)
recording of:
Kantate, BWV 18.2 "Gleichwie der Regen und Schnee vom Himmel fällt": V. Chorale "Ich bitt, o Gott, aus Herzensgrund" (Leipzig version) (from 2024-02-17 until 2024-02-18)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Kantate, BWV 18.2 "Gleichwie der Regen und Schnee vom Himmel fällt" (Leipzig version)
Johann Sebastian Bach1:15
17Leichtgesinnte Flattergeister, BWV 181: Aria "Leichtgesinnte Flattergeister"
bass vocals:
Tobias Berndt (baritone) (from 2024-02-17 until 2024-02-18)
orchestra:
Gaechinger Cantorey (from 2024-02-17 until 2024-02-18)
conductor:
Hans-Christoph Rademann (choral conductor) (from 2024-02-17 until 2024-02-18)
recorded at:
Christuskirche (Christuskirche Gänsheide, Stuttgart) in Stuttgart, Baden-Württemberg, Germany (from 2024-02-17 until 2024-02-18)
recording of:
Kantate, BWV 181 "Leichtgesinnte Flattergeister": I. Aria (Bass) "Leichtgesinnte Flattergeister" (from 2024-02-17 until 2024-02-18)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-02-13)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 181 "Leichtgesinnte Flattergeister"
Johann Sebastian Bach3:19
18Leichtgesinnte Flattergeister, BWV 181: Recitativo "O, unglückselger Stand"
alto vocals:
Alex Potter (countertenor) (from 2024-02-17 until 2024-02-18)
orchestra:
Gaechinger Cantorey (from 2024-02-17 until 2024-02-18)
conductor:
Hans-Christoph Rademann (choral conductor) (from 2024-02-17 until 2024-02-18)
recorded at:
Christuskirche (Christuskirche Gänsheide, Stuttgart) in Stuttgart, Baden-Württemberg, Germany (from 2024-02-17 until 2024-02-18)
recording of:
Kantate, BWV 181 "Leichtgesinnte Flattergeister": II. Recitativo (Alt) "O unglückselger Stand verkehrter Seelen" (from 2024-02-17 until 2024-02-18)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-02-13)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 181 "Leichtgesinnte Flattergeister"
Johann Sebastian Bach1:38
19Leichtgesinnte Flattergeister, BWV 181: Aria "Der schädlichen Dornen unendliche Zahl"
tenor vocals:
Daniel Johannsen (tenor) (from 2024-02-17 until 2024-02-18)
orchestra:
Gaechinger Cantorey (from 2024-02-17 until 2024-02-18)
conductor:
Hans-Christoph Rademann (choral conductor) (from 2024-02-17 until 2024-02-18)
recorded at:
Christuskirche (Christuskirche Gänsheide, Stuttgart) in Stuttgart, Baden-Württemberg, Germany (from 2024-02-17 until 2024-02-18)
recording of:
Kantate, BWV 181 "Leichtgesinnte Flattergeister": III. Aria (Tenor) "Der schädlichen Dornen unendliche Zahl" (from 2024-02-17 until 2024-02-18)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-02-13)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 181 "Leichtgesinnte Flattergeister"
Johann Sebastian Bach2:39
20Leichtgesinnte Flattergeister, BWV 181: Recitativo "Von diesen wird die Kraft erstickt"
soprano vocals:
Miriam Feuersinger (soprano) (from 2024-02-17 until 2024-02-18)
orchestra:
Gaechinger Cantorey (from 2024-02-17 until 2024-02-18)
conductor:
Hans-Christoph Rademann (choral conductor) (from 2024-02-17 until 2024-02-18)
recorded at:
Christuskirche (Christuskirche Gänsheide, Stuttgart) in Stuttgart, Baden-Württemberg, Germany (from 2024-02-17 until 2024-02-18)
recording of:
Kantate, BWV 181 "Leichtgesinnte Flattergeister": IV. Recitativo (Sopran) "Von diesen wird die Kraft erstickt" (from 2024-02-17 until 2024-02-18)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-02-13)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 181 "Leichtgesinnte Flattergeister"
Johann Sebastian Bach0:48
21Leichtgesinnte Flattergeister, BWV 181: Coro "Lass, Höchster, uns zu allen Zeiten"
choir vocals:
Gaechinger Cantorey (from 2024-02-17 until 2024-02-18)
orchestra:
Gaechinger Cantorey (from 2024-02-17 until 2024-02-18)
conductor:
Hans-Christoph Rademann (choral conductor) (from 2024-02-17 until 2024-02-18)
recorded at:
Christuskirche (Christuskirche Gänsheide, Stuttgart) in Stuttgart, Baden-Württemberg, Germany (from 2024-02-17 until 2024-02-18)
recording of:
Kantate, BWV 181 "Leichtgesinnte Flattergeister": V. Coro "Laß, Höchster, uns zu allen Zeiten" (from 2024-02-17 until 2024-02-18)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-02-13)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 181 "Leichtgesinnte Flattergeister"
Johann Sebastian Bach4:41