Summer of Love: The Hits of 1967

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

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1CD
#TitleArtistRatingLength
1San Francisco (Be Sure to Wear Flowers in Your Hair)
producer:
Lou Adler and John Phillips (The Mamas & The Papas)
vocals:
Scott McKenzie (in 1967-05)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1967) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1967)
recording of:
San Francisco (Be Sure to Wear Flowers in Your Hair) (in 1967-05)
publisher:
John Phillips (The Mamas & The Papas)
lyricist and composer:
John Phillips (The Mamas & The Papas)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Honest John Music, MCA Music Ltd., Universal Music Corp. (USA, affiliated with ASCAP), Universal‐MCA Music Publishing (US) and Wingate Music Corp.
Scott McKenzie3.752:59
2Happy Together
phonographic copyright (℗) by:
White Whale (late 60s/early 70s California) (in 1967)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 257)
recording of:
Happy Together (in 1967)
writer:
Garry Bonner and Alan Gordon (American songwriter who co-wrote The Turtles' hit "Happy Together")
publisher:
Alley Music Corp., EMI Music Publishing (do not use as a release label!), The Hudson Bay Music Co. (publisher) and Trio Music Co., Inc.
part of:
Freaky Friday (2003)
The Turtles4.452:54
3Windy
producer:
Bones Howe
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 310)
recording of:
Windy
lyricist and composer:
Ruthann Friedman
publisher:
Irving Music (BMI), Welbeck Music Ltd., ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Association52:54
4Creeque Alley
producer:
Lou Adler
produced for:
Dunhill Records USA
recording of:
Creeque Alley
writer:
John Phillips (The Mamas & The Papas) and Michelle Phillips
publisher:
MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) and Trousdale Music Pub., Inc.
The Mamas & the Papas3.753:47
5Gimme Some Lovin'
producer:
Chris Blackwell (Island Records) and Jimmy Miller (producer for Rolling Stones/Nirvana etc)
phonographic copyright (℗) by:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1966)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 244)
recording of:
Gimme Some Lovin’
writer:
Spencer Davis, Muff Winwood (bass player, songwriter, producer) and Steve Winwood
publisher:
Kobalt Music Publishing Ltd. (UK), Shinko Music Entertainment Co., Ltd., Songs of Kobalt Music Publishing, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Universal Music Publishing, Synch Division, Universal–Songs of PolyGram International, Inc., Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.), Warner Chappell Music Ltd. (no slash; used 1988–1996), Yamaha Music EH(CM) and Island Music Ltd. (from 1966 to ????)
The Spencer Davis Group4.152:56
6Incense and Peppermints
producer:
Frank Slay
recording of:
Incense and Peppermints
additional writer:
Ed King (US guitarist, bassist & songwriter) and Mark Weitz (keyboardist)
writer:
John Carter (worked for Capitol Records, relaunched Tina Turner's career with Private Dancer) and Tim Gilbert
publisher:
MCA Music Ltd.
