CD 6 Pack: Compiled From the Charts of Billboard Magazine

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1▼CD: Volume 1: Rock Classics
#TitleArtistRatingLength
1Gimme Some Lovin’
recording of:
Gimme Some Lovin’
writer:
Spencer Davis, Muff Winwood (bass player, songwriter, producer) and Steve Winwood
publisher:
Kobalt Music Publishing Ltd. (UK), Shinko Music Entertainment Co., Ltd., Songs of Kobalt Music Publishing, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Universal Music Publishing, Synch Division, Universal–Songs of PolyGram International, Inc., Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.), Warner Chappell Music Ltd. (no slash; used 1988–1996), Yamaha Music EH(CM) and Island Music Ltd. (from 1966 to ????)
Spencer Davis Group2:55
2The Weight
live recording of:
The Weight
lyricist and composer:
Robbie Robertson
publisher:
Dwarf Music, Sony/ATV Music Publishing Australia Pty Ltd. and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
The Band5:41
3Fresh Air
recording of:
Fresh Air
lyricist and composer:
Jesse Oris Farrow
writer:
Dino Valenti
Quicksilver Messenger Service5:19
4Black Magic Woman
cover recording of:
Black Magic Woman
lyricist and composer:
Peter Green (former member of Fleetwood Mac)
publisher:
Bourne Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), King Music Publ. Co. Ltd. and Murbo Music Publishers, Inc.
Santana3:19
5Closer to Home / I’m Your Captain
producer:
Terry Knight
recording of:
I’m Your Captain (Closer to Home)
lyricist and composer:
Mark Farner
publisher:
Cram Renraff Co., Fujipacific Music, Inc., Storybook Music and Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division)
Grand Funk Railroad510:09
6American Woman
assistant recording engineer:
Ed Schnabl and Russ Vestuto
recording engineer:
Brian Christian
producer:
Jack Richardson
arranger:
The Guess Who (Canadian rock band)
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1969, in 1970) and BMG Music (in 1970)
recorded at:
RCA's Mid-America Recording Center (Chicago, 1935-1969) in Chicago, Illinois, United States
edit of:
American Woman (original stereo mix) by The Guess Who (Canadian rock band)
recording of:
American Woman
writer:
Randy Bachman (Canadian guitarist, singer & songwriter), Burton Cummings, Jim Kale (original bassist for The Guess Who) and Garry Peterson (Canadian drummer for The Guess Who)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Bug Music (music publishing), Bug Music Ltd., Bug Music, Inc., Cirrus Musik, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dunbar Music Inc., Hello Mr. Wilson, Shilleagh Music, Unichappell Music and Unichappell Music, Inc.
The Guess Who4.23:53
7Maggie May
producer:
Rod Stewart
12 string guitar, bass guitar and electric guitar:
Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood) (in 1971)
acoustic guitar:
Martin Quittenton (guitarist for Steamhammer) (in 1971)
celesta:
Pete Sears (in 1971)
cymbal and membranophone:
Micky Waller (in 1971)
Hammond organ:
Ian McLagan (in 1971)
mandolin:
Ray Jackson (in 1971) and David Lindley (in 1971)
lead vocals:
Rod Stewart (in 1971)
phonographic copyright (℗) by:
Mercury Records Inc. (copyrights use only) (in 1971), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1971), The Island Def Jam Music Group (American holding company, not normally a release label) (in 1971) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1971)
recording of:
Maggie May (in 1971)
publisher:
Rod Stewart
writer:
Mike Peters, Martin Quittenton (guitarist for Steamhammer) and Rod Stewart
publisher:
Chappell Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., EMI Blackwood Music Inc., EMI Full Keel Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), H. G. Music Inc, Mushroom Music (Mushroom label’s publishing company), Rightsong Music Inc., Unichappell Music, Inc., Warner Chappell and Warner Chappell Music (publisher as Warner/Chappell Music)
Rod Stewart4.25:12
8Ramblin’ Man
recording of:
Ramblin’ Man
lyricist and composer:
Dickey Betts
publisher:
F.R. Betts Music Co., No Exit Music Co., Inc., Unichappell Music, Inc., Warner Chappell Music, Inc. and Warner/Chappell Music Australia Pty. Ltd.
Allman Brothers4:42
9Walk on the Wild Side
producer:
David Bowie (English singer‐songwriter), Lou Reed and Mick Ronson (British guitarist)
baritone saxophone:
Ronnie Ross (in 1972-08)
double bass and electric bass guitar:
Herbie Flowers (in 1972-08)
drums (drum set):
John Halsey (in 1972-08)
background vocals:
The Thunder Thighs (70s UK vocal group) (in 1972-08)
lead vocals:
Lou Reed (in 1972-08)
brass arranger and strings arranger:
Mick Ronson (British guitarist)
arranger:
David Bowie (English singer‐songwriter), Lou Reed and Mick Ronson (British guitarist)
phonographic copyright (℗) by:
BMG Entertainment (in 1972), BMG Music (in 1972), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1972) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1972)
recorded at:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, United Kingdom (in 1972-08)
mixed at:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, United Kingdom
samples from:
Lexicon Valley #150, “Why Language Can’t Be Tamed” by John McWhorter
part of:
Indie 88: Top 500 Indie Rock Songs (number: 75), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 180) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 221)
recording of:
Walk on the Wild Side (in 1972-08)
lyricist and composer:
Lou Reed
publisher:
Dunbar Music, EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), Oakfield Avenue Music, Oakfield Avenue Music Ltd., Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) and Six Continents Music Publishing Inc.
