100 Best Ballet

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

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1▼Digital Media
#TitleArtistRatingLength
1Swan Lake, op. 20: No.10: Scene (Moderato)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
John Lanchbery (conductor)
recording of:
Swan Lake, op. 20: Act II, no. 10: Scene: Moderato
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer)
part of:
Swan Lake, op. 20: Act II
part of:
Swan Lake, op. 20: Act II (ed. Drigo)
Pyotr Ilyich Tchaikovsky2:35
2Swan Lake, op. 20, Act II, 13. Dances of the Swans: IV. Dance of the Cygnets (Allegro moderato)
producer:
John Fraser (UK producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1982-04-20 until 1982-05-20)
conductor:
John Lanchbery (conductor) (from 1982-04-20 until 1982-05-20)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1982-04-20 until 1982-05-20)
phonographic copyright (℗) by:
EMI Records Ltd (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1982)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1982-04-20 until 1982-05-20)
recording of:
Swan Lake, op. 20: Act II, no. 13: Danses des cygnes: IV. Allegro moderato (Popularly known as "Dance of the Little Swans") (from 1982-04-20 until 1982-05-20)
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer)
part of:
Swan Lake, op. 20: Act II (ed. Drigo)
part of:
Swan Lake, op. 20: Act II, no. 13: Danses des cygnes
Pyotr Ilyich Tchaikovsky1:28
3Swan Lake, op. 20, Act I: 2. Waltz (Tempo di valse)
producer:
John Fraser (UK producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1982-04-20 until 1982-05-20)
conductor:
John Lanchbery (conductor) (from 1982-04-20 until 1982-05-20)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1982-04-20 until 1982-05-20)
phonographic copyright (℗) by:
EMI Records Ltd (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1982) and World Investment Company Limited (in 1982)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1982-04-20 until 1982-05-20)
recording of:
Swan Lake, op. 20: Act I, no. 2: Valse, Tempo di valse (from 1982-04-20 until 1982-05-20)
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer)
part of:
Swan Lake, op. 20: Act I
part of:
Swan Lake, op. 20: Act I (ed. Drigo)
Pyotr Ilyich Tchaikovsky7:46
4Swan Lake, op. 20, Act II, 13. Dances of the Swans: V. Andante - Andante non troppo - Allegro (Christopher Warren-Green, violin; Robert Truman, cello)
producer:
John Fraser (UK producer)
solo cello:
Robert Truman (cellist) (from 1982-04-20 until 1982-05-20)
solo violin:
Christopher Warren‐Green (violinist and conductor) (from 1982-04-20 until 1982-05-20)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1982-04-20 until 1982-05-20)
conductor:
John Lanchbery (conductor) (from 1982-04-20 until 1982-05-20)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1982-04-20 until 1982-05-20)
phonographic copyright (℗) by:
EMI Records Ltd (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1982)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1982-04-20 until 1982-05-20)
recording of:
Swan Lake, op. 20: Act II, no. 13: Danses des cygnes: V. Pas d'Action (Odette et le Prince): Andante - Andante non troppo - Allegro (from 1982-04-20 until 1982-05-20)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Swan Lake, op. 20: Act II, no. 13: Danses des cygnes
Pyotr Ilyich Tchaikovsky7:51
5Swan Lake, op. 20, Act III: 20. Hungarian Dance: Csárdás (Moderato assai - Allegro moderato - Vivace)
producer:
John Fraser (UK producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1982-04-20 until 1982-05-20)
conductor:
John Lanchbery (conductor) (from 1982-04-20 until 1982-05-20)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1982-04-20 until 1982-05-20)
phonographic copyright (℗) by:
EMI Records Ltd (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1982)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1982-04-20 until 1982-05-20)
recording of:
Swan Lake, op. 20: Act III, no. 20: Danse hongroise: Czárdás: Moderato assai - Allegro moderato: Vivace (from 1982-04-20 until 1982-05-20)
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer)
part of:
Swan Lake, op. 20: Act III
part of:
Swan Lake, op. 20: Act III (ed. Drigo)
Pyotr Ilyich Tchaikovsky3:11
6Swan Lake, op. 20, Act III: 21. Spanish Dance (Allegro non troppo: tempo di bolero)
producer:
John Fraser (UK producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1982-04-20 until 1982-05-20)
conductor:
John Lanchbery (conductor) (from 1982-04-20 until 1982-05-20)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1982-04-20 until 1982-05-20)
phonographic copyright (℗) by:
EMI Records Ltd (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1982)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1982-04-20 until 1982-05-20)
recording of:
Swan Lake, op. 20: Act III, no. 21: Danse espagnole: Allegro non troppo (Tempo di bolero) (from 1982-04-20 until 1982-05-20)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Swan Lake, op. 20: Act III
part of:
Swan Lake, op. 20: Act III (ed. Drigo)
Pyotr Ilyich Tchaikovsky2:35
7Swan Lake, op. 20, Act III: 22. Neapolitan Dance (Allegro moderato - Andantino quasi moderato)
producer:
John Fraser (UK producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1982-04-20 until 1982-05-20)
conductor:
John Lanchbery (conductor) (from 1982-04-20 until 1982-05-20)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1982-04-20 until 1982-05-20)
phonographic copyright (℗) by:
EMI Records Ltd (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1982)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1982-04-20 until 1982-05-20)
recording of:
Swan Lake, op. 20: Act III, no. 22: Danse napolitaine: Allegro moderato - Andantino quasi moderato: Presto (from 1982-04-20 until 1982-05-20)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Swan Lake, op. 20: Act III
part of:
Swan Lake, op. 20: Act III (ed. Drigo)
