The Ultimate Collection (AM675 version)

~ Release by Santana (see all versions of this release, 3 available)

Tracklist

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1▼CD
#TitleRatingLength
1Jin‐Go‐Lo‐Ba
cover recording of:
Jin‐go‐lo‐ba (Drums of Passion) (Jingo)
lyricist and composer:
Babatunde Olatunji
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30), EMI Blackwood Music Inc. and EMI Songs Ltd.
4:11
2Evil Ways
engineer:
Bob Breault and Eric Prestidge
producer:
Brent Dangerfield and Santana (US Latin, blues, & rock band)
bass guitar:
David Brown (US bassist for Santana/Allman Brothers/31st of February) (on 1969-05-12)
congas and percussion:
Michael Carabello (on 1969-05-12)
congas, percussion and timbales:
José “Chepito” Áreas (on 1969-05-12)
drums (drum set):
Michael Shrieve (on 1969-05-12)
guitar:
Carlos Santana (on 1969-05-12)
organ and piano:
Gregg Rolie (on 1969-05-12)
vocals:
Gregg Rolie (on 1969-05-12) and Carlos Santana (on 1969-05-12)
arranger:
Alberto Gianquinto
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1969), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1969) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1969)
recorded at:
Pacific Recording Studio in San Mateo, California, United States (on 1969-05-12)
mixed at:
Pacific Recording Studio in San Mateo, California, United States
part of:
Billboard Year-End Hot 100 singles of 1970 (number: 69)
cover recording of:
Evil Ways (on 1969-05-12)
lyricist and composer:
Clarence “Sonny” Henry (US jazz guitarist aka Sonny Henry)
publisher:
EMI United Partnership Ltd., Gibson Music, Richcar Music, Sah Music and Universal–Songs of PolyGram International, Inc.
4.23:58
3Soul Sacrifice
producer:
Brent Dangerfield and Santana (US Latin, blues, & rock band)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1969)
recording of:
Soul Sacrifice
composer:
David Brown (US bassist for Santana/Allman Brothers/31st of February), Marcus Malone (US percussionist, member of Santana), Gregg Rolie and Carlos Santana
publisher:
Careers‐BMG Music Publishing, Petra Music and Universal Music (plain logo: “Universal Music”)
43:16
4Black Magic Woman
producer:
Fred Catero and Carlos Santana
bass guitar:
David Brown (US bassist for Santana/Allman Brothers/31st of February) (on 1970-07-04)
congas:
Michael Carabello (on 1970-07-04) and Jose Chepito Áreas (on 1970-07-04)
guitar:
Carlos Santana (on 1970-07-04)
keyboard:
Gregg Rolie (on 1970-07-04)
membranophone:
Michael Shrieve (on 1970-07-04)
timbales:
Jose Chepito Áreas (on 1970-07-04)
vocals:
Gregg Rolie (on 1970-07-04) and Carlos Santana (on 1970-07-04)
phonographic copyright (℗) by:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1970), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1970) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1970, in 1974)
recorded at:
Wally Heider Studios (@ 245 Hyde Street, San Francisco) in San Francisco, California, United States (on 1970-07-04)
cover recording of:
Black Magic Woman (on 1970-07-04)
lyricist and composer:
Peter Green (former member of Fleetwood Mac)
publisher:
Bourne Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), King Music Publ. Co. Ltd. and Murbo Music Publishers, Inc.
recording of:
Black Magic Woman
lyricist and composer:
Peter Green (former member of Fleetwood Mac)
publisher:
Bourne Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), King Music Publ. Co. Ltd. and Murbo Music Publishers, Inc.