Strawberry Alarm Clock4.52:48
7Little Bit o' Soul
producer:
Jerry Kasenetz and Jeff Katz (music producer)
recording of:
Little Bit o’ Soul
lyricist and composer:
Carter-Lewis (British songwriter duo)
writer:
John Carter (songwriter & producer, b. 1942) (in 1964) and Ken Lewis (manager/songwriter for 60s groups, incl. Flower Pot Men) (in 1964)
The Music Explosion32:21
8The 59th Street Bridge Song (Feelin' Groovy)
producer:
Lenny Waronker
cover recording of:
The 59th Street Bridge Song (Feelin’ Groovy)
lyricist and composer:
Paul Simon (of Simon & Garfunkel)
Harpers Bizarre2:38
9The Letter
producer:
Dan Penn (songwriter, soul singer)
phonographic copyright (℗) by:
Arista Records (not an imprint, use “Arista” for release labels) (in 1967), Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1967), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1967) and Atoll Music (in 1968)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (number: 357) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 364)
recording of:
The Letter (in 1967)
lyricist and composer:
Wayne Carson Thompson
publisher:
Bike Music, Budde Songs Inc., Chelsea Music Publishing, Chelsea Music Publishing Co., Ltd., Concord Bicycle Assets, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music (do not use as release label! this is a music publisher), Lovolar Music, Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and Warner Chappell Music (publisher as Warner/Chappell Music)
The Box Tops4.31:52
10Heroes and Villains (single version)
producer:
Brian Wilson (Beach Boys co‐founder)
recording of:
Heroes and Villains
lyricist:
Van Dyke Parks
composer:
Brian Wilson (Beach Boys co‐founder)
publisher:
Irving Music (BMI)
The Beach Boys3:37
11Reflections
producer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
recording of:
Reflections
lyricist:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
composer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
publisher:
EMI Songs, Jobete Music (appears also as: Jobete Msc.), ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) and Stone Agate Music (in 1967)
Diana Ross & The Supremes2:52
12Let's Live for Today
producer:
Steve Barri and P.F. Sloan
recording of:
Let’s Live for Today
writer:
Michael Julien (British songwriter), Mogol (Italian lyricist) and Shel Shapiro
translated version of:
Piangi con me
The Grass Roots32:48
13Darling Be Home Soon
producer:
Erik Jacobsen
recording of:
Darling Be Home Soon
lyricist and composer:
John Sebastian
The Lovin’ Spoonful3:34
14I Was Made to Love Her
producer:
Henry Cosby
bass:
James Jamerson (on 1967-03-31)
electric sitar:
Eddie Willis (on 1967-03-31)
harmonica and lead vocals:
Stevie Wonder (on 1967-03-31)
instruments:
The Funk Brothers (on 1967-03-31)
phonographic copyright (℗) by:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1966) and Motown Record Corporation (company credits only; do NOT use as release label) (in 1967)
recorded at:
Hitsville (Motown Records) in Detroit, Michigan, United States (on 1967-03-31)
recording of:
I Was Made to Love Her (on 1967-03-31)
writer:
Henry Cosby, Lula Mae Hardaway (songwriter), Sylvia Moy and Stevie Wonder
publisher:
Black Bull Music, Inc., EMI Blackwood Music Inc., Jobete Music (UK) Ltd., Jobete Music Co., Inc., Sawandi Music, Stone Agate Music and 大洋音楽 (Taiyō Music)
Stevie Wonder4.652:36
15Pleasant Valley Sunday
producer:
Chip Douglas
acoustic guitar:
Bill Chadwick
bass:
Chip Douglas
drums (drum set) and percussion:
Eddie Hoh
electric guitar:
Michael Nesmith
piano:
Peter Tork
background vocals:
Davy Jones (The Monkees member) and Michael Nesmith
lead vocals:
Micky Dolenz
recorded at:
RCA Victor Studio A (Hollywood) in Hollywood, Los Angeles, California, United States (from 1967-06-10 until 1967-06-13)
recording of:
Pleasant Valley Sunday (from 1967-06-10 until 1967-06-13)
lyricist:
Gerry Goffin
composer:
Carole King
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
The Monkees4.353:15
16Carrie-Anne
producer:
Ron Richards
recording of:
Carrie Anne
lyricist and composer:
Allan Clarke (of The Hollies), Tony Hicks and Graham Nash
publisher:
PolyGram Music Publishing and Universal Music Publishing (use ONLY if no country‐specific information is available)
The Hollies2:55
17Talk Talk
producer:
Maurie Bercov (Maurice „Morris“ Bercov // US American woodwind player)
recording of:
Talk Talk (The Music Machine)
lyricist and composer:
Sean Bonniwell
publisher:
ATV Music Ltd., Bike Music, Lovolar Music and Thrush Music Publishing (from 1966 to ????)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
The Music Machine1:58
18Sunday Will Never Be the SameSpanky & Our Gang3:02
19Kind of a Drag
producer:
Carl Bonafede and Dan Bellock
recording of:
Kind of a Drag
writer:
James Holvay
The Buckinghams2:08
20A Whiter Shade of Pale
producer:
Denny Cordell
bass guitar:
David Knights
guest drums (drum set):
Bill Eyden
guitar:
Ray Royer
Hammond organ:
Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
vocals:
Gary Brooker
phonographic copyright (℗) by:
Onward Music Ltd. (in 1967)
part of:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 46), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 57) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 271)
recording of:
A Whiter Shade of Pale
lyricist:
Keith Reid
composer:
Gary Brooker and Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
publisher:
Belsize Music Ltd., Essex Music International Ltd., Onward Music Ltd., The Richmond Organization Éditions Essex (TRO) and Westminster Music Ltd.