Lou Reed4.254:13
10Free Bird
engineer:
Al Kooper, Bob “Tub” Langford, Rodney Mills and Danny Turbeville
producer:
Al Kooper
additional organ:
Roosevelt Gook (in 1973-04)
bass guitar:
Ed King (US guitarist, bassist & songwriter) (in 1973-04)
drums (drum set):
Bob Burns (Lynyrd Skynyrd drummer) (in 1973-04)
guitar [lead guitar]:
Allen Collins (in 1973-03)
guitar [rhythm guitar]:
Gary Rossington (in 1973-03)
keyboard:
Billy Powell (in 1973-03)
organ:
Al Kooper (in 1973-04)
lead vocals:
Ronnie Van Zant (in 1973-04)
remixer:
Al Kooper
recorded at:
Studio One (Doraville, GA) in Doraville, Georgia, United States (in 1973-04)
part of:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 26), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 191) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 407)
recording of:
Free Bird (in 1973-04)
lyricist and composer:
Allen Collins and Ronnie Van Zant
publisher:
EMI Longitude Music, Songs of Universal, Inc. (BMI) and Universal Duchess Music Corp.
Lynyrd Skynyrd4.89:01
2▼CD: Volume 2: Pop Greats
#TitleArtistRatingLength
1Rosanna
recording engineer:
Al Schmitt
producer:
Toto (US rock group)
mixer:
Greg Ladanyi
bass guitar:
David Hungate
congas:
Lenny Castro
drums (drum set) [drums]:
Jeff Porcaro
guitar:
Steve Lukather
Hammond organ and synthesizer:
David Paich and Steve Porcaro
percussion:
Lenny Castro and Jeff Porcaro
piano:
David Paich
saxophone:
Jim Horn (saxophonist, hornist, flutist and oboist) and Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch)
trombone:
James Pankow
trumpet:
Gary Grant (brass) and Jerry Hey
background vocals [background vocal]:
Tom Kelly (songwriter), Bobby Kimball, Steve Lukather and David Paich
lead vocals:
Bobby Kimball and Steve Lukather
brass [horns] arranger:
Jerry Hey and David Paich
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1982), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1982), Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1982), Sony Music (global brand, excluding JP, owned by Sony Music Entertainment) (in 1982) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1982)
part of:
Paste: The 25 Greatest Yacht Rock Songs of All Time (number: 15)
recording of:
Rosanna
lyricist and composer:
David Paich
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Hudmar Publishing Co. Inc., Kobalt Music Publishing Ltd. (UK), Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd. and Spirit Two Music
sub-publisher:
Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division)
Toto45:34
2American Pie
engineer:
Tom Flye
producer:
Ed Freeman (producer, arranger, musician, and photographer)
electric guitar:
David Spinozza (from 1971-05 until 1971-06)
piano:
Paul Griffin (American pianist, session musician) (from 1971-05 until 1971-06)
vocals:
Don McLean (from 1971-05 until 1971-06)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1971, in 2000)
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (from 1971-05 until 1971-06)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 131)
recording of:
American Pie (from 1971-05 until 1971-06)
lyricist and composer:
Don McLean
publisher:
Benny Bird Co. Inc. (BMI-affiliated), Illegal Songs Inc., Mayday Music, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), MCA Publishing Ltd., Songs of Universal, Inc. (BMI), Universal (plain logo “Universal” used by Universal Music and Universal Pictures), Universal Music Publishing Ltd. (Hong Kong), Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation), Universal/MCA Music Publishing Pty Ltd and Yahweh Tunes, Inc.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Don McLean4.38:35
3Manic Monday
producer:
David Kahne
mixer:
David Leonard (US producer and engineer)
bass guitar:
Michael Steele (American bassist, guitarist, songwriter, and singer)
drums (drum set):
Debbi Peterson (drummer for The Bangles)
guitar:
Susanna Hoffs and Vicki Peterson
lead vocals:
Susanna Hoffs
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1985) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1985)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 208)
recording of:
Manic Monday
lyricist and composer:
Christopher (Prince, “The Artist Formerly Known as…”)
publisher:
Bangophile Music, Controversy Music, EMI Music Publishing Taiwan, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Warner Chappell Music (publisher as Warner/Chappell Music) and WB Music Corp. (1929–2019)
The Bangles43:05
4God Only Knows
engineer:
Chuck Britz (on 1966-03-10) and Ralph Valentin (from 1966-03 until 1966-04)
producer:
Brian Wilson (Beach Boys co‐founder)
accordion:
Carl Fortina (on 1966-03-10) and Frank Marocco (on 1966-03-10)
bass clarinet:
Leonard Hartman (on 1966-03-10)
bell and drums (drum set):
Hal Blaine (U.S. studio drummer and percussionist) (on 1966-03-10)
cello:
Jesse Erlich (on 1966-03-10)
clarinet:
Leonard Hartman (on 1966-03-10) and Jay Migliori (on 1966-03-10)
double bass:
Lyle Ritz (on 1966-03-10)
electric bass guitar:
Ray Pohlman (on 1966-03-10)
flute:
Bill Green (woodwind) (on 1966-03-10) and Jim Horn (saxophonist, hornist, flutist and oboist) (on 1966-03-10)
French horn:
Alan Robinson (on 1966-03-10)
guitar:
Carol Kaye (on 1966-03-10)
harpsichord:
Larry Knechtel (on 1966-03-10)
percussion:
Jim Gordon (US drummer with Derek and the Dominos) (on 1966-03-10)
tack piano:
Don Randi (on 1966-03-10)
tambourine:
Terry Melcher (on 1966-03-10)
viola:
Darrel Terwilliger (on 1966-03-10)
violin:
Leonard Malarsky (on 1966-03-10) and Sid Sharp (on 1966-03-10)
lead vocals:
Carl Wilson (Beach Boys) (from 1966-03 until 1966-04)
vocals:
Bruce Johnston (US singer‐songwriter, member of The Beach Boys) (from 1966-03 until 1966-04) and Brian Wilson (Beach Boys co‐founder) (from 1966-03 until 1966-04)
arranger:
Brian Wilson (Beach Boys co‐founder)
recorded at:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1966-03-10) and Columbia Studios (Hollywood, 1961-1972) in Hollywood, Los Angeles, California, United States (from 1966-03 until 1966-04)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 11), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 17), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 25), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 130)
recording of:
God Only Knows (from 1966-03 until 1966-04)
lyricist:
Tony Asher (US lyricist, worked on Pet Sounds)
composer:
Brian Wilson (Beach Boys co‐founder)
publisher:
Irving Music (BMI), Irving Music, Inc., Rondor Music (London) Ltd., Sea of Tunes Publishing Co. (work publisher, NOT the bootleg label), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Music Publishing, Synch Division and Yamaha Music EH(CM)
The Beach Boys42:51
5Walk on Water
assistant recording engineer:
Pat McDougal
assistant engineer:
Julian Stoll (Music engineer)
engineer:
Phil Kaffel
producer:
Eddie Money and Richie Zito
mixer:
Chris Lord‐Alge
bass:
John Pierce (US session bassist)
drums (drum set) [drums]:
Mike Baird (drummer)
guitar:
Richie Zito
keyboard [keyboards]:
Kim Bullard and Jesse Harms
solo guitar:
Jimmy Lyon (rock guitarist, worked with Eddie Money)
tambourine:
Jesse Harms
background vocals:
Joe Pizzulo and Tom Funderburk
vocals:
Jesse Harms, Tracy Harris (North Carolina singer-songwriter), Joe Pizzulo, Tom Funderburk and Richie Zito
arranger:
Eddie Money and Richie Zito
produced for:
Money Madness Productions
recorded at:
Rumbo Recorders in Canoga Park, Los Angeles, California, United States (from 1988-04 until 1988-08)
mixed at:
Skip Saylor Recording in Hollywood, Los Angeles, California, United States
engineered at:
Rumbo Recorders in Canoga Park, Los Angeles, California, United States
recording of:
Walk on Water (from 1988-04 until 1988-08)
writer:
Jesse Harms
publisher:
Geffen Music, Thornwall Music and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Eddie Money44:38
6Don’t Worry, Be Happy
engineer:
Chris Tergesen
producer:
Linda Goldstein
body percussion:
Bobby McFerrin
vocals:
Bobby McFerrin
phonographic copyright (℗) by:
EMI Manhattan (Manhattan Records after Jul 1987 acquisition of EMI America) (in 1988), EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1988) and EMI–Manhattan Records (company credits only; do NOT use as release label) (in 1988)
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States
recording of:
Don’t Worry, Be Happy
lyricist and composer:
Bobby McFerrin
writer:
Steve Sidwell (English composer & wind instrumentalist)
publisher:
BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Probnoblem Music
Bobby McFerrin4.44:51
7Midnight Confessions
producer:
Steve Barri
electric bass guitar [electric bass]:
[Carol Kaye]
horn [horns] arranger:
Jimmie Haskell
cover recording of:
Midnight Confessions
lyricist and composer:
Lou Josie
publisher:
Diagonal (US publisher) (in 1979)
The Grass Roots3.52:47
8Endless Summer Nights
recording of:
Endless Summer Nights
lyricist and composer:
Richard Marx
publisher:
BMG Monarch, フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) and Chi‐Boy Music (in 1987)
Richard Marx4:32
9Rock 'n' Roll Heaven
recording of:
Rock and Roll Heaven
writer:
Alan O’Day and Johnny Stevenson
The Righteous Brothers3:34
10What About Love
engineer:
Bruce Lampcov, Mark McKenna (engineer) and Rhett Davies
producer:
Rhett Davies
mixer:
Bruce Lampcov
bass guitar:
Aimee Mann
drums (drum set) and percussion:
Michael Hausman
guitar:
Robert Holmes (guitarist, member of 'Til Tuesday)
piano and synthesizer:
Joey Pesce
background vocals:
Joey Pesce and Robert Holmes (guitarist, member of 'Til Tuesday)
vocals:
Aimee Mann
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1986) and CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1988)
recording of:
What About Love
lyricist:
Aimee Mann
composer:
Aimee Mann
publisher:
'Til Tunes (publisher) (in 1989) and Intersong Music (in 1989)
’Til Tuesday33:59
11Words
recording of:
Words (Missing Persons)
writer:
Terry Bozzio and Warren Cuccurullo
Missing Persons54:27
3▼CD: Volume 3: Rhythm & Blues
#TitleArtistRatingLength
1Walk On By
vocals:
Dionne Warwick