Pyotr Ilyich Tchaikovsky2:02
8Swan Lake, op. 20, Act III: 23. Mazurka
producer:
John Fraser (UK producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1982-04-20 until 1982-05-20)
conductor:
John Lanchbery (conductor) (from 1982-04-20 until 1982-05-20)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1982-04-20 until 1982-05-20)
phonographic copyright (℗) by:
EMI Records Ltd (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1982)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1982-04-20 until 1982-05-20)
recording of:
Swan Lake, op. 20: Act III, no. 23: Mazurka (Solistes et corps de ballet): Tempo di Mazurka (from 1982-04-20 until 1982-05-20)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Swan Lake, op. 20: Act III
part of:
Swan Lake, op. 20: Act III (ed. Drigo)
Pyotr Ilyich Tchaikovsky3:21
9Sleeping Beauty, op. 66: Introduction (Allegro vivo - Andantino)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
John Lanchbery (conductor)
recording of:
The Sleeping Beauty, op. 66: Introduction
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer)
part of:
Спящая красавица, op. 66 (The Sleeping Beauty, op. 66)
Pyotr Ilyich Tchaikovsky2:28
10Sleeping Beauty, op. 66, Act I: 'The Spell', 8. Pas d'action:: Rose Adagio (Andante - Adagio maestoso)
producer:
John Fraser (UK producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1982-07-12 until 1982-07-22)
conductor:
John Lanchbery (conductor) (from 1982-07-12 until 1982-07-22)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1982-07-12 until 1982-07-22)
phonographic copyright (℗) by:
EMI Records Ltd (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1982)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1982-07-12 until 1982-07-22)
recording of:
The Sleeping Beauty, op. 66: Acte I, no. 8. Pas d’action: a. Introduction ("Rose adagio") (from 1982-07-12 until 1982-07-22)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Sleeping Beauty, op. 66: Acte I
Pyotr Ilyich Tchaikovsky6:40
11Sleeping Beauty, op. 66, Act II, Scene 1: 'The Vision': 17. Panorama (Andantino)
producer:
John Fraser (UK producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1982-07-12 until 1982-07-22)
conductor:
John Lanchbery (conductor) (from 1982-07-12 until 1982-07-22)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1982-07-12 until 1982-07-22)
phonographic copyright (℗) by:
EMI Records Ltd (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1982)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1982-07-12 until 1982-07-22)
recording of:
The Sleeping Beauty, op. 66: Acte II, no. 17. Panorama (from 1982-07-12 until 1982-07-22)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Sleeping Beauty, op. 66: Acte II
Pyotr Ilyich Tchaikovsky3:33
12Sleeping Beauty, op. 66, Act 1: 'The Spell': 6. Waltz (Allegro: Tempo di valse)
producer:
John Fraser (UK producer)
violin:
Christopher Warren‐Green (violinist and conductor)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1982-07-12 until 1982-07-22)
conductor:
John Lanchbery (conductor) (from 1982-07-12 until 1982-07-22)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1982-07-12 until 1982-07-22)
phonographic copyright (℗) by:
EMI Records Ltd (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1982)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1982-07-12 until 1982-07-22)
recording of:
The Sleeping Beauty, op. 66: Acte I, no. 6. Valse (from 1982-07-12 until 1982-07-22)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Sleeping Beauty, op. 66: Acte I
recording of:
The Sleeping Beauty Suite, op. 66a: V. Valse
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Sleeping Beauty, op. 66a (Suite)
Pyotr Ilyich Tchaikovsky5:03
13The Nutcracker, op. 71, Act 1: Overture.
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1982-03-01 until 1982-04-19)
producer:
John Fraser (UK producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1982-03-01 until 1982-04-19)
conductor:
John Lanchbery (conductor) (from 1982-03-01 until 1982-04-19)
phonographic copyright (℗) by:
EMI Records Ltd (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1982)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1982-03-01 until 1982-04-19)
recording of:
Щелкунчик, op. 71: Увертюра (The Nutcracker, op. 71: Overture, Nutcracker Overture) (from 1982-03-01 until 1982-04-19)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Щелкунчик, op. 71 (The Nutcracker, op. 71, The Nutcracker)
Pyotr Ilyich Tchaikovsky3:06
14The Nutcracker, op. 71, Scene 1: March
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1982-03-01 until 1982-04-19)
producer:
John Fraser (UK producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1982-03-01 until 1982-04-19)
conductor:
John Lanchbery (conductor) (from 1982-03-01 until 1982-04-19)
phonographic copyright (℗) by:
EMI Records Ltd (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1982)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1982-03-01 until 1982-04-19)
recording of:
Щелкунчик, op. 71: Действие I, Картина I, no. 2. Марш (The Nutcracker, op. 71: March, March) (from 1982-03-01 until 1982-04-19)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Щелкунчик, op. 71: Действие I (The Nutcracker, op. 71: Act 1, The Nutcracker, op. 71: Act 1)
Pyotr Ilyich Tchaikovsky2:28
15The Nutcracker, op. 71, Divertissement: Variation 2: Dance of the Sugar-Plum Fairy - Coda [to Pas de deux]
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
John Lanchbery (conductor)
recording of:
Щелкунчик, op. 71: Действие II, Картина III, no. 14c. Па-де-де: Вариация II: Танец Феи Драже (The Nutcracker, Op. 71: Act II, Scene III. Pas de Deux: Variation II: Dance of the sugar-plum fairy, Variation II: Dance of the Sugar Plum Fairy)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Щелкунчик, op. 71: Действие II (The Nutcracker, op. 71: Act 2)
Pyotr Ilyich Tchaikovsky2:26
