Tracklist

1CD
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1El amor brujo: I. Introducción y escena
producer:
Karl Faust (producer)
orchestra:
Radio-Sinfonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1965-06)
conductor:
Lorin Maazel (conductor) (in 1965-06)
balance engineer:
Günter Hermanns (producer/engineer) (in 1965-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1965-06)
recording of:
El amor brujo: I. Introducción (in 1965-06)
composer:
Manuel de Falla (Spanish composer)
part of:
El amor brujo (for symphony orchestra)
Manuel de Falla0:42
2El amor brujo: II. With the Gypsies: In the Evening
producer:
Karl Faust (producer)
orchestra:
Radio-Sinfonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1965-06)
conductor:
Lorin Maazel (conductor) (in 1965-06)
balance engineer:
Günter Hermanns (producer/engineer) (in 1965-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1965-06)
recording of:
El amor brujo: II. En la cueva (in 1965-06)
composer:
Manuel de Falla (Spanish composer)
part of:
El amor brujo (for symphony orchestra)
Manuel de Falla2:00
3El amor brujo: III. Song of Suffering Love
recording engineer and producer:
Karl Faust (producer)
mezzo-soprano vocals:
Grace Bumbry (mezzo‐soprano) (in 1965-06)
orchestra:
Radio-Sinfonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1965-06)
conductor:
Lorin Maazel (conductor) (in 1965-06)
balance engineer:
Günter Hermanns (producer/engineer) (in 1965-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1965-06)
recording of:
El amor brujo: III. Canción del amor dolido (in 1965-06)
lyricist:
Gregorio Martínez Sierra
composer:
Manuel de Falla (Spanish composer)
part of:
El amor brujo (for symphony orchestra)
Manuel de Falla1:29
4El amor brujo: IV. The Apparition
producer:
Karl Faust (producer)
orchestra:
Radio-Sinfonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1965-06)
conductor:
Lorin Maazel (conductor) (in 1965-06)
balance engineer:
Günter Hermanns (producer/engineer) (in 1965-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1965-06)
recording of:
El amor brujo: IV. El aparecido (in 1965-06)
composer:
Manuel de Falla (Spanish composer)
part of:
El amor brujo (for symphony orchestra)
Manuel de Falla0:13
5El amor brujo: V. Dance of Terror
producer:
Karl Faust (producer)
orchestra:
Radio-Sinfonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1965-06)
conductor:
Lorin Maazel (conductor) (in 1965-06)
balance engineer:
Günter Hermanns (producer/engineer) (in 1965-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1965-06)
recording of:
El amor brujo: V. Danza del terror (in 1965-06)
composer:
Manuel de Falla (Spanish composer)
part of:
El amor brujo (for symphony orchestra)
Manuel de Falla1:56
6El amor brujo: VI. The Magic Circle: Song of the Fisherman
producer:
Karl Faust (producer)
orchestra:
Radio-Sinfonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1965-06)
conductor:
Lorin Maazel (conductor) (in 1965-06)
balance engineer:
Günter Hermanns (producer/engineer) (in 1965-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1965-06)
recording of:
El amor brujo: VI. El círculo mágico (Romance del pescador) (in 1965-06)
composer:
Manuel de Falla (Spanish composer)
part of:
El amor brujo (for symphony orchestra)
Manuel de Falla2:04
7El amor brujo: VII. Midnight: The Spells
producer:
Karl Faust (producer)
orchestra:
Radio-Sinfonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1965-06)
conductor:
Lorin Maazel (conductor) (in 1965-06)
balance engineer:
Günter Hermanns (producer/engineer) (in 1965-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1965-06)
recording of:
El amor brujo: VII. A medianoche (Los sortilegios) (in 1965-06)
composer:
Manuel de Falla (Spanish composer)
part of:
El amor brujo (for symphony orchestra)
Manuel de Falla0:36
8El amor brujo: VIII. Ritual Fire Dance: To Chase Away the Evil Spirits
producer:
Karl Faust (producer)
orchestra:
Radio-Sinfonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1965-06)
conductor:
Lorin Maazel (conductor) (in 1965-06)
balance engineer:
Günter Hermanns (producer/engineer) (in 1965-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1965-06)
recording of:
El amor brujo: VIII. Danza ritual del fuego (in 1965-06)
composer:
Manuel de Falla (Spanish composer)
part of:
El amor brujo (for symphony orchestra)
Manuel de Falla3:53
9El amor brujo: IX. Escena
producer:
Karl Faust (producer)
orchestra:
Radio-Sinfonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1965-06)
conductor:
Lorin Maazel (conductor) (in 1965-06)
balance engineer:
Günter Hermanns (producer/engineer) (in 1965-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1965-06)
recording of:
El amor brujo: IX. Escena (in 1965-06)
composer:
Manuel de Falla (Spanish composer)
part of:
El amor brujo (for symphony orchestra)
Manuel de Falla0:56
