Best of Acoustic: 32 Moody Songs

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1New York City
recording of:
New York City
writer:
Peter Malick
Peter Malick feat. Norah Jones3:49
2Big Yellow Taxi
programming:
Tal Herzberg
vocals:
Vanessa Carlton
conductor:
Ron Fair (veteran A&R executive, record producer arranger, recording engineer and songwriter)
strings arranger:
Ron Fair (veteran A&R executive, record producer arranger, recording engineer and songwriter)
arranger:
Tal Herzberg
part of:
The Village Voice – The 50 Worst Songs of the ’00s (number: 1)
cover recording of:
Big Yellow Taxi
lyricist and composer:
Joni Mitchell
publisher:
Siquomb Pub. Corp.
Counting Crows3.23:46
3Against All Odds
engineer:
Jeremy Smith (producer/engineer) and Lewis Hahn
producer:
Arif Mardin
drums (drum set) and lead vocals:
Phil Collins (of Genesis)
keyboard:
Rob Mounsey
conductor:
Arif Mardin
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1999)
recording of:
Against All Odds (Take a Look at Me Now)
lyricist and composer:
Phil Collins (of Genesis)
publisher:
Concord Music GmbH, Concord Sounds, EMI April Music Inc., EMI Entertainment World Inc US, EMI Golden Torch Music Corp., EMI Music Publishing (do not use as a release label!), EMI Worldtrax Music Inc., Filmtrax Copyright Holdings Inc, Imagem CV, Imagem Sounds Collins, Philip Collins Ltd., Effectsound Ltd. (publisher) (in 1984), EMI Music Publishing Ltd. (PRS‐affiliated) (in 1984), Golden Torch Music Corp. (in 1984) and Hit & Run Music (Publishing) Ltd (in 1984)
sub-publisher:
EMI Music Publishing Germany GmbH (2008–today), Imagem Music GmbH (subsidiary of Dutch music publishers Imagem), Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
part of:
The 57th Academy Award for Best Original Song (number: 2)
Phil Collins3.83:25
4Family Tree
recording of:
The Family Tree
writer:
Kipp Lennon, Mark Lennon (lead singer of Venice), Michael Lennon and John Vester
Venice3:50
5Morning Has Broken
producer:
Paul Samwell-Smith
bass and congas:
Larry Steele (British bassist, percussionist, guitarist & vocalist) (in 1971-03)
bouzouki:
Angelos Hatzipavli (in 1971-03) and Ανδρέας Τουμαζής (Andreas Toumazis) (in 1971-03)
drums (drum set):
Harvey Burns (in 1971-03) and Gerry Conway (in 1971-03)
guitar:
Alun Davies (in 1971-03) and Cat Stevens (now known as Yusuf Islam) (in 1971-03)
keyboard and lead vocals:
Cat Stevens (now known as Yusuf Islam) (in 1971-03)
piano:
Rick Wakeman (in 1971-03)
strings:
Del Newman (British conductor, orchestrator, arranger) (in 1971-03)
phonographic copyright (℗) by:
Universal Island Records Ltd. (not for release label use! company known by this name from 1999-03-29 to 2014-06-25) (in 1970) and Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1971)
recorded at:
Morgan Studios (Morgan Sound Studios) in Willesden, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1971-03)
recording of:
Morning Has Broken (in 1971-03)
lyricist:
Eleanor Farjeon
composer:
[traditional] (special purpose artist)
publisher:
Cat Music Ltd., EMI Music (do not use as release label! this is a music publisher), Freshwater Music Ltd., Irving Music, Inc., Island Music Ltd. and Island Music, Inc. (work publisher – NOT related to the Island imprint now owned by UMG)
is based on:
Bunessan (Scottish hymn tune)
cover recording of:
Morning Has Broken
lyricist:
Eleanor Farjeon
composer:
[traditional] (special purpose artist)
publisher:
Cat Music Ltd., EMI Music (do not use as release label! this is a music publisher), Freshwater Music Ltd., Irving Music, Inc., Island Music Ltd. and Island Music, Inc. (work publisher – NOT related to the Island imprint now owned by UMG)
is based on:
Bunessan (Scottish hymn tune)
recording of:
Morning Has Broken (Cat Stevens arrangement)
lyricist:
Eleanor Farjeon
composer:
[traditional] (special purpose artist)
arranger:
Cat Stevens (now known as Yusuf Islam)
arrangement of:
Morning Has Broken
Cat Stevens4.253:17
6Weather With You
producer:
Neil Finn and Mitchell Froom
mixer:
Bob Clearmountain
drums (drum set) and percussion:
Ricky Fataar
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1991) and Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1991)
music videos:
Weather With You by Crowded House (Australian rock group)
recording of:
Weather With You
writer:
Neil Finn and Tim Finn
publisher:
Mushroom Music Pty. Ltd., Rebel Larynx Music and Roundhead Music (Neil Finn)