16The Nutcracker, op. 71, Divertissement: Trepak (Russian Dance)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
John Lanchbery (conductor)
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: c) Danse russe. Trépak. Tempo di Trepak, molto vivace
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Fantasia (Disney soundtrack)
part of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
Pyotr Ilyich Tchaikovsky1:13
17The Nutcracker, op. 71, Divertissement: Chocolate (Spanish Dance)
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1982-03-01 until 1982-04-19)
producer:
John Fraser (UK producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1982-03-01 until 1982-04-19)
conductor:
John Lanchbery (conductor) (from 1982-03-01 until 1982-04-19)
phonographic copyright (℗) by:
EMI Records Ltd (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1982)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1982-03-01 until 1982-04-19)
recording of:
Щелкунчик, op. 71: Действие II, Картина III, no. 12a. Дивертисмент (а) Шоколад: испанский танец (The Nutcracker, op. 71: Act II, Scene III. Divertimento: Chocolate: Spanish Dance, Chocolate: Spanish Dance) (from 1982-03-01 until 1982-04-19)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Щелкунчик, op. 71: Действие II (The Nutcracker, op. 71: Act 2)
Pyotr Ilyich Tchaikovsky1:14
18The Nutcracker, op. 71, Divertissement: Coffee (Arab Dance)
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1982-03-01 until 1982-04-19)
producer:
John Fraser (UK producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1982-03-01 until 1982-04-19)
conductor:
John Lanchbery (conductor) (from 1982-03-01 until 1982-04-19)
phonographic copyright (℗) by:
EMI Records Ltd (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1982)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1982-03-01 until 1982-04-19)
recording of:
Щелкунчик, op. 71: Действие II, Картина III, no. 12b. Дивертисмент (б) Кофе: арабский танец (Coffee: Arabian dance) (from 1982-03-01 until 1982-04-19)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Щелкунчик, op. 71: Действие II (The Nutcracker, op. 71: Act 2)
Pyotr Ilyich Tchaikovsky3:38
19The Nutcracker, op. 71, Divertissement: Tea (Chinese Dance)
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1982-03-01 until 1982-04-19)
producer:
John Fraser (UK producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1982-03-01 until 1982-04-19)
conductor:
John Lanchbery (conductor) (from 1982-03-01 until 1982-04-19)
phonographic copyright (℗) by:
EMI Records Ltd (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1982)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1982-03-01 until 1982-04-19)
recording of:
Щелкунчик, op. 71: Действие II, Картина III, no. 12c. Дивертисмент (в) Чай: китайский танец (Tea: Chinese dance) (from 1982-03-01 until 1982-04-19)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Щелкунчик, op. 71: Действие II (The Nutcracker, op. 71: Act 2)
Pyotr Ilyich Tchaikovsky1:03
20The Nutcracker, op. 71, Divertissement: Dance of the Reed Flutes
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
John Lanchbery (conductor)
recording of:
Щелкунчик, op. 71: Действие II, Картина III, no. 12e. Дивертисмент (д) Танец пастушков (Dance of the shepherds)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Щелкунчик, op. 71: Действие II (The Nutcracker, op. 71: Act 2)
Pyotr Ilyich Tchaikovsky2:39
21The Nutcracker, op. 71, Divertissement: Waltz of the Flowers
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1982-03-01 until 1982-04-19)
producer:
John Fraser (UK producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1982-03-01 until 1982-04-19)
conductor:
John Lanchbery (conductor) (from 1982-03-01 until 1982-04-19)
phonographic copyright (℗) by:
EMI Records Ltd (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1982) and World Investment Company Limited (in 1982)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1982-03-01 until 1982-04-19)
recording of:
Щелкунчик, op. 71: Действие II, Картина III, no. 13. Вальс цветов (The Nutcracker, op. 71: Act II, Scene III. Waltz of the flowers, valse des fleurs; waltz of the flowers) (from 1982-03-01 until 1982-04-19)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Щелкунчик, op. 71: Действие II (The Nutcracker, op. 71: Act 2)
Pyotr Ilyich Tchaikovsky7:28
2▼Digital Media
#TitleArtistRatingLength
1Eugene Onegin: Polonaise (Act III)
assistant engineer:
Franck Berger (from 2002-12-16 until 2003-06-06) and Djaisan Taouss (from 2002-12-16 until 2003-06-06)
producer:
Arnaud Moral (French audio)
editor:
Sylvain Dangoise
orchestra:
Orchestre philharmonique de Radio France (from 2002-12-16 until 2003-06-06)
conductor:
Paavo Järvi (conductor) (from 2002-12-16 until 2003-06-06)
balance engineer:
Joël Soupiron (from 2002-12-16 until 2003-06-06)
phonographic copyright (℗) by:
Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 2004)
recorded at:
Salle Olivier-Messiaen in Paris, Île-de-France, France (from 2002-12-16 until 2003-06-06)
recording of:
Евгений Онегин, op. 24: Действие III, картина 1, no. 19. Полонез (Polonaise) (from 2002-12-16 until 2003-06-06)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Eugen Onegin: Akt III
part of:
Евгений Онегин, op. 24: Действие третье (Eugene Onegin, op. 24: Act III)
Пётр Ильич Чайковский4:54
2Pas de Deux (Act III)
orchestra:
Royal Philharmonic Orchestra
conductor:
Robert Irving (ballet conductor)
Ludwig Minkus7:07
3The Kingdom of the Shades: Conclusion (from La Bayadere) (2008 Remastered Version)
Ludwig Minkus10:33
4Romeo and Juliet (1987 Remastered Version): Dance of the Knights
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1973-06-08 until 1973-06-09, from 1973-06-13 until 1973-06-14)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1973-06-08 until 1973-06-09, from 1973-06-13 until 1973-06-14)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1973-06-08 until 1973-06-09, from 1973-06-13 until 1973-06-14)