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 51), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 70), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 129)
recording of:
Walk On By
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
Blue Seas Music, Inc., BMG Rights Management (UK) Ltd. (Hal David), Carlin Music Corporation, Casa David, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), JAC Music Co., Inc., New Hidden Valley Music Co., Rondor Music (Australia) Pty Ltd, Universal/MCA Music Ltd. (not for release label use!), Warner Chappell Music, Inc., Windswept Music (London) Ltd., WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) and フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2)
part of:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Dionne Warwick4.752:56
2It's the Same Old Song
recording engineer:
Lawrence T. Horn
producer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
mixer:
Robert L. Gordy (music publishing executive)
baritone saxophone:
Mike Terry (60s US soul arranger/conductor)
bass [1962 Fender Precision Bass]:
James Jamerson
drums (drum set):
Benny Benjamin (US drummer)
guitar [1964 Gibson Firebird III]:
Eddie Willis
guitar [Fender Telecaster with Jazzmaster Neck]:
Joe Messina
guitar [Gibson L-5]:
Robert White (US funk/soul guitarist)
piano:
Earl Van Dyke
strings:
Detroit Symphony Orchestra
tambourine:
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger)
vibraphone:
Jack Brokensha
background vocals:
Marlene Barrow, Renaldo Benson, Louvain Demps, Abdul “Duke” Fakir, Jackie Hicks and Lawrence Payton
lead vocals:
Levi Stubbs
recorded at and mixed at:
Hitsville (Motown Records) in Detroit, Michigan, United States
recording of:
It’s the Same Old Song (on 1965-07-07)
lyricist:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
composer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
publisher:
EMI Songs Australia
The Four Tops42:49
3Hurt So Bad
recording of:
Hurt So Bad
writer:
Bobby Wilding (US songwriter), Bobby Hart and Teddy Randazzo
publisher:
Embassy Music Corporation, Songs of Universal, Inc. (BMI), Teddy Randazzo Music and Vogue Music
Little Anthony & the Imperials2:22
4Love Is a Hurtin' Thing
recording of:
Love Is a Hurtin’ Thing
writer:
Dave Linden (Motown songwriter) and Ben Raleigh
publisher:
FP Wixen LLC, Rawlou Music, Wise Brothers Music LLC, ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment) and 日音 Synch事業部 (NICHION, INC. Synch Division)
Lou Rawls2:15
5Hot Fun in the Summertime
bass guitar:
Larry Graham (US bassist & singer) (in 1969)
drums (drum set):
Greg Errico (in 1969)
guitar:
Freddie Stone (in 1969)
piano:
Sly Stone (in 1969)
saxophone:
Jerry Martini (in 1969)
trumpet:
Cynthia Robinson (in 1969)
vocals:
Larry Graham (US bassist & singer) (in 1969), Freddie Stone (in 1969), Rose Stone (in 1969) and Sly Stone (in 1969)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1969)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 247)
recording of:
Hot Fun in the Summertime (in 1969)
lyricist and composer:
Sylvester Stewart
publisher:
Mijac Music and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Sly & the Family Stone3.652:38
6Proud Mary
engineer:
Brent Maher
producer:
Ike Turner
instruments:
Ike Turner & the Kings of Rhythm
background vocals:
The Ikettes
lead vocals:
Tina Turner
vocals:
Ike Turner
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1971)
part of:
New York Post: 100 Greatest Covers (2007) (number: 69) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 420)
cover recording of:
Proud Mary
lyricist and composer:
John Fogerty
publisher:
Burlington Music Co., Ltd., Burlington Music Ltd., Cierco Music, Warner Chappell, Jondora Music (on 1968-12-27) and Jondora Musikverlag (publisher) (in 1970)
Ike & Tina Turner4.654:57
7Let’s Stay Together
producer:
Willie Mitchell (US soul/R&B & funk producer, trumpeter & singer)
drums (drum set):
Howard Grimes and Al Jackson, Jr. (Booker T & The MGs drummer)
electric bass guitar:
Leroy Hodges
guitar family:
Mabon Hodges (“Teenie”, soul guitarist)
organ and piano:
Charles Hodges (soul organist)
saxophone:
James Mitchell (US saxophonist/arranger)
tenor saxophone:
Ed Logan
trombone:
Jack Hale (trombone)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns)
background vocals:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer), Donna Rhodes and Sandra Rhodes
vocals:
Al Green (US soul singer, songwriter, pastor and record producer)
phonographic copyright (℗) by:
Cream Records (70s Los Angeles) (in 1971) and HI Records Inc. (in 1971)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 34), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 60), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 84)
recording of:
Let’s Stay Together
writer:
Al Jackson, Jr. (Booker T & The MGs drummer), Al Green (US soul singer, songwriter, pastor and record producer) and Willie Mitchell (US soul/R&B & funk producer, trumpeter & singer)
publisher:
Al Green Music Inc. (BMI-affiliated), Al Jackson Jr. Music, Burlington Music Co., Ltd. and Irving Music, Inc.
