Complete Mozart Edition, Vol. 12: Arias, Vocal Ensembles, Canons, Lieder, Notturni

~ Release by Wolfgang Amadeus Mozart (see all versions of this release, 18 available)

Tracklist

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1▼CD: Concert Airas
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1Aria for Tenor and Orchestra in C major, K. 19c / KV 21: Allegro “Va, dal furor portata”
tenor vocals:
Thomas Moser (tenor)
orchestra:
Mozarteum Orchester Salzburg (Salzburg Mozarteum Orchestra)
conductor:
Leopold Hager (conductor)
recording of:
Aria for Tenor and Orchestra in C major, K. 19c / KV 21: Allegro "Va, dal furor portata"
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Köchelverzeichnis (Köchel catalogue, original numbering) (number: 21) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: 19c)
6:34
2Aria for Soprano and Orchestra in A major, K. 23: Andante grazioso – allegretto “Conservati fedele”
contralto vocals:
Hanna Schwarz (mezzo soprano)
orchestra:
Mozarteum Orchester Salzburg (Salzburg Mozarteum Orchestra)
conductor:
Leopold Hager (conductor)
recording of:
Aria for Soprano and Orchestra in A major, K. 23: Andante grazioso - allegretto "Conservati fedele"
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Köchelverzeichnis (Köchel catalogue, original numbering) (number: 23) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: 23)
6:18
3Recitative for Tenor and Orchestra in C major, K. 33i / KV 36: “Or che il dover m’astringe” / “Tali e cotanti sono”
tenor vocals:
Thomas Moser (tenor)
orchestra:
Mozarteum Orchester Salzburg (Salzburg Mozarteum Orchestra)
conductor:
Leopold Hager (conductor)
recording of:
Recitative and Aria for Tenor & Orchestra in C major, K. 33i/36: "Or che il dover… Tali e cotanti sono"
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Köchelverzeichnis (Köchel catalogue, original numbering) (number: 36) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: 33i)
9:22
4Recitative for Soprano and Orchestra in G major, K. 61c / KV 70: “A Berenice e Vologeso sposi” / “Sol nascente in questo giorno”
soprano vocals:
Lucia Popp (soprano)
orchestra:
Mozarteum Orchester Salzburg (Salzburg Mozarteum Orchestra)
conductor:
Leopold Hager (conductor)
recording of:
Recitative and Aria for Soprano and Orchestra in G major, K. 61c/70
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Köchelverzeichnis (Köchel catalogue, original numbering) (number: 70) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: 61c)
10:31
5Aria for Soprano, 2 Horns, Violin, Viola and Bass, K. deest NMA II/7/1 No. 7: Andante “Cara, se le mie pene”
soprano vocals:
Edith Mathis (soprano)
orchestra:
Mozarteum Orchester Salzburg (Salzburg Mozarteum Orchestra)
conductor:
Leopold Hager (conductor)
recording of:
Aria for Soprano, 2 Horns, Violin, Viola and Bass, K. deest NMA II/7/1 No. 7: Andante "Cara, se le mie pene"
composer:
Wolfgang Amadeus Mozart (classical composer)
8:52
6Aria for Soprano and Orchestra in E‐flat major, K. 73b / KV 78: Andante con moto “Per pietà, bell’idol mio”
soprano vocals:
Lucia Popp (soprano)
orchestra:
Mozarteum Orchester Salzburg (Salzburg Mozarteum Orchestra)
conductor:
Leopold Hager (conductor)
recording of:
Aria for Soprano & Orchestra in E-flat major, K. 73b/78: "Per pietà, bell'idol mio"
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Köchelverzeichnis (Köchel catalogue, original numbering) (number: 78) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: 73b)
4:12
7Aria for Soprano and Orchestra in C major, K. 73c / KV 88: Allegro maestoso “Fra cento affanni e cento”
soprano vocals:
Edita Gruberová (soprano) (from 1980-05 until 1981-10)
orchestra:
Mozarteum-Orchester Salzburg (Salzburg Mozarteum Orchestra) (from 1980-05 until 1981-10)
conductor:
Leopold Hager (conductor) (from 1980-05 until 1981-10)
recorded at:
Mozarteum: Großer Saal in Salzburg, Salzburg, Austria (from 1980-05 until 1981-10)
recording of:
Aria for Soprano & Orchestra in C major, K. 73c/88: "Fra cento affanni e cento" (from 1980-05 until 1981-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Köchelverzeichnis (Köchel catalogue, original numbering) (number: 88) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: 73c)
9:57
8Recitative for Soprano and Orchestra in B‐flat major, K. 73d / KV 79: “O temerario Arbace!” / “Per quel paterno ampesso”
soprano vocals:
Lucia Popp (soprano)
orchestra:
Mozarteum Orchester Salzburg (Salzburg Mozarteum Orchestra)
conductor:
Leopold Hager (conductor)
recording of:
Recitative and Aria for Soprano & Orchestra in B-flat major, K. 73d/79: "O temerario Arbace!… Per quel paterno"
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Köchelverzeichnis (Köchel catalogue, original numbering) (number: 79) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: 73d)
5:53
9Recitative for Soprano and Orchestra in B‐flat major, K. 73e / KV 77: “Misero me!” / “Misero pargoletto”
soprano vocals:
Edith Mathis (soprano)
orchestra:
Mozarteum Orchester Salzburg (Salzburg Mozarteum Orchestra)
conductor:
Leopold Hager (conductor)
recording of:
Aria for Soprano & Orchestra in B-flat major, K. 73e/77: "Misero me!… Misero pargoletto"
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Köchelverzeichnis (Köchel catalogue, original numbering) (number: 77) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: 73e)
13:37
2▼CD: Concert Airas
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1Aria for Soprano and Orchestra in F major, K. 73o / KV 82: Andante – tempo primo “Se ardire, e speranza”
soprano vocals:
Lilian Sukis (soprano)
orchestra:
Mozarteum Orchester Salzburg (Salzburg Mozarteum Orchestra)
conductor:
Leopold Hager (conductor)
recording of:
Aria for Soprano & Orchestra in F major, K. 73o/82: "Se ardire, e speranza"
lyricist:
Pietro Metastasio
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Köchelverzeichnis (Köchel catalogue, third edition, 1937, K³) (number: K. 73o), Köchelverzeichnis (Köchel catalogue, ninth edition, 2024, K⁹) (number: K. 82), Köchelverzeichnis (Köchel catalogue, original numbering) (number: 82) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: 73o)
6:31
2Aria for Soprano and Orchestra in E‐flat major, K. Zu 73p / KV Zu 83 (first version): Adagio – allegretto – tempo primo “Se tutti i mali miei”
soprano vocals:
Edith Mathis (soprano)
orchestra:
Mozarteum Orchester Salzburg (Salzburg Mozarteum Orchestra)
conductor:
Leopold Hager (conductor)
recording of:
Aria for Soprano and Orchestra in E-flat major, K. Zu 73p / KV Zu 83 (first version): Adagio - allegretto - tempo primo "Se tutti i mali miei"
composer:
Wolfgang Amadeus Mozart (classical composer)
7:10
3Aria for Soprano and Orchestra in E major, K. 74b / KV deest: Allegro “Non curo l’affetto”
recorded in:
Wien (Vienna), Austria
soprano vocals:
Edita Gruberová (soprano) (from 1980-05 until 1981-10)
orchestra:
Mozarteum-Orchester Salzburg (Salzburg Mozarteum Orchestra) (from 1980-05 until 1981-10)
conductor:
Leopold Hager (conductor) (from 1980-05 until 1981-10)
recorded at:
Mozarteum: Großer Saal in Salzburg, Salzburg, Austria (from 1980-05 until 1981-10)
recording of:
Aria for Soprano & Orchestra in E major, K. 74b/deest: "Non curo l'affetto" (from 1980-05 until 1981-10)
lyricist:
Pietro Metastasio
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1771)
part of:
Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: 74b)
4:48
4Aria for Tenor and Orchestra in D major, K. 209: Andante – allegro assai – tempo primo “Si mostra la sorte”
tenor vocals:
Francisco Araiza (tenor)
orchestra:
Mozarteum Orchester Salzburg (Salzburg Mozarteum Orchestra)
conductor:
Leopold Hager (conductor)
recording of:
Aria for Tenor & Orchestra in D major, K. 209: "Si mostra la sorte"
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Köchelverzeichnis (Köchel catalogue, original numbering) (number: 209) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: 209)
4:07
5Aria buffa for Tenor and Orchestra in C major, K. 210: Allegro assai “Con ossequio, con rispetto”
tenor vocals:
Claes‐Håkan Ahnsjö (tenor)
orchestra:
Mozarteum Orchester Salzburg (Salzburg Mozarteum Orchestra)
conductor:
Leopold Hager (conductor)
recording of:
Aria for Tenor & Orchestra in C major, K. 210: "Con ossequio, con rispetto"
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Köchelverzeichnis (Köchel catalogue, original numbering) (number: 210) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: 210)
2:43
6Aria for Soprano and Orchestra in G major, K. 217: Andantino grazioso – allegro – primo tempo – allegro – primo tempo – allegro “Voi avete un cor fedele”
soprano vocals:
Edith Mathis (soprano)
orchestra:
Mozarteum Orchester Salzburg (Salzburg Mozarteum Orchestra)
conductor:
Leopold Hager (conductor)
recording of:
Recitative and Aria for Soprano & Orchestra in G major, K. 217: “Voi avete un cor fedele”
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1775-10)
librettist:
Carlo Goldoni
part of:
Köchelverzeichnis (Köchel catalogue, original numbering) (number: 217) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: 217)
arrangement of:
Recitative and Aria for Soprano & Orchestra in G major, K. 217: “Voi avete un cor fedele” (catch-all for arrangements)
6:41
7Recitativo for Contralto and Orchestra in F major, K. 255: Andante “Ombra felice!” Aria for Contralto and Orchestra in F major, K. 255: “Io ti lascio, e questo addio”
contralto vocals:
Hanna Schwarz (mezzo soprano)
orchestra:
Mozarteum Orchester Salzburg (Salzburg Mozarteum Orchestra)
conductor:
Leopold Hager (conductor)
recording of:
Recitativo and Aria for Contralto and Orchestra in F major, K. 255: "Ombra felice! ... Io ti lascio, e questo addio"
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Giovanni de Gamerra
part of:
Köchelverzeichnis (Köchel catalogue, ninth edition, 2024, K⁹) (number: K. 255), Köchelverzeichnis (Köchel catalogue, original numbering) (number: 255) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: 255)
6:44
8Aria for Tenor and Orchestra in D major, K. 256: In tempo comodo d’un gran ciarlone “Clarice cara mia sposa”
tenor vocals:
Claes‐Håkan Ahnsjö (tenor)
orchestra:
Mozarteum Orchester Salzburg (Salzburg Mozarteum Orchestra)
conductor:
Leopold Hager (conductor)
recording of:
Aria for Tenor & Orchestra in D major, K. 256: "Clarice cara mia sposa"
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Köchelverzeichnis (Köchel catalogue, original numbering) (number: 256) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: 256)
1:50
9Recitative for Soprano and Orchestra in C minor, K. 272: Allegro risoluto “Ah, lo previdi!” “Ah, t’invola agl’occhi miei” “Deh, non varcar quell’onda”
soprano vocals:
Lucia Popp (soprano)
orchestra:
Mozarteum Orchester Salzburg (Salzburg Mozarteum Orchestra)
conductor:
Leopold Hager (conductor)
recording of:
Recitative and Aria for Soprano & Orchestra in C minor, K. 272: "Ah, lo previdi… Ah, t'invola agl'occhi miei"
lyricist:
Vittorio Amedeo Cigna-Santi
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1777-08)
part of:
Köchelverzeichnis (Köchel catalogue, original numbering) (number: 272) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: 272)
13:23
10Recitative for Soprano and Orchestra in E‐flat major, K. 294: Andantino “Alcandro, Io confesso” “Non sò d’onde viene”
soprano vocals:
Lucia Popp (soprano)
orchestra:
Mozarteum Orchester Salzburg (Salzburg Mozarteum Orchestra)
conductor:
Leopold Hager (conductor)
recording of:
Recitative and Aria for Soprano & Orchestra in E-flat major, K. 294: "Alcandro, Io confesso… Non só d'onde viene"
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Köchelverzeichnis (Köchel catalogue, original numbering) (number: 294) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: 294)
8:57
11Aria for Tenor and Orchestra in B‐flat major, K. 295 (first version): Adagio – allegretto – primo tempo “Se al labbro mio non credi”
tenor vocals:
Francisco Araiza (tenor)
orchestra:
Mozarteum Orchester Salzburg (Salzburg Mozarteum Orchestra)
conductor:
Leopold Hager (conductor)
recording of:
Aria for Tenor and Orchestra in B-flat major, K. 295 (first version): Adagio - allegretto - primo tempo "Se al labbro mio non credi"
composer:
Wolfgang Amadeus Mozart (classical composer)
11:56
3▼CD: Concert Airas
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1Aria for Soprano & Orchestra in E‐flat major, K. 295a/K(2) 486a: “Basta, vincesti… Ah, non lasciarmi”
soprano vocals:
Lucia Popp (soprano)
orchestra:
Mozarteum Orchester Salzburg (Salzburg Mozarteum Orchestra)
conductor:
Leopold Hager (conductor)
recording of:
Aria for Soprano & Orchestra in E-flat major, K. 295a/K(2) 486a: "Basta, vincesti… Ah, non lasciarmi"
composed in:
Mannheim, Baden-Württemberg, Germany (until 1778-02-27)
lyricist:
Pietro Metastasio
composer:
Wolfgang Amadeus Mozart (classical composer) (until 1778-02-27)
part of:
Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: 295a) and Köchelverzeichnis (Köchel catalogue, original numbering) (number: 486a)