recording of:
Romeo and Juliet, op. 64: Act I, Scene II. No. 13. Dance of the Knights (from 1973-06-08 until 1973-06-09)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet, op. 64: Act I
Сергей Сергеевич Прокофьев5:44
5Romeo and Juliet (1987 Remastered Version): Balcony Scene (Act1) ((3 tracks as one)) ((3 tracks as one))
Сергей Сергеевич Прокофьев8:36
6Cinderella, Op.87, Act I: Pas de châle (Allegretto)
producer:
Suvi Raj Grubb
orchestra:
London Symphony Orchestra (from 1983-04-06 until 1983-04-18)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1983-04-06 until 1983-04-18)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1983-04-06 until 1983-04-18)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1983-04-06 until 1983-04-18)
recording of:
Cinderella, op. 87: Act I. No. 2. Shawl Dance (from 1983-04-06 until 1983-04-18)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Cinderella, op. 87: Act I
Сергей Сергеевич Прокофьев3:32
7Cinderella: Fairies: Spring-Summer-Autumn-Winter (Act I)
orchestra:
London Symphony Orchestra
conductor:
André Previn (pianist, conductor, composer, arranger)
recording of:
Cinderella, op. 87: Act I. No. 12. Spring Fairy
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Cinderella, op. 87: Act I
recording of:
Cinderella, op. 87: Act I. No. 13. Summer Fairy
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Cinderella, op. 87: Act I
recording of:
Cinderella, op. 87: Act I. No. 15. Autumn Fairy
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Cinderella, op. 87: Act I
recording of:
Cinderella, op. 87: Act I. No. 16. Winter Fairy
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Cinderella, op. 87: Act I
Сергей Сергеевич Прокофьев6:02
8Cinderella, Op.87, Act II: Pas de deux: The Prince and Cinderella (Adagio)
producer:
Suvi Raj Grubb
orchestra:
London Symphony Orchestra (from 1983-04-06 until 1983-04-18)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1983-04-06 until 1983-04-18)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1983-04-06 until 1983-04-18)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1983-04-06 until 1983-04-18)
recording of:
Cinderella, op. 87: Act II. No. 36. Duet of the Prince and Cinderella (from 1983-04-06 until 1983-04-18)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Cinderella, op. 87: Act II
Сергей Сергеевич Прокофьев4:50
9Spartacus highlights (1993 Remastered Version): Adagio of Spartacus and Phrygia
engineer:
Neville Boyling (engineer)
producer:
John Willan (producer)
orchestra:
London Symphony Orchestra (from 1977-02-02 until 1977-02-04)
conductor:
Aram Khachaturian (Soviet-Armenian composer) (from 1977-02-02 until 1977-02-04)
recording of:
Spartacus: Adagio of Spartacus & Phrygia (from 1977-02-02 until 1977-02-04)
composer:
Aram Khachaturian (Soviet-Armenian composer) (in 1955)
part of:
Spartacus, op. 82
Արամ Խաչատրյան9:52
10The Age Of Gold Suite, Op. 22: Polka
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Robert Irving (ballet conductor)
recording of:
Suite from "The Age of Gold", op. 22a: III. Polka
composer:
Дмитрий Дмитриевич Шостакович (Dmitri Shostakovich, composer)
part of:
Suite from "The Age of Gold", op. 22a
Дмитрий Дмитриевич Шостакович2:16
11Gayaneh - Suite from the Ballet: Sabre Dance
orchestra:
Royal Philharmonic Orchestra
conductor:
Yuri Temirkanov (conductor)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1986)
recording of:
Sabre Dance, from the ballet Gayaneh (catch-all for unknown versions)
composer:
Aram Khachaturian (Soviet-Armenian composer) (in 1942)
arrangement of:
Gayaneh: Act III, Scene VII (Expiation). Sabre Dance
recording of:
Third Suite from the ballet “Gayaneh” for orchestra, op. 55: V. Sabre Dance
composer:
Aram Khachaturian (Soviet-Armenian composer) (in 1942)
version of:
Gayaneh: Act III, Scene VII (Expiation). Sabre Dance
part of:
Third Suite from the ballet “Gayaneh” for orchestra, op. 55
Արամ Խաչատրյան2:24
12Gayaneh - Suite from the Ballet: Dance of the Rose-Maidens
orchestra:
Royal Philharmonic Orchestra
conductor:
Yuri Temirkanov (conductor)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1986)
recording of:
First Suite from the ballet “Gayaneh” for orchestra, op. 53: II. Dance of the Rose Maidens
composer:
Արամ Խաչատրյան (Aram Khachaturian, Soviet-Armenian composer) (in 1942)
part of:
First Suite from the ballet “Gayaneh” for orchestra, op. 53
Արամ Խաչատրյան2:22
13Gayaneh - Suite from the Ballet: Lezghinka
orchestra:
Royal Philharmonic Orchestra
conductor:
Yuri Temirkanov (conductor)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1986)
recording of:
First Suite from the ballet “Gayaneh” for orchestra, op. 53: VIII. Lezghinka
composer:
Aram Khachaturian (Soviet-Armenian composer) (in 1942)
part of:
First Suite from the ballet “Gayaneh” for orchestra, op. 53
Արամ Խաչատրյան2:32
3▼Digital Media
#TitleArtistRatingLength
1La Fille mal gardèe: Introduction - Dance of the Cock and Hens (Act I)
Ferdinand Hérold4:27
2La Fille mal gardèe: Widow Simone - Clog Dance (Act II)
Ferdinand Hérold2:44
3La Fille mal gardée, Act II: 29. Pas de deux
Ferdinand Hérold3:40
4La Fille mal gardée, Act II: 30. Finale
Ferdinand Hérold4:25
5Giselle (2008 Remastered Version): Valse (Act I)
Adolphe Adam3:56
6Giselle (2008 Remastered Version): Pas de deux (Act II)
Adolphe Adam4:29
7Le Corsaire (1996 Remastered Version): Pas de deux et Variations (interpolation for 1899 revival)
John Lanchbery6:42
8Faust Ballet Music (2008 Remastered Version): Les nubiennes - Variation du miroir - Danse de Phrynè
Charles Gounod7:00
9Coppélia (1988 Remastered Version): Prelude & Mazurka
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Charles Mackerras (Australian conductor)
recording of:
Coppélia : Tableau I, no. 1a. Prélude et Mazurka
composer:
Léo Delibes (French composer) (in 1870)
part of:
Coppélia : Tableau I
Léo Delibes5:36