Al Green4.53:18
8What’s Going On
producer:
Marvin Gaye
mixer:
Lawrence Miles (on 1971-05-06)
instruments:
Detroit Symphony Orchestra (on 1971-05-06) and The Funk Brothers (on 1971-05-06)
percussion [box drum], piano and lead vocals:
Marvin Gaye (on 1971-05-06)
background vocals:
Lem Barney (on 1971-05-06), Mel Farr (on 1971-05-06) and Marvin Gaye (on 1971-05-06)
conductor:
David Van dePitte (on 1971-05-06)
phonographic copyright (℗) by:
Motown Records (not for label use; use “Motown” instead) (in 1971)
recorded at:
Hitsville (Motown Records) in Detroit, Michigan, United States (on 1971-05-06)
part of:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 4), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 4), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 6), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 102) and Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
What’s Going On (on 1971-05-06)
lyricist and composer:
Renaldo Benson, Al Cleveland (songwriter 1930-1996) and Marvin Gaye
publisher:
EMI Songs Australia, FCG Music, Jobete Music Co., Inc., MG III Music, NMG Music, Sony/ATV Music Publishing Ltd. and Stone Agate Music Corp.
sub-publisher:
イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
recording of:
What’s Going On (Japanese version)
writer:
Renaldo Benson, Al Cleveland (songwriter 1930-1996) and Marvin Gaye
translator:
杉山清貴 (Kiyotaka Sugiyama)
translated version of:
What’s Going On
Marvin Gaye4.253:54
9Midnight Train to Georgia
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 74), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 432) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 470)
recording of:
Midnight Train to Georgia
lyricist and composer:
James D. Weatherly (American singer/songwriter)
Gladys Knight & the Pips4.54:41
10This Will Be (an Everlasting Love)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1987)
part of:
RuPaul’s Drag Race Lip Sync Performances (season 4) (number: 3) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 316)
recording of:
This Will Be (an Everlasting Love)
writer:
Chuck Jackson (songwriter/producer) and Marvin Yancy (R&B/soul singer and pastor)
publisher:
Chappell & Co., Inc. (USA) and Jay’s Enterprises Inc.
Natalie Cole3.52:52
11Lovin’ You
producer:
Richard Rudolph (American composer, lyricist, multi-instrumentalist, and producer) and Stevie Wonder
bass guitar:
Reggie McBride
congas:
Kwasi "Rocki" Dzidzornu
cymbal, drums (drum set), harmonica and piano:
El Toro Negro
drums (drum set) [drum kit]:
Ollie E. Brown (US drummer, session musician & record producer) and El Toro Negro
guitar:
Marlo Henderson and Michael Sembello
background vocals:
Shirley Brewer, Lani Groves, Deniece Williams (US soul/funk vocalist/songwriter) and Yvonne Wright
vocals:
Minnie Riperton
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1993)
recording of:
Lovin’ You
writer:
Minnie Riperton and Richard Rudolph (American composer, lyricist, multi-instrumentalist, and producer)
publisher:
Campbell Connelly CI Ltd, Campbell Connelly Ltd., Dickiebird Music and Publishing Co., Embassy Music Corporation and ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
sub-publisher:
Peermusic (S.E. Asia) Ltd.
Minnie Riperton3.653:25
12Cruisin’
producer:
Smokey Robinson
arranger:
Reginald “Sonny” Burke (soul/jazz/funk keyboardist)
recording of:
Cruisin’
writer:
Smokey Robinson and Marvin Tarplin
arranger:
Reginald “Sonny” Burke (soul/jazz/funk keyboardist)
publisher:
Bertram Music Company
Smokey Robinson54:29
13If Ever You’re in My Arms Again
recording of:
If Ever You're in My Arms Again
writer:
Michael Masser, Tom Snow (US keyboardist/songwriter) and Cynthia Weil
Peabo Bryson44:17
14Here and Now
recording of:
Here and Now
writer:
David L. Elliott and Terry Steele
publisher:
D.L.E. Music, EMI April Music Inc., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Ollie Brown Sugar Music (ASCAP-affiliated) and Universal‐MCA Music Publishing (US)
Luther Vandross4:54
4▼CD: Volume 4: Country Gold
#TitleArtistRatingLength
1I Fall to Pieces
vocals:
Patsy Cline
part of:
Rolling Stone: 40 Saddest Country Songs of All Time (2019 re-issued) (number: 40) and Rolling Stone: The 200 Greatest Country Songs of All Time (number: 72)
cover recording of:
I Fall to Pieces
composer:
Hank Cochran (Nashville singer and songwriter) and Harlan Howard
Patsy Cline52:48
2King of the Road
recorded in:
Tennessee, United States (on 1964-11-03)
producer:
Jerry Kennedy
vocals:
Roger Miller (US singer/songwriter/actor, “King of the Road”) (on 1964-11-03)
phonographic copyright (℗) by:
Smash (in 1965)
recording of:
King of the Road (on 1964-11-03)
lyricist:
Roger Miller (US singer/songwriter/actor, “King of the Road”)
composer:
Roger Miller (US singer/songwriter/actor, “King of the Road”) (in 1964)
publisher:
Burlington Music Co., Ltd.