part of:
APRA Top 100 New Zealand Songs of All Time (number: 16)
Crowded House3.83:42
7Done With Bonaparte
recording of:
Done With Bonaparte
lyricist and composer:
Mark Knopfler
Mark Knopfler5:03
8World of Hurt
recording of:
World of Hurt
lyricist and composer:
Beth Chapman (American singer and songwriter) and John Lloyd (american from Foster and Lloyd)
Ilse DeLange3:57
9The Weight
engineer:
Don Hahn (engineer) and Tony May (engineer)
producer:
The Band (Canadian-American rock band) and John Simon (US producer, arranger, composer, songwriter and musician)
acoustic guitar:
Robbie Robertson (on 1968-01-12)
bass guitar:
Rick Danko (on 1968-01-12)
drums (drum set):
Levon Helm (on 1968-01-12)
piano:
Garth Hudson (on 1968-01-12)
background vocals:
Rick Danko (on 1968-01-12), Levon Helm (on 1968-01-12) and Richard Manuel (on 1968-01-12)
lead vocals:
Rick Danko (on 1968-01-12) and Levon Helm (on 1968-01-12)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1968, in 2005)
recorded at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States (on 1968-01-12)
part of:
Huffington Post: 100 Best Canadian Songs Ever (number: 6), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 41), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 58), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 80) and Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
The Weight (on 1968-01-12)
lyricist and composer:
Robbie Robertson
publisher:
Dwarf Music, Sony/ATV Music Publishing Australia Pty Ltd. and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
The Band4.14:34
10Rocket Man
recording of:
Rocket Man (I Think It’s Going to Be a Long, Long Time)
lyricist:
Bernie Taupin
composer:
Elton John (English singer, songwriter, pianist, and composer)
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group) and Universal–Songs of PolyGram International, Inc.
Elton John4:35
11You Do Something to Me
producer:
Brendan Lynch (London producer) and Paul Weller (English singer‐songwriter and musician)
mixer:
Brendan Lynch (London producer)
bass guitar:
Yolanda Charles
drums (drum set):
Steve White (Style Council drummer)
guitar, other instruments [novatron], piano and lead vocals:
Paul Weller (English singer‐songwriter and musician)
phonographic copyright (℗) by:
Go! Discs Ltd. (company credits only; do NOT use as release label) (in 1995)
recorded at:
The Manor in Oxfordshire, England, United Kingdom and Finsbury Park in Haringey, London (Greater London), England, United Kingdom (on 1996-06-09)
recording of:
You Do Something to Me
lyricist and composer:
Paul Weller (English singer‐songwriter and musician)
publisher:
BMG Music Publishing Ltd., Solid Bond Productions Ltd. and Stylist Music Ltd.
Paul Weller43:37
12Lilac Wine
recording of:
Lilac Wine
lyricist and composer:
James H. Shelton (composer of “Lilac Wine”)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Jeff Buckley4:33
13Walk on the Wild Side
producer:
David Bowie (English singer‐songwriter), Lou Reed and Mick Ronson (British guitarist)
baritone saxophone:
Ronnie Ross (in 1972-08)
double bass and electric bass guitar:
Herbie Flowers (in 1972-08)
drums (drum set):
John Halsey (in 1972-08)
background vocals:
The Thunder Thighs (70s UK vocal group) (in 1972-08)
lead vocals:
Lou Reed (in 1972-08)
brass arranger and strings arranger:
Mick Ronson (British guitarist)
arranger:
David Bowie (English singer‐songwriter), Lou Reed and Mick Ronson (British guitarist)
phonographic copyright (℗) by:
BMG Entertainment (in 1972), BMG Music (in 1972), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1972) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1972)
recorded at:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, United Kingdom (in 1972-08)
mixed at:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, United Kingdom
samples from:
Lexicon Valley #150, “Why Language Can’t Be Tamed” by John McWhorter
part of:
Indie 88: Top 500 Indie Rock Songs (number: 75), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 180) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 221)
recording of:
Walk on the Wild Side (in 1972-08)
lyricist and composer:
Lou Reed
publisher:
Dunbar Music, EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), Oakfield Avenue Music, Oakfield Avenue Music Ltd., Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) and Six Continents Music Publishing Inc.
