Die Kunst der Fuge

~ Release by J.S. Bach; Musica Antiqua Köln, Reinhard Goebel (see all versions of this release, 5 available)

Tracklist

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1▼12" Vinyl: Die Kunst der Fuge, BWV 1080
#TitleArtistRatingLength
A1Die Kunst der Fuge, BWV 1080/1: Contrapunctus 1
executive producer:
Dr. Andreas Holschneider
producer and balance engineer:
Wolfgang Mitlehner
cello:
Phoebe Carrai (American cellist) (in 1984-06)
viola [viola I]:
Hajo Bäß (viola player) (in 1984-06)
viola [viola II]:
Karlheinz Steeb (in 1984-06)
violin:
Reinhard Goebel (violinist and conductor) (in 1984-06)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1984-06)
conductor:
Reinhard Goebel (violinist and conductor) (in 1984-06)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1984-06)
recording of:
Die Kunst der Fuge, BWV 1080: I. Contrapunctus 1 (in 1984-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/1)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
Johann Sebastian Bach2:54
A2Die Kunst der Fuge, BWV 1080/2: Contrapunctus 2
executive producer:
Dr. Andreas Holschneider
producer and balance engineer:
Wolfgang Mitlehner
harpsichord:
Andreas Staier (in 1984-06)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1984-06)
conductor:
Reinhard Goebel (violinist and conductor) (in 1984-06)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1984-06)
recording of:
Die Kunst der Fuge, BWV 1080: II. Contrapunctus 2 (in 1984-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/2)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
Johann Sebastian Bach2:56
A3Die Kunst der Fuge, BWV 1080/3: Contrapunctus 3
producer:
Dr. Andreas Holschneider and Wolfgang Mitlehner
harpsichord:
Robert Hill (American harpsichordist) (in 1984-06)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1984-06)
conductor:
Reinhard Goebel (violinist and conductor) (in 1984-06)
balance engineer:
Wolfgang Mitlehner
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1984-06)
recording of:
Die Kunst der Fuge, BWV 1080: III. Contrapunctus 3 (in 1984-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/3)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
Johann Sebastian Bach2:54
A4Die Kunst der Fuge, BWV 1080/4: Contrapunctus 4
executive producer:
Dr. Andreas Holschneider
producer and balance engineer:
Wolfgang Mitlehner
cello:
Phoebe Carrai (American cellist) (in 1984-06)
harpsichord:
Andreas Staier (in 1984-06)
viola:
Karlheinz Steeb (in 1984-06)
violin [violin I]:
Reinhard Goebel (violinist and conductor) (in 1984-06)
violin [violin II]:
Hajo Bäß (viola player) (in 1984-06)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1984-06)
conductor:
Reinhard Goebel (violinist and conductor) (in 1984-06)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1984-06)
recording of:
Die Kunst der Fuge, BWV 1080: IV. Contrapunctus 4 (in 1984-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/4)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
Johann Sebastian Bach3:09
A5Die Kunst der Fuge, BWV 1080/15: Canon alla Ottava
producer:
Dr. Andreas Holschneider and Wolfgang Mitlehner
harpsichord [harpsichord I]:
Andreas Staier (in 1984-06)
harpsichord [harpsichord II]:
Robert Hill (American harpsichordist) (in 1984-06)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1984-06)
conductor:
Reinhard Goebel (violinist and conductor) (in 1984-06)
balance engineer:
Wolfgang Mitlehner
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1984-06)
recording of:
Die Kunst der Fuge, BWV 1080: XV. Canon alla Ottava (or "Canon in Hypodiapason" (1742 manuscript)) (in 1984-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/15)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
Johann Sebastian Bach3:52
A6Die Kunst der Fuge, BWV 1080/5: Contrapunctus 5
executive producer:
Dr. Andreas Holschneider
producer and balance engineer:
Wolfgang Mitlehner
cello:
Phoebe Carrai (American cellist) (in 1984-06)
viola:
Hajo Bäß (viola player) (in 1984-06) and Karlheinz Steeb (in 1984-06)
violin:
Reinhard Goebel (violinist and conductor) (in 1984-06)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1984-06)
conductor:
Reinhard Goebel (violinist and conductor) (in 1984-06)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1984-06)
recording of:
Die Kunst der Fuge, BWV 1080: V. Contrapunctus 5 (in 1984-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/5)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
Johann Sebastian Bach3:25
A7Die Kunst der Fuge, BWV 1080/6: Contrapunctus 6
executive producer:
Dr. Andreas Holschneider
producer and balance engineer:
Wolfgang Mitlehner
cello:
Phoebe Carrai (American cellist) (in 1984-06)
harpsichord:
Andreas Staier (in 1984-06)
viola:
Karlheinz Steeb (in 1984-06)
violin [violin I]:
Reinhard Goebel (violinist and conductor) (in 1984-06)
violin [violin II]:
Hajo Bäß (viola player) (in 1984-06)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1984-06)
conductor:
Reinhard Goebel (violinist and conductor) (in 1984-06)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1984-06)
recording of:
Die Kunst der Fuge, BWV 1080: VI. Contrapunctus 6 a 4 in Stylo Francese (in 1984-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/6)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
Johann Sebastian Bach3:34
A8Die Kunst der Fuge, BWV 1080/7: Contrapunctus 7, A4, per Augmentationem et Diminutionem
executive producer:
Dr. Andreas Holschneider
producer and balance engineer:
Wolfgang Mitlehner
cello:
Phoebe Carrai (American cellist) (in 1984-06)
viola:
Karlheinz Steeb (in 1984-06)
violin [violin I]:
Reinhard Goebel (violinist and conductor) (in 1984-06)
violin [violin II]:
Hajo Bäß (viola player) (in 1984-06)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1984-06)
conductor:
Reinhard Goebel (violinist and conductor) (in 1984-06)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1984-06)
recording of:
Die Kunst der Fuge, BWV 1080: VII. Contrapunctus 7 a 4 per Augmentationem et Diminutionem (in 1984-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/7)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
Johann Sebastian Bach2:50
B1Die Kunst der Fuge, BWV 1080/16: Canon alla Decima in Contrapunto alla Terza
executive producer:
Dr. Andreas Holschneider
producer and balance engineer:
Wolfgang Mitlehner
harpsichord [harpsichord I]:
Andreas Staier (in 1984-06)
harpsichord [harpsichord II]:
Robert Hill (American harpsichordist) (in 1984-06)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1984-06)
conductor:
Reinhard Goebel (violinist and conductor) (in 1984-06)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1984-06)
recording of:
Die Kunst der Fuge, BWV 1080: XVI. Canon alla Decima in Contrapunto alla Terza (in 1984-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/16)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
Johann Sebastian Bach4:18
B2Die Kunst der Fuge, BWV 1080/9: Contrapunctus 9, alla Duodecima
executive producer:
Dr. Andreas Holschneider
producer and balance engineer:
Wolfgang Mitlehner
cello:
Phoebe Carrai (American cellist) (in 1984-06)
viola:
Karlheinz Steeb (in 1984-06)
violin [violin I]:
Reinhard Goebel (violinist and conductor) (in 1984-06)
violin [violin II]:
Hajo Bäß (viola player) (in 1984-06)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1984-06)
conductor:
Reinhard Goebel (violinist and conductor) (in 1984-06)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1984-06)
recording of:
Die Kunst der Fuge, BWV 1080: IX. Contrapunctus 9 a 4 alla Duodecima (in 1984-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/9)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
Johann Sebastian Bach2:21
B3Die Kunst der Fuge, BWV 1080/10: Contrapunctus 10, alla Decima
executive producer:
Dr. Andreas Holschneider
producer and balance engineer:
Wolfgang Mitlehner
harpsichord [harpsichord I]:
Andreas Staier (in 1984-06)