Roger Miller4.52:29
3Ode to Billie Joe
phonographic copyright (℗) by:
Capitol Records Nashville (in 1967)
part of:
Rolling Stone: The 200 Greatest Country Songs of All Time (number: 51), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 191) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 412)
recording of:
Ode to Billie Joe (in 1967-03)
lyricist and composer:
Bobbie Gentry
publisher:
Larry Shayne Music, Inc. and Universal/MCA Music Publishing Pty Ltd
Bobbie Gentry54:15
4Wichita Lineman
producer:
Al De Lory
lead vocals:
Glen Campbell (US country singer, guitarist & actor)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1968) and Capitol Records Nashville (in 2016)
additionally recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1968-08-14)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1968-05-27)
part of:
Rolling Stone: The 200 Greatest Country Songs of All Time (number: 12), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 192) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 206)
recording of:
Wichita Lineman (on 1968-05-27)
lyricist:
Jimmy Webb (US songwriter, composer, producer, pianist & singer)
composer:
Jimmy Webb (US songwriter, composer, producer, pianist & singer) (in 1968)
Glen Campbell3.653:06
5Stand by Your Man
producer:
Billy Sherrill (US songwriter/producer/arranger)
lead vocals:
Tammy Wynette (in 1968)
part of:
Rolling Stone: The 200 Greatest Country Songs of All Time (number: 8) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 473)
recording of:
Stand by Your Man (in 1968)
writer:
Billy Sherrill (US songwriter/producer/arranger) and Tammy Wynette
publisher:
Al Gallico Music Corp., EMI Al Gallico Music Corp., EMI Blackwood Music Inc. and EMI Music Publishing Ltd. (PRS‐affiliated)
Tammy Wynette42:41
6The Letter That Johnny Walker Read
recording of:
The Letter That Johnny Walker Read
writer:
Ray Benson, Chris Frayne, George Frayne and Leroy Preston
Asleep at the Wheel3:15
7I’m Not Lisa
part of:
Rolling Stone: The 200 Greatest Country Songs of All Time (number: 140)
recording of:
I’m Not Lisa
lyricist and composer:
Jessi Colter
Jessi Colter3:22
8Wildfire
recording of:
Wildfire
writer:
Larry Cansler and Michael Martin Murphey
Michael Martin Murphey53:19
9Don’t It Make My Brown Eyes Blue
phonographic copyright (℗) by:
Capitol Records Nashville (in 1975), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1976), Liberty Records (a division of Capitol Records, Inc. since 1980 – not for release label use, but for copyrights and record company credits only) (in 1976) and Capitol Nashville (in 1977, in 1979)
part of:
Billboard Year-End Hot 100 singles of 1978 (number: 71)
cover recording of:
Don’t It Make My Brown Eyes Blue
lyricist and composer:
Richard Leigh (American country music songwriter and singer)
publisher:
EMI Catalogue Partnership Australia Pty Ltd, EMI Music Publishing (do not use as a release label!), EMI U Catalog Inc. (publisher; do NOT use as release label) and EMI United Partnership Ltd.
Crystal Gayle4.42:38
10The Devil Went Down to Georgia
assistant recording engineer:
Steve Goostree (audio engineer, producer, mixer/ AV production)
recording engineer, engineer and mixer:
Paul Grupp
producer:
John Boylan
assistant mixer:
Dave Rideau (engineer) and Erik Zobler
bass guitar:
Charlie Hayward (Member of The Charlie Daniels Band)
drums (drum set):
Fred Edwards (drummer and songwriter) and Jim Marshall (photographer)
fiddle and lead vocals:
Charlie Daniels
guitar and background vocals:
Tom Crain
keyboard [keyboards]:
Joel "Taz" DiGregorio
phonographic copyright (℗) by:
CBS Inc. (US broadcasting company; file no releases here!) (in 1979), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1979) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1979)
produced for:
Sir Charles Productions
recorded at:
Woodland Studios in Nashville, Tennessee, United States
music videos:
The Devil Went Down to Georgia by The Charlie Daniels Band
recording of:
The Devil Went Down to Georgia
writer:
Charlie Daniels, Joel "Taz" DiGregorio, Fred Edwards (drummer and songwriter), Charlie Hayward (Member of The Charlie Daniels Band), John Crain and James W. Marshall
publisher:
Songs of Universal, Inc. (BMI) and Hat Band Music (in 1979)
Charlie Daniels Band4.653:37
11Lookin' for Love
producer:
Jim Ed Norman
phonographic copyright (℗) by:
Asylum Records (Warner Music subsidiary) (in 1980)
produced for:
Hin-Jen Productions
part of:
Rolling Stone: The 200 Greatest Country Songs of All Time (number: 186)
recording of:
Lookin’ for Love
writer:
Bob Morrison (US songwriter), Wanda Mallette and Patti Ryan (US singer and songwriter)
publisher:
Bob Morrison Music Inc, Patti Ryan Music, Songs of Mojo Two LLC, Southern Days Music Division, Southern Nights Music and Wanda Mallette Music
Johnny Lee43:37
12He Got You
recording of:
He Got You
writer:
Ralph Murphy and Bobby Wood (American pianist, keyboard player and songwriter)
Ronnie Milsap3:31
13Always on My Mind
producer:
Chips Moman
bass:
Mike Leech (on 1981-10-11)
drums (drum set):
Gene Chrisman (on 1981-10-11)
guitar:
Johnny Christopher (Guitarist, lyricist, composer, singer, session musician) (on 1981-10-11), Willie Nelson (on 1981-10-11) and Reggie Young (Guitarist and songwriter) (on 1981-10-11)
harmonica:
Mickey Raphael (on 1981-10-11)
keyboard:
Bobby Woods (American pianist, keyboard player and songwriter) (on 1981-10-11) and Bobby Emmons (on 1981-10-11)
vocals:
Willie Nelson (on 1981-10-11)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1981, in 1982, in 2003) and CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1982)
recorded at:
Moman's Recording Studio in Nashville, Tennessee, United States (on 1981-10-11)
recording of:
Always on My Mind (on 1981-10-11)
writer:
Johnny Christopher (Guitarist, lyricist, composer, singer, session musician), Mark James (Francis Rodney Zambon, composer of “Suspicious Minds”) and Wayne Carson Thompson
publisher:
Bike Music, Budde Songs Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Lovolar Music, Peermusic (S.E. Asia) Ltd., Rose Bridge Music, Screen Gems, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) and Sebanine Music
sub-publisher:
Chelsea Music Publishing Co., Ltd., EMI Music Publishing (Hong Kong) Ltd. (EMI Music Publishing (Hong Kong) Limited) and Screen Gems–EMI Music Ltd.
