La Stupenda

~ Release by Joan Sutherland (see all versions of this release, 1 available)

Tracklist

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1▼Medium
#TitleRatingLength
1Santo Di Patria... Allor Che I Forti Corrono (Attila - Verdi)
2:54
2Viens. Mallika... Dôme Épais Le Jasmin (Flower Duet) (Lakmé - Delibes)
engineer:
Michael Mailes (engineer) (on 1967-10-12) and Kenneth Wilkinson (engineer) (on 1967-10-12)
producer:
John Mordler (producer)
mezzo-soprano vocals [Mallika]:
Jane Berbié (mezzo-soprano) (on 1967-10-12)
soprano vocals [Lakmé]:
Joan Sutherland (soprano) (on 1967-10-12)
orchestra:
Orchestre National de lʼOpéra de Monte‐Carlo (Monte-Carlo Philharmonic Orchestra) (on 1967-10-12)
conductor:
Richard Bonynge (conductor and pianist) (on 1967-10-12)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1968)
recorded at:
Salle Alcazar in Monte-Carlo (Monte Carlo), Monaco (on 1967-10-12)
recording of:
Lakmé : Acte I. No. 2 Duetto « Viens, Mallika, les lianes en fleurs » … « Dôme épais le jasmin » (Lakmé, Mallika) (on 1967-10-12)
composer:
Léo Delibes (French composer)
librettist:
Philippe Gille and Edmond Gondinet
publisher:
Jenkinsongs Ltd.
part of:
Lakmé : Acte I
6:06
3Les Oiseaux Dans La Charmille (Doll Song) (Les Contes D Hoffmann - Offenbach)
soprano vocals [Olympia]:
Joan Sutherland (soprano)
orchestra:
Orchestre de la Suisse Romande (OSR)
conductor:
Richard Bonynge (conductor and pianist)
recording of:
Les Contes d’Hoffmann : Acte II. « Les oiseaux dans la charmille » (Olympia, Spalanzani, Les invités, Hoffmann, Nicklausse, Cochenille) (Chanson d’Olympia)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann: Acte II (Olympia)
4:44
4O Zittre Nicht. Mein Lieber Sohn, Zum Leiden Bin Ich Auserkoren (Die Zauberflte - Mozart)
4:51
5Ah! Tardai Troppo... O Luce Di Quest Anima (Linda Di Chamounix - Donizetti)
soprano vocals:
Joan Sutherland (soprano) (in 1959)
orchestra:
Paris Conservatoire Orchestra (in 1959)
conductor:
Nello Santi (conductor) (in 1959)
recording of:
Linda di Chamounix: Atto I. No. 3 Recitativo e cavatina “Ah! Tardai troppo” … “O luce di quest'anima” (Linda) (in 1959)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Linda di Chamounix: Atto I
6:17
6Serbami Ognor Si Fido (Semiramide - Rossini)
8:00
7Eccomi Pronta... Deh, Se Un Urna (Beatrice Di Tenda - Bellini)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
soprano vocals:
Joan Sutherland (soprano)
orchestra:
London Symphony Orchestra
conductor:
Richard Bonynge (conductor and pianist)
recording of:
Beatrice di Tenda: Atto II. N°12f “Deh! Se un’urna è a me concessa” (Beatrice, Anichino, coro)
composer:
Vincenzo Bellini (Sicilian opera composer)
part of:
Beatrice di Tenda: Atto II
6:16
8Pour Ce Contrat Fatal... Ah! Salut À La France (La Fille Du Regiment - Donizetti)
choir vocals:
Chorus of the Royal Opera House, Covent Garden
soprano vocals:
Joan Sutherland (soprano)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Richard Bonynge (conductor and pianist)
recording of:
La Fille du régiment : Acte II, Scène 6. “Pour ce contrat fatal” … “Salut à la France” (Marie)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
La Fille du régiment : Acte II
4:51
9Un Dì Felice (La Traviata - Verdi)
soprano vocals:
Joan Sutherland (soprano)
tenor vocals:
Carlo Bergonzi (tenor)
orchestra:
Orchestra del Maggio Musicale Fiorentino
conductor:
Sir John Pritchard (conductor)
recording of:
La traviata: Atto I. Duetto “Un dì felice, eterea” (Alfredo, Violetta)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto I (La traviata: Act I)
3:36
10L Dreamt L Dwelt in Marble Halls the Bohemian Girl Balfe
soprano vocals:
Joan Sutherland (soprano) (in 1962-11)
orchestra:
London Symphony Orchestra (in 1962-11)
conductor:
Richard Bonynge (conductor and pianist) (in 1962-11)
phonographic copyright (℗) by:
The Decca Record Co. Ltd. (The Decca Record Company Limited, not a release label; for copyrights use only) (in 1963)
recording of:
The Bohemian Girl: Act 2 no. 3 “I dreamt I dwelt in marble halls” (in 1962-11)
composer:
Michael William Balfe
librettist:
Alfred Bunn
part of:
The Bohemian Girl: Act 2
4:35
11Home Sweet Home Bishop Payne
engineer:
Arthur Lilley (engineer)
producer:
Michael Bremner (producer/engineer)
harp:
Tina Bonifacio (Harpist) (in 1962-11)
soprano vocals:
Joan Sutherland (soprano) (in 1962-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1962-11)
recording of:
Home! Sweet Home! (Mid pleasures and palaces though we may roam, be it ever so humble there's no place like home) (in 1962-11)
lyricist:
John Howard Payne (American actor, poet, playwright, and author) (in 1823)
composer:
Sir Henry Rowley Bishop (in 1823)
arrangement of:
Home Sweet Home
part of:
Meet Me in St. Louis (1944 film)
4:19
12Nuns Chorus Casanova J Strauss L L: Arr Benatzky: Schanzer Welisch
producer:
Christopher Raeburn (producer) and Erik Smith (British producer, pianist and harpsichordist)
choir vocals:
Ambrosian Light Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1966-07)
soprano vocals:
Joan Sutherland (soprano) (in 1966-07)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1966-07)
conductor:
Richard Bonynge (conductor and pianist) (in 1966-07)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1966-07)
recording of:
Casanova: Nuns’ Chorus & Laura’s Song (in 1966-07)
additional composer:
Ralph Benatzky
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
librettist:
Rudolf Schanzer (Austrian librettist) and Ernst Welisch
part of:
Casanova
3:49
13(O Giusto Cielo!)... Il Dolce Suono Mi Colpi Di Sua Voce!... Ardon Gl Incensi... Spargi Damaro Pianto (Mad Scene) Lucia Di Lammermoo, Donizetti; Cammarano
choir vocals:
Opera Chorus Of Paris (Paris National Opera Chorus) (in 1959)
soprano vocals:
Joan Sutherland (soprano) (in 1959)
orchestra:
Paris Conservatoire Orchestra (in 1959)
conductor:
Nello Santi (conductor) (in 1959)
chorus master:
Chœurs René Duclos (in 1959)
recording of:
Lucia di Lammermoor: Atto III, Scena 1. no. 14. “Ardon gli incensi” (Lucia, Raimondo) (in 1959)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Lucia di Lammermoor: Atto III
partial recording of:
Lucia di Lammermoor: Atto III, Scena 1. no. 14. “Eccola. O giusto cielo” - “Il dolce suono” (Coro, Lucia) (in 1959)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Lucia di Lammermoor: Atto III
16:10
2▼Medium
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1Bellini - Sediziose Voci... Casta Diva
choir vocals:
Chorus of the Royal Opera House, Covent Garden
soprano vocals [Norma]:
Joan Sutherland (soprano)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Francesco Molinari‐Pradelli (conductor)
recording of:
Norma: Atto I, scena 1. Recitativo “Sediziose voci” (Norma, Oroveso, Druidi, Guerrieri)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
part of:
Norma: Atto I
recording of:
Norma: Atto I, scena 1. Scena e cavatina “Casta diva, che inargenti” (Norma, coro)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
part of:
Norma: Atto I
8:08
2Handel - Tornami a Vagheggiar
soprano vocals [Alcina]:
Joan Sutherland (soprano) (from 1962-03 until 1962-04)
orchestra:
London Symphony Orchestra (from 1962-03 until 1962-04)
conductor:
Richard Bonynge (conductor and pianist) (from 1962-03 until 1962-04)
recording of:
Alcina, HWV 34: Atto I. "Tornami a vagheggiar" (Morgana) (from 1962-03 until 1962-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Alcina, HWV 34: Atto I
4:16
3Glière - Concerto for Coloratura Soprano. Op.82 - Andante
soprano vocals:
Joan Sutherland (soprano)
orchestra:
London Symphony Orchestra
conductor:
Richard Bonynge (conductor and pianist)
recording of:
Concerto for Coloratura Soprano and Orchestra, op. 82: I. Andante
composer:
Рейнгольд Морицевич Глиэр (Reinhold Glière, Russian composer)
part of:
Concerto for Coloratura Soprano and Orchestra, op. 82
6:29
4Glière - Concerto for Coloratura Soprano. Op.82 - Allegro
5:06
5Donizetti - Sulla Tomba... Ah! Verranno a Te Sullaure
9:52
6Verdi - Gualtier Maldè... Caro Nome
sound engineer:
Stanley Goodall (engineer) (in 1971-06) and Kenneth Wilkinson (engineer) (in 1971-06)
producer:
David Harvey (producer) and Michael Woolcock (producer)
baritone vocals [Marullo]:
Christian du Plessis (baritone) (in 1971-06)
bass vocals [Il Conte di Ceprano]:
John Gibbs (operatic bass) (in 1971-06)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1971-06)
soprano vocals [Gilda]:
Joan Sutherland (soprano) (in 1971-06)
tenor vocals [Borsa]:
Ricardo Cassinelli (Argentine operatic tenor) (in 1971-06)
orchestra:
London Symphony Orchestra (in 1971-06)
conductor:
Richard Bonynge (conductor and pianist) (in 1971-06)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (in 1971-06)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1971)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-06)
recording of:
Rigoletto: Atto I, scena 2. N°6 Aria & scena “Gualtier Maldè! … Caro nome” (Gilda, Borsa, Ceprano, Marullo) (in 1971-06)
lyricist and librettist:
Francesco Maria Piave
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Rigoletto: Atto I
6:47
7Massenet - Esprits De Lair! Esprits De Londe!... Roland! Roland! Roland!
6:37
8Coward - Where Are the Songs We Sung?
3:44
9Rodgers / Falling in Love With Love
2:33
10Bellini - Son Vergin Vezzosa
soprano vocals:
Joan Sutherland (soprano)
recording of:
I Puritani: Atto I. N°9a. Finale I. Polacca “Son vergin vezzosa” (Elvira, Arturo, Enrichetta, Giorgio)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Carlo Pepoli (Italian librettist, 19th c.)
part of:
I puritani: Atto I
4:11
11Puccini - In Questa Reggia
6:42
12Wagner - Mild Und Leise Wie Er Lächelt
soprano vocals:
Joan Sutherland (soprano) (in 1979)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1979)
conductor:
Richard Bonynge (conductor and pianist) (in 1979)
recording of:
Excerpt from Tristan und Isolde, WWV 90: Akt III, Szene III. Liebestod. “Mild und leise wie er lächelt” (in 1979)
composer:
Richard Wagner (composer) (from 1857-10 until 1859-08)
librettist:
Richard Wagner (composer) (from 1857-08-20 until 1857-09-18)
part of:
Tristan und Isolde, WWV 90: Akt III, Szene III. "Kurwenal! Hör'! Ein zweites Schiff"
6:24
13Cilea - Poveri Fiori
2:56
14Bellini - Ah! Non Giunge Uman Pensiero
recording engineer:
James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Andrew Cornall (engineer / producer)
producer:
Christopher Raeburn (producer)
choir vocals:
London Opera Chorus (in 1980-01)
soprano vocals [Amina]:
Joan Sutherland (soprano) (in 1980-01)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1980-01)
conductor:
Richard Bonynge (conductor and pianist) (in 1980-01)
chorus master:
Terry Edwards (British choir director) (in 1980-01)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1980-01)
recording of:
La sonnambula: Atto II, scena 2. “Ah! Non giunge uman pensiero” (Amina, tutti) (in 1980-01)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
La sonnambula: Atto II
3:14