Lou Reed4.254:12
14Right Down the Line
recording engineer:
Barry Hammond
producer:
Hugh Murphy (UK producer, engineer) and Gerry Rafferty
mixer:
Declan O’Doherty
bass:
Gary Taylor (UK bassist/songwriter/vocalist, member of Herd/Fox/Stealers Wheel)
drums (drum set):
Henry Spinetti
guitar family:
Hugh Burns
organ and piano:
Tommy Eyre
percussion:
Glen LeFleur
steel guitar:
Brian Cole
lead vocals:
Gerry Rafferty
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1977), Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1978) and United Artists Music and Records Group, Inc. (UAMARG, Inc.) (in 1978)
recorded at:
Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, United Kingdom
mixed at:
Advision Studios in Fitzrovia, Camden (London Borough of Camden), Westminster, London (Greater London), England, United Kingdom
part of:
Paste: The 25 Greatest Yacht Rock Songs of All Time (number: 1)
recording of:
Right Down the Line
lyricist and composer:
Gerry Rafferty
publisher:
Stage Three Music Publishing Limited, Universal–Songs of PolyGram International, Inc. and Music of Stage Three (in 1978)
Gerry Rafferty3.54:27
15The Other Side of the Sun
engineer:
Leanne Ungar
assistant producer:
Stanley Schnier
producer:
Ron Frangipane and Janis Ian
bass:
John Crowder
drums (drum set):
Richard Crooks (Drummer)
guitar:
Ron Getman, Steve Love (Guitarist and songwriter) and Sal diTroia
percussion:
Jim Maelen (percussion)
Rhodes piano [Rhodes]:
Janis Ian
saxophone:
Clarence Clemmons
vibraphone [vibes]:
Mike Mainieri
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1979)
recording of:
The Other Side of the Sun
writer:
Albert Hammond and Janis Ian
publisher:
EMI April Music Inc., EMI Blackwood Music Inc., Albert Hammond Music (in 1979) and Mine Music Ltd. (in 1979)
Janis Ian3:59
16After Midnight
bass guitar:
Norbert Putnam (on 1971-06-09)
drums (drum set):
Chuck Browning (on 1971-06-09)
guitar:
J.J. Cale (on 1971-06-09)
piano:
Jerry Whitehurst (session pianist) (on 1971-06-09)
vocals:
J.J. Cale (on 1971-06-09)
recorded at:
Bradley’s Barn in Mt. Juliet, Tennessee, United States (on 1971-06-09)
recording of:
After Midnight (on 1971-06-09)
lyricist and composer:
J.J. Cale
publisher:
Mijac Music, Robert Stigwood Organisation Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Australia Pty. Ltd., ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
J.J. Cale3.62:22
2▼CD
#TitleArtistRatingLength
1Water of Love
engineer:
Rhett Davies
producer:
Muff Winwood (bass player, songwriter, producer)
bass guitar:
John Illsley
drums (drum set):
Pick Withers
guitar:
David Knopfler and Mark Knopfler
lead vocals:
Mark Knopfler
phonographic copyright (℗) by:
Phonogram Ltd. (London) (company name, NOT a label!) (in 1978), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1978) and Mercury Records Ltd. (London) (for copyrights use only) (in 1996)
recorded at:
Basing Street Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom (in 1978-02)
recording of:
Water of Love
lyricist and composer:
Mark Knopfler
publisher:
Rondor Music and Straitjacket Songs
Dire Straits3.55:25
2Shelter From the Storm
assistant engineer:
Glenn Berger
engineer:
Philip Rabinowitz
producer:
Phil Ramone
acoustic guitar, harmonica and lead vocals:
Bob Dylan (in 1974-09)
bass:
Tony Brown (bassist, late ’70s–early ’80s) (in 1974-09)
Hammond organ:
Greg Inhofer (in 1974-09)
steel guitar:
Buddy Cage (in 1974-09)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1974)
recorded at:
A&R Recording Studios (second location, 799 7th Avenue) in Midtown Manhattan, New York, New York, United States (on 1974-09-17)
recording of:
Shelter From the Storm (in 1974-09)
lyricist and composer:
Bob Dylan (in 1974)
publisher:
Ram’s Horn Music (from 1974 until 2002) and Special Rider Music (from 2002 to present)
Bob Dylan3.45:01
3First Cut Is the Deepest
cover recording of:
The First Cut Is the Deepest
lyricist and composer:
Cat Stevens (now known as Yusuf Islam)
publisher:
Duchess Music Corporation (BMI-affiliated), Mushroom Music Pty. Ltd. and Salafa Ltd.