Willie Nelson4.653:33
14Crazy
producer:
Owen Bradley
vocals:
Patsy Cline
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1961)
part of:
Rolling Stone: The 200 Greatest Country Songs of All Time (number: 3), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 85) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 195)
recording of:
Crazy (Willie Nelson song) (in 1961)
lyricist and composer:
Willie Nelson
publisher:
Acuff-Rose Music Limited (UK), Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) and Sony/ATV Tree Publishing
Patsy Cline4.152:42
5▼CD: Volume 5: Jazz Tracks
#TitleArtistRatingLength
1Autumn Leaves
engineer:
Rudy van Gelder
producer:
Alfred Lion
alto saxophone:
Julian “Cannonball” Adderley (on 1958-03-09)
double bass:
Sam Jones (US jazz bassist) (on 1958-03-09)
drums (drum set):
Art Blakey (on 1958-03-09)
piano:
Hank Jones (piano) (on 1958-03-09)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1958-03-09)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 1999, in 2012), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1999), Mastercorp Pty Ltd (in 2011) and Count Records (in 2013)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1958-03-09)
instrumental cover recording of:
Autumn Leaves (jazz standard, english lyrics) (on 1958-03-09)
lyricist:
Jacques Prévert (in 1945)
composer:
Joseph Kosma (composer) (in 1945)
translator:
Johnny Mercer (in 1947)
publisher:
Ardmore Music Corp., Enoch & Cie., Morley Music Corp. and MPL Communications Inc. (Paul McCartney‐related, NYC‐based company)
translated version of:
Les Feuilles mortes (Autumn Leaves)
Cannonball Adderley with Miles Davis511:00
2Stella by Starlight
instrumental recording of:
Stella by Starlight
lyricist:
Ned Washington (in 1946)
writer:
Ned Washington and Victor Young (American composer, arranger, violinist & conductor)
composer:
Victor Young (American composer, arranger, violinist & conductor) (in 1944)
publisher:
BMG Music Publishing Ltd. and Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
part of:
The Real Book (compilation of jazz standards, Volume I)
Maynard Ferguson7:17
3Black Byrd
assistant engineer:
Chuck Davis (production/engineer) and Steve Waldman (sound engineer)
engineer and mixer:
David Hassinger
executive producer:
George Butler
producer:
Larry Mizell
assistant mixer:
Chuck Davis (production/engineer)
congas and tambourine:
Stephanie Spruill (American soul/disco singer, songwriter, and percussionist) (on 1972-11-24)
drums (drum set):
Harvey Mason (jazz drummer) (on 1972-11-24)
electric bass guitar:
Chuck Rainey (American bassist) (on 1972-11-24)
electric piano, piano and synthesizer:
Freddie Perren (on 1972-11-24)
electric piano and piano:
Joe Sample (on 1972-11-24)
flugelhorn, trumpet [electric trumpet] and lead vocals:
Donald Byrd (American jazz trumpeter) (on 1972-11-24)
flute and saxophone:
Roger Glenn (on 1972-11-24)
guitar:
David T. Walker (on 1972-11-24)
trumpet:
Donald Byrd (American jazz trumpeter) (on 1972-11-24) and Fonce Mizell (on 1972-11-24)
vocals:
Fonce Mizell (on 1972-11-24), Larry Mizell (on 1972-11-24) and Freddie Perren (on 1972-11-24)
arranger:
Larry Mizell
recorded at:
Sound Factory Studio (Helsinki, Finland) in Helsinki, Uusimaa, Finland (on 1972-11-24)
recording of:
Black Byrd (on 1972-11-24)
lyricist and composer:
Laurence C. Mizell
publisher:
Alruby Music Inc.