5:37
2Recitative for Soprano & Orchestra in C major, K. 300b/316: I. “Popoli di Tessaglia” “Io non chiedo, eterni Dei”
soprano vocals:
Edita Gruberová (soprano)
orchestra:
Mozarteum Orchester Salzburg (Salzburg Mozarteum Orchestra)
conductor:
Leopold Hager (conductor)
recording of:
Recitative and Aria for Soprano & Orchestra in C major, K. 300b/316
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Köchelverzeichnis (Köchel catalogue, original numbering) (number: 316) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: 300b)
11:24
3Recitavo for Soprano & Orchestra in F major, K. 368: I. “Ma che vi fece” “Sperai vicino il lido”
soprano vocals:
Edita Gruberová (soprano)
orchestra:
Mozarteum Orchester Salzburg (Salzburg Mozarteum Orchestra)
conductor:
Leopold Hager (conductor)
recording of:
Recitative and Aria for Soprano and Orchestra in F major, K. 368 "Ma che vi fece ... Sperai vicino il lido"
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Köchelverzeichnis (Köchel catalogue, original numbering) (number: 368) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: 368)
8:38
4Recitative and Aria for Soprano & Orchestra in E‐flat major, K. 369: “Misera, dove son? L’aure del Tebro” “Ah! non son io che parlo”
soprano vocals:
Edith Mathis (soprano)
orchestra:
Mozarteum Orchester Salzburg (Salzburg Mozarteum Orchestra)
conductor:
Leopold Hager (conductor)
recording of:
Recitative and Aria for Soprano & Orchestra in E-flat major, K. 369: "Misera, dove son… Ah! non son io"
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Köchelverzeichnis (Köchel catalogue, original numbering) (number: 369) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: 369)
6:42
5Recitative and Aria for Soprano & Orchestra in E‐flat major, K. 374: “A questo seno deh vieni” “Or che il cielo a me ti rende”
soprano vocals:
Edith Mathis (soprano)
orchestra:
Mozarteum Orchester Salzburg (Salzburg Mozarteum Orchestra)
conductor:
Leopold Hager (conductor)
recording of:
Recitative and Aria for Soprano & Orchestra in E-flat major, K. 374: "A questo seno deh vieni… Or che il cielo"
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Köchelverzeichnis (Köchel catalogue, original numbering) (number: 374) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: 374)
8:11
6Aria for Soprano & Orchestra in G major, K. 383: “Nehmt meinen Dank, ihr holden Gönner”
soprano vocals:
Lucia Popp (soprano)
orchestra:
Mozarteum Orchester Salzburg (Salzburg Mozarteum Orchestra)
conductor:
Leopold Hager (conductor)
recording of:
Aria for Soprano & Orchestra in G major, K. 383: "Nehmt meinen Dank, ihr holden Gönner"
lyricist:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1782)
part of:
Köchelverzeichnis (Köchel catalogue, original numbering) (number: 383) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: 383)
3:36
7Recitavo for Soprano & Orchestra in B‐flat major, K. 416: I. “Mia speranza adorata” / Aria for Soprano & Orchestra in B‐flat major, K. 416: II. “Ah, non sai qual pena sia”
soprano vocals:
Edita Gruberová (soprano)
orchestra:
Mozarteum Orchester Salzburg (Salzburg Mozarteum Orchestra)
conductor:
Leopold Hager (conductor)
recording of:
Recitative and Aria for Soprano & Orchestra in B-flat major, K. 416
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Köchelverzeichnis (Köchel catalogue, original numbering) (number: 416) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: 416)
8:40
8Aria for Soprano & Orchestra in A major, K. 418: “Vorrei spiegarvi, oh Dio”
soprano vocals:
Edita Gruberová (soprano)
orchestra:
Mozarteum Orchester Salzburg (Salzburg Mozarteum Orchestra)
conductor:
Leopold Hager (conductor)
recording of:
Aria for Soprano and Orchestra in A major, K. 418: “Vorrei spiegarvi, oh Dio”
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
publisher:
Breitkopf & Härtel (in 1881)
part of:
Köchelverzeichnis (Köchel catalogue, ninth edition, 2024, K⁹) (number: K. 418), Köchelverzeichnis (Köchel catalogue, original numbering) (number: 418) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: 418)
7:12
9Aria for Soprano & Orchestra in C major, K. 419: “No, che non sei capace”
soprano vocals:
Edita Gruberová (soprano) (from 1980-05 until 1981-10)
orchestra:
Mozarteum-Orchester Salzburg (Salzburg Mozarteum Orchestra) (from 1980-05 until 1981-10)
conductor:
Leopold Hager (conductor) (from 1980-05 until 1981-10)
recorded at:
Mozarteum: Großer Saal in Salzburg, Salzburg, Austria (from 1980-05 until 1981-10)
recording of:
Aria for Soprano & Orchestra in C major, K. 419: "No no, che non sei capace" (from 1980-05 until 1981-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Köchelverzeichnis (Köchel catalogue, original numbering) (number: 419) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: 419)
4:27
10Aria for Tenor & Orchestra in E‐flat major, K. 420: “Per pietà, non ricercate”
tenor vocals:
Thomas Moser (tenor)
orchestra:
Mozarteum Orchester Salzburg (Salzburg Mozarteum Orchestra)
conductor:
Leopold Hager (conductor)
recording of:
Aria for Tenor & Orchestra in E-flat major, K. 420: "Per pietà, non ricercate"
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Köchelverzeichnis (Köchel catalogue, original numbering) (number: 420) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: 420)
7:08
11Recitative and Aria for Bass & Orchestra in F minor, K. 421a/432 (fragment): “Così dunque tradisci… Aspri rimorsi atroci”
bass vocals:
Robert Lloyd (operatic bass)
orchestra:
Mozarteum Orchester Salzburg (Salzburg Mozarteum Orchestra)
conductor:
Leopold Hager (conductor)
recording of:
Recitative and Aria for Bass & Orchestra in F minor, K. 421a/432 (fragment): "Così dunque tradisci… Aspri rimorsi atroci"
lyricist:
Pietro Metastasio
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Köchelverzeichnis (Köchel catalogue, third edition, 1937, K³) (number: K. 421a), Köchelverzeichnis (Köchel catalogue, ninth edition, 2024, K⁹) (number: K. 432), Köchelverzeichnis (Köchel catalogue, original numbering) (number: 432) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: 421a)
3:52
4▼CD: Concert Airas
#TitleRatingLength
1Recitative for Tenor and Orchestra in E‐flat major, K. 425b / KV 431: Adagio – andante ostecon moto – allegro risoluto – andante sostenuto “Misero! O sogno” / Aria for Tenor and Orchestra in E‐flat major, K. 425b / KV 431: “Aura, che intorno spiri”
tenor vocals:
Francisco Araiza (tenor)
orchestra:
Mozarteum Orchester Salzburg (Salzburg Mozarteum Orchestra)
conductor:
Leopold Hager (conductor)
recording of:
Recitative and Aria for Tenor & Orchestra in E-flat major, K. 425b/431: "Misero! oh sogno… Aura che intorno spiri"
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Köchelverzeichnis (Köchel catalogue, original numbering) (number: 431) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: 425b)
10:30
2Recitative for Soprano, Piano and Orchestra in E‐flat major, K. 505: Andantino – andante “Ch’io mi scordi di te?” / Aria for Soprano, Piano and Orchestra in E‐flat major, K. 505: Rondo. Andante “Non temer, amato bene”
piano:
Leopold Hager (conductor)
soprano vocals:
Edith Mathis (soprano)
orchestra:
Mozarteum Orchester Salzburg (Salzburg Mozarteum Orchestra)
conductor:
Leopold Hager (conductor)
recording of:
Recitative and Aria for Soprano, Piano & Orchestra in E-flat major, K. 505: "Ch'io mi scordi di te… Non temer, amato bene"
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786-12)
dedicated to:
Nancy Storace
premiered at:
[farewell concert of Nancy Storage] (1787-02-23)
part of:
Köchelverzeichnis (Köchel catalogue, ninth edition, 2024, K⁹) (number: K. 505), Köchelverzeichnis (Köchel catalogue, original numbering) (number: 505) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: 505)
10:00
3Recitativo for Bass and Orchestra in F major, K. 512: Allegro molto – andante a tempo – tempo primo “Alcandro, Io confesso” / Aria for Bass and Orchestra in F major, K. 512: Andante – allegretto – tempo primo “Non so d’onde viene”
bass vocals:
Robert Lloyd (operatic bass)
orchestra:
Mozarteum Orchester Salzburg (Salzburg Mozarteum Orchestra)
conductor:
Leopold Hager (conductor)
recording of:
Recitativo for Bass and Orchestra in F major, K. 512: Allegro molto - andante a tempo - tempo primo "Alcandro, Io confesso" / Aria for Bass and Orchestra in F major, K. 512: Andante - allegretto - tempo primo "Non so d'onde viene"
composer:
Wolfgang Amadeus Mozart (classical composer)
7:19
4Aria for Bass and Orchestra in E‐flat major, K. 513: Larghetto – allegro – più allegro “Mentre ti lascio, oh figlia”
bass vocals:
Robert Lloyd (operatic bass)
orchestra:
Mozarteum Orchester Salzburg (Salzburg Mozarteum Orchestra)
conductor:
Leopold Hager (conductor)
recording of:
Aria for Bass & Orchestra in E-flat major, K. 513: "Mentre ti lascio, oh figlia"
lyricist:
Nicola Giuseppe Morbilli
additional composer:
Giovanni Paisiello (composer)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Köchelverzeichnis (Köchel catalogue, original numbering) (number: 513) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: 513)
7:04
5Recitative for Soprano and Orchestra in C major, K. 528: Andante “Bella mia fiamma, addio!” / Aria for Soprano and Orchestra in C major, K. 528: Andante – allegro “Resta, oh cara!”
soprano vocals:
Lilian Sukis (soprano)
orchestra:
Mozarteum Orchester Salzburg (Salzburg Mozarteum Orchestra)
conductor:
Leopold Hager (conductor)
recording of:
Recitative and Aria for Soprano & Orchestra in C major, K. 528: “Bella mia fiamma, addio!… Resta, oh cara!”
lyricist:
D. Michele Sacrone
composer:
Wolfgang Amadeus Mozart (classical composer) (until 1787-11-03)
part of:
Köchelverzeichnis (Köchel catalogue, original numbering) (number: 528) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: 528)
9:36
6Aria for Soprano and Orchestra in F major, K. 538: Allegro “Ah se in ciel, benigne stelle”
soprano vocals:
Edita Gruberová (soprano) (from 1980-05 until 1981-10)
orchestra:
Mozarteum-Orchester Salzburg (Salzburg Mozarteum Orchestra) (from 1980-05 until 1981-10)
conductor:
Leopold Hager (conductor) (from 1980-05 until 1981-10)
recorded at:
Mozarteum: Großer Saal in Salzburg, Salzburg, Austria (from 1980-05 until 1981-10)
recording of:
Aria for Soprano and Orchestra in F major, K. 538: Allegro “Ah se in ciel, benigne stelle” (from 1980-05 until 1981-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: 53) and Köchelverzeichnis (Köchel catalogue, original numbering) (number: 538)
7:32
7German War Song for Bass and Orchestra in A major, K. 539: Allegro “Ich möchte wohl der Kaiser sein”
bass vocals:
Walter Berry (bass‐baritone)
orchestra:
Mozarteum Orchester Salzburg (Salzburg Mozarteum Orchestra)
conductor:
Leopold Hager (conductor)
recording of:
German War Song for Bass and Orchestra in A major, K. 539: Allegro "Ich möchte wohl der Kaiser sein"
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Köchelverzeichnis (Köchel catalogue, original numbering) (number: 539) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: 539)
2:13
8Arietta for Bass and Orchestra in F major, K. 541: Allegretto “Un bacio di mano”
bass vocals:
Walter Berry (bass‐baritone)
orchestra:
Mozarteum Orchester Salzburg (Salzburg Mozarteum Orchestra)
conductor:
Leopold Hager (conductor)
recording of:
Arietta for Bass and Orchestra in F major, K. 541: Allegretto "Un bacio di mano"
lyricist:
Lorenzo Da Ponte
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1788)
dedicated to:
Francesco Albertarelli (bass)
part of:
Köchelverzeichnis (Köchel catalogue, ninth edition, 2024, K⁹) (number: K. 541), Köchelverzeichnis (Köchel catalogue, original numbering) (number: 541) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: 541)
1:55
9Aria for Soprano and Orchestra in B‐flat major, K. 578: Allegro “Alma grande e nobil core”
soprano vocals:
Edith Mathis (soprano)
orchestra:
Mozarteum Orchester Salzburg (Salzburg Mozarteum Orchestra)
conductor:
Leopold Hager (conductor)
recording of:
Aria for Soprano and Orchestra in B-flat major, K. 578: Allegro "Alma grande e nobil core"
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Köchelverzeichnis (Köchel catalogue, original numbering) (number: 578) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: 578)
4:27
10Aria for Soprano and Orchestra in C major, K. 582: Andante “Chi sà, chi sà, qual sia”
soprano vocals:
Lucia Popp (soprano)
orchestra:
Mozarteum Orchester Salzburg (Salzburg Mozarteum Orchestra)
conductor:
Leopold Hager (conductor)
recording of:
Aria for Soprano and Orchestra in C major, K. 582: Andante "Chi sà, chi sà, qual sia"
lyricist:
Lorenzo Da Ponte
composer:
Wolfgang Amadeus Mozart (classical composer)
premiered at:
[event] (1789-09-11)
publisher:
Breitkopf & Härtel (in 1881)
part of:
Köchelverzeichnis (Köchel catalogue, original numbering) (number: 582) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: 582)
3:18
11Aria for Soprano and Orchestra in E‐flat major, K. 583: Allegro – andante sostenuto “Vado, ma dove? oh Dei!”