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
is based on:
Kantate, BWV 156 “Ich steh mit einem Fuß im Grabe”: I. Sinfonia
is based on:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
Procol Harum4.14:06
2CD
#TitleArtistRatingLength
1I Feel Free
engineer:
John Timperley
producer:
Robert Stigwood
bass and piano:
Jack Bruce (from 1966-07 until 1966-09)
drums (drum set):
Ginger Baker (from 1966-07 until 1966-09)
guitar:
Eric Clapton (from 1966-07 until 1966-09)
vocals:
Ginger Baker (from 1966-07 until 1966-09), Jack Bruce (from 1966-07 until 1966-09) and Eric Clapton (from 1966-07 until 1966-09)
phonographic copyright (℗) by:
Robert Stigwood Group Ltd. (in 1966) and Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1966)
recorded at:
Chalk Farm Studios in London (Greater London), England, United Kingdom (from 1966-07 until 1966-09) and Mayfair Studios (England) in London (Greater London), England, United Kingdom (from 1966-07 until 1966-09)
mixed at:
Mayfair Studios (England) in London (Greater London), England, United Kingdom (on 1966-12-08)
recording of:
I Feel Free (from 1966-07 until 1966-09)
lyricist:
Pete Brown (UK poet & producer, with Cream and Jack Bruce)
composer:
Jack Bruce
publisher:
Casserole Music Corp., Dratleaf Music Ltd., Unichappell Music, Inc., Warner Chappell Music, Inc., Warner/Chappell Music Ltd. (1996–2019) and Unichappell-Stigwood Music (in 1967)
Cream4.22:53
2So You Want to Be a Rock 'n' Roll Star
producer:
Gary Usher
acoustic guitar:
Vern Gosdin (Country singer and songwriter) (on 1966-11-28)
electric guitar:
Clarence White (US bluegrass and country-rock guitarist) (on 1966-11-28)
horn:
Hugh Masekela (on 1966-11-28)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1967)
recording of:
So You Want to Be a Rock ’n’ Roll Star (on 1966-11-28)
writer:
Chris Hillman and Roger McGuinn
publisher:
Tickson Music Co.
The Byrds4.252:06
3Somebody to Love
recording engineer:
David Hassinger (on 1966-11-03)
producer:
Rick Jarrard (from 1966-10-31 until 1966-11-22)
bass:
Jack Casady (from 1966-10-31 until 1966-11-22)
drums (drum set):
Spencer Dryden (from 1966-10-31 until 1966-11-22)
guitar [lead guitar]:
Jorma Kaukonen (American blues, folk, and rock guitarist) (from 1966-10-31 until 1966-11-22)
guitar [rhythm guitar]:
Paul Kantner (from 1966-10-31 until 1966-11-22)
lead vocals:
Grace Slick (from 1966-10-31 until 1966-11-22)
vocals:
Marty Balin (from 1966-10-31 until 1966-11-22) and Paul Kantner (from 1966-10-31 until 1966-11-22)
phonographic copyright (℗) by:
BMG Music (in 1967) and RCA (RCA Records: simple ‘RCA’ or ‘RCA’ with lightning bolt in circle) (in 1967)
recorded at:
RCA Victor’s Music Center of the World in Hollywood, Los Angeles, California, United States (from 1966-10-31 until 1966-11-22)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 274)
recording of:
Somebody to Love (Jefferson Airplane song) (from 1966-10-31 until 1966-11-22)
lyricist and composer:
Darby Slick
publisher:
Copperpenny Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Irving Music (BMI), Irving Music, Inc., Knockout Music Company, Rondor Music, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Tunes LLC (ASCAP), Universal Music Publishing, Synch Division and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Jefferson Airplane4.552:58
4I Had Too Much to Dream (Last Night)The Electric Prunes43:00
5Get Together
recorded in:
New York, New York, United States (in 1966-11)
producer:
Felix Pappalardi
bass and lead vocals:
Jesse Colin Young (in 1966-11)
drums (drum set):
Joe Bauer (founding member of ''The Youngbloods'') (in 1966-11)
guitar and background vocals:
Jerry Corbitt (in 1966-11) and Lowell Levinger (in 1966-11)
keyboard:
Lowell Levinger (in 1966-11)
cover recording of:
Let’s Get Together (in 1966-11)
lyricist and composer:
Chet Powers
publisher:
Irving Music (BMI) and Irving Music, Inc.