harpsichord [harpsichord II]:
Robert Hill (American harpsichordist) (in 1984-06)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1984-06)
conductor:
Reinhard Goebel (violinist and conductor) (in 1984-06)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1984-06)
recording of:
Die Kunst der Fuge, BWV 1080: X. Contrapunctus 10 a 4 alla Decima (in 1984-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/10)
version of:
Die Kunst der Fuge, BWV 1080: Contrapunctus a 4
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
revision of:
Die Kunst der Fuge, BWV 1080.1: Contrapunctus 10 (1742 autograph, early version)
Johann Sebastian Bach4:12
B4Die Kunst der Fuge, BWV 1080/8: Contrapunctus 8, A3
executive producer:
Dr. Andreas Holschneider
producer and balance engineer:
Wolfgang Mitlehner
cello:
Phoebe Carrai (American cellist) (in 1984-06)
viola:
Karlheinz Steeb (in 1984-06)
violin:
Reinhard Goebel (violinist and conductor) (in 1984-06)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1984-06)
conductor:
Reinhard Goebel (violinist and conductor) (in 1984-06)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1984-06)
recording of:
Die Kunst der Fuge, BWV 1080: VIII. Contrapunctus 8 a 3 (in 1984-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/8)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
Johann Sebastian Bach4:54
B5Die Kunst der Fuge, BWV 1080/11: Contrapunctus 11, A4
executive producer:
Dr. Andreas Holschneider
producer and balance engineer:
Wolfgang Mitlehner
cello:
Phoebe Carrai (American cellist) (in 1984-06)
viola:
Karlheinz Steeb (in 1984-06)
violin [violin I]:
Reinhard Goebel (violinist and conductor) (in 1984-06)
violin [violin II]:
Hajo Bäß (viola player) (in 1984-06)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1984-06)
conductor:
Reinhard Goebel (violinist and conductor) (in 1984-06)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1984-06)
recording of:
Die Kunst der Fuge, BWV 1080: XI. Contrapunctus 11 a 4 (in 1984-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/11)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
Johann Sebastian Bach4:11
B6Die Kunst der Fuge, BWV 1080/17: Canon alla Duodecima in Contrapunto alla Quinta
executive producer:
Dr. Andreas Holschneider
producer and balance engineer:
Wolfgang Mitlehner
harpsichord:
Robert Hill (American harpsichordist) (in 1984-06)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1984-06)
conductor:
Reinhard Goebel (violinist and conductor) (in 1984-06)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1984-06)
recording of:
Die Kunst der Fuge, BWV 1080: XVII. Canon alla Duodecima in Contrapunto alla Quinta (in 1984-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/17)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
Johann Sebastian Bach3:47
2▼12" Vinyl: Die Kunst der Fuge, BWV 1080 (C) + Kanons, BWV 1072-1078, 1086, 1087 (D)
#TitleArtistRatingLength
C1Die Kunst der Fuge, BWV 1080/12: Contrapunctus 12, A4
executive producer:
Dr. Andreas Holschneider
producer:
Wolfgang Mitlehner
compilation of:
Die Kunst der Fuge, BWV 1080/12,1: Contrapunctus 12 à 4 in forma recta by Musica Antiqua Köln (Musica Antiqua Cologne), Reinhard Goebel (violinist and conductor) and Die Kunst der Fuge, BWV 1080/12,2: Contrapunctus 12 à 4 in forma inversa by Musica Antiqua Köln (Musica Antiqua Cologne), Reinhard Goebel (violinist and conductor)
Johann Sebastian Bach4:39
C2Die Kunst der Fuge, BWV 1080/13: Contrapunctus 13, A3
executive producer:
Dr. Andreas Holschneider
producer:
Wolfgang Mitlehner
compilation of:
Die Kunst der Fuge, BWV 1080/13,1: Contrapunctus 13 à 3 in forma recta by Musica Antiqua Köln (Musica Antiqua Cologne), Reinhard Goebel (violinist and conductor) and Die Kunst der Fuge, BWV 1080/13,2: Contrapunctus 13 à 3 in forma inversa by Musica Antiqua Köln (Musica Antiqua Cologne), Reinhard Goebel (violinist and conductor)
Johann Sebastian Bach4:25
C3Die Kunst der Fuge, BWV 1080/18,1: Fuga à 2 Clav.