Donald Byrd7:21
4Birdland
assistant engineer:
Jerry Hudgins and Brian Risner
engineer:
Ron Malo
assistant producer:
Wayne Shorter (US jazz saxophonist and composer)
co-producer:
Jaco Pastorius
producer:
Jaco Pastorius, Wayne Shorter (US jazz saxophonist and composer) and Joe Zawinul (jazz and fusion keyboard player)
analog synthesizer [Arp 2600]:
Joe Zawinul (jazz and fusion keyboard player)
analog synthesizer [Oberheim Polyphonic], grand piano [acoustic piano] and melodica:
Joe Zawinul (jazz and fusion keyboard player) (from 1976 until 1977)
drums (drum set):
Alex Acuña (from 1976 until 1977)
electric bass guitar [bass] and mandocello:
Jaco Pastorius (from 1976 until 1977)
soprano saxophone and tenor saxophone:
Wayne Shorter (US jazz saxophonist and composer) (from 1976 until 1977)
tambourine:
Manolo Badrena (from 1976 until 1977)
vocals:
Jaco Pastorius (from 1976 until 1977) and Joe Zawinul (jazz and fusion keyboard player) (from 1976 until 1977)
orchestrator:
Joe Zawinul (jazz and fusion keyboard player)
recorded at:
Devonshire Sound Studios in North Hollywood, Los Angeles, California, United States (from 1976 until 1977)
recording of:
Birdland (instrumental) (from 1976 until 1977)
composer:
Joe Zawinul (jazz and fusion keyboard player)
publisher:
Mulatto Music, Songs of Universal, Inc. (BMI), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Weather Report56:00
5Always There
recording of:
Always There (with lyrics)
lyricist:
Paul Allen (US songwriter)
composer:
William Jeffrey and Ronnie Laws
version of:
Always There (instrumental)
Ronnie Laws & Pressure4:50
6I Heard It Through the Grapevine
acoustic guitar:
Earl Klugh
drums (drum set):
Steve Gadd (drummer)
electric bass guitar [electric bass]:
Will Lee (US jazz/rock bassist)
electric guitar:
Jeff Mironov
percussion:
Ralph MacDonald
Rhodes piano [Fender Rhodes]:
Dave Grusin (American pianist and score composer)
vocals:
Patti Austin
cover recording of:
I Heard It Through the Grapevine
writer:
Barrett Strong and Norman Whitfield
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Australia, EMI Songs Scandinavia AB, Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobette-Carlin Music Ltd., Stone Agate Music, Stone Agate Music Division and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Earl Klugh7:29
7Eleanor Rigby
Stanley Jordan7:03
8Herbal Scent
producer:
Dave Grusin (American pianist and score composer) and Larry Rosen
bass:
Marcus Miller (jazz musician)
congas and percussion:
Sue Evans
electric piano:
Bernard Wright
guitar:
Ronald Miller
membranophone:
Buddy Williams (drummer)
Minimoog and clavinet:
Dave Grusin (American pianist and score composer)
trumpet:
Tom Browne (US jazz trumpeter)
conductor:
Dave Grusin (American pianist and score composer)
arranger:
Dave Grusin (American pianist and score composer)
recording of:
Herbal Scent
composer:
Marcus Miller (jazz musician)
Tom Browne5:24
9Captain Caribe
recording of:
Captain Caribe
writer:
Dave Grusin (American pianist and score composer)
Earl Klugh5:20
6▼CD: Volume 6: Classical Notes
#TitleArtistRatingLength
1Brandenburg Concerto no. 2
orchestra:
Taverner Players
conductor:
Andrew Parrott (conductor)
compilation of:
Brandenburg Concerto no. 2 in F major, BWV 1047: I. [Allegro] by Paul Goodwin (conductor / oboist), John Holloway (violinist/conductor), David Staff (trumpet and cornetto player), Marion Verbruggen (recorder player), Taverner Players, Andrew Parrott (conductor), Brandenburg Concerto no. 2 in F major, BWV 1047: II. Andante by Paul Goodwin (conductor / oboist), John Holloway (violinist/conductor), David Staff (trumpet and cornetto player), Marion Verbruggen (recorder player), Taverner Players, Andrew Parrott (conductor) and Brandenburg Concerto no. 2 in F major, BWV 1047: III. Allegro assai by Paul Goodwin (conductor / oboist), John Holloway (violinist/conductor), David Staff (trumpet and cornetto player), Marion Verbruggen (recorder player), Taverner Players, Andrew Parrott (conductor)
recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
dedicated to:
Christian Ludwig (Margrave of Brandenburg)
part of:
Bach-Werke-Verzeichnis (number: BWV 1047)
part of:
Six concerts avec plusieurs instruments (Brandenburg Concertos, Brandenburg concertos)
Johann Sebastian Bach11:17
2String Quartet no. 19 in C
string quartet:
Budapest String Quartet (before 1967; do not use for Budapest Strings)
recording of:
Quartet for Strings no. 19 in C major, K. 465 "Haydn Quartetti", "Dissonance"
composer:
Wolfgang Amadeus Mozart (classical composer)
dedicated to:
Joseph Haydn (composer)
part of:
String Quartets by Wolfgang Amadeus Mozart, Köchelverzeichnis (Köchel catalogue, original numbering) (number: 465) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: 465)
Wolfgang Amadeus Mozart24:09
3Symphony no. 6 in F, (“Pastorale”): First Movement
producer:
Lawrance Collingwood
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1952-11-24 until 1952-11-25)
conductor:
Wilhelm Furtwängler (conductor) (from 1952-11-24 until 1952-11-25)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1952-11-24 until 1952-11-25)
recording of:
Symphony no. 6 in F major, op. 68 “Pastorale”: I. Allegro ma non troppo “Awakening of cheerful feelings upon arrival in the country” (Symphony no. 6 in F major, op. 68 "Pastoral": I. Allegro ma non troppo "Awakening of cheerful feelings upon arrival in the country") (from 1952-11-24 until 1952-11-25)
composer:
Ludwig van Beethoven (German composer) (in 1808)
part of:
Symphony no. 6 in F major, op. 68 “Pastorale”
Ludwig van Beethoven11:53
4Funérailles
piano:
Vladimir Horowitz (Ukrainian‐American pianist and composer) (on 1932-11-15)
recording of:
Harmonies poétiques et religieuses, S. 173: No. 7. Funérailles (on 1932-11-15)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (in 1849)
part of:
Harmonies poétiques et religieuses, S. 173
Franz Liszt9:14
5"On the Beautiful, Blue Danube"
producer:
Walter Legge (British classical producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1955-07-07 until 1955-07-08)
conductor:
Herbert von Karajan (conductor) (from 1955-07-07 until 1955-07-08)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1955-07-07 until 1955-07-08)
recording of:
An der schönen blauen Donau, op. 314 (On the Beautiful Blue Danube, op. 314) (from 1955-07-07 until 1955-07-08)
premiered in:
Wien (Vienna), Austria (on 1867-02-15)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (in 1866)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 314)
Johann Strauss II9:31