10Coppélia (1988 Remastered Version): Waltz
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Sir Charles Mackerras (Australian conductor)
partial recording of:
Coppélia
composer:
Léo Delibes (French composer) (in 1870)
premiered at:
Salle Le Peletier (1821-1873) in Paris, Île-de-France, France (on 1870-05-25)
recording of:
Coppélia : Tableau I, no. 1b. Valse (Valse lente)
composer:
Léo Delibes (French composer) (in 1870)
part of:
Coppélia : Tableau I
Léo Delibes2:55
11Coppélia (1988 Remastered Version): Czárdás
Léo Delibes3:31
12Gaîté Parisienne: Overture (La Vie Parisienne)
producer:
John Mordler (producer)
orchestra:
Orchestre de Monte‐Carlo (Monte-Carlo Philharmonic Orchestra) (in 1976-05)
conductor:
Manuel Rosenthal (French conductor & composer) (in 1976-05)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Salle Garnier in Monte-Carlo (Monte Carlo), Monaco (in 1976-05)
recording of:
Gaîté Parisienne: I. Allegro (Ouverture) (from « La Vie parisienne ») (in 1976-05)
orchestrator:
Manuel Rosenthal (French conductor & composer)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Gaîté parisienne
Jacques Offenbach2:21
13Sylvia (Suite): Les Chasseresses
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Charles Mackerras (Australian conductor)
recording of:
Sylvia: Ballet Suite: I. Prélude - Les chasseresses
composer:
Léo Delibes (French composer) (from 1876 until 1880)
part of:
Sylvia: Ballet Suite
Léo Delibes3:46
14Sylvia (Suite): Intermezzo & Valse lente
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Charles Mackerras (Australian conductor)
recording of:
Sylvia: Ballet Suite: II. Intermezzo et Valse lente
composer:
Léo Delibes (French composer) (from 1876 until 1880)
part of:
Sylvia: Ballet Suite
Léo Delibes4:20
15Sylvia (Suite): Pizzicati
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Charles Mackerras (Australian conductor)
recording of:
Sylvia: Ballet Suite: III. Pizzicati
composer:
Léo Delibes (French composer) (from 1876 until 1880)
arrangement of:
Bake Sale
part of:
Sylvia: Ballet Suite
Léo Delibes1:51
16The Two Pigeons - Ballet in two acts (1984 Remastered Version), Act I (An attic studio in Paris): Dance of the Two Pigeons (Allegretto)
André Messager3:46
17The Two Pigeons - Ballet in two acts (1984 Remastered Version), Act I (An attic studio in Paris): Dance of the Gypsies (Pesante alla marcia)
André Messager3:11
18The Two Pigeons - Ballet in two acts (1984 Remastered Version), Act II, Scene 1 (A gypsy encampment): Hungarian Dance (Allegretto pesante)
André Messager4:00
19Boléro (abbrev. version; arr. Bates) (1992 Remastered Version)
orchestra:
London Symphony Orchestra
conductor:
André Previn (pianist, conductor, composer, arranger)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1980)
partial recording of:
Boléro
composer:
Maurice Ravel (French composer) (in 1928)
publisher:
Ed. Durand & Cie (1909–1947) and Soc. Arima (rights society?)
premiered at:
Palais Garnier in Paris, Île-de-France, France (on 1928-11-22)
part of:
Classic 100: Music of France (2012) (number: 9) and Catalogue Marcel Marnat des œuvres de Maurice Ravel (number: M. 81)
Maurice Ravel5:16
4▼Digital Media
#TitleArtistRatingLength
1Petrushka - Scènes burlesques en quatre tableaux, Première tableau: Le tour de passe-passe - Danse russe
engineer:
Michael Sheady (engineer)
producer:
David R. Murray
piano:
Peter Donohoe (British classical pianist)
orchestra:
City of Birmingham Symphony Orchestra (from 1986-10-03 until 1986-10-04)
conductor:
Simon Rattle (conductor) (from 1986-10-03 until 1986-10-04)
balance engineer:
Michael Sheady (engineer) (from 1986-10-03 until 1986-10-04)
recorded at:
Warwick Arts Centre in Coventry, West Midlands, England, United Kingdom (from 1986-10-03 until 1986-10-04)
recording of:
Pétrouchka : Tableau Ib. Le Tour de passe-passe (1947 version) (from 1986-10-03 until 1986-10-04)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
Pétrouchka : Tableau I. Fête populaire de la semaine grasse (1946 revised version)
revision of:
Pétrouchka : Tableau Ib. Le Tour de passe-passe (1911 version)
recording of:
Pétrouchka : Tableau Ic. Danse russe (1947 version) (from 1986-10-03 until 1986-10-04)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
Pétrouchka : Tableau I. Fête populaire de la semaine grasse (1946 revised version)
revision of:
Pétrouchka : Tableau Ic. Danse russe (1911 version)
Игорь Фёдорович Стравинский2:32
2Les Sylphides (1994 Remastered Version): Prélude in A, Op.28 No.7
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Robert Irving (ballet conductor)
partial recording of:
Les Sylphides (orch. by Douglas)
orchestrator:
Roy Douglas (British composer, pianist) (in 1936)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
revision of:
Les Sylphides (Ballets Russes production)
recording of:
Les Sylphides: VI. Prélude (orch. by Douglas)
orchestrator:
Roy Douglas (British composer, pianist) (in 1936)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
orchestration of:
Prélude no. 7 in A major, op. 28: Andantino
part of:
Les Sylphides (orch. by Douglas)
recording of:
Les Sylphides: VII. Walzer (orch. by Douglas)
orchestrator:
Roy Douglas (British composer, pianist) (in 1936)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
orchestration of:
Waltz no. 7 in C‐sharp minor, op. 64 no. 2
part of:
Les Sylphides (orch. by Douglas)
Fryderyk Chopin3:21
3Les Sylphides (1994 Remastered Version): Grande Valse brillante in E Flat, Op.18
Fryderyk Chopin5:03
4La Boutique fantasque: Cancan
Gioachino Rossini1:59
5Les Biches: Rondeau
producer:
Eric Macleod (producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1980-11-24 until 1980-11-25)
conductor:
Georges Prêtre (French conductor) (from 1980-11-24 until 1980-11-25)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1980-11-24 until 1980-11-25)
phonographic copyright (℗) by:
EMI Music France (1994–2013) (in 1981)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1980-11-24 until 1980-11-25)