The Youngbloods3.754:40
6I'm a Man
producer:
Jimmy Miller (producer for Rolling Stones/Nirvana etc)
phonographic copyright (℗) by:
Fontana (in 1967)
recording of:
I’m a Man
writer:
Jimmy Miller (producer for Rolling Stones/Nirvana etc) and Steve Winwood
composer:
Keith Emerson
publisher:
Island Music Ltd., Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
The Spencer Davis Group42:56
7Brown Eyed Girl
recording engineer:
Brooks Arthur (on 1967-03-28)
producer:
Bert Russell Berns
bass guitar:
Eric Gale (on 1967-03-28)
drums (drum set):
Gary Chester (studio drummer and educator) (on 1967-03-28)
guitar:
Al Gorgoni (on 1967-03-28), Hugh McCracken (on 1967-03-28) and Van Morrison (on 1967-03-28)
organ:
Garry Sherman (mid-20th century composer, arranger & conductor) (on 1967-03-28)
background vocals:
The Sweet Inspirations (on 1967-03-28)
lead vocals:
Van Morrison (on 1967-03-28)
performer:
Van Morrison (on 1967-03-28)
phonographic copyright (℗) by:
Sony BMG Music Entertainment Inc. (in 1967), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1967), Charly Records (in 1968) and Exile Productions Ltd. (not for Label Release) (in 1973)
recorded at:
A&R Recording Studio A (original studio, 1958–1967) in New York, New York, United States (on 1967-03-28) and A&R Recording Studio (original studio, 1958–1967) in New York, New York, United States (on 1967-04-07)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (number: 71) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 109)
recording of:
Brown Eyed Girl (Van Morrison song) (from 1967-03-28 until 1967-04-07)
lyricist and composer:
Van Morrison
publisher:
Artist Alliance, Gallo Music Publishers, PolyGram Music Publishing Australia Pty. Ltd., PolyGram Music Publishing Ltd., Songs of PolyGram International, Inc., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc., Web IV Music Inc. (in 1967) and Polygram Publishing AB (in 1992)
Van Morrison3.253:05
8Friday on My Mind
producer:
Shel Talmy
phonographic copyright (℗) by:
Albert Productions (in 1966, in 1967)
produced for:
Albert Productions
recording of:
Friday on My Mind
writer:
Vanda & Young (songwriting & producing duo), Harry Vanda (Australian musician) and George Young (Australian musician and producer)
publisher:
J. Albert & Son P/L, J. Albert & Son Pty. Ltd. and Unart Music Corporation (in 1973)
The Easybeats3.52:51
9San Franciscan Nights
producer:
Tom Wilson (producer, worked with Dylan, Simon & Garfunkel, Zappa, VU, etc.)
recording of:
San Franciscan Nights
writer:
Vic Briggs (Victor Briggs), Eric Burdon, Barry Jenkins, Danny McCulloch and John Weider
Eric Burdon and the Animals3.53:22
10(We Ain't Got) Nothin' Yet
producer:
Art Polhemus and Bob Wyld (independent producer based in New York City)
recording of:
(We Ain’t Got) Nothin’ Yet
writer:
Emil Thielhelm, Mike Esposito (guitarist in the Blues Magoos), Ronnie Gilbert (bass player for the Blues Magoos) and Ralph Scala
publisher:
Musicville Ltd.
