The Classic Experience

~ Release by Various Artists (see all versions of this release, 2 available)

Annotation

Rights Society: BIEM/STEMRA

CDs show Made in Holland BIEM/STEMRA

Matrix is EMI SWINDON shows glass mastered in UK

Annotation last modified on 2022-11-16 21:20 UTC.

Tracklist

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1▼CD
#TitleArtistRatingLength
1Arrival of the Queen of Sheba
producer:
John Fraser (UK producer)
harpsichord:
Ian Watson (conductor and keyboardist) (from 1983-06-27 until 1983-06-28)
orchestra:
Academy of St Martin in the Fields (from 1983-06-27 until 1983-06-28)
conductor:
Sir Neville Marriner (conductor) (from 1983-06-27 until 1983-06-28)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1983-06-27 until 1983-06-28)
recording of:
Solomon, HWV 67: Act III. Sinfonia “The Arrival of the Queen of Sheba” (from 1983-06-27 until 1983-06-28)
composer:
George Frideric Handel (German‐British baroque composer) (in 1748)
publisher:
Hallische Händel‐Ausgabe der Georg‐Friedrich‐Händel‐Gesellschaft and Public Domain (refers to works that are in the public domain)
part of:
Solomon, HWV 67: Act III
recording of:
Solomon, HWV 67: Act III. Sinfonia “The Arrival of the Queen of Sheba” (catch all for arrangements)
composer:
George Frideric Handel (German‐British baroque composer)
arrangement of:
Solomon, HWV 67: Act III. Sinfonia “The Arrival of the Queen of Sheba”
Handel42:49
2Intermezzo from "Karelia Suite"
orchestra:
Bournemouth Symphony Orchestra (from 1972-01-09 until 1972-01-10)
conductor:
Paavo Berglund (conductor) (from 1972-01-09 until 1972-01-10)
balance engineer:
Stuart Eltham (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2000)
recorded at:
O₂ Guildhall Southampton in Southampton, England, United Kingdom (from 1972-01-09 until 1972-01-10)
recording of:
Karelia-sarja, op. 11: I. Intermezzo (Karelia Suite, op. 11: I. Intermezzo, for orchestra) (from 1972-01-09 until 1972-01-10)
composer:
Jean Sibelius (Finnish composer) (in 1893)
part of:
Karelia-sarja, op. 11 (Karelia Suite, op. 11)
Sibelius3:58
3Bolero
performer:
Franck Pourcel et son orchestre
recording of:
Boléro (arr. Ravel for 2 pianos)
composer:
Maurice Ravel (French composer) (in 1928)
arranger:
Maurice Ravel (French composer)
version of:
Boléro
Ravel5:22
4Air
recording engineer:
Mr Bear (engineer) (in 1984-07)
producer:
Andrew Keener (engineer/editor/producer)
orchestra:
Hallé Orchestra (in 1984-07)
conductor:
Owain Arwel Hughes (in 1984-07)
phonographic copyright (℗) by:
Music for Pleasure (in 1984)
recorded at:
Royal Northern College of Music in Manchester, Greater Manchester, England, United Kingdom (in 1984-07)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
J S Bach4:47
5Adagio from "Spartacus"
orchestra:
Royal Philharmonic Orchestra
conductor:
Юрий Темирканов (Yuri Temirkanov, conductor)
recording of:
Spartacus: Adagio of Spartacus & Phrygia
composer:
Aram Khachaturian (Soviet-Armenian composer) (in 1955)
part of:
Spartacus, op. 82
Khachaturian5:50
6Rhapsody in Blue
piano:
André Previn (pianist, conductor, composer, arranger)
orchestra:
London Symphony Orchestra
conductor:
André Previn (pianist, conductor, composer, arranger)
recording of:
Rhapsody in Blue (standard 1942 orchestration)
orchestrator:
Ferde Grofé (pianist, arranger, conductor and composer) (in 1942)
composer:
George Gershwin (composer) (in 1924)
publisher:
Chappell Music Ltd., Ferde Grofé Music Publishing (New York), New World Music Co. and Warner Bros. Music (publisher; do NOT use as release label)
part of:
Classic 100: Feel Good (2024) (number: 5)
revision of:
Rhapsody in Blue (original 1924 jazz band version, less often performed)
Gershwin5:36
7Dance of the Reed Flutes
orchestra:
Royal Philharmonic Orchestra
conductor:
André Previn (pianist, conductor, composer, arranger)
recording of:
Щелкунчик, op. 71: Действие II, Картина III, no. 12e. Дивертисмент (д) Танец пастушков (Dance of the shepherds)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Щелкунчик, op. 71: Действие II (The Nutcracker, op. 71: Act 2)
Tchaikovsky2:22
8Sugar Plum Fairy, Coda & Pas de deux
orchestra:
Royal Philharmonic Orchestra
conductor:
André Previn (pianist, conductor, composer, arranger)
recording of:
Щелкунчик, op. 71: Действие II, Картина III, no. 14c. Па-де-де: Вариация II: Танец Феи Драже (The Nutcracker, Op. 71: Act II, Scene III. Pas de Deux: Variation II: Dance of the sugar-plum fairy, Variation II: Dance of the Sugar Plum Fairy)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Щелкунчик, op. 71: Действие II (The Nutcracker, op. 71: Act 2)
Tchaikovsky3:39
9Morning, from "Peer Gynt"
producer:
John Fraser (UK producer)
orchestra:
Academy of St Martin in the Fields (from 1982-07-28 until 1982-07-30)
conductor:
Sir Neville Marriner (conductor) (from 1982-07-28 until 1982-07-30)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1982-07-28 until 1982-07-30)
recording of:
Peer Gynt, op. 23: 4. akt, prelude: Morgenstemning (from 1982-07-28 until 1982-07-30)
composer:
Edvard Grieg (composer) (in 1875)
librettist:
Henrik Ibsen (in 1867)
part of:
Peer Gynt, op. 23
Grieg4:17
10Spring, from "The Four Seasons"
producer:
Andrew Keener (engineer/editor/producer)
violin:
Nigel Kennedy (violinist) (from 1986-11-28 until 1989-03-14)
orchestra:
English Chamber Orchestra (from 1986-11-28 until 1989-03-14)
conductor:
Nigel Kennedy (violinist) (from 1986-11-28 until 1989-03-14)
balance engineer:
Mike Clements (engineer) (from 1986-11-28 until 1989-03-14) and Mike Hatch (engineer/editor) (from 1986-11-28 until 1989-03-14)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1989)
recorded at:
Hackney Church in Hackney, London (Greater London), England, United Kingdom (from 1986-11-28 until 1989-03-14)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: I. Allegro (“The Four Seasons”: Concerto in E Major, op. 8 no. 1, RV. 269, “Spring”: 1. Allegro) (from 1986-11-28 until 1989-03-14)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Vivaldi3:06
11Rhapsody on a Theme of Paganini
producer:
John Fraser (UK producer) (from 1984-05-03 until 1984-05-04)
piano:
Cécile Ousset (French pianist) (from 1984-05-03 until 1984-05-04)
orchestra:
City of Birmingham Symphony Orchestra (from 1984-05-03 until 1984-05-04)
conductor:
Simon Rattle (conductor) (from 1984-05-03 until 1984-05-04)
balance engineer:
Michael Sheady (engineer) (from 1984-05-03 until 1984-05-04)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1984)
recorded at:
Warwick Arts Centre: Butterworth Hall in Coventry, West Midlands, England, United Kingdom (from 1984-05-03 until 1984-05-04)
recording of:
Rhapsody on a Theme of Paganini, op. 43: Variation XVIII: Andante cantabile (from 1984-05-03 until 1984-05-04)
composer:
Sergei Rachmaninoff (Russian composer) (from 1934-07-03 until 1934-08-18)
part of:
Rhapsody on a Theme of Paganini, op. 43 (for piano and orchestra)
Rachmaninov3:03
12Largo, from "New World Symphony"
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Zdeněk Mácal (conductor)
recording of:
Largo (extract) ('New World' Symphony) (arr. Bates)
composer:
Antonín Dvořák (composer) (in 1893)
partial recording of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: II. Largo (Symphony No. 9 in E minor, Op. 95 "From the New World": II. Largo)
composer:
Antonín Dvořák (composer) (from 1893-01-10 until 1893-05-24)
part of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“ (Symphony no. 9 in E minor, op. 95 “From the New World”)
Dvorak4:34
13Nimrod, from "Enigma Variations"
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1970-08-04 until 1970-08-06)
conductor:
Sir Adrian Boult (conductor) (from 1970-08-04 until 1970-08-06)
balance engineer:
Michael Gray (UK classical recording engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971) and Warner Classics (in 2002)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-08-04 until 1970-08-06)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: IX. Nimrod (Adagio) (from 1970-08-04 until 1970-08-06)
publisher:
Sir Edward Elgar (dec’d) (Edward Elgar, composer)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Augustus J. Jaeger
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Elgar3:54
14Meditation, from "Thais"
engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (in 1976-06)
assistant producer:
Gréco Casadesus (in 1976-06)