Sheryl Crow3:47
4Scarborough Fair
producer:
Bob Johnston (US record producer and early rockebilly singer)
vocals:
Art Garfunkel and Paul Simon (of Simon & Garfunkel)
arranger:
Art Garfunkel and Paul Simon (of Simon & Garfunkel)
recording of:
Scarborough Fair / Canticle (on 1966-07-26)
lyricist and previously attributed to:
Simon & Garfunkel
writer:
[traditional] (special purpose artist), Art Garfunkel and Paul Simon (of Simon & Garfunkel)
publisher:
Fanfare (publisher), Pattern Music Ltd (publisher) and Paul Simon Music
version of:
Scarborough Fair
version of:
The Side of a Hill
Simon & Garfunkel4.23:09
5Mad World
recording of:
Mad World
lyricist and composer:
Roland Orzabal (UK musician, songwriter and producer)
publisher:
BMG Blue, BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Publishing and Virgin Music Ltd.
Michael Andrew3:04
6It's a Long Way There
recorded in:
Melbourne, Victoria, Australia (from 1975-06 until 1975-07)
producer:
Little River Band and Glenn Wheatley
acoustic guitar:
Graham Goble (from 1975-06 until 1975-07)
bass:
Roger McLachlan (from 1975-06 until 1975-07)
drums (drum set):
Derek Pellicci (from 1975-06 until 1975-07)
guitar:
Beeb Birtles (from 1975-06 until 1975-07) and Rick Formosa (from 1975-06 until 1975-07)
vocals:
Beeb Birtles (from 1975-06 until 1975-07), Graham Goble (from 1975-06 until 1975-07) and Glenn Shorrock (from 1975-06 until 1975-07)
strings arranger:
Rick Formosa
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1975, in 1982) and EMI Music Australia Pty. Limited (not for release label use!) (in 1976, in 1999)
produced for:
Tumbleweed Productions
recording of:
It’s a Long Way There (from 1975-06 until 1975-07)
written in:
Australia (in 1972)
lyricist and composer:
Graeham Goble (in 1972)
publisher:
Australian Tumbleweed Music, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Sunbury Music Ltd., Tumbleweed Music, Tumbleweed Music Pty. Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019), Warner/Chappell Pty. Ltd. and Wheatley Music Pty Ltd.
