The Complete Nat Hentoff Sessions

~ Release by Cecil Taylor (see all versions of this release, 5 available)

Tracklist

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1▼CD
#TitleRatingLength
1Air [take 5]
10:35
2Number One [take 1]
recording engineer:
Bob d’Orleans (from 1960-10-12 until 1960-10-13)
producer:
Alan Bates (producer, possibly other roles)
bass:
Buell Neidlinger (from 1960-10-12 until 1960-10-13)
drums (drum set):
Sunny Murray (from 1960-10-12 until 1960-10-13)
piano:
Cecil Taylor (from 1960-10-12 until 1960-10-13)
tenor saxophone:
Archie Shepp (from 1960-10-12 until 1960-10-13)
phonographic copyright (℗) by:
Candid Productions Ltd. (in 1990)
recorded at:
Nola Recording Studios (Nola's Penthouse, NYC) in New York, New York, United States (from 1960-10-12 until 1960-10-13)
recording of:
Number One (from 1960-10-12 until 1960-10-13)
composer:
Cecil Taylor
12:35
3Number One [take 3]
8:36
4This Nearly Was Mine
instrumental recording of:
This Nearly Was Mine (South Pacific) (in 1960-10)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
Williamson Music Company
part of:
South Pacific (Rodgers & Hammerstein musical)
10:50
5Air [take 9]
recording engineer:
Bob d’Orleans (from 1960-10-12 until 1960-10-13)
producer:
Alan Bates (producer, possibly other roles)
bass:
Buell Neidlinger (from 1960-10-12 until 1960-10-13)
drums (drum set):
Denis Charles (drums) (from 1960-10-12 until 1960-10-13)
piano:
Cecil Taylor (from 1960-10-12 until 1960-10-13)
tenor saxophone:
Archie Shepp (from 1960-10-12 until 1960-10-13)
phonographic copyright (℗) by:
Candid Productions Ltd. (in 1990)
recorded at:
Nola Recording Studios (Nola's Penthouse, NYC) in New York, New York, United States (from 1960-10-12 until 1960-10-13)
recording of:
Air (from 1960-10-12 until 1960-10-13)
composer:
Cecil Taylor
publisher:
Jay Bee Music Corp. and Syndicore
17:35
6E.B. [take 2]
9:57
2▼CD
#TitleRatingLength
1Lazy Afternoon
engineer:
Bob d’Orleans
double bass:
Buell Neidlinger (from 1960-10-12 until 1960-10-13)
drums (drum set):
Denis Charles (drums) (from 1960-10-12 until 1960-10-13)
piano:
Cecil Taylor (from 1960-10-12 until 1960-10-13)
tenor saxophone:
Archie Shepp (from 1960-10-12 until 1960-10-13)
recorded at:
Nola’s Penthouse (Nola's Penthouse, NYC) in New York, New York, United States (from 1960-10-12 until 1960-10-13)
cover recording of:
Lazy Afternoon (The Golden Apple, 1954) (in 1960-12)
orchestrator and composer:
Jerome Moross (American composer and conductor)
lyricist:
John Latouche
publisher:
Chappell & Co., Inc. (USA), Sony/ATV Tunes LLC (ASCAP) and Warner Chappell Music, Inc.
part of:
The Golden Apple (musical)
14:54
2Air [take 21]
recording engineer:
Bob d’Orleans (from 1960-10-12 until 1960-10-13)
producer:
Alan Bates (producer, possibly other roles)
bass:
Buell Neidlinger (from 1960-10-12 until 1960-10-13)
drums (drum set):
Denis Charles (drums) (from 1960-10-12 until 1960-10-13)
piano:
Cecil Taylor (from 1960-10-12 until 1960-10-13)
tenor saxophone:
Archie Shepp (from 1960-10-12 until 1960-10-13)
phonographic copyright (℗) by:
Candid Productions Ltd. (in 1990)
recorded at:
Nola Recording Studios (Nola's Penthouse, NYC) in New York, New York, United States (from 1960-10-12 until 1960-10-13)
recording of:
Air (from 1960-10-12 until 1960-10-13)
composer:
Cecil Taylor
publisher:
Jay Bee Music Corp. and Syndicore
11:25
3Air [take 28]
engineer:
Bob d’Orleans
double bass:
Buell Neidlinger (from 1960-10-12 until 1960-10-13)
drums (drum set):
Denis Charles (drums) (from 1960-10-12 until 1960-10-13)
piano:
Cecil Taylor (from 1960-10-12 until 1960-10-13)
tenor saxophone:
Archie Shepp (from 1960-10-12 until 1960-10-13)
recorded at:
Nola’s Penthouse (Nola's Penthouse, NYC) in New York, New York, United States (from 1960-10-12 until 1960-10-13)
recording of:
Air (in 1960-12)
composer:
Cecil Taylor
publisher:
Jay Bee Music Corp. and Syndicore
8:39
4Air [take 29]
10:21
5Port of Call [take 2]
engineer:
Bob d’Orleans
double bass:
Buell Neidlinger (from 1960-10-12 until 1960-10-13)
drums (drum set):
Denis Charles (drums) (from 1960-10-12 until 1960-10-13)
piano:
Cecil Taylor (from 1960-10-12 until 1960-10-13)
recorded at:
Nola’s Penthouse (Nola's Penthouse, NYC) in New York, New York, United States (from 1960-10-12 until 1960-10-13)
recording of:
Port of Call (in 1960-12)
composer:
Cecil Taylor
publisher:
Jay Bee Music Corp.