soprano vocals:
Edith Mathis (soprano)
orchestra:
Mozarteum Orchester Salzburg (Salzburg Mozarteum Orchestra)
conductor:
Leopold Hager (conductor)
recording of:
Aria for Soprano and Orchestra in E-flat major, K. 583: Allegro - andante sostenuto “Vado, ma dove? oh Dei!”
lyricist:
Lorenzo Da Ponte
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Köchelverzeichnis (Köchel catalogue, original numbering) (number: 583) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: 583)
4:08
12Aria for Two Voices and Orchestra in D major, K. 612: Andante – adagio – allegro (Bass, Contrabass) “Per questa bella mano”
double bass:
Alois Posch (double bass player)
bass vocals:
Walter Berry (bass‐baritone)
orchestra:
Mozarteum Orchester Salzburg (Salzburg Mozarteum Orchestra)
conductor:
Leopold Hager (conductor)
recording of:
Aria for Bass, Double Bass & Orchestra in D major, K. 612: "Per questa bella mano"
composed in:
Wien (Vienna), Austria (until 1791-03-08)
lyricist:
[anonymous] (special purpose artist)
composer:
Wolfgang Amadeus Mozart (classical composer) (until 1791-03-08)
part of:
Köchelverzeichnis (Köchel catalogue, first edition, 1862, K¹) (number: K. 612), Köchelverzeichnis (Köchel catalogue, third edition, 1937, K³) (number: K. 612), Köchelverzeichnis (Köchel catalogue, ninth edition, 2024, K⁹) (number: K. 612), Köchelverzeichnis (Köchel catalogue, original numbering) (number: 612) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: 612)
6:50
13Aria for Bass and Orchestra in E‐flat major, K. 621a / KV Anh 245: Adagio “Io ti lascio, oh cara, addio”
bass vocals:
Robert Lloyd (operatic bass)
orchestra:
Mozarteum Orchester Salzburg (Salzburg Mozarteum Orchestra)
conductor:
Leopold Hager (conductor)
recording of:
Aria for Bass and Orchestra in E-flat major, K. 621a / KV Anh 245: Adagio "Io ti lascio, oh cara, addio"
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Emil Gottfried von Jacquin
part of:
Köchelverzeichnis (Köchel catalogue, ninth edition, 2024, K⁹) (number: K. 621a), Köchelverzeichnis (Köchel catalogue, original numbering) (number: Anh. 245) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: 621a)
4:01
5▼CD: Arias
#TitleRatingLength
1Aria for Soprano and Orchestra in E‐flat major, K. 73p / KV 83: Adagio – allegretto – tempo primo “Se tutti i mali miei”
harpsichord:
Klaus von Wildermann (harpsichordist and pianist)
soprano vocals:
Julie Kaufmann (soprano)
orchestra:
Münchner Rundfunkorchester (The Munich Radio Orchestra)
conductor:
Jörg‐Peter Weigle (chorus master)
recording of:
Aria for Soprano & Orchestra in E-flat major, K. 73p/83: "Se tutti i mali miei"
lyricist:
Pietro Metastasio
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Köchelverzeichnis (Köchel catalogue, third edition, 1937, K³) (number: K. 73p), Köchelverzeichnis (Köchel catalogue, ninth edition, 2024, K⁹) (number: K. 83), Köchelverzeichnis (Köchel catalogue, original numbering) (number: 83) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: 73p)
7:24
2Ornamentation Cadenza for Johann Christian Bach: Adriano in Siria, T 211: Aria “Cara, la dolce fiamma”, K. 293e/deest
harpsichord:
Klaus von Wildermann (harpsichordist and pianist)
soprano vocals:
Julie Kaufmann (soprano)
orchestra:
Münchner Rundfunkorchester (The Munich Radio Orchestra)
conductor:
Jörg‐Peter Weigle (chorus master)
recording of:
Ornamentation Cadenza for Johann Christian Bach: Adriano in Siria, T 211: Aria "Cara, la dolce fiamma", K. 293e/deest
composer:
Wolfgang Amadeus Mozart (classical composer)
12:50
3Recitative for Soprano and Orchestra in E‐flat major, K. 294: Andantino “Alcandro, Io confesso” / Aria for Soprano and Orchestra in E‐flat major, K. 294: Andante sostenuto – allegro agitato – primo tempo “Non sò d’onde viene”
harpsichord:
Klaus von Wildermann (harpsichordist and pianist)
soprano vocals:
Julie Kaufmann (soprano)
orchestra:
Münchner Rundfunkorchester (The Munich Radio Orchestra)
conductor:
Jörg‐Peter Weigle (chorus master)
recording of:
Recitative and Aria for Soprano & Orchestra in E-flat major, K. 294: "Alcandro, Io confesso… Non só d'onde viene"
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Köchelverzeichnis (Köchel catalogue, original numbering) (number: 294) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: 294)
9:45
4Aria for Tenor and Orchestra in B‐flat major, K. 295: Adagio – allegretto – primo tempo “Se al labbro mio non credi”
tenor vocals:
Hans Peter Blochwitz (tenor)
orchestra:
Dresdner Philharmonie (Dresden Philharmonic Orchestra)
conductor:
Jörg‐Peter Weigle (chorus master)
recording of:
Aria for Tenor & Orchestra in B-flat major, K. 295: "Se al labbro… Il cor dolente"
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Köchelverzeichnis (Köchel catalogue, original numbering) (number: 295) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: 295)
10:11
5Reduction for Piano of Aria for Soprano and Orchestra in A major, K. 382h / KV 119: Allegro “Der Liebe himmlisches Gefühl”
soprano vocals:
Eva Lind (soprano) (in 1990-03)
orchestra:
Dresdner Philharmonie (Dresden Philharmonic Orchestra) (in 1990-03)
conductor:
Jörg‐Peter Weigle (chorus master) (in 1990-03)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1990-03)
recording of:
Reduction for Piano of Aria for Soprano and Orchestra in A major, K. 382h / KV 119: Allegro "Der Liebe himmlisches Gefühl" (in 1990-03)
orchestrator:
Erik Smith (British producer, pianist and harpsichordist)
composer:
Wolfgang Amadeus Mozart (classical composer)
6:05
6Aria for Soprano and Orchestra in C major, K. 383h / KV 440 (E. Reichert completion): “In te spero, oh sposo amato”
soprano vocals:
Eva Lind (soprano)
orchestra:
Dresdner Philharmonie (Dresden Philharmonic Orchestra)
conductor:
Jörg‐Peter Weigle (chorus master)
recording of:
Aria for Soprano and Orchestra in C major, K. 383h / KV 440 (E. Reichert completion): "In te spero, oh sposo amato"
additional composer:
Ernst Reichert
composer:
Wolfgang Amadeus Mozart (classical composer)
7:10
7Aria for Tenor and Orchestra in D major, K. 416b / KV 435 (Erik Smith completion): “Müßt ich auch durch tausend Drachen”
tenor vocals:
Stuart Burrows (tenor)
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Colin Davis (English conductor)
recording of:
Aria for Tenor and Orchestra in D major, K. 416b / KV 435: "Müßt ich auch durch tausend Drachen" (compl. Smith)
additional composer:
Erik Smith (British producer, pianist and harpsichordist)
composer:
Wolfgang Amadeus Mozart (classical composer)
version of:
Müßt ich auch durch tausend Drachen, K. 146b/435 (incomplete)
4:27
8Aria for Bass and Orchestra in F major, K. 416c / KV 433 (Erik Smith completion) “Warnung”: “Maenner suchen stets zu naschen”
bass vocals:
Robert Lloyd (operatic bass)
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Colin Davis (English conductor)
recording of:
Aria for Bass and Orchestra in F major, K. 416c / KV 433 (Erik Smith completion) "Warnung": "Maenner suchen stets zu naschen"
additional composer:
Erik Smith (British producer, pianist and harpsichordist)
composer:
Wolfgang Amadeus Mozart (classical composer)
arrangement of:
Aria for Bass in F major, K. 416c/433 (fragment) "Warnung": "Männer suchen stets zu naschen"
2:17
9Reduction for Solo Voice and Piano of Aria for Solo Voice and Orchestra in A major, K. 417e / K3 125i / KV 178: Andante. (Soprano) “Ah, spiegarti, oh Dio”
harpsichord:
Klaus von Wildermann (harpsichordist and pianist)
soprano vocals:
Julie Kaufmann (soprano)
orchestra:
Münchner Rundfunkorchester (The Munich Radio Orchestra)
conductor:
Jörg‐Peter Weigle (chorus master)
recording of:
Reduction for Solo Voice and Piano of Aria for Solo Voice and Orchestra in A major, K. 417e / K3 125i / KV 178: Andante. (Soprano) "Ah, spiegarti, oh Dio"
orchestrator:
Erik Smith (British producer, pianist and harpsichordist)
composer:
Wolfgang Amadeus Mozart (classical composer)
3:01
10Aria for Soprano and Orchestra in B‐flat major, K. 580 (Erik Smith completion): “Schon lacht der holde Fruhling”
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Colin Davis (English conductor)
recording of:
Aria for Soprano and Orchestra in B-flat major, K. 580 (Erik Smith completion): "Schon lacht der holde Frühling"
additional composer:
Erik Smith (British producer, pianist and harpsichordist)
composer:
Wolfgang Amadeus Mozart (classical composer)
7:48
6▼CD: Arias & Duets
#TitleRatingLength
1La finta semplice, K. *46a / KV *51 (original version) NMA II/5/2/1–2 Anh No. 2: Act I, Scene III. No. 5 Aria. Adagio maestoso – andante – allegro – adagio – andante – allegro “Guarda la donna in viso” (Fracasso)
tenor vocals:
Hans Peter Blochwitz (tenor)
orchestra:
Dresdner Philharmonie (Dresden Philharmonic Orchestra)
conductor:
Jörg‐Peter Weigle (chorus master)
recording of:
La finta semplice, K. 46a / KV 51: Act I, Scene III. No. 5 Aria. Allegro moderato "Guarda la donna in viso" (Fracasso)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Marco Coltellini (Italian librettist)
part of:
La finta semplice, K. 46a / KV 51: Act I
5:09
2La finta semplice, K. *46a / KV *51 (original version) NMA II/5/2/1–2 Anh No. 8: Act III, Scene I. No. 23 Aria. Tempo di menuetto – allegretto – tempo primo – allegretto “Sono in amore, voglio marito” (Ninetta)
soprano vocals:
Elżbieta Szmytka (soprano)
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
La finta semplice, K. 46a / KV 51: Act III, Scene I. No. 23 Aria. Tempo di menuetto - allegro - tempo di menuetto - allegro "Sono in amore, voglio marito" (Ninetta)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Marco Coltellini (Italian librettist)
part of:
La finta semplice, K. 46a / KV 51: Act III
3:02
3Mitridate, rè di Ponto, K. 74a/87: Act I, Scene II. No. 1 Aria “Al destin, che la minaccia” (Aspasia)
soprano vocals:
Edith Wiens (soprano)
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Mitridate, rè di Ponto, K. 74a/87: Act I, Scene II. No. 1 Aria "Al destin, che la minaccia" (Aspasia)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Vittorio Amedeo Cigna-Santi
part of:
Mitridate, rè di Ponto, K. 74a/87: Act I
8:46
4Mitridate, rè di Ponto, K. 74a/87: Act I, Scene XI. No. 9 Aria “In faccia all’oggetto” (Ismene)
soprano vocals:
Elżbieta Szmytka (soprano)
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Mitridate, rè di Ponto, K. 74a/87: Act I, Scene XI. No. 9 Aria "In faccia all'oggetto" (Ismene)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Vittorio Amedeo Cigna-Santi
part of:
Mitridate, rè di Ponto, K. 74a/87: Act I
5:10
5Mitridate, rè di Ponto, K. 74a/87: Act II, Scene VII. No. 13 Aria “Lungi da te, mio bene” (Sifare)
soprano vocals:
Edith Wiens (soprano)
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Mitridate, rè di Ponto, K. 74a/87: Act II, Scene VII. No. 13 Aria "Lungi da te, mio bene" (Sifare)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Vittorio Amedeo Cigna-Santi
part of:
Mitridate, rè di Ponto, K. 74a/87: Act II
7:41
6Mitridate, rè di Ponto, K. 74a/87: Act II, Scene XV. No. 18 Duetto “Se viver non degg’io” (Sifare, Aspasia)
soprano vocals:
Elżbieta Szmytka (soprano) and Edith Wiens (soprano)
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Mitridate, rè di Ponto, K. 74a/87: Act II, Scene XV. No. 18 Duetto "Se viver non degg'io" (Sifare, Aspasia)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Vittorio Amedeo Cigna-Santi
basset clarinet arranger and flute arranger:
Stephan Koncz (Austrian cellist and composer)
part of:
Mitridate, rè di Ponto, K. 74a/87: Act II
8:33
7Mitridate, rè di Ponto, K. 74a/87: Act III, Scene III. No. 20 Aria “Vado incontro al fato estremo” (Mitridate)
tenor vocals:
Gunnar Guðbjörnsson
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Mitridate, rè di Ponto, K. 74a/87: Act III, Scene III. No. 20 Aria "Vado incontro al fato estremo" (Mitridate)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Vittorio Amedeo Cigna-Santi
part of:
Mitridate, rè di Ponto, K. 74a/87: Act III
3:01
8Lucio Silla, K. 135: Act II, Scene IX. No. 14 Aria “Ah se a morir mi chiama” (Cecilio)
harpsichord:
Klaus von Wildemann (Klaus von Wildermann, pianist)
mezzo-soprano vocals:
Iris Vermillion (mezzo-soprano)
orchestra:
Münchner Rundfunkorchester (The Munich Radio Orchestra)
conductor:
Jörg‐Peter Weigle (chorus master)
recording of:
Lucio Silla, K. 135: Act II, Scene IX. No. 14 Aria "Ah se a morir mi chiama" (Cecilio)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Giovanni de Gamerra
part of:
Lucio Silla, K. 135: Act II
7:52
9Recitative and Aria for Tenor & Orchestra in B‐flat major, K. 490: “Non più tutto ascoltai… Non temer, amato bene”
violin:
Peter Mirring (German violinist)
tenor vocals:
Peter Schreier (German tenor and conductor)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recording of:
Recitative and Aria for Tenor & Orchestra in B‐flat major, K. 490: “Non più, tutto ascoltai” … “Non temer, amato bene”
composer:
Wolfgang Amadeus Mozart (classical composer)
publisher:
Breitkopf & Härtel (in 1881)
part of:
Köchelverzeichnis (Köchel catalogue, ninth edition, 2024, K⁹) (number: K. 490), Köchelverzeichnis (Köchel catalogue, original numbering) (number: 490) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: 490)
8:24
10Idomeneo, rè di Creta, K. 366: Act III, Scene II. Recitativo “Principessa, a’ tuoi sguardi” (Idamante, Ilia) / Duet for Soprano and Tenor in A major, K. 489: “Spiegarti no poss’io”
soprano vocals:
Edith Mathis (soprano)
tenor vocals:
Peter Schreier (German tenor and conductor)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Karl Böhm (Austrian conductor)
recording of:
Idomeneo, rè di Creta, K. 366: Act III, Scene II. Recitativo "Principessa, a' tuoi sguardi" (Idamante, Ilia)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Giambattista Varesco
part of:
Idomeneo, rè di Creta, K. 366: Act III
6:55
11Duet for 2 Tenors in E‐flat major, K. 384A/389 (Erik Smith completion): “Welch ängstliches Beben”
tenor vocals:
Stuart Burrows (tenor) and Robert Tear (tenor)
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Colin Davis (English conductor)
recording of:
Duet for 2 Tenors in E-flat major, K. 384a/389 (Erik Smith completion): "Welch ängstliches Beben"
additional composer:
Erik Smith (British producer, pianist and harpsichordist)
composer:
Wolfgang Amadeus Mozart (classical composer)
5:40
7▼CD: Arias, Duets & Ensembles
#TitleArtistRatingLength
1Le nozze di Figaro, K. 492: “Ehi, Sor paggio” “Non più andrai”
producer:
Erik Smith (British producer, pianist and harpsichordist)
baritone vocals:
Bryn Terfel (bass‐baritone opera singer) (in 1990-07)
orchestra:
Academy of St Martin in the Fields (in 1990-07)
conductor:
Sir Neville Marriner (conductor) (in 1990-07)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1990-07)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena VIII. (no. 10) Aria “Non più andrai, farfallone amoroso” (Figaro) (in 1990-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
Wolfgang Amadeus Mozart5:21
2Le nozze di Figaro, K. 492: Act IV, Scene X. No. 28 Recitativo “Giunse alfin il momento” (Susanna) / Aria for Soprano & Orchestra in F major, K. 577: “Al desio di chi t’adora”
harpsichord:
Klaus von Wildemann (Klaus von Wildermann, pianist)
soprano vocals:
Julie Kaufmann (soprano)
orchestra:
Münchner Rundfunkorchester (The Munich Radio Orchestra)
conductor:
Jörg‐Peter Weigle (chorus master)
recording of:
Aria for Soprano & Orchestra in F major, K. 577: "Al desio di chi t'adora"
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Köchelverzeichnis (Köchel catalogue, original numbering) (number: 577) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: 577)
recording of:
Le nozze di Figaro, K. 492: Atto IV, Scena X. (no. 28) Recitativo “Giunse alfin il momento” (Susanna)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
Wolfgang Amadeus Mozart7:01
3Aria for Soprano in G major, K. 579: “Un moto di gioia mi sento”
soprano vocals:
Eva Lind (soprano)
orchestra:
Dresdner Philharmonie (Dresden Philharmonic Orchestra)
conductor:
Jörg‐Peter Weigle (chorus master)
recording of:
Aria for Soprano in G major, K. 579: "Un moto di gioia mi sento"
lyricist and librettist:
Lorenzo Da Ponte
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Köchelverzeichnis (Köchel catalogue, original numbering) (number: 579) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: 579)
Wolfgang Amadeus Mozart3:30
4Il dissoluto punito, ossia il Don Giovanni for Soprano in C major, K. 540b/deest: No. 21a. Appendix. Duetto “Per queste tue manine” (Soprano, Bass)
bass vocals:
Anton Scharinger (bass-baritone)
soprano vocals:
Eva Lind (soprano)
orchestra:
Dresdner Philharmonie (Dresden Philharmonic Orchestra)
conductor:
Jörg‐Peter Weigle (chorus master)
recording of:
Don Giovanni: Atto II. Anhang. No. 21a Duetto “Per queste tue manine” (Zerlina, Leporello) [K. 540b]
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart3:40
5Così fan tutte ossia La scuola degli amanti, K. *584: Appendix. Act. I, Scene XI No. 15 Aria. Allegro (Bass) “Rivolgete a lui lo sguardo” (Guglielmo)
harpsichord:
Klaus von Wildemann (Klaus von Wildermann, pianist)
bass vocals:
Anton Scharinger (bass-baritone)
orchestra:
Münchner Rundfunkorchester (The Munich Radio Orchestra)
conductor:
Jörg‐Peter Weigle (chorus master)
recording of:
Rivolgete a lui lo sguardo, K. 584 (Così fan tutte: Atto I. Appendix. No. 15a)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Köchelverzeichnis (Köchel catalogue, ninth edition, 2024, K⁹) (number: K. 584)
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart5:14
6Recitativo accompagnato for Solo Voice and Piano in D major, K. 386d / KV Anh 25 Skb 1782ε (sketch) “Gibraltar”: (Tenor) “O Calpe! dir donnert’s am Fuße”
harpsichord:
Klaus von Wildemann (Klaus von Wildermann, pianist)
tenor vocals:
Hans Peter Blochwitz (tenor)
orchestra:
Münchner Rundfunkorchester (The Munich Radio Orchestra)
conductor:
Jörg‐Peter Weigle (chorus master)
recording of:
Recitativo accompagnato for Solo Voice and Piano in D major, K. 386d / KV Anh 25 Skb 1782ε (sketch) "Gibraltar": (Tenor) "O Calpe! dir donnert's am Fuße"
orchestrator:
Erik Smith (British producer, pianist and harpsichordist)
composer:
Wolfgang Amadeus Mozart (classical composer)
Wolfgang Amadeus Mozart2:36
7Aria for Trio and Orchestra in B‐flat major, K. 480b / K3 424b / KV 434 (Erik Smith completion): “Del gran regno delle amazzoni”
harpsichord:
Klaus von Wildemann (Klaus von Wildermann, pianist)
bass vocals:
René Pape (operatic bass) and Anton Scharinger (bass-baritone)
tenor vocals:
Hans Peter Blochwitz (tenor)
orchestra:
Münchner Rundfunkorchester (The Munich Radio Orchestra)
conductor:
Jörg‐Peter Weigle (chorus master)
recording of:
Aria for Trio and Orchestra in B-flat major, K. 480b / K3 424b / KV 434 (Erik Smith completion): "Del gran regno delle amazzoni"
additional composer:
Erik Smith (British producer, pianist and harpsichordist)
composer:
Wolfgang Amadeus Mozart (classical composer)
Wolfgang Amadeus Mozart3:54
8Song for 3 Voices, 2 Violins, Viola and Bass in G major, K. 441: Andante sostenuto. (Soprano, Tenor, Bass) “Liebes Manndel, wo ist’s Bandel?”