recording of:
Les Biches, FP 36: Rondeau (from 1980-11-24 until 1980-11-25)
composer:
Francis Poulenc (French composer and pianist)
part of:
Les Biches, FP 36
Francis Poulenc3:36
6Les Biches: Adagietto
producer:
Eric Macleod (producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1980-11, from 1980-11-24 until 1980-11-25)
conductor:
Georges Prêtre (French conductor) (in 1980-11, from 1980-11-24 until 1980-11-25)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1980-11-24 until 1980-11-25)
phonographic copyright (℗) by:
EMI Music France (1994–2013) (in 1981)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1980-11) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1980-11-24 until 1980-11-25)
recording of:
Les Biches, FP 36: Adagietto (from 1980-11-24 until 1980-11-25)
composer:
Francis Poulenc (French composer and pianist)
part of:
Les Biches, FP 36
recording of:
Les Biches, FP 36: Adagietto (in 1980-11)
composer:
Francis Poulenc (French composer and pianist)
part of:
Les Biches, FP 36
Francis Poulenc3:49
7Les Biches: Rag-Mazurka
producer:
Eric Macleod (producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1980-11-24 until 1980-11-25)
conductor:
Georges Prêtre (French conductor) (from 1980-11-24 until 1980-11-25)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1980-11-24 until 1980-11-25)
phonographic copyright (℗) by:
EMI Music France (1994–2013) (in 1981)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1980-11-24 until 1980-11-25)
recording of:
Les Biches, FP 36: Rag-Mazurka (from 1980-11-24 until 1980-11-25)
composer:
Francis Poulenc (French composer and pianist)
part of:
Les Biches, FP 36
Francis Poulenc6:21
8Prélude à l'après-midi d'un faune
producer:
Suvi Raj Grubb
flute:
Peter Lloyd (English flutist) (from 1979-07-02 until 1979-07-03)
orchestra:
London Symphony Orchestra (from 1979-07-02 until 1979-07-03)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1979-07-02 until 1979-07-03)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1979-07-02 until 1979-07-03)
recording of:
Prélude à l’après‐midi d’un faune, L. 86, CD 87 (Prelude to the Afternoon of a Faun, L. 86, CD 87, original version for orchestra) (from 1979-07-02 until 1979-07-03)
composer:
Claude Debussy (French composer) (from 1891 until 1894-09)
dedicated to:
Raymond Bonheur (composer, 1861-1939)
premiered at:
[concert] (1894-12-22)
publisher:
Eugène Fromont (in 1895-10)
part of:
Classic 100: Music of France (2012) (number: 6), Catalogue François Lesure des œuvres de Claude Debussy (Version de 1977 “L.”) (number: L. 86) and Catalogue François Lesure des œuvres de Claude Debussy (Version révisée en 2001 “CD”) (number: CD 87)
Claude Debussy10:23
9The Rite of Spring, 'Le sacre du printemps' (1947 revised version), Part 1: L'adoration de la terre: Introduction - Les augures printaniers - Danse des adolescentes - Jeu de rapt
producer:
David R. Murray
orchestra:
City of Birmingham Symphony Orchestra (from 1987-12-19 until 1987-12-21)
conductor:
Simon Rattle (conductor) (from 1987-12-19 until 1987-12-21)
balance engineer:
Michael Sheady (engineer) (from 1987-12-19 until 1987-12-21)
recorded at:
Warwick Arts Centre in Coventry, West Midlands, England, United Kingdom (from 1987-12-19 until 1987-12-21)
edit of:
Le Sacre du printemps: Première Partie: L'adoration de la terre. Introduction - Les augures printaniers - Danses des adolescentes - Jeu du rapt by City of Birmingham Symphony Orchestra, Simon Rattle (conductor)
partial recording of:
Le Sacre du printemps: I. L’Adoration de la terre (The Rite of Spring: Part I: Adoration of the Earth) (from 1987-12-19 until 1987-12-21)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
part of:
Le Sacre du printemps
Игорь Фёдорович Стравинский5:02
10El Sombrero de tres picos: Danza del Corregidor
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
El sombrero de tres picos: Parte II. Danza del corregidor
composer:
Manuel de Falla (Spanish composer)
part of:
El sombrero de tres picos (ballet)
Manuel de Falla5:49
11Apollo - Ballet en deux tableaux (1947 revised version), Premier tableau (prologue): Naissance d'Apollon
producer:
David R. Murray
orchestra:
City of Birmingham Symphony Orchestra (from 1988-04-30 until 1988-05-01)
conductor:
Simon Rattle (conductor) (from 1988-04-30 until 1988-05-01)
balance engineer:
Michael Sheady (engineer) (from 1988-04-30 until 1988-05-01)
recorded at:
Warwick Arts Centre in Coventry, West Midlands, England, United Kingdom (from 1988-04-30 until 1988-05-01)
recording of:
Apollo: Scene 1. The Birth of Apollo (from 1988-04-30 until 1988-05-01)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
publisher:
Boosey & Hawkes Ltd.
part of:
Apollo (1947 revision)
Игорь Фёдорович Стравинский5:19
12Daphnis et Chloé (complete ballet), Part III: 4. Danse générale - Bacchanale
producer:
Suvi Raj Grubb
choir vocals:
London Symphony Chorus (from 1981-06-28 until 1981-06-29)
orchestra:
London Symphony Orchestra (from 1981-06-28 until 1981-06-29)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1981-06-28 until 1981-06-29)
chorus master:
Richard Cooke (chorus master/conductor) (from 1981-06-28 until 1981-06-29)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1981-06-28 until 1981-06-29)
recorded at:
No. 1 Studio, Abbey Road in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1981-06-28 until 1981-06-29)
recording of:
Daphnis et Chloé: Tableau III. No. 12. Danse générale (Bacchanale) (from 1981-06-28 until 1981-06-29)
composer:
Maurice Ravel (French composer)
part of:
Daphnis et Chloé: Tableau III
Maurice Ravel4:59
13Scheherazade, Op.35: II. The Story of the Kalendar Prince
producer:
John Mordler (producer)
solo violin:
Norman Carol (violinist) (on 1982-02-08)
orchestra:
The Philadelphia Orchestra (on 1982-02-08)
conductor:
Riccardo Muti (conductor) (on 1982-02-08)
balance engineer:
John Kurlander (engineer)
recorded at:
Old Metropolitan Opera House in Philadelphia, Pennsylvania, United States (on 1982-02-08)
recording of:
Scheherazade, op. 35: II. The Kalendar Prince (on 1982-02-08)
composer:
Николай Андреевич Римский‐Корсаков (Nikolai Rimsky‐Korsakov, Russian composer) (in 1888)
part of:
Scheherazade, op. 35
Николай Андреевич Римский‐Корсаков12:37
14Parade - Ballet réaliste sur un thème de Jean Cocteau (2005 Remastered Version): Final - Suite au 'Prélude du rideau rouge'
orchestra:
Orchestre national du Capitole de Toulouse
conductor:
Michel Plasson (conductor)
recorded at:
Halle aux Grains (Toulouse) in Toulouse, Haute-Garonne, Occitanie (Occitania), France
recording of:
Parade: Final
composer:
Erik Satie (French composer)
part of:
Parade
recording of:
Parade: Suite au "Prélude du rideau rouge" (for orchestra)
composer:
Erik Satie (French composer)
part of:
Parade
Erik Satie2:38
15The Firebird (1910 version) (1998 Remastered Version), 2nd Tableau: Disappearance of the palace and dissolution of Kashchei's enchantments; animation of the petrified warriors. General thanksgiving
orchestra:
Orchestre de Paris
conductor:
Seiji Ozawa (conductor and composer)
recording of:
L’Oiseau de feu: no. 14: Tableau II, Disparition du palais et des sortilèges de Kastchei / Animation des chevaliers petrifiés / Allégresse générale (The Firebird: Act I, no. 14: Disappearance of Kastchei's Palace and Magical Creations, Return to Life of the Petrified Knights, General Rejoicing)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1910)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
L’Oiseau de feu (The Firebird)
Игорь Фёдорович Стравинский3:13
5▼Digital Media
#TitleArtistRatingLength
1Birthday Offering (2008 Remastered Version): Overture-Entée-Grand Adagio and Coda
Robert Irving & Royal Philharmonic Orchestra8:19
2Variations symphoniques
Jean‐Philippe Collard, Orchestre national du Capitole de Toulouse & Michel Plasson4:12
3Facade (2008 Remastered Version): Swiss Yodelling Song
Sir Malcolm Sargent & Royal Philharmonic Orchestra2:42
4Facade (2008 Remastered Version): Polka
Sir Malcolm Sargent & Royal Philharmonic Orchestra1:25
5Facade (2008 Remastered Version): Waltz
Sir Malcolm Sargent & Royal Philharmonic Orchestra3:08
6Facade (2008 Remastered Version): Popular Song
Sir Malcolm Sargent & Royal Philharmonic Orchestra2:26
7Facade (2008 Remastered Version): Tango-Pasodoble
Sir Malcolm Sargent & Royal Philharmonic Orchestra1:58
8Facade (2008 Remastered Version): Tarantella Sevillana
Sir Malcolm Sargent & Royal Philharmonic Orchestra2:31
9Alla polacca (No 8 from A Month in the Country) (2008 Remastered Version)
John Lanchbery & Philip Gammon2:57
10Monotones: Gnossienne No. 1 (Lent)
John Lanchbery & Orchestra of the Royal Opera House, Covent Garden2:56
11Variations on an Original Theme, Op.36 'Enigma' (1991 Remastered Version): IX. Nimrod (A. J. Jaeger) (Moderato)
producer:
Anthony C. Griffith (engineer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1961-08-08 until 1961-08-09)
conductor:
Sir Adrian Boult (conductor) (from 1961-08-08 until 1961-08-09)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
Warner Classics (in 1962, in 1991)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-08-08 until 1961-08-09)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: IX. Nimrod (Adagio) (from 1961-08-08 until 1961-08-09)
publisher:
Sir Edward Elgar (dec’d) (Edward Elgar, composer)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Augustus J. Jaeger
part of:
Variations on an Original Theme (‘Enigma’), op. 36
London Philharmonic Orchestra & Sir Adrian Boult4:38
12Variations on an Original Theme, Op.36 'Enigma' (1991 Remastered Version): XIV. Finale: E.D.U. (the composer) (Allegro)
producer:
Anthony C. Griffith (engineer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1961-08-08 until 1961-08-09)
conductor:
Sir Adrian Boult (conductor) (from 1961-08-08 until 1961-08-09)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
Warner Classics (in 1962, in 1991)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-08-08 until 1961-08-09)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: XIV. Finale: E.D.U. (Allegro) (from 1961-08-08 until 1961-08-09)
composer:
Edward Elgar (composer) (in 1899)
part of:
Variations on an Original Theme (‘Enigma’), op. 36
London Philharmonic Orchestra & Sir Adrian Boult5:43
13Tales of Beatrix Potter - Music from the Royal Ballet film: Mrs Tiggy-Winkle's Laundry
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
John Lanchbery (conductor)
recording of:
Tales of Beatrix Potter: Mrs Tiggy-Winkle's Laundry
composer:
John Lanchbery (conductor)
part of:
Tales of Beatrix Potter
Orchestra of the Royal Opera House, Covent Garden & John Lanchbery2:21
14Tales of Beatrix Potter - Music from the Royal Ballet film: The Tale of Jemima Puddle-Duck
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
John Lanchbery (conductor)
recording of:
Tales of Beatrix Potter: The Tale of Jemima Puddle-Duck
composer:
John Lanchbery (conductor)
part of:
Tales of Beatrix Potter
Orchestra of the Royal Opera House, Covent Garden & John Lanchbery6:40
15Tales of Beatrix Potter - Music from the Royal Ballet film: The Mouse Waltz
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
John Lanchbery (conductor)
recording of:
Tales of Beatrix Potter: The Mouse Waltz
composer:
John Lanchbery (conductor)
part of:
Tales of Beatrix Potter
Orchestra of the Royal Opera House, Covent Garden & John Lanchbery4:38
16Les Patineurs (2005 Remastered Version): Allegro monderato e pesante - Andante espressivo - Allegro conspirito
Philharmonia Orchestra & Charles Mackerras9:24
17Pineapple Poll - Suite: I. Opening Dance
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Charles Mackerras (Australian conductor)
recording of:
Pineapple Poll: Scene I. Opening Dance
composer:
Arthur Sullivan (Sir Arthur Sullivan, composer)
arranger:
Sir Charles Mackerras (Australian conductor) (in 1950)
part of:
Pineapple Poll Suite (ballet suite, arr. Sir Charles Mackerras)
London Philharmonic Orchestra & Charles Mackerras3:45
18The Lady and the Fool - Suite: IV. Grand Adage
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Charles Mackerras (Australian conductor)
recording of:
The Lady and the Fool: Act I, Part 1 - No. 6, Grand Adage
composer:
Giuseppe Verdi (Italian opera composer)
arranger:
Charles Mackerras (Australian conductor)
part of:
The Lady and the Fool: Act I
London Philharmonic Orchestra & Charles Mackerras6:52
6▼Digital Media
#TitleArtistRatingLength
1Serenade in C Major, Op. 48: I. Pezzo in forma di sonatina (Andante non troppo - Allegro moderato)
City of London Sinfonia & Richard Hickox6:15
2Serenade in C Op. 48: II. Valse. (Moderato: Tempo di valse)
orchestra:
City of London Sinfonia (chamber orchestra)
conductor:
Richard Hickox (conductor)
recording of:
Serenade for Strings in C major, op. 48: II. Waltz. Moderato - Tempo di valse
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1880)
part of:
Serenade for Strings in C major, op. 48
City of London Sinfonia & Richard Hickox3:42
3Symphony in C: IV. Final : Allegro vivace
Richard Hickox & City of London Sinfonia8:21
4Shylock - incidental music Op.57 (2001 Remastered Version): Final
orchestra:
Orchestre national du Capitole de Toulouse
conductor:
Michel Plasson (conductor)
recording of:
Shylock, op. 57: VI. Final (pour ténor et orchestre)
composer:
Gabriel Fauré (French composer)
librettist:
Edmond Haraucourt
part of:
Shylock, op. 57 (pour ténor et orchestre)
Frederica von Stade, Jean‐Philippe Collard, Orchestre national du Capitole de Toulouse, Patricia Nagle, Yan Pascal Tortelier, Ensemble Vocal Alix Bourbon, Michel Plasson, Paul Tortelier & Nicolai Gedda4:00
5Symphony No. 3 in D 'Polish' Op. 29 (1986 Remastered Version): II. Alla tedesca (Allegro moderato e semplice)
producer:
John Mordler (producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1977-06-24 until 1977-06-25, on 1977-07-20)
conductor:
Riccardo Muti (conductor) (from 1977-06-24 until 1977-06-25, on 1977-07-20)
balance engineer:
Neville Boyling (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1977-06-24 until 1977-06-25, on 1977-07-20)
recording of:
Symphony no. 3 in D major, op. 29 “Polish”: II. Alla tedesca. Allegro moderato e semplice (from 1977-06-24 until 1977-07-20)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1875)
part of:
Symphony no. 3 in D major, op. 29 “Polish”
Philharmonia Orchestra & Riccardo Muti6:39
6Piano Concerto No. 2 in G Major, Op. 44: III. Allegro con fuoco
piano:
Mikhail Pletnev (pianist & conductor)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Vladimir Fedoseyev (conductor)
recording of:
Piano Concerto no. 2 in G major, op. 44: III. Allegro con fuoco
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1879 until 1880)
part of:
Piano Concerto no. 2 in G major, op. 44
Михаил Васильевич Плетнёв, Alexei Bruni, Philharmonia Orchestra & Владимир Иванович Федосеев7:06
7Billy The Kid (1999 Remastered Version): Celebration (After Billy's Capture)
Saint Louis Symphony Orchestra & Leonard Slatkin2:18
8Fancy Free: II. Opening Dance
Leonard Slatkin & Saint Louis Symphony Orchestra3:01
9Rodeo (1999 Remastered Version): Buckaroo Holiday
orchestra:
Saint Louis Symphony Orchestra (St. Louis Symphony Orchestra)
conductor:
Leonard Slatkin (conductor)
recording of:
Rodeo: I. Buckaroo Holiday
composer:
Aaron Copland (composer) (in 1942)
part of:
Four Dance Episodes from Rodeo (version for orchestra)
Leonard Slatkin & Saint Louis Symphony Orchestra7:15
10Rodeo (1999 Remastered Version): Hoe-Down
orchestra:
Saint Louis Symphony Orchestra (St. Louis Symphony Orchestra)
conductor:
Leonard Slatkin (conductor)
recording of:
Rodeo: IV. Hoedown
composer:
Aaron Copland (composer) (in 1942)
publisher:
Boosey & Hawkes, Inc. (USA, publisher; do NOT use as release label)
is based on:
Bonaparte’s Retreat
part of:
Four Dance Episodes from Rodeo (version for orchestra)
Leonard Slatkin & Saint Louis Symphony Orchestra34:15
11Symphonic Dances from West Side Story: II. Somewhere
orchestra:
City of Birmingham Symphony Orchestra (from 1997-06-08 until 1997-06-10)
conductor:
Paavo Järvi (conductor) (from 1997-06-08 until 1997-06-10)
balance engineer:
Mike Hatch (engineer/editor) (from 1997-06-08 until 1997-06-10)
recorded at:
Symphony Hall (Birmingham) in Birmingham, West Midlands, England, United Kingdom (from 1997-06-08 until 1997-06-10)
edit of:
Symphonic Dances from West Side Story: II. Somewhere by City of Birmingham Symphony Orchestra, Paavo Järvi (conductor)
partial recording of:
Symphonic Dances from West Side Story: II. “Somewhere”. Adagio (from 1997-06-08 until 1997-06-10)
additional orchestrator:
Irwin Kostal and Sid Ramin (in 1960)
orchestrator and composer:
Leonard Bernstein (American conductor, composer, pianist) (in 1960)
part of:
Symphonic Dances from West Side Story
Paavo Järvi & City of Birmingham Symphony Orchestra4:02
12Appalachian Spring (1999 Remastered Version): Doppio Movimento: Variations On A Shaker Hymn
Saint Louis Symphony Orchestra & Leonard Slatkin11:36
13On the Town - Three Dance Episodes: III. Times Square: 1944
orchestra:
Saint Louis Symphony Orchestra (St. Louis Symphony Orchestra)
conductor:
Leonard Slatkin (conductor)
recording of:
Three Dance Episodes from “On the Town”: III. Times Square: 1944
composer:
Leonard Bernstein (American conductor, composer, pianist) (in 1945)
publisher:
Universal Music Publishing (use ONLY if no country‐specific information is available)
part of:
Three Dance Episodes from “On the Town” (symphonic suite for orchestra)
Leonard Slatkin & Saint Louis Symphony Orchestra5:09
14The Stars and Stripes Forever
recording of:
The Stars and Stripes Forever
composer:
John Philip Sousa (conductor and composer) (in 1896)
Lt. Colonel G.A.C. Hoskins3:16