3.753:15
5Oye como va
engineer:
David Brown (US producer, engineer – Record Plant Studios, Wally Heider Studios) and John Fiore (engineer)
producer:
Fred Catero and Carlos Santana
bass guitar:
David Brown (US bassist for Santana/Allman Brothers/31st of February) (on 1970-07-08)
congas and percussion:
Michael Carabello (on 1970-07-08)
congas, percussion and timbales:
José “Chepito” Áreas (on 1970-07-08)
drums (drum set):
Michael Shrieve (on 1970-07-08)
guitar:
Carlos Santana (on 1970-07-08)
keyboard and lead vocals:
Gregg Rolie (on 1970-07-08)
percussion:
Rico Reyes (on 1970-07-08)
tabla:
Steven Saphore (on 1970-07-08)
background vocals:
Rico Reyes (on 1970-07-08) and Carlos Santana (on 1970-07-08)
arranger:
Santana (US Latin, blues, & rock band)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1970) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1970)
recorded at:
Wally Heider Studios (@ 245 Hyde Street, San Francisco) in San Francisco, California, United States (on 1970-07-08)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 479)
cover recording of:
Oye como va (on 1970-07-08)
lyricist and composer:
Tito Puente
publisher:
EMI Full Keel Music, Full Keel Music, Planetary Music Publ. Corp., Sony/ATV Music Publishing LLC (1995–2020) and Windswept Pacific Music Ltd.
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
is based on:
Chanchullo
is based on:
Te enseñaré
44:17
6Samba pa ti
engineer:
David Brown (US producer, engineer – Record Plant Studios, Wally Heider Studios) and John Fiore (engineer)
producer:
Fred Catero, Bob Irwin, Santana (US Latin, blues, & rock band) and Carlos Santana
bass guitar:
David Brown (US bassist for Santana/Allman Brothers/31st of February) (on 1970-07-19)
congas and percussion:
Michael Carabello (on 1970-07-19)
congas, percussion and timbales:
José “Chepito” Áreas (on 1970-07-19)
drums (drum set):
Michael Shrieve (on 1970-07-19)
guitar:
Carlos Santana (on 1970-07-19)
keyboard:
Gregg Rolie (on 1970-07-19)
percussion:
Rico Reyes (on 1970-07-19)
tabla:
Steven Saphore (on 1970-07-19)
arranger:
Gregg Rolie and Carlos Santana
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1970), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1970) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1970)
recorded at:
Wally Heider Studios (@ 245 Hyde Street, San Francisco) in San Francisco, California, United States (on 1970-07-19)
recording of:
Samba pa ti (on 1970-07-19)
composer:
Carlos Santana
publisher:
BMG Music Publishing Ltd., Careers–BMG Music Publishing, Inc., Carlin Music Corporation, Petra Music, Universal Music (plain logo: “Universal Music”) and Universal Music Careers
3.94:34
7Everybody’s Everything
recording engineer:
Mike Larner (on 1971-06-05)
engineer:
Glen Kolotkin
producer:
Santana (US Latin, blues, & rock band)
bass guitar:
David Brown (US bassist for Santana/Allman Brothers/31st of February) (on 1971-06-05)
congas, flugelhorn, percussion and timbales:
Jose Chepito Áreas (on 1971-06-05)
guitar:
Carlos Santana (on 1971-06-05) and Neal Schon (on 1971-06-05)
instruments and performer:
Tower of Power Horn Section (on 1971-06-05)
membranophone:
Michael Carabello (on 1971-06-05), Coke Escovedo (on 1971-06-05), Jose Chepito Áreas (on 1971-06-05) and Michael Shrieve (on 1971-06-05)
organ and piano:
Gregg Rolie (on 1971-06-05)
percussion [percussion assistance]:
Coke Escovedo (on 1971-06-05)
tambourine:
Michael Carabello (on 1971-06-05)
vibraphone:
Michael Shrieve (on 1971-06-05)
background vocals:
Coke Escovedo (on 1971-06-05) and Linda Tillery (AKA Sweet Linda Divine) (on 1971-06-05)
vocals:
Michael Carabello (on 1971-06-05), Jose Chepito Áreas (on 1971-06-05), Gregg Rolie (on 1971-06-05) and Carlos Santana (on 1971-06-05)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1971)
recorded at:
Columbia Studios in San Francisco, California, United States (on 1971-06-05)
recording of:
Everybody’s Everything (reworded lyric version of The Emperors’ 1966 “Karate”) (on 1971-06-05)
additional lyricist:
Carlos Santana
composer:
Milton Brown (member of 1960s soul group The Emperors, co-songwriter with Tyrone Moss for “Karate”, “L’urlo”) and Tyrone Moss
publisher:
Careers–BMG Music Publishing, Inc., Dandelion Music Co. and Universal Music (plain logo: “Universal Music”)
is based on:
Karate
3.53:33
8No One to Depend On
recording engineer:
Mike Larner (on 1971-06-16)
engineer:
Glen Kolotkin
producer:
Santana (US Latin, blues, & rock band)
bass guitar:
David Brown (US bassist for Santana/Allman Brothers/31st of February) (on 1971-06-16)
congas:
Michael Carabello (on 1971-06-16)
guitar:
Carlos Santana (on 1971-06-16) and Neal Schon (on 1971-06-16)
keyboard:
Gregg Rolie (on 1971-06-16)
membranophone:
Michael Shrieve (on 1971-06-16)
percussion [percussion assistance]:
Coke Escovedo (on 1971-06-16)
tambourine:
Greg Errico (on 1971-06-16)
timbales:
Jose Chepito Áreas (on 1971-06-16)
background vocals:
Coke Escovedo (on 1971-06-16) and Rico Reyes (on 1971-06-16)
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1971) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1971)
recorded at:
Columbia Studios in San Francisco, California, United States (on 1971-06-16)
recording of:
No One to Depend On (on 1971-06-16)
writer:
Michael Carabello, Coke Escovedo and Gregg Rolie
publisher:
Careers–BMG Music Publishing, Inc., Petra Music, Universal Music (plain logo: “Universal Music”) and Universal Music Careers
3.55:33
9Song of the Wind
producer:
Fred Catero and Carlos Santana
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1972)
recording of:
Song of the Wind
composer:
Gregg Rolie, Carlos Santana and Neal Schon
publisher:
Careers–BMG Music Publishing, Inc.
6:05
10Love, Devotion & Surrender
producer:
Tom Coster, Carlos Santana and Michael Shrieve
acoustic guitar and electric guitar:
Carlos Santana (in 1973-05)
bass:
Doug Rauch (in 1973-05)
congas:
Armando Peraza (in 1973-05)
drums (drum set):
Maitreya Michael Shrieve (in 1973-05)
electric piano:
Richard Kermode (in 1973-05)
Hammond organ:
Tom Coster (in 1973-05)
timbales:
José “Chepito” Áreas (in 1973-05)
vocals:
Wendy Haas (in 1973-05), Carlos Santana (in 1973-05) and Leo Thomas (in 1973-05)
phonographic copyright (℗) by:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1973) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1973)
recording of:
Love Devotion and Surrender (in 1973-05)
writer:
Richard Kermode and Carlos Santana
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
33:41
11Give and Take
bass:
David Brown (US bassist for Santana/Allman Brothers/31st of February)
congas:
Armando Peraza
drums (drum set):
Michael Shrieve
guitar:
Carlos Santana
Moog and piano:
Tom Coster
organ:
Leon Patillo
tenor saxophone:
Jules Broussard
timbales:
José “Chepito” Áreas
vocals:
Leon Patillo
recording of:
Give and Take
writer:
Tom Coster, Carlos Santana and Michael Shrieve
35:47
12Europa (Earth’s Cry Heaven’s Smile)
assistant engineer:
Susan Foot (recording engineer)
engineer:
Fred Catero and David Rubinson
producer:
David Rubinson and David Rubinson & Friends, Inc.
bass guitar:
David Brown (US bassist for Santana/Allman Brothers/31st of February) (on 1975-12-16)
congas:
Armando Peraza (on 1975-12-16)
drums (drum set):
Leon Ndugu Chancler (on 1975-12-16) and Michael Shrieve (on 1975-12-16)
guitar:
Carlos Santana (on 1975-12-16)
keyboard:
Tom Coster (on 1975-12-16)
percussion:
Jose Chepito Áreas (on 1975-12-16) and Armando Peraza (on 1975-12-16)
piano:
Leon Patillo (on 1975-12-16)
saxophone:
Jules Broussard (on 1975-12-16)
vocals:
Leon Patillo (on 1975-12-16) and Carlos Santana (on 1975-12-16)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1976), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1976), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1976) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1976)
recorded at:
Wally Heider Studios (@ 245 Hyde Street, San Francisco) in San Francisco, California, United States (on 1975-12-16)
recording of:
Europa (Earth’s Cry, Heaven’s Smile) (on 1975-12-16)
composer:
Tom Coster and Carlos Santana
publisher:
Light Music (US publishing label), Rondor Music (London) Ltd. and Wixen Music Publishing, Inc.