executive producer:
Dr. Andreas Holschneider
producer and balance engineer:
Wolfgang Mitlehner
harpsichord [harpsichord I]:
Andreas Staier (in 1984-06)
harpsichord [harpsichord II]:
Robert Hill (American harpsichordist) (in 1984-06)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1984-06)
conductor:
Reinhard Goebel (violinist and conductor) (in 1984-06)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1984-06)
recording of:
Die Kunst der Fuge, BWV 1080: XVIII, 1. Fuga à 2 Claviere (in 1984-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/18,1)
arrangement of:
Die Kunst der Fuge, BWV 1080: XIII, 1. Contrapunctus inversus a 3 (Forma recta)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
Johann Sebastian Bach2:11
C4Die Kunst der Fuge, BWV 1080/18,2: Alio modo. Fuga à 2 Clav.
executive producer:
Dr. Andreas Holschneider
producer and balance engineer:
Wolfgang Mitlehner
harpsichord [harpsichord I]:
Andreas Staier (in 1984-06)
harpsichord [harpsichord II]:
Robert Hill (American harpsichordist) (in 1984-06)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1984-06)
conductor:
Reinhard Goebel (violinist and conductor) (in 1984-06)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1984-06)
recording of:
Die Kunst der Fuge, BWV 1080: XVIII, 2. Alio modo. Fuga à 2 Claviere (in 1984-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/18,2)
arrangement of:
Die Kunst der Fuge, BWV 1080: XIII, 2. Contrapunctus inversus a 3 (Forma inversa)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
Johann Sebastian Bach2:13
C5Die Kunst der Fuge, BWV 1080/14: Canon per Augmentationem in Contrario Motu
executive producer:
Dr. Andreas Holschneider
producer and balance engineer:
Wolfgang Mitlehner
harpsichord:
Andreas Staier (in 1984-06)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1984-06)
conductor:
Reinhard Goebel (violinist and conductor) (in 1984-06)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1984-06)
recording of:
Die Kunst der Fuge, BWV 1080: XIV. Canon per Augmentationem in Contrario Motu (in 1984-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/14)
version of:
Die Kunst der Fuge, BWV 1080.1: Canon al roverscio et per augmentationem (1742 autograph, early version)
version of:
Die Kunst der Fuge, BWV 1080.1: Canon in Hypodiateßeron al roverscio e per augmentationem, perpetuus (1742 autograph, early version)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
revision of:
Canon in Hypodiatesseron, al roversio [sic] e per augmentationem (supplementation to 1742 autograph)
Johann Sebastian Bach4:17
C6Die Kunst der Fuge, BWV 1080/19: Fuga à 3 Soggetti (Contrapunctus 14)
executive producer:
Dr. Andreas Holschneider
producer and balance engineer:
Wolfgang Mitlehner
cello:
Phoebe Carrai (American cellist) (in 1984-06)
viola [viola I]:
Hajo Bäß (viola player) (in 1984-06)
viola [viola II]:
Karlheinz Steeb (in 1984-06)
violin:
Reinhard Goebel (violinist and conductor) (in 1984-06)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1984-06)
conductor:
Reinhard Goebel (violinist and conductor) (in 1984-06)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1984-06)
recording of:
Die Kunst der Fuge, BWV 1080: XIX. Fuga a 3 [4] Soggetti (in 1984-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/19)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
Johann Sebastian Bach7:25
D1Canon Trias Harmonica, à 8, BWV 1072
recorded in:
Hamburg, Germany (in 1984-06)
executive producer:
Dr. Andreas Holschneider
producer and balance engineer:
Wolfgang Mitlehner
violin:
Hajo Bäß (viola player) (in 1984-06), Reinhard Goebel (violinist and conductor) (in 1984-06), Jan Reichow (in 1984-06) and Mary Utiger (violinist) (in 1984-06)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1984-06)
conductor:
Reinhard Goebel (violinist and conductor) (in 1984-06)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1984-06)
recording of:
Canon Trias Harmonica a 8, BWV 1072 (in 1984-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1072)
Johann Sebastian Bach0:42
D2Canon à 4, perpetuus, BWV 1073
recorded in:
Hamburg, Germany (in 1984-06)
executive producer:
Dr. Andreas Holschneider
producer and balance engineer:
Wolfgang Mitlehner
cello:
Phoebe Carrai (American cellist) (in 1984-06)
viola:
Hajo Bäß (viola player) (in 1984-06)
violin [violin I]:
Reinhard Goebel (violinist and conductor) (in 1984-06)
violin [violin II]:
Mary Utiger (violinist) (in 1984-06)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1984-06)
conductor:
Reinhard Goebel (violinist and conductor) (in 1984-06)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1984-06)
recording of:
Canon a 4 perpetuus, BWV 1073 (in 1984-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1073)
Johann Sebastian Bach1:36
D3Canon à 4, BWV 1074
recorded in:
Hamburg, Germany (in 1984-06)
executive producer:
Dr. Andreas Holschneider
producer and balance engineer:
Wolfgang Mitlehner
cello:
Phoebe Carrai (American cellist) (in 1984-06)
viola:
Hajo Bäß (viola player) (in 1984-06)
violin [violin I]:
Reinhard Goebel (violinist and conductor) (in 1984-06)
violin [violin II]:
Mary Utiger (violinist) (in 1984-06)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1984-06)
conductor:
Reinhard Goebel (violinist and conductor) (in 1984-06)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1984-06)
recording of:
Canon a 4, BWV 1074 (in 1984-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1074)
part of:
Der getreue Music-Meister (Collection of various compositions by Telemann and other composers, published by Telemann in 25 "Lectionen" between 1728-1729.)
Johann Sebastian Bach1:48
D4Canon à 2, perpetuus, BWV 1075
recorded in:
Hamburg, Germany (in 1984-06)
executive producer:
Dr. Andreas Holschneider
producer and balance engineer:
Wolfgang Mitlehner
harpsichord:
Andreas Staier (in 1984-06)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1984-06)
conductor:
Reinhard Goebel (violinist and conductor) (in 1984-06)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1984-06)
recording of:
Canon a 2 perpetuus, BWV 1075 (in 1984-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1075)
Johann Sebastian Bach0:32
D5Canon Triplex, à 6, BWV 1076
recorded in:
Hamburg, Germany (in 1984-06)
executive producer:
Dr. Andreas Holschneider
producer and balance engineer:
Wolfgang Mitlehner
cello:
Phoebe Carrai (American cellist) (in 1984-06)
harpsichord:
Andreas Staier (in 1984-06)
viola [viola I]:
Hajo Bäß (viola player) (in 1984-06)
viola [viola II]:
Karlheinz Steeb (in 1984-06)
violin [violin I]:
Reinhard Goebel (violinist and conductor) (in 1984-06)
violin [violin II]:
Mary Utiger (violinist) (in 1984-06)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1984-06)
conductor:
Reinhard Goebel (violinist and conductor) (in 1984-06)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1984-06)
recording of:
Canon triplex a 6, BWV 1076 (in 1984-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1076)
Johann Sebastian Bach0:29
D6Canone doppio sopr'il Soggetto, A 