4:20
6Port of Call [take 3]
recording engineer:
Bob d’Orleans (from 1960-10-12 until 1960-10-13)
producer:
Alan Bates (producer, possibly other roles)
bass:
Buell Neidlinger (from 1960-10-12 until 1960-10-13)
drums (drum set):
Denis Charles (drums) (from 1960-10-12 until 1960-10-13)
piano:
Cecil Taylor (from 1960-10-12 until 1960-10-13)
tenor saxophone:
Archie Shepp (from 1960-10-12 until 1960-10-13)
phonographic copyright (℗) by:
Candid Productions Ltd. (in 1990)
recorded at:
Nola Recording Studios (Nola's Penthouse, NYC) in New York, New York, United States (from 1960-10-12 until 1960-10-13)
recording of:
Port of Call (from 1960-10-12 until 1960-10-13)
composer:
Cecil Taylor
publisher:
Jay Bee Music Corp.
4:26
7Davis [take 1]
engineer:
Bob d’Orleans
producer:
Alan Bates (producer, possibly other roles)
bass:
Buell Neidlinger (from 1961-01-09 until 1961-01-10)
tenor saxophone:
Archie Shepp (from 1961-01-09 until 1961-01-10)
phonographic copyright (℗) by:
Phonoco International Ltd (in 1988)
recorded at:
Nola’s Penthouse (Nola's Penthouse, NYC) in New York, New York, United States (from 1961-01-09 until 1961-01-10)
recording of:
Davis (in 1961-01)
composer:
Buell Neidlinger
3:09
8Davis [take 3]
engineer:
Bob d’Orleans
producer:
Alan Bates (producer, possibly other roles)
bass:
Buell Neidlinger (from 1961-01-09 until 1961-01-10)
tenor saxophone:
Archie Shepp (from 1961-01-09 until 1961-01-10)
phonographic copyright (℗) by:
Phonoco International Ltd (in 1988)
recorded at:
Nola’s Penthouse (Nola's Penthouse, NYC) in New York, New York, United States (from 1961-01-09 until 1961-01-10)
recording of:
Davis (in 1961-01)
composer:
Buell Neidlinger
5:15
9O.P. [take 1]
engineer:
Bob d’Orleans
producer:
Nat Hentoff
bass:
Buell Neidlinger (on 1961-01-09)
drums (drum set):
Dennis Charles (drums) (on 1961-01-09)
piano:
Cecil Taylor (on 1961-01-09)
tenor saxophone:
Archie Shepp (on 1961-01-09)
recorded at:
Nola Penthouse Sound Studios (Nola's Penthouse, NYC) in New York, New York, United States (on 1961-01-09)
recording of:
O.P. (on 1961-01-09)
composer:
Buell Neidlinger
7:31
10I Forgot
engineer:
Bob d’Orleans
producer:
Nat Hentoff
baritone saxophone:
Charles Davis (saxophone player) (on 1961-01-09)
bass:
Buell Neidlinger (on 1961-01-09)
drums (drum set):
Billy Higgins (US jazz drummer) (on 1961-01-09)
piano:
Cecil Taylor (on 1961-01-09)
soprano saxophone:
Steve Lacy (jazz saxophonist and composer 1934–2004) (on 1961-01-09)
tenor saxophone:
Archie Shepp (on 1961-01-09)
trombone:
Roswell Rudd (American jazz trombonist and composer) (on 1961-01-09)
trumpet:
Clark Terry (American swing trumpeter) (on 1961-01-09)
recorded at:
Nola Penthouse Sound Studios (Nola's Penthouse, NYC) in New York, New York, United States (on 1961-01-09)
recording of:
I Forgot (on 1961-01-09)
composer:
Cecil Taylor
8:32
3▼CD
#TitleRatingLength
1Cell Walk for Celeste [take 1]
engineer:
Bob d’Orleans
producer:
Alan Bates (producer, possibly other roles)
bass:
Buell Neidlinger (from 1961-01-09 until 1961-01-10)
membranophone:
Dennis Charles (producer, songwriter) (from 1961-01-09 until 1961-01-10)
piano:
Cecil Taylor (from 1961-01-09 until 1961-01-10)
tenor saxophone:
Archie Shepp (from 1961-01-09 until 1961-01-10)
phonographic copyright (℗) by:
Phonoco International Ltd (in 1988)
recorded at:
Nola’s Penthouse (Nola's Penthouse, NYC) in New York, New York, United States (from 1961-01-09 until 1961-01-10)
recording of:
Cell Walk for Celeste (in 1961-01)
composer:
Cecil Taylor
11:30
2Cell Walk for Celeste [take 3]
engineer:
Bob d’Orleans
producer:
Alan Bates (producer, possibly other roles)
bass:
Buell Neidlinger (from 1961-01-09 until 1961-01-10)
membranophone:
Dennis Charles (producer, songwriter) (from 1961-01-09 until 1961-01-10)
piano:
Cecil Taylor (from 1961-01-09 until 1961-01-10)
tenor saxophone:
Archie Shepp (from 1961-01-09 until 1961-01-10)
phonographic copyright (℗) by:
Phonoco International Ltd (in 1988)
recorded at:
Nola’s Penthouse (Nola's Penthouse, NYC) in New York, New York, United States (from 1961-01-09 until 1961-01-10)
recording of:
Cell Walk for Celeste (in 1961-01)
composer:
Cecil Taylor
9:51
3Cell Walk for Celeste [take 8]
double bass:
Buell Neidlinger (from 1961-01-09 until 1961-01-10)
drums (drum set):
Denis Charles (drums) (from 1961-01-09 until 1961-01-10)
piano:
Cecil Taylor (from 1961-01-09 until 1961-01-10)
tenor saxophone:
Archie Shepp (from 1961-01-09 until 1961-01-10)
recorded at:
Nola’s Penthouse (Nola's Penthouse, NYC) in New York, New York, United States (from 1961-01-09 until 1961-01-10)
11:44
4Section C
engineer:
Bob d’Orleans
producer:
Alan Bates (producer, possibly other roles)
bass:
Buell Neidlinger (from 1961-01-09 until 1961-01-10)
membranophone:
Dennis Charles (producer, songwriter) (from 1961-01-09 until 1961-01-10)
piano:
Cecil Taylor (from 1961-01-09 until 1961-01-10)
tenor saxophone:
Archie Shepp (from 1961-01-09 until 1961-01-10)
phonographic copyright (℗) by:
Phonoco International Ltd (in 1988)
recorded at:
Nola’s Penthouse (Nola's Penthouse, NYC) in New York, New York, United States (from 1961-01-09 until 1961-01-10)
recording of:
Section C (in 1961-01)
composer:
Cecil Taylor
10:24
5Jumpin’ Punkins [take 4]
engineer:
Bob d’Orleans
producer:
Alan Bates (producer, possibly other roles)
baritone saxophone:
Charles Davis (saxophone player) (from 1961-01-09 until 1961-01-10)
bass:
Buell Neidlinger (from 1961-01-09 until 1961-01-10)
drums (drum set):
Billy Higgins (US jazz drummer) (from 1961-01-09 until 1961-01-10)
piano:
Cecil Taylor (from 1961-01-09 until 1961-01-10)
soprano saxophone:
Steve Lacy (jazz saxophonist and composer 1934–2004) (from 1961-01-09 until 1961-01-10)
tenor saxophone:
Archie Shepp (from 1961-01-09 until 1961-01-10)
trombone:
Roswell Rudd (American jazz trombonist and composer) (from 1961-01-09 until 1961-01-10)
trumpet:
Clark Terry (American swing trumpeter) (from 1961-01-09 until 1961-01-10)
phonographic copyright (℗) by:
Phonoco International Ltd (in 1988)
recorded at:
Nola’s Penthouse (Nola's Penthouse, NYC) in New York, New York, United States (from 1961-01-09 until 1961-01-10)
recording of:
Jumpin' Punkins (in 1961-01)
composer:
Mercer Ellington
8:15
6Things Ain’t What They Used to Be [take 1]
producer:
Nat Hentoff
baritone saxophone:
Charles Davis (saxophone player) (from 1961-01-09 until 1961-01-10)
bass and double bass:
Buell Neidlinger (from 1961-01-09 until 1961-01-10)
drums (drum set):
Billy Higgins (US jazz drummer) (from 1961-01-09 until 1961-01-10)
piano:
Cecil Taylor (from 1961-01-09 until 1961-01-10)
soprano saxophone:
Steve Lacey (from 1961-01-09 until 1961-01-10) and Steve Lacy (jazz saxophonist and composer 1934–2004) (from 1961-01-09 until 1961-01-10)
tenor saxophone:
Archie Shepp (from 1961-01-09 until 1961-01-10)
trombone:
Roswell Rudd (American jazz trombonist and composer) (from 1961-01-09 until 1961-01-10)
trumpet:
Clark Terry (American swing trumpeter) (from 1961-01-09 until 1961-01-10)
recorded at:
Nola’s Penthouse (Nola's Penthouse, NYC) in New York, New York, United States (from 1961-01-09 until 1961-01-10)
instrumental recording of:
Things Ain’t What They Used to Be (in 1961-01)
lyricist:
Ted Persons
composer:
Mercer Ellington (in 1942)
publisher:
Tempo Music, Inc. (Duke Ellington’s music publishing company)
10:08
7Things Ain’t What They Used to Be [take 3]
engineer:
Bob d’Orleans
producer:
Nat Hentoff
bass:
Buell Neidlinger (on 1961-01-10)
drums (drum set):
Dennis Charles (drums) (on 1961-01-10)
piano:
Cecil Taylor (on 1961-01-10)
tenor saxophone:
Archie Shepp (on 1961-01-10)
recorded at:
Nola Penthouse Sound Studios (Nola's Penthouse, NYC) in New York, New York, United States (on 1961-01-10)
instrumental recording of:
Things Ain’t What They Used to Be (on 1961-01-10)
lyricist:
Ted Persons
composer:
Mercer Ellington (in 1942)
publisher:
Tempo Music, Inc. (Duke Ellington’s music publishing company)
8:56
8Cindy’s Main Mood
producer:
Nat Hentoff
bass and double bass:
Buell Neidlinger (from 1961-01-09 until 1961-01-10)
drums (drum set) and timpani:
Billy Higgins (US jazz drummer) (from 1961-01-09 until 1961-01-10)
piano:
Cecil Taylor (from 1961-01-09 until 1961-01-10)
recorded at:
Nola’s Penthouse (Nola's Penthouse, NYC) in New York, New York, United States (from 1961-01-09 until 1961-01-10)
recording of:
Cindy’s Main Mood (in 1961-01)
composer:
Billy Higgins (US jazz drummer), Buell Neidlinger and Cecil Taylor
5:14
4▼CD
#TitleRatingLength
1Jumpin’ Punkins [take 5]
engineer:
Bob d’Orleans
producer:
Alan Bates (producer, possibly other roles)
baritone saxophone:
Charles Davis (saxophone player) (from 1961-01-09 until 1961-01-10)
bass:
Buell Neidlinger (from 1961-01-09 until 1961-01-10)
drums (drum set):
Billy Higgins (US jazz drummer) (from 1961-01-09 until 1961-01-10)
piano:
Cecil Taylor (from 1961-01-09 until 1961-01-10)
soprano saxophone:
Steve Lacy (jazz saxophonist and composer 1934–2004) (from 1961-01-09 until 1961-01-10)
tenor saxophone:
Archie Shepp (from 1961-01-09 until 1961-01-10)
trombone:
Roswell Rudd (American jazz trombonist and composer) (from 1961-01-09 until 1961-01-10)
trumpet:
Clark Terry (American swing trumpeter) (from 1961-01-09 until 1961-01-10)
phonographic copyright (℗) by:
Phonoco International Ltd (in 1988)
recorded at:
Nola’s Penthouse (Nola's Penthouse, NYC) in New York, New York, United States (from 1961-01-09 until 1961-01-10)
recording of:
Jumpin' Punkins (in 1961-01)
composer:
Mercer Ellington
8:17
2Jumpin’ Punkins [take 6]
engineer:
Bob d’Orleans
producer:
Nat Hentoff
bass:
Buell Neidlinger (on 1961-01-10)
drums (drum set):
Dennis Charles (drums) (on 1961-01-10)
piano:
Cecil Taylor (on 1961-01-10)
tenor saxophone:
Archie Shepp (on 1961-01-10)
recorded at:
Nola Penthouse Sound Studios (Nola's Penthouse, NYC) in New York, New York, United States (on 1961-01-10)
recording of:
Jumpin' Punkins (on 1961-01-10)
composer:
Mercer Ellington
8:13
3O.P. [take 2]
producer:
Nat Hentoff
bass and double bass:
Buell Neidlinger (from 1961-01-09 until 1961-01-10)
drums (drum set) and timpani:
Billy Higgins (US jazz drummer) (from 1961-01-09 until 1961-01-10)
piano:
Cecil Taylor (from 1961-01-09 until 1961-01-10)
recorded at:
Nola’s Penthouse (Nola's Penthouse, NYC) in New York, New York, United States (from 1961-01-09 until 1961-01-10)
recording of:
O.P. (in 1961-01)
composer:
Buell Neidlinger
9:12
4Pots
producer:
Gil Evans (Canadian–American jazz pianist and composer)
alto saxophone:
Jimmy Lyons (saxophone player) (on 1961-10-10)
double bass [bass]:
Henry Grimes (US free jazz bassist) (on 1961-10-10)
drums (drum set):
Sunny Murray (on 1961-10-10)
piano:
Cecil Taylor (on 1961-10-10)
tenor saxophone:
Archie Shepp (on 1961-10-10)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1961-10-10)
recording of:
Pots (on 1961-10-10)
composer:
Cecil Taylor
5:47
5Bulbs
producer:
Gil Evans (Canadian–American jazz pianist and composer)
alto saxophone:
Jimmy Lyons (saxophone player) (on 1961-10-10)
double bass [bass]:
Henry Grimes (US free jazz bassist) (on 1961-10-10)
drums (drum set):
Sunny Murray (on 1961-10-10)
piano:
Cecil Taylor (on 1961-10-10)
tenor saxophone:
Archie Shepp (on 1961-10-10)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1961-10-10)
recording of:
Bulbs (on 1961-10-10)
composer:
Cecil Taylor
6:52
6Mixed
producer:
Gil Evans (Canadian–American jazz pianist and composer)
alto saxophone:
Jimmy Lyons (saxophone player) (on 1961-10-10)
double bass [bass]:
Henry Grimes (US free jazz bassist) (on 1961-10-10)
drums (drum set):
Sunny Murray (on 1961-10-10)
piano:
Cecil Taylor (on 1961-10-10)
tenor saxophone:
Archie Shepp (on 1961-10-10)
trombone:
Roswell Rudd (American jazz trombonist and composer) (on 1961-10-10)
trumpet:
Ted Curson (on 1961-10-10)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1961-10-10)
recording of:
Mixed (on 1961-10-10)
composer:
Cecil Taylor
10:14
7Johnny Came Lately
double bass:
Buell Neidlinger (on 1957-07-06)
drums (drum set):
Denis Charles (drums) (on 1957-07-06)
piano:
Cecil Taylor (on 1957-07-06)
soprano saxophone:
Steve Lacy (jazz saxophonist and composer 1934–2004) (on 1957-07-06)
recorded at:
Newport Jazz Festival in Newport, Rhode Island, United States (on 1957-07-06)
live cover recording of:
Stomp (Johnny Come Lately) (on 1957-07-06)
composer:
Billy Strayhorn
7:14
8Nona’s Blues
double bass:
Buell Neidlinger (on 1957-07-06)
drums (drum set):
Denis Charles (drums) (on 1957-07-06)
piano:
Cecil Taylor (on 1957-07-06)
soprano saxophone:
Steve Lacy (jazz saxophonist and composer 1934–2004) (on 1957-07-06)
recorded at:
Newport Jazz Festival in Newport, Rhode Island, United States (on 1957-07-06)
live recording of:
Nona’s Blues (on 1957-07-06)
composer:
Cecil Taylor
7:40
9Tune 2
10:27