harpsichord:
Klaus von Wildemann (Klaus von Wildermann, pianist)
baritone vocals and bass vocals:
Anton Scharinger (bass-baritone)
soprano vocals:
Julie Kaufmann (soprano)
tenor vocals:
Hans Peter Blochwitz (tenor)
orchestra:
Münchner Rundfunkorchester (The Munich Radio Orchestra)
conductor:
Jörg‐Peter Weigle (chorus master)
recording of:
Song for 3 Voices, 2 Violins, Viola and Bass in G major, K. 441: Andante sostenuto. (Soprano, Tenor, Bass) "Liebes Manndel, wo ist's Bandel?"
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Köchelverzeichnis (Köchel catalogue, original numbering) (number: 441) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: 441)
Wolfgang Amadeus Mozart3:32
9Aria for Quartetto and Orchestra in E‐flat major, K. 479: Allegro – allegro assai – più stretto (Soprano, Tenor, 2 Basses) “Dite almeno, in che mancai”
harpsichord:
Klaus von Wildemann (Klaus von Wildermann, pianist)
bass vocals:
René Pape (operatic bass) and Anton Scharinger (bass-baritone)
soprano vocals:
Julie Kaufmann (soprano)
tenor vocals:
Hans Peter Blochwitz (tenor)
orchestra:
Münchner Rundfunkorchester (The Munich Radio Orchestra)
conductor:
Jörg‐Peter Weigle (chorus master)
recording of:
Quartetto with Orchestra in E-flat major, K. 479: "Dite almeno, in che mancai" (Soprano, Tenor, 2 Basses)
composer:
Wolfgang Amadeus Mozart (classical composer)
Wolfgang Amadeus Mozart6:08
10Aria for Trio and Orchestra in A major, K. 480: Andante (Soprano, Tenor, Bass) “Mandina amabile, questo danaro”
bass vocals:
Anton Scharinger (bass-baritone)
soprano vocals:
Eva Lind (soprano)
tenor vocals:
Hans Peter Blochwitz (tenor)
orchestra:
Dresdner Philharmonie (Dresden Philharmonic Orchestra)
conductor:
Jörg‐Peter Weigle (chorus master)
recording of:
Aria for Trio and Orchestra in A major, K. 480: Andante (Soprano, Tenor, Bass) "Mandina amabile, questo danaro"
composer:
Wolfgang Amadeus Mozart (classical composer)
Wolfgang Amadeus Mozart5:20
11La Libertà a Nice: Canzonetta “Grazie agl’inganni tuoi” in B‐flat major, K. 532 Fr 1784k Skb 1787β (1) (fragment): (Soprano, Tenor, Bass) “Grazie agl’inganni tuoi”
piano:
Rudolf Jansen (pianist)
bass vocals:
Anton Scharinger (bass-baritone)
soprano vocals:
Julie Kaufmann (soprano)
tenor vocals:
Hans Peter Blochwitz (tenor)
recording of:
Trio for Soprano, Bass and Tenor based on the Canzonetta "La Libertà a Nice" by M. Kelly, K. 532: "Grazie agl'inganni tuoi" (fragment)
lyricist:
Pietro Metastasio
composer:
Michael Kelly (Irish composer and singer, 1762-1826)
arranger:
Wolfgang Amadeus Mozart (classical composer)
part of:
NMA volume of Sketches ([Skb] "Skizzenbuch") (number: 1787ß/01), NMA volume of Fragments ([Fr]) (number: Fr 1784k), Köchelverzeichnis (Köchel catalogue, ninth edition, 2024, K⁹) (number: K. Anh. A 54), Köchelverzeichnis (Köchel catalogue, original numbering) (number: 532) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: 532)
is based on:
La Libertà a Nice ("Grazie agl'inganni tuoi") (Canzonetta)
Wolfgang Amadeus Mozart1:33
12Song for Solo Voice and Piano in A major, K. 552 “Leid beim Auszugin in das Feld”: Mit Würde. “Dem hohen Kaiserworte treu”
piano:
Rudolf Jansen (pianist)
tenor vocals:
Hans Peter Blochwitz (tenor)
recording of:
Song for Solo Voice and Piano in A major, K. 552 "Leid beim Auszugin in das Feld": Mit Würde. "Dem hohen Kaiserworte treu"
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Köchelverzeichnis (Köchel catalogue, original numbering) (number: 552) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: 552)
Wolfgang Amadeus Mozart2:26
13Humorous Quartet for 4 voices in E‐flat major, K. 571a / KV Anh 5 (Erik Smith completion): (Soprano, 2 Tenors, Bass) “Caro mio Druck und Schluck”
piano:
Rudolf Jansen (pianist)
bass vocals:
Anton Scharinger (bass-baritone)
soprano vocals:
Julie Kaufmann (soprano)
tenor vocals:
Hans Peter Blochwitz (tenor) and Peter Schreier (German tenor and conductor)
recording of:
Humorous Quartet for 4 voices in E-flat major, K. 571a / KV Anh 5 (Erik Smith completion): (Soprano, 2 Tenors, Bass) "Caro mio Druck und Schluck"
additional composer:
Erik Smith (British producer, pianist and harpsichordist)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Köchelverzeichnis (Köchel catalogue, original numbering) (number: Anh. 5) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: 571a)
Wolfgang Amadeus Mozart2:26
14Comical Duet for Soprano & Bass in D major, K. 592a/625: “Nun, liebes Weibchen”
bass vocals:
Anton Scharinger (bass-baritone)
soprano vocals:
Eva Lind (soprano)
orchestra:
Dresdner Philharmonie (Dresden Philharmonic Orchestra)
conductor:
Jörg‐Peter Weigle (chorus master)
recording of:
Comical Duet for Soprano & Bass in D major, K. 592a/625: "Nun, liebes Weibchen"
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
Benedikt Schack (tenor and composer)
part of:
Köchelverzeichnis (Köchel catalogue, original numbering) (number: 625) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: 592a)
Benedikt Schack2:29
8▶CD: Canons
9▶CD: Lieder
10▶CD: Lieder – Notturni