10El amor brujo: X. Song of the Will-o'-the-Wisp
producer:
Karl Faust (producer)
orchestra:
Radio-Sinfonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1965-06)
conductor:
Lorin Maazel (conductor) (in 1965-06)
balance engineer:
Günter Hermanns (producer/engineer) (in 1965-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1965-06)
recording of:
El amor brujo: X. Canción del fuego fatuo (in 1965-06)
lyricist:
Gregorio Martínez Sierra
composer:
Manuel de Falla (Spanish composer)
part of:
El amor brujo (for symphony orchestra)
Manuel de Falla1:49
11El amor brujo: XI. Pantomima
producer:
Karl Faust (producer)
orchestra:
Radio-Sinfonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1965-06)
conductor:
Lorin Maazel (conductor) (in 1965-06)
balance engineer:
Günter Hermanns (producer/engineer) (in 1965-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1965-06)
recording of:
El amor brujo: XI. Pantomima (in 1965-06)
composer:
Manuel de Falla (Spanish composer)
part of:
El amor brujo (for symphony orchestra)
Manuel de Falla3:57
12El amor brujo: XII. Dance of the Game of Love
producer:
Karl Faust (producer)
orchestra:
Radio-Sinfonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1965-06)
conductor:
Lorin Maazel (conductor) (in 1965-06)
balance engineer:
Günter Hermanns (producer/engineer) (in 1965-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1965-06)
recording of:
El amor brujo: XII. Danza del juego del amor (in 1965-06)
lyricist:
Gregorio Martínez Sierra
composer:
Manuel de Falla (Spanish composer)
part of:
El amor brujo (for symphony orchestra)
Manuel de Falla2:59
13El amor brujo: XIII. Finale: The Bells of Dawn
producer:
Karl Faust (producer)
orchestra:
Radio-Sinfonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1965-06)
conductor:
Lorin Maazel (conductor) (in 1965-06)
balance engineer:
Günter Hermanns (producer/engineer) (in 1965-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1965-06)
recording of:
El amor brujo: XIII. Final (Las campanas del amanecer) (in 1965-06)
composer:
Manuel de Falla (Spanish composer)
part of:
El amor brujo (for symphony orchestra)
Manuel de Falla1:20
14El sombrero de tres picos: Dance of the Miller's Wife (Fandango)
producer:
Karl Faust (producer)
orchestra:
Radio-Sinfonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1965-06)
conductor:
Lorin Maazel (conductor) (in 1965-06)
balance engineer:
Günter Hermanns (producer/engineer) (in 1965-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1965-06)
recording of:
El sombrero de tres picos, suite no. 1: II. Danza de la molinera (The Three Cornered Hat, Suite No. 1: II. Dance of the Miller's Wife) (in 1965-06)
composer:
Manuel de Falla (Spanish composer) (in 1919)
part of:
El sombrero de tres picos, suite no. 1 (The Three Cornered Hat, Suite No. 1)
Manuel de Falla7:59
15El Sombrero de tres picos: Dance of the Neighbors (Seguidilla)
producer:
Karl Faust (producer)
orchestra:
Radio-Sinfonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1965-06)
conductor:
Lorin Maazel (conductor) (in 1965-06)
balance engineer:
Günter Hermanns (producer/engineer) (in 1965-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1965-06)
recording of:
El sombrero de tres picos, suite no. 2: I. Danza de los vecinos (seguidillas) (The Three Cornered Hat, Suite No. 2: I. The Neighbors' Dance (Seguidillas)) (in 1965-06)
composer:
Manuel de Falla (Spanish composer)
part of:
El sombrero de tres picos, suite no. 2 (The Three-Cornered Hat, Suite No. 2)
recording of:
El sombrero de tres picos: Parte II. Danza de los vecinos (Seguidillas)
composer:
Manuel de Falla (Spanish composer)
part of:
El sombrero de tres picos (ballet)
Manuel de Falla3:33
16El Sombrero de tres picos: Dance of the Miller (Farruca)
producer:
Karl Faust (producer)
orchestra:
Radio-Sinfonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1965-06)
conductor:
Lorin Maazel (conductor) (in 1965-06)
balance engineer:
Günter Hermanns (producer/engineer) (in 1965-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1965-06)
recording of:
El sombrero de tres picos, suite no. 2: II. Danza del molinero (farruca) (The Three Cornered Hat, Suite No. 2: II. The Miller's Dance (Farruca)) (in 1965-06)
composer:
Manuel de Falla (Spanish composer)
part of:
El sombrero de tres picos, suite no. 2 (The Three-Cornered Hat, Suite No. 2)
recording of:
El sombrero de tres picos: Parte II. Danza del molinero (Farruca)
lyricist:
Gregorio Martínez Sierra
composer:
Manuel de Falla (Spanish composer)
part of:
El sombrero de tres picos (ballet)
Manuel de Falla2:31
17El Sombrero de tres picos: Danza final (Jota)
producer:
Karl Faust (producer)
orchestra:
Radio-Sinfonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1965-06)
conductor:
Lorin Maazel (conductor) (in 1965-06)
balance engineer:
Günter Hermanns (producer/engineer) (in 1965-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1965-06)
recording of:
El sombrero de tres picos, suite no. 2: III. Danza final (jota) (The Three Cornered Hat, Suite No. 2: III. Final Dance (Jota)) (in 1965-06)
composer:
Manuel de Falla (Spanish composer)
part of:
El sombrero de tres picos, suite no. 2 (The Three-Cornered Hat, Suite No. 2)
recording of:
El sombrero de tres picos: Parte II. Danza final (Jota)
composer:
Manuel de Falla (Spanish composer)
part of:
El sombrero de tres picos (ballet)
Manuel de Falla6:13
18The Firebird Suite: I. Introduction: The Firebird and its Dance
producer:
Wolfgang Lohse
orchestra:
Radio-Sinfonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1957-11)
conductor:
Lorin Maazel (conductor) (in 1957-11)
balance engineer:
Werner Wolf (engineer/producer) (in 1957-11)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1957-11)
recording of:
L’Oiseau de feu: I. Introduction (“Concert suite for orchestra No. 2” 1919 version) (in 1957-11)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1919)
part of:
L’Oiseau de feu, suite de 1919 (“The Firebird” 1919 Suite, aka Concert Suite for Orchestra no. 2)
recording of:
L’Oiseau de feu: I. L’Oiseau de feu et sa danse (“Concert suite for orchestra No. 2” 1919 version) (in 1957-11)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1919)
part of:
L’Oiseau de feu, suite de 1919 (“The Firebird” 1919 Suite, aka Concert Suite for Orchestra no. 2)
Igor Stravinsky3:24
19The Firebird Suite: II. Variation of the Firebird
producer:
Wolfgang Lohse
orchestra:
Radio-Sinfonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1957-11)
conductor:
Lorin Maazel (conductor) (in 1957-11)
balance engineer:
Werner Wolf (engineer/producer) (in 1957-11)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1957-11)
recording of:
L’Oiseau de feu: I. Variation de l’Oiseau de feu (“Concert suite for orchestra No. 2” 1919 version) (in 1957-11)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1919)
part of:
L’Oiseau de feu, suite de 1919 (“The Firebird” 1919 Suite, aka Concert Suite for Orchestra no. 2)
Igor Stravinsky1:16
20The Firebird Suite: III. The Princesses' Round
producer:
Wolfgang Lohse
orchestra:
Radio-Sinfonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1957-11)
conductor:
Lorin Maazel (conductor) (in 1957-11)
balance engineer:
Werner Wolf (engineer/producer) (in 1957-11)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1957-11)
recording of:
L’Oiseau de feu: II. Ronde des princesses (Khorovode) (“Concert suite for orchestra No. 2” 1919 version) (in 1957-11)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1919)
part of:
L’Oiseau de feu, suite de 1919 (“The Firebird” 1919 Suite, aka Concert Suite for Orchestra no. 2)
Igor Stravinsky5:30
21The Firebird Suite: IV. Infernal Dance of King Kashchei
producer:
Wolfgang Lohse
orchestra:
Radio-Sinfonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1957-11)
conductor:
Lorin Maazel (conductor) (in 1957-11)
balance engineer:
Werner Wolf (engineer/producer) (in 1957-11)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1957-11)
recording of:
L’Oiseau de feu: III. Danse infernale du roi Kachtcheï (“Concert suite for orchestra No. 2” 1919 version) (in 1957-11)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1919)
part of:
L’Oiseau de feu, suite de 1919 (“The Firebird” 1919 Suite, aka Concert Suite for Orchestra no. 2)
Igor Stravinsky3:56
22The Firebird Suite: V. Lullaby
producer:
Wolfgang Lohse
orchestra:
Radio-Sinfonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1957-11)
conductor:
Lorin Maazel (conductor) (in 1957-11)
balance engineer:
Werner Wolf (engineer/producer) (in 1957-11)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1957-11)
recording of:
L’Oiseau de feu: III. Berceuse (“Concert suite for orchestra No. 2” 1919 version) (in 1957-11)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1919)
part of:
L’Oiseau de feu, suite de 1919 (“The Firebird” 1919 Suite, aka Concert Suite for Orchestra no. 2)
Igor Stravinsky3:26
23The Firebird Suite: VI. Finale
producer:
Wolfgang Lohse
orchestra:
Radio-Sinfonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1957-11)
conductor:
Lorin Maazel (conductor) (in 1957-11)
balance engineer:
Werner Wolf (engineer/producer) (in 1957-11)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1957-11)
recording of:
L’Oiseau de feu: III. Finale (“Concert suite for orchestra No. 2” 1919 version) (in 1957-11)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1919)
part of:
L’Oiseau de feu, suite de 1919 (“The Firebird” 1919 Suite, aka Concert Suite for Orchestra no. 2)
Igor Stravinsky3:28

Credits

Release

part of:The Originals (Deutsche Grammophon/Archiv Produktion) (order: 4)
discography entry:http://www.deutschegrammophon.com/gb/cat/4474142 [info]