“Pat”

~ Release by Pat Boone (see all versions of this release, 2 available)

Tracklist

1▼12" Vinyl
#TitleRatingLength
A1Flip, Flop and Fly
producer:
Randy Wood (producer)
clarinet:
Ryland Weston (on 1956-11-24)
double bass:
Larry Breen (on 1956-11-24)
drums (drum set):
Dick Shanahan (on 1956-11-24)
guitar:
Barney Kessel (on 1956-11-24) and Jack Marshall (US jazz guitarist, composer, arranger & record producer) (on 1956-11-24)
piano:
Milt Rogers (bandleader, arranger and composer) (on 1956-11-24)
saxophone:
Babe Russin (on 1956-11-24) and Justin Gordon (on 1956-11-24)
vibraphone:
Bernie Mattinson (on 1956-11-24)
choir vocals:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1956-11-24)
conductor:
Billy Vaughn (on 1956-11-24)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1956-11-24)
cover recording of:
Flip, Flop & Fly (on 1956-11-24)
writer:
Charles Calhoun and Lou Willie Turner
publisher:
Unichappell Music, Inc.
2:37
A2Pledging My Love
producer:
Randy Wood (producer)
double bass:
Larry Breen (on 1956-11-11)
drums (drum set):
Irv Kluger (on 1956-11-11)
guitar:
Barney Kessel (on 1956-11-11) and Jack Marshall (US jazz guitarist, composer, arranger & record producer) (on 1956-11-11)
harp:
Ann Mason Stockton (American harpist) (on 1956-11-11)
piano:
Milt Rogers (bandleader, arranger and composer) (on 1956-11-11)
vibraphone:
Barney Kessel (on 1956-11-11)
choir vocals:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1956-11-11)
vocals:
Pat Boone (on 1956-11-11)
conductor:
Billy Vaughn (on 1956-11-11)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1956-11-11)
cover recording of:
Pledging My Love (on 1956-11-11)
writer:
Don Robey and Ferdinand Washington (blues and rhythm and blues songwriter)
publisher:
Songs of Universal, Inc. (BMI), Spirit One Music and Wemar Music Corp.
2:26
A3Money Honey
vocals:
Pat Boone (on 1956-05-06)
conductor:
Billy Vaughn (on 1956-05-06)
arranger:
Billy Vaughn
recorded at:
Universal Recording: Studio A in Chicago, Illinois, United States (on 1956-05-06)
cover recording of:
Money Honey (on 1956-05-06)
lyricist and composer:
Jesse Stone
publisher:
Carlin Music Corporation, First Digital Music, Walden Music, Inc., Walden, Inc., WB Music Corp. (1929–2019) and ZFC Music
2:29
A4Tomorrow Night
producer:
Randy Wood (producer)
double bass:
Larry Breen (on 1956-11-10)
drums (drum set):
Irv Kluger (on 1956-11-10)
guitar:
Barney Kessel (on 1956-11-10) and Jack Marshall (US jazz guitarist, composer, arranger & record producer) (on 1956-11-10)
piano:
Milt Rogers (bandleader, arranger and composer) (on 1956-11-10)
choir vocals:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1956-11-10)
vocals:
Pat Boone (on 1956-11-10)
conductor:
Billy Vaughn (on 1956-11-10)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1956-11-10)
cover recording of:
Tomorrow Night (on 1956-11-10)
writer:
Sam Coslow and Wilhelm Grosz (aka Hugh Williams)
publisher:
Bourne Co. (not for release label use, this is a music publisher) and Wilhelm Grosz Music Co
2:45
A5Ain’t Nobody Here but Us Chickens
producer:
Randy Wood (producer)
clarinet:
Ryland Weston (on 1956-11-24)
double bass:
Larry Breen (on 1956-11-24)
drums (drum set):
Dick Shanahan (on 1956-11-24)
guitar:
Barney Kessel (on 1956-11-24) and Jack Marshall (US jazz guitarist, composer, arranger & record producer) (on 1956-11-24)
piano:
Milt Rogers (bandleader, arranger and composer) (on 1956-11-24)
saxophone:
Babe Russin (on 1956-11-24) and Justin Gordon (on 1956-11-24)
vibraphone:
Bernie Mattinson (on 1956-11-24)
vocals:
Pat Boone (on 1956-11-24)
conductor:
Billy Vaughn (on 1956-11-24)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1956-11-24)
cover recording of:
Ain’t Nobody Here but Us Chickens (on 1956-11-24)
writer:
Alex Kramer and Joan Whitney
2:17
A6Shake a Hand
producer:
Randy Wood (producer)
clarinet:
Ryland Weston (on 1956-11-24)
double bass:
Larry Breen (on 1956-11-24)
drums (drum set):
Dick Shanahan (on 1956-11-24)
guitar:
Barney Kessel (on 1956-11-24) and Jack Marshall (US jazz guitarist, composer, arranger & record producer) (on 1956-11-24)
piano:
Milt Rogers (bandleader, arranger and composer) (on 1956-11-24)
saxophone:
Babe Russin (on 1956-11-24) and Justin Gordon (on 1956-11-24)
vibraphone:
Bernie Mattinson (on 1956-11-24)
choir vocals:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1956-11-24)
vocals:
Pat Boone (on 1956-11-24)
conductor:
Billy Vaughn (on 1956-11-24)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1956-11-24)
cover recording of:
Shake a Hand (on 1956-11-24)
lyricist and composer:
Joe Morris (US jazz trumpeter)
publisher:
Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
2:39
B1Honey Hush
producer:
Randy Wood (producer)
double bass:
Larry Breen (on 1956-11-10)
drums (drum set):
Irv Kluger (on 1956-11-10)
guitar:
Barney Kessel (on 1956-11-10) and Jack Marshall (US jazz guitarist, composer, arranger & record producer) (on 1956-11-10)
piano:
Milt Rogers (bandleader, arranger and composer) (on 1956-11-10)
saxophone:
Babe Russin (on 1956-11-10) and Justin Gordon (on 1956-11-10)
choir vocals:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1956-11-10)
vocals:
Pat Boone (on 1956-11-10)
conductor:
Billy Vaughn (on 1956-11-10)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1956-11-10)
cover recording of:
Honey Hush (on 1956-11-10)
additional lyricist and additional composer:
Lou Willie Turner
lyricist and composer:
Big Joe Turner
publisher:
Carlin Music Corp.
2:10
B2Please Send Me Someone to Love
producer:
Randy Wood (producer)
clarinet:
Ryland Weston (on 1956-11-24)
double bass:
Larry Breen (on 1956-11-24)
drums (drum set):
Dick Shanahan (on 1956-11-24)
guitar:
Barney Kessel (on 1956-11-24) and Jack Marshall (US jazz guitarist, composer, arranger & record producer) (on 1956-11-24)
piano:
Milt Rogers (bandleader, arranger and composer) (on 1956-11-24)
saxophone:
Babe Russin (on 1956-11-24) and Justin Gordon (on 1956-11-24)
vibraphone:
Bernie Mattinson (on 1956-11-24)
choir vocals:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1956-11-24)
vocals:
Pat Boone (on 1956-11-24)
conductor:
Billy Vaughn (on 1956-11-24)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1956-11-24)
cover recording of:
Please Send Me Someone to Love (on 1956-11-24)
lyricist and composer:
Percy Mayfield (until 1950)
publisher:
ATV Music
2:43
B3I’m in Love Again
producer:
Randy Wood (producer)
clarinet:
Ryland Weston (on 1956-11-24)
double bass:
Larry Breen (on 1956-11-24)
drums (drum set):
Dick Shanahan (on 1956-11-24)
guitar:
Barney Kessel (on 1956-11-24) and Jack Marshall (US jazz guitarist, composer, arranger & record producer) (on 1956-11-24)
piano:
Milt Rogers (bandleader, arranger and composer) (on 1956-11-24)
saxophone:
Babe Russin (on 1956-11-24) and Justin Gordon (on 1956-11-24)
vibraphone:
Bernie Mattinson (on 1956-11-24)
choir vocals:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1956-11-24)
vocals:
Pat Boone (on 1956-11-24)
conductor:
Billy Vaughn (on 1956-11-24)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1956-11-24)
cover recording of:
I’m in Love Again (on 1956-11-24)
writer:
Antoine Dominique Domino (Fats Domino) and Dave Bartholomew
1:59
B4Rock Around the Clock
producer:
Randy Wood (producer)
clarinet:
Ryland Weston (on 1956-11-24)
double bass:
Larry Breen (on 1956-11-24)
drums (drum set):
Dick Shanahan (on 1956-11-24)
guitar:
Barney Kessel (on 1956-11-24) and Jack Marshall (US jazz guitarist, composer, arranger & record producer) (on 1956-11-24)
piano:
Milt Rogers (bandleader, arranger and composer) (on 1956-11-24)
saxophone:
Babe Russin (on 1956-11-24) and Justin Gordon (on 1956-11-24)
vocals:
Pat Boone (on 1956-11-24)
conductor:
Billy Vaughn (on 1956-11-24)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1956-11-24)
cover recording of:
Rock Around the Clock (Bill Haley’s version) (on 1956-11-24)
lyricist and composer:
Jimmy De Knight (in 1952) and Max C. Freedman (American songwriter and lyricist) (in 1952)
arranger:
Harry Filler
publisher:
Edward Kassner Music Co. Ltd. and Myers Music, Inc.
version of:
We’re Gonna Rock Around the Clock (Original Freedman / De Knight version)
2:03
B5Shot Gun Boogie
producer:
Randy Wood (producer)
double bass:
Larry Breen
drums (drum set):
Dick Shanahan
guitar:
Barney Kessel and Jack Marshall (US jazz guitarist, composer, arranger & record producer)
piano:
Milt Rogers (bandleader, arranger and composer)
choir vocals:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
vocals:
Pat Boone
conductor:
Billy Vaughn
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1956-11-24)
cover recording of:
Shotgun Boogie
lyricist and composer:
Tennessee Ernie Ford
publisher:
Campbell Connelly & Co. Ltd.
2:25
B6Five, Ten, Fifteen Hours
producer:
Randy Wood (producer)
clarinet:
Ryland Weston (on 1956-11-24)
double bass:
Larry Breen (on 1956-11-24)
drums (drum set):
Dick Shanahan (on 1956-11-24)
guitar:
Barney Kessel (on 1956-11-24) and Jack Marshall (US jazz guitarist, composer, arranger & record producer) (on 1956-11-24)
piano:
Milt Rogers (bandleader, arranger and composer) (on 1956-11-24)
saxophone:
Babe Russin (on 1956-11-24) and Justin Gordon (on 1956-11-24)
vibraphone:
Bernie Mattinson (on 1956-11-24)
vocals:
Pat Boone (on 1956-11-24)
conductor:
Billy Vaughn (on 1956-11-24)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1956-11-24)
recording of:
Five, Ten, Fifteen Hours (on 1956-11-24)
lyricist and composer:
Rudy Toombs
2:28