producer:
Christopher Bishop (conductor/producer) (in 1976-06)
solo violin:
Lorin Maazel (conductor) (in 1976-06)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1976-06)
conductor:
Lorin Maazel (conductor) (in 1976-06)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1976)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1976-06)
recording of:
Thaïs: Acte II. Entr’acte “Méditation” (original; for solo violin and orchestra) (in 1976-06)
composer:
Jules Massenet (French Romantic composer) (in 1894)
part of:
Classic 100: Music of France (2012) (number: 14)
part of:
Thaïs: Acte II
recording of:
Meditation from Thaïs (for violin and piano, arr. Marsick)
composer:
Jules Massenet (French Romantic composer)
piano arranger and violin arranger:
Martin-Pierre Marsick (Belgian 19/20th century violinist & composer)
arrangement of:
Thaïs: Acte II. Entr’acte “Méditation” (original; for solo violin and orchestra)
Massenet45:03
15Fantasia on "Greensleeves"
producer:
Victor Olof
orchestra:
Sinfonia of London (original Gordon Walker formed orchestra) and Sinfonia of London (John Wilson’s session orchestra) (from 1962-05-10 until 1962-05-11)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1962-05-10 until 1962-05-11)
arranger:
Ralph Greaves (in 1934)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-05-10 until 1962-05-11)
recording of:
Fantasia on “Greensleeves” (from 1962-05-10 until 1962-05-11)
composer:
Ralph Vaughan Williams (English composer) (from 1924 until 1928)
arranger:
Ralph Greaves (in 1934)
publisher:
Oxford University Press (in 1936)
is based on:
Greensleeves (generic entry for traditional and unknown arrangements)
is based on:
Lovely Joan (traditional English folk song)
is based on:
Sir John in Love
Vaughan Williams4:40
16Canon
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Christopher Bishop (conductor/producer)
violin:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (from 1973-10-01 until 1973-10-04)
orchestra:
Academy of St Martin in the Fields (from 1973-10-01 until 1973-10-04)
conductor:
Sir Neville Marriner (conductor) (from 1973-10-01 until 1973-10-04)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1973-10-01 until 1973-10-04)
recording of:
Canon and Gigue in D major, P. 37, T. 337: I. Canon (Canon and Gigue in D major, P. 37, T. 377: I. Canon) (from 1973-10-01 until 1973-10-04)
composer:
Johann Pachelbel (composer)
part of:
Canon and Gigue in D major, P. 37, T. 337
Pachelbel4:54
2▼CD
#TitleArtistRatingLength
1Fanfare for the Common Man
producer and balance engineer:
Brian Culverhouse (classical producer and engineer, active from 1960s)
orchestra:
Orquesta Filarmónica de la Ciudad de México (Mexico City Philharmonic Orchestra) (in 1985-03)
conductor:
Enrique Bátiz (conductor and pianist) (in 1985-03)
recorded at:
Sala Nezahualcóyotl in Ciudad de México (Mexico City), Mexico (in 1985-03)
recording of:
Fanfare for the Common Man (for brass and percussion orchestra) (in 1985-03)
composer:
Aaron Copland (composer) (in 1942)
was commissioned by:
Cincinnati Symphony Orchestra and Eugene Goossens (Sir Eugene Goossens, composer and conductor, third of the Eugène Goossens dynasty)
premiered by:
Cincinnati Symphony Orchestra (on 1943-03-12) and Eugene Goossens (Sir Eugene Goossens, composer and conductor, third of the Eugène Goossens dynasty) (on 1943-03-12)
publisher:
Boosey & Hawkes, Inc. (USA, publisher; do NOT use as release label)
Copland3:41
2William Tell Overture
orchestra:
The Philadelphia Orchestra (in 1985)
conductor:
Riccardo Muti (conductor) (in 1985)
partial recording of:
Guillaume Tell : Ouverture (William Tell: Overture) (in 1985)
composer:
Gioachino Rossini (composer)
librettist:
Hippolyte Louis-Florent Bis (librettist) and Étienne de Jouy
part of:
Guglielmo Tell (italian version by Calisto Bassi)
part of:
Guillaume Tell
Rossini3:13
3Ride of the Valkyries
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1972-12-13 until 1972-12-14)
conductor:
Sir Adrian Boult (conductor) (from 1972-12-13 until 1972-12-14)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1972-12-13 until 1972-12-14)
recording of:
Excerpt from Die Walküre, WWV 86B: Akt III, Scene I, Walkürenritt (The Valkyrie: Ride of the Valkyries) (from 1972-12-13 until 1972-12-14)
composer:
Richard Wagner (composer) (from 1854 until 1856)
publisher:
Schott Music International (publisher; do not use as label)
part of:
Die Walküre, WWV 86B: Akt III, Scene I "Hojotoho! Hojotoho!"
Wagner5:23
4Montagues and Capulets
orchestra:
The Philadelphia Orchestra (in 1982)
conductor:
Riccardo Muti (conductor) (in 1982)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1982)
recording of:
Romeo and Juliet: Suite no. 2, op. 64ter: I. Montagues and Capulets (in 1982)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet: Suite no. 2, op. 64ter
Prokofiev1:50
5Night on the Bare Mountain
orchestra:
Royal Philharmonic Orchestra (in 1963)
conductor:
Georges Prêtre (French conductor) (in 1963)
recording of:
A Night on the Bare Mountain (unknown version, use as last resort) (in 1963)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer)
is based on:
St. John’s Night on the Bare Mountain (original version)
recording of:
Une nuit sur le mont chauve: Fantaisie pour l'orchestre (Night on Bald Mountain, orchestrated by Rimsky-Korsakov)
orchestrator:
Nikolai Rimsky-Korsakov (Nikolai Rimsky‐Korsakov, Russian composer) (in 1886)
composer:
Modest Mussorgsky (composer) (from 1867-06-12 until 1867-06-23)
dedicated to:
Wladimir Stassoff (Vladimir Vasilievich Stasov)
publisher:
W. Bessel & Cie (in 1886)
is based on:
St. John’s Night on the Bare Mountain (original version)
part of:
Fantasia (Disney soundtrack)
Mussorgsky7:18
6Mars, from "The Planets"
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1973-09-28 until 1973-09-29)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1973-09-28 until 1973-09-29)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1973-09-28 until 1973-09-29)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1973-09-28 until 1973-09-29)
recording of:
The Planets, op. 32: I. Mars, the Bringer of War (from 1973-09-28 until 1973-09-29)
composer:
Gustav Holst (composer) (from 1914 until 1916)
orchestration of:
The Planets, op. 32: I. Mars, the Bringer of War (for two pianos)
part of:
The Planets, op. 32 (Suite for Large Orchestra)
Holst7:02
7Radetzky March
orchestra:
Orquesta Johann Strauss de Viena (in 1978)
conductor:
Willi Boskovsky (violinist and conductor) (in 1978)
performer:
Willi Boskovsky (violinist and conductor)
recording of:
Radetzky‐Marsch, op. 228 (Radetzky March, op. 228) (in 1978)
composer:
Johann Strauss (Johann Strauss I, Baptist, Vater, Johann Strauss I, Sr., the Elder, the Father) (in 1848)
dedicated to:
Joseph Radetzky von Radetz
premiered at:
Wasserglacis in Wien (Vienna), Austria (on 1848-08-31)
part of:
Works of Johann Strauss Sr. by opus number (number: op. 228)
Johann Strauss12:52
81812 Overture
orchestra:
Oslo Philharmonic Orchestra (Oslo Philharmonic) (in 1987)
conductor:
Mariss Jansons (Latvian conductor) (in 1987)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1987)
partial recording of:
The Year 1812, Festival Overture in E-flat major, op. 49 (in 1987)
premiered in:
Moscow, Russia (on 1882-08-20)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1880-09 until 1880-11)
part of:
The Tchaikovsky Handbook (number: TH 49), Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 46) and Works of Pyotr Ilyich Tchaikovsky by opus number (number: op. 49)
is based on:
Боже, Царя храни! (God Save the Tsar!)
quotes music from:
Troparion of the Holy Cross
quotes music from:
La Marseillaise (national anthem of France)
quotes music from:
Боже, Царя храни! (God Save the Tsar!)
Tchaikovsky3:33
9Troika
orchestra:
London Symphony Orchestra (in 1985)
conductor:
André Previn (pianist, conductor, composer, arranger) (in 1985)
recording of:
Lieutenant Kijé Suite, op. 60: IV. Troika (in 1985)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1933)
part of:
Lieutenant Kijé Suite, op. 60
Prokofiev2:55
10The Blue Danube
orchestra:
Wiener Johann Strauss Orchester (in 1982)
conductor:
Willi Boskovsky (violinist and conductor) (in 1982)
recording of:
An der schönen blauen Donau, op. 314 (On the Beautiful Blue Danube, op. 314) (in 1982)
premiered in:
Wien (Vienna), Austria (on 1867-02-15)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (in 1866)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 314)
Strauss7:53
11Minuet
engineer:
Stuart Eltham (engineer)
producer:
John Fraser (UK producer)
orchestra:
Academy of St Martin in the Fields (in 1986)
conductor:
Sir Neville Marriner (conductor) (in 1986)
recording of:
Quintet in E major, G. 275, op. 11 no. 5: III. Minuetto (orch. Woodhouse) (in 1986)
orchestrator:
Charles Woodhouse (violinist, arranger, composer)
composer:
Luigi Boccherini (Italian composer) (in 1771)
orchestration of:
Quintet in E major, G. 275, op. 11 no. 5: III. Minuetto (con un poco di moto)
recording of:
Quintet in E major, G. 275, op. 11 no. 5: III. Minuetto (con un poco di moto) (catch-all for arrangements)
composer:
Luigi Boccherini (Italian composer)
arrangement of:
Quintet in E major, G. 275, op. 11 no. 5: III. Minuetto (con un poco di moto)
Boccherini3:54
12Turkish Rondo
performer:
Franck Pourcel et son orchestre (in 1961)
recording of:
Sonata no. 11 in A major, K. 300i/331 “Alla Turca”: III. Rondo alla Turca. Allegretto (catch-all for arrangements) (in 1961)
composer:
Wolfgang Amadeus Mozart (classical composer)
arrangement of:
Sonata for Piano no. 11 in A major, K. 300i/331 “Alla Turca”: III. Rondo alla Turca. Allegretto
Mozart2:52
13Barcarolle
orchestra:
Studio Two Symphony Orchestra (in 1969)
conductor:
Vilém Tauský (conductor and composer) (in 1969)
recording of:
Les Contes d’Hoffmann: Acte III. “Belle nuit, ô nuit d’amour” (Nicklausse, Giulietta) (in 1969)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
librettist:
Jules Barbier
part of:
Les Contes d’Hoffmann: Acte III (Giulietta) (alternate order)
Offenbach3:44
14Sleeping Beauty
orchestra:
The Philadelphia Orchestra (in 1984)
conductor:
Riccardo Muti (conductor) (in 1984)
recording of:
The Sleeping Beauty, op. 66: Acte I, no. 6. Valse (in 1984)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Sleeping Beauty, op. 66: Acte I
Tchaikovsky4:07
15Intermezzo from "Cavalleria Rusticana"
orchestra:
Studio Two Symphony Orchestra (in 1969)
conductor:
Vilém Tauský (conductor and composer) (in 1969)
recording of:
Cavalleria rusticana: Intermezzo (in 1969)
composer:
Pietro Mascagni (composer & conductor) (in 1888)
publisher:
Ascherberg Hopwood & Crew
part of:
Cavalleria rusticana
part of:
Cavalleria rusticana (German lyrics)
Mascagni3:29
16Dance of the Little Swans
conductor:
André Previn (pianist, conductor, composer, arranger) (in 1985)
performer:
London Symphony Orchestra (in 1985)
recording of:
The Swan Lake (suite from the ballet), op. 20a: III. Danse des cygnes (in 1985)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1876)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version A - 6 movements)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)
Tchaikovsky1:29
17"Pomp & Circumstance", March No.1
organ:
David Bell (organist) (in 1981-06)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1981-02-04 until 1981-02-05)
conductor:
Vernon Handley (conductor) (from 1981-02-04 until 1981-02-05)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1981-02-04 until 1981-02-05) and St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom (in 1981-06)
recording of:
Pomp and Circumstance Military Marches, op. 39: March no. 1 in D major (from 1981-02-04 until 1981-06)
premiered in:
Liverpool, Merseyside, England, United Kingdom (on 1901-10-19)
publisher:
Sir Edward Elgar (dec’d) (Edward Elgar, composer)
composer:
Edward Elgar (composer) (in 1901)
publisher:
Boosey & Co. Ltd. (music publisher founded in the 1760s, forebear of Boosey & Hawkes)
part of:
Pomp and Circumstance Military Marches, op. 39
Elgar6:01

Credits

Release

manufactured in:Holland, Kingdom of the Netherlands
rights society:BIEM (international rights organization representing member societies from 58 countries)
STEMRA (Netherlands rights society for composers and music publishers)
glass mastered by:EMI Swindon
Discogs:https://www.discogs.com/release/3501916 [info]
ASIN:UK: B000026KS5 [info]

Release group

part of:The Classic Experience (number: 1) (order: 1)
Discogs:https://www.discogs.com/master/423283 [info]