The Blues Magoos42:17
11Season of the Witch
producer:
Mickie Most (English record producer)
acoustic guitar and electric guitar:
Donovan Leitch (Scottish singer, songwriter and guitarist) (in 1966-05)
bass:
Bobby Ray (60s/70s US folk artist/bassist) (in 1966-05)
drums (drum set):
"Fast" Eddy Hoh (in 1966-05)
vocals:
Donovan Leitch (Scottish singer, songwriter and guitarist) (in 1966-05)
recorded at:
Columbia Studios (Hollywood, 1961-1972) in Hollywood, Los Angeles, California, United States (in 1966-05)
recording of:
Season of the Witch (in 1966-05)
lyricist and composer:
Donovan Leitch (Scottish singer, songwriter and guitarist)
Donovan4:56
12Wake Me, Shake Me
producer:
Tom Wilson (producer, worked with Dylan, Simon & Garfunkel, Zappa, VU, etc.)
recording of:
Wake Me, Shake Me
lyricist and arranger:
Al Kooper
composer:
[traditional] (special purpose artist)
The Blues Project5:19
13Down on Me
producer:
Bob Shad
drums (drum set):
Dave Getz (on 1966-12-14)
electric bass guitar:
Peter Albin (on 1966-12-14)
electric guitar:
Sam Andrew (on 1966-12-14) and James Gurley (on 1966-12-14)
lead vocals:
Janis Joplin (on 1966-12-14)
recording of:
Down on Me (on 1966-12-14)
lyricist and arranger:
Janis Joplin
composer:
[traditional] (special purpose artist)
version of:
Down on Me
Big Brother & the Holding Company42:06
14You Keep Me Hangin' On (single version)
miscellaneous support:
Shadow Morton (task: directed by)
producer:
Shadow Morton
cover recording of:
You Keep Me Hangin’ On (in 1967)
lyricist:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
composer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Sony/ATV Music Publishing (UK) Ltd., Stone Agate Music Division and Jobete Music Co., Inc. (in 1986)
sub-publisher:
EMI Music Publishing Japan C.F. division (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Vanilla Fudge3:00
15Not So Sweet Martha Lorraine (single version)
producer:
Sam Charters
recording of:
Not So Sweet Martha Lorraine
writer:
Country Joe McDonald
publisher:
Joyful Wisdom Music (publisher) (in 1967, in 1970)
Country Joe and the Fish3:14
16Paper Sun
producer:
Jimmy Miller (producer for Rolling Stones/Nirvana etc)
phonographic copyright (℗) by:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1967)
recorded at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom (from 1967-04 until 1967-11)
recording of:
Paper Sun
writer:
Jim Capaldi and Steve Winwood
publisher:
Polygram Music and Warner Chappell Music (publisher as Warner/Chappell Music)
Traffic4:16
17Pushin' Too Hard
producer:
Marcus Tybalt (Sky Saxon; alias used by The Seeds front man Sky Saxon when producing and sometimes writing)
recording of:
Pushin’ Too Hard (First released as “You’re Pushing Too Hard”, later under the better known title “Pushin’ Too Hard”.)
lyricist and composer:
Sky Saxon
publisher:
Marada Music Ltd.
The Seeds2:36
18It's a Happening Thing
producer:
Gary Usher
The Peanut Butter Conspiracy52:25
19Mary, Mary
producer:
M. Nesmith
cover recording of:
Mary, Mary (in 1966-07)
lyricist and composer:
Michael Nesmith
The Paul Butterfield Blues Band2:53
20Stroll On
engineer:
John Wood (US sound engineer and producer)
producer:
Simon Napier-Bell
guitar:
Jeff Beck (English rock guitarist) (from 1966-10-03 until 1966-10-05) and Jimmy Page (from 1966-10-03 until 1966-10-05)
phonographic copyright (℗) by:
MGM Records (in 1967)
recorded at:
Sound Techniques in Chelsea, Kensington and Chelsea, London (Greater London), England, United Kingdom (from 1966-10-03 until 1966-10-05)
recording of:
Stroll On (from 1966-10-03 until 1966-10-05)
writer:
Jeff Beck (English rock guitarist), Chris Dreja, Jim McCarty (UK drummer, Yardbirds member), Jimmy Page and Keith Relf
publisher:
EMI Miller Catalog, Inc.
version of:
Train Kept A‐Rollin’ (The Yardbirds’ arrangement)
The Yardbirds52:45

Credits

Release

ASIN:US: B000PFUALO [info]