Little River Band4:12
7Woodstock
cover recording of:
Woodstock
lyricist and composer:
Joni Mitchell
publisher:
Warner Bros. Music (publisher; do NOT use as release label)
Matthews’ Southern Comfort3.64:27
8Dedicated
recording of:
Dedicated
writer:
Paul Carrack
Paul Carrack5:18
9New York State of Mind
assistant engineer:
John Bradley
engineer:
John Bradley, Don Puluse and Lou Waxman
producer:
Billy Joel (American singer-songwriter and pianist)
mixer:
Bruce Botnick
acoustic guitar:
James Smith (guitarist on Billy Joel's Turnstiles) (in 1976)
acoustic guitar and electric guitar:
Howard Emerson (in 1976) and Russell Javors (in 1976)
bass guitar and electric bass guitar:
Doug Stegmeyer (bass player, aka Slug Douglas) (in 1976)
drums (drum set):
Liberty DeVitto (US drummer) (in 1976)
keyboard, keyboard [keyboards], piano and lead vocals:
Billy Joel (American singer-songwriter and pianist) (in 1976)
percussion:
Neil Jason (percussionist) (in 1976) and James Mingo Lewis (percussionist, worked with Santana) (in 1976)
saxophone:
Richie Cannata (in 1976)
arranger:
Liberty DeVitto (US drummer), Billy Joel (American singer-songwriter and pianist) and Doug Stegmeyer (bass player, aka Slug Douglas)
orchestrator:
Kenny Ascher
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1976), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1976), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1976) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1976)
recorded at:
Columbia Recording Studios in Hollywood, Los Angeles, California, United States (in 1976) and Ultra-Sonic Recording Studios in Hempstead, New York, United States (in 1976)
mixed at:
Caribou Ranch Recording Studio in Nederland, Colorado, United States
recording of:
New York State of Mind (in 1976)
lyricist and composer:
Billy Joel (American singer-songwriter and pianist) (in 1975)
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30), EMI Songs Ltd., Home Grown Music (formerly Home Grown Music Network), Impulsive Music, Tin Pan Tunes, Joelsongs (from 1975 until 1976) and CBS Songs Ltd. (in 1976)
sub-publisher:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Billy Joel46:03
10Start a New Life
recording of:
Start a New Life
writer:
Ad Vanderveen
Ad Vanderveen4:19
11Just a Little Bit of Peace in My Heart
recording of:
Just a Little Bit of Peace in My Heart
writer:
Rinus Gerritsen (bass player) and George Kooymans
publisher:
Dayglow Music, Inc.
Golden Earring4:47
12Josephine
recording of:
Josephine
lyricist and composer:
Chris Rea
publisher:
Magnet Music Ltd. (publisher)
Chris Rea4:26
13The Way It Is
engineer:
Elliot Scheiner
producer:
Bruce Hornsby and Elliot Scheiner
drums (drum set) and percussion:
John Molo
piano and synthesizer:
Bruce Hornsby
vocals:
Bruce Hornsby
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead), BMG Entertainment (in 1986), RCA/Ariola International (not for release label use! precursor of Bertelsmann Music Group aka BMG, 1985–87) (in 1986) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1986)
produced for:
Trackman, Inc.
recording of:
The Way It Is
lyricist and composer:
B.R. Hornsby
publisher:
BMG Music Ltd., Bob‐a‐Lew Songs (ASCAP), Sony/ATV Music Publishing (UK) Ltd., Universal Music Publishing (use ONLY if no country‐specific information is available), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) and Zappo Music (from 1986 to present)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Bruce Hornsby4.054:58
14Luka
sound engineer:
Robin Danar
engineer:
Steve Addabbo and Rod O’Brien
producer:
Steve Addabbo and Lenny Kaye
mixer:
Shelly Yakus
solo guitar:
Jon Gordon (guitarist, music director, producer, composer)
background vocals:
Shawn Colvin
vocals:
Suzanne Vega (American singer-songwriter)
phonographic copyright (℗) by:
A&M Records, Inc. (in 1987)
recorded at:
duo Music Exchange in Dōgenzaka, Shibuya (Shibuya-ku), Tokyo, Japan
recording of:
Luka
lyricist and composer:
Suzanne Vega (American singer-songwriter)
publisher:
WB Music Corp. (1929–2019)
Suzanne Vega4.53:53
15River Man
engineer:
John Wood (UK producer)
producer:
Joe Boyd (US producer, founder of Hannibal Records)
acoustic guitar and lead vocals:
Nick Drake (English singer‐songwriter)
arranger:
Harry Robinson (UK composer/arranger/bandleader)
phonographic copyright (℗) by:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1970)
produced for:
Witchseason Productions
recording of:
River Man
lyricist and composer:
Nick Drake (English singer‐songwriter)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Warlock Music Ltd.
Nick Drake4.34:19
16Everybody's Talking
cover recording of:
Everybody’s Talkin’
lyricist and composer:
Fred Neil
publisher:
Carlin Music Corporation, Coconut Grove Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Third Palm Music and Third Story Music, Inc.
Nilsson2:41