4.255:04
13Dance Sister Dance (Baila mi hermana)
producer:
David Rubinson & Friends, Inc.
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1976)
recording of:
Dance Sister Dance (Baila mi hermana)
writer:
Leon Ndugu Chancler, Tom Coster and David Rubinson
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Light Music (US publishing label), Polo Grounds Music and Rondor Music (London) Ltd.
3:13
14Let the Children Play
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977)
recording of:
Let the Children Play
writer:
Leon Patillo and Carlos Santana
publisher:
Light Music (US publishing label) and Rondor Music (London) Ltd.
2:39
15Revelations
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977)
recording of:
Revelations
writer:
Tom Coster and Carlos Santana
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Rondor Music (London) Ltd.
3:18
16She’s Not There
producer:
Tom Coster, David Rubinson & Friends, Inc. and Carlos Santana
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1977), Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1977) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977)
cover recording of:
She’s Not There
lyricist and composer:
Rod Argent
publisher:
Al Gallico Music Corp., Essex Music of Australia Pty. Ltd., Marquis Music Co., Ltd., Marquis Songs USA and Parker Music
sub-publisher:
Bocu Music Ltd., Marquis Music Co., Ltd., Marquis Music Ltd. and シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.)
2.53:17
17I’ll Be Waiting
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977)
recording of:
I’ll Be Waiting
writer:
Carlos Santana
publisher:
Light Music (US publishing label) and Rondor Music (London) Ltd.
3:12
18Stormy
assistant engineer:
Gary Boatner (engineer)
producer:
Dennis Lambert and Brian Potter (US songwriter & producer)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1978)
recorded at:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (from 1978-07 until 1978-08)
recording of:
Stormy (from 1978-07 until 1978-08)
writer:
Buddy Buie and J. R. Cobb
publisher:
Low‐Sal Music, Inc.
4:47
19One Chain (Don’t Make No Prison)
recording of:
One Chain (Don’t Make No Prison)
writer:
Dennis Lambert and Brian Potter (US songwriter & producer)
publisher:
ABC/Dunhill Music, Inc. (ended), MCA Music Ltd. (ended), Songs of Universal, Inc. (BMI), Universal Duchess Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
3:40
2▼CD
#TitleRatingLength
1Well All Right
assistant engineer:
Gary Boatner (engineer)
producer:
Dennis Lambert and Brian Potter (US songwriter & producer)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1978)
recorded at:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (from 1978-07 until 1978-08)
cover recording of:
Well… All Right (from 1978-07 until 1978-08)
writer:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter), Joe B. Mauldin and Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) and MPL Music Publishing Inc.
34:12
2Open Invitation
assistant engineer:
Gary Boatner (engineer)
producer:
Dennis Lambert and Brian Potter (US songwriter & producer)
guitar:
Carlos Santana (from 1978-07 until 1978-08) and Chris Solberg (from 1978-07 until 1978-08)
instruments:
Chris Rhyne (from 1978-07 until 1978-08)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1978)
recorded at:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (from 1978-07 until 1978-08)
recording of:
Open Invitation (from 1978-07 until 1978-08)
writer:
D. Margen, D.C. Santana, Dennis Lambert, Brian Potter (US songwriter & producer) and Greg Walker (ex-member of Santana)
publisher:
Lambert & Potter Music Co.
4:49
3Aqua Marine
recording of:
Aqua Marine
composer:
Alan Pasqua and Carlos Santana
publisher:
Light Music (US publishing label), Rondor Music (London) Ltd. and Wixen Music Publishing, Inc.
3:58
4All I Ever Wanted
recording of:
All I Ever Wanted
writer:
Alex Ligertwood, Carlos Santana and Chris Solberg
publisher:
Light Music (US publishing label) and Urmila Music
3:37
5You Know That I Love You
recording of:
You Know That I Love You
writer:
Alex Ligertwood, Alan Pasqua, Carlos Santana and Chris Solberg
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Light Music (US publishing label) and Urmila Music
3:31
6Winning
assistant engineer and assistant mixer:
Chris Minto (engineer)
engineer, producer and mixer:
Keith Olsen (US producer and engineer)
associate producer:
Devadip Carlos Santana
bass guitar:
David Margen (in 1980)
bongos:
Armando Peraza (in 1980)
congas:
Raul Rekow (in 1980)
drums (drum set):
Graham Lear (in 1980)
electric guitar [lead guitar]:
Devadip Carlos Santana (in 1980)
keyboard:
Alan Pasqua (in 1980)
percussion:
Devadip Carlos Santana (in 1980), Armando Peraza (in 1980), Raul Rekow (in 1980) and Orestes Vilató (in 1980)
synthesizer:
Richard Baker (US keyboardist for Santana) (in 1980)
timbales:
Orestes Vilató (in 1980)
background vocals:
Alexander J. Ligertwood (in 1980), Devadip Carlos Santana (in 1980), Alan Pasqua (in 1980), Raul Rekow (in 1980) and Orestes Vilató (in 1980)
lead vocals:
Alexander J. Ligertwood (in 1980)
arranger:
Santana (US Latin, blues, & rock band)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1981), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1981) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1981)
recorded at:
The Automatt in San Francisco, California, United States (in 1980)
mixed at:
Sound City Studios in Van Nuys, California, United States
cover recording of:
Winning (in 1980)
lyricist and composer:
Russ Ballard
publisher:
Complete Music Ltd., Island Music Ltd., Russell Ballard Ltd and フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division)
3:31
7The Sensitive Kind
assistant engineer:
Wayne Lewis (engineer)
engineer and mixer:
Fred Catero
associate producer:
Fred Catero and The Santana Band (US Latin, blues, & rock band)
producer:
Devadip Carlos Santana and Bill Graham (San Francisco Bay Area promoter)
bass guitar:
David Margen
bongos:
Armando Peraza
congas:
Raul Rekow
drums (drum set):
Graham Lear
electric guitar [lead guitar]:
Devadip Carlos Santana
keyboard:
Alan Pasqua
organ and synthesizer:
Richard Baker (US keyboardist for Santana)
percussion:
Devadip Carlos Santana, Armando Peraza, Raul Rekow and Orestes Vilató
timbales:
Orestes Vilató
lead vocals:
Alexander J. Ligertwood
arranger:
Santana (US Latin, blues, & rock band)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1981) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1981)
recorded at and mixed at:
The Automatt in San Francisco, California, United States
cover recording of:
The Sensitive Kind
lyricist and composer:
J.J. Cale
publisher:
Audigram Music, Audigram Songs, Inc., Warner Chappell Music, Inc. and フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division)
3:35
8Hold On
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1982)
cover recording of:
Hold On
lyricist and composer:
Ian Thomas (Canadian singer/songwriter)
publisher:
Chelsea Music Publishing Co., Ltd., Ole Mark-Cain Music Publ., Over the Rainbow Music Co. and フジパシフィックミュージック (Fujipacific Music, Inc.)
3:54
9Nowhere to Run
producer:
John Ryan (producer a/k/a “The Chicago Kid”)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1982)
cover recording of:
Nowhere to Run (in 1985)
lyricist and composer:
Russ Ballard
publisher:
Complete Music Ltd., Island Music Ltd., Russell Ballard Ltd and フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division)
2:54
10What Does It Take (to Win Your Love)
cover recording of:
What Does It Take (to Win Your Love)
writer:
Johnny Bristol, Vernon Bullock (Soul and R&B singer-songwriter and producer) and Harvey Fuqua
publisher:
Jobete Music Co., Inc., Stone Agate Music, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
3:25
11Say It Again
cover recording of:
Say It Again
writer:
Val Garay, Steve Goldstein and Anthony La Peau
publisher:
Black Mountain Road Music and Warner Chappell Music Ltd. (no slash; used 1988–1996)
3:28
12How Long
assistant recording engineer:
Duane Seykora (from 1984-03-28 until 1984-11-01)
recording engineer:
Richard Bosworth (from 1984-03-28 until 1984-11-01) and Val Garay (from 1984-03-28 until 1984-11-01)
mixer:
Val Garay
bass synthesizer and drum machine:
David Adelstein (from 1984-03-28 until 1984-11-01)
guitar:
Carlos Santana (from 1984-03-28 until 1984-11-01) and John Woodhead (from 1984-03-28 until 1984-11-01)
synthesizer:
David Adelstein (from 1984-03-28 until 1984-11-01) and Steve Goldstein (from 1984-03-28 until 1984-11-01)
vocals:
Alex Ligertwood (from 1984-03-28 until 1984-11-01)
arranger:
David Adelstein, Val Garay, Robbie Patton and Santana (US Latin, blues, & rock band)
recorded at:
Record One in Sherman Oaks, Los Angeles, California, United States (from 1984-03-28 until 1984-11-01)
mixed at:
Record One in Sherman Oaks, Los Angeles, California, United States
recording of:
How Long (from 1984-03-28 until 1984-11-01)
writer:
Robbie Patton
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd. and Red Snapper Music
3:59
13I’m the One Who Loves You
cover recording of:
I’m the One Who Loves You
writer:
Curtis Mayfield
publisher:
EMI Music Publishing (do not use as a release label!) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
3:14
14Veracruz
producer:
Jeffrey Cohen (70s/80s US funk/soul producer/songwriter) and Carlos Santana
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1987)
recording of:
Veracruz (in 1987)
writer:
Jeffrey Cohen (70s/80s US funk/soul producer/songwriter), Buddy Miles, Gregg Rolie, Carlos Santana and Chester Thompson (US keyboardist Chester D. Thompson for Santana & Tower of Power)
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30), BMG Music Publishing Ltd., EMI Songs Ltd., Justa Publishing Co., Light Music (US publishing label), Rondor Music (London) Ltd., Urmila Music and When Words Collide Music
3:47
15Gypsy Woman
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1990)
cover recording of:
Gypsy Woman
lyricist and composer:
Curtis Mayfield
publisher:
EMI Tunes Ltd, EMI Waterford Music, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) and Curtom Publishing Co Inc (from 1961 to ????)
4:30
16Right On
cover recording of:
Right On
composer:
Earl DeRouen (percussionist, composer) and Marvin Gaye
4:46
17Havana Moon
assistant engineer:
Maureen Droney, Wayne Lewis (engineer) and Jeffrey Norman
engineer and mixer:
Jim Gaines
producer:
Barry Beckett and Jerry Wexler
assistant mixer:
Jeffrey Norman
bass:
Keith Ferguson (bassist)
drums (drum set):
Fran Christina
guitar:
Carlos Santana and Jimmie Vaughan
harmonica:
Kim Wilson
keyboard and lead vocals:
Booker T. Jones
percussion:
Armando Peraza, Raul Rekow and Orestes Vilató
background vocals:
Booker T. Jones, Raul Rekow, Carlos Santana, Orestes Vilató and Kim Wilson
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1983)
recorded at:
The Automatt in San Francisco, California, United States
mixed at:
The Record Plant (Sausalito, 1972-1981) in Sausalito, California, United States
cover recording of:
Havana Moon
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher) and Tristan Music Ltd.
4:12
18Daughter of the Night
engineer:
Maureen Droney and Ken Kessie
producer:
Carlos Santana
vocals:
Ernie Johnson
remixer:
Jim Gaines (in 1987-11)
remixed at:
The Plant Studios (1981–2008) in Sausalito, California, United States (in 1987-11)
cover recording of:
Daughter of the Night (from 1982-01 to ????)
writer:
Hasse Huss and Mikael Rickfors
4:51
19They All Went to Mexico
recording of:
They All Went to Mexico
writer:
Greg Brown (American folk singer)
4:43
3▼CD
#TitleRatingLength
1Jingo
producer:
David Rubinson
mixer:
Vic Anesini
recorded at:
Fillmore West in San Francisco, California, United States (from 1968-12-19 until 1968-12-22)
mixed at:
Sony Music Studios (NYC, closed 2007) in Hell's Kitchen, New York, New York, United States
live cover recording of:
Jin‐go‐lo‐ba (Drums of Passion) (Jingo) (from 1968-12-19 until 1968-12-22)
lyricist and composer:
Babatunde Olatunji
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30), EMI Blackwood Music Inc. and EMI Songs Ltd.
59:40
2Soul Sacrifice
assistant engineer:
Tom Flye and Dave Ragno (Engineer)
engineer:
Eddie Kramer (engineer) and Lee Osborne
producer:
Eric Blackstead
recorded at:
Woodstock Music & Art Fair (1969-08-15 – 1969-08-18) (1969)
recorded at:
Yasgur’s Farm in Bethel, New York, United States (on 1969-08-16)
live recording of:
Soul Sacrifice (on 1969-08-16)
composer:
David Brown (US bassist for Santana/Allman Brothers/31st of February), Marcus Malone (US percussionist, member of Santana), Gregg Rolie and Carlos Santana
publisher:
Careers‐BMG Music Publishing, Petra Music and Universal Music (plain logo: “Universal Music”)
8:50
3Them Changes
earliest release:
Them Changes by Carlos Santana & Buddy Miles
live recording of:
Them Changes
lyricist and composer:
Buddy Miles
publisher:
Bughouse and Miles Ahead Music
5:54
4Samba pa ti
recording engineer:
鈴木智雄 (Tomoo Suzuki)
producer:
Santana (US Latin, blues, & rock band)
bass:
Doug Rauch (from 1973-07-03 until 1973-07-04)
congas:
Armando Peraza (from 1973-07-03 until 1973-07-04)
drums (drum set):
Michael Shrieve (from 1973-07-03 until 1973-07-04)
electric piano:
Richard Kermode (from 1973-07-03 until 1973-07-04)
guitar:
Carlos Santana (from 1973-07-03 until 1973-07-04)
Hammond organ:
Tom Coster (from 1973-07-03 until 1973-07-04)
maracas:
Leon Thomas (American jazz vocalist) (from 1973-07-03 until 1973-07-04)
timbales:
José “Chepito” Áreas (from 1973-07-03 until 1973-07-04)
recorded at:
大阪厚生年金会館 (original complex) in Shinmachi, Osaka (Osaka City), Osaka (Osaka Prefecture), Japan (from 1973-07-03 until 1973-07-04)
live recording of:
Samba pa ti (from 1973-07-03 until 1973-07-07)
composer:
Carlos Santana
publisher:
BMG Music Publishing Ltd., Careers–BMG Music Publishing, Inc., Carlin Music Corporation, Petra Music, Universal Music (plain logo: “Universal Music”) and Universal Music Careers
28:57
5Black Magic Woman / Gypsy Queen
producer:
Tom Coster and Carlos Santana
mixer:
Chris Minto (engineer) and Tommy Vicari
bass:
Pablo Tellez
mixed at:
The Automatt in San Francisco, California, United States
live medley including a cover recording of:
Black Magic Woman
lyricist and composer:
Peter Green (former member of Fleetwood Mac)
publisher:
Bourne Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), King Music Publ. Co. Ltd. and Murbo Music Publishers, Inc.
live medley including a cover recording of:
Gypsy Queen
composer:
Gábor Szabó (in 1966)
publisher:
Gabor & Cardigan Music, PAB Music Corp. and Wixen Music Publishing, Inc.
6:36
6She’s Not There
engineer:
Bryan Bell (engineer) and Guy Charbonneau
producer:
Santana (US Latin, blues, & rock band)
mixer:
Jim Gaines (in 1988-01)
recorded at:
Warfield Theatre in San Francisco, California, United States (on 1985-08-09)
mixed at:
The Plant Studios (1981–2008) in Sausalito, California, United States (in 1988-01)
live cover recording of:
She’s Not There (on 1985-08-09)
lyricist and composer:
Rod Argent
publisher:
Al Gallico Music Corp., Essex Music of Australia Pty. Ltd., Marquis Music Co., Ltd., Marquis Songs USA and Parker Music
sub-publisher:
Bocu Music Ltd., Marquis Music Co., Ltd., Marquis Music Ltd. and シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.)
4:23
7Esperando
additional engineer:
Wally Buck
assistant engineer:
Judy Kirschner and Kent Matcke
engineer and mixer:
Jim Gaines
producer:
Carlos Santana and Chester Thompson (US keyboardist Chester D. Thompson for Santana & Tower of Power)
recorded at:
Palacio de los Deportes (Mexico City) in Ciudad de México (Mexico City), Mexico (from 1993-05-22 until 1993-05-23)
live recording of:
Esperando (from 1993-05-22 until 1993-05-23)
writer:
Karl Perazzo, Carlos Santana and Chester Thompson (US keyboardist Chester D. Thompson for Santana & Tower of Power)
publisher:
Light Music (US publishing label) and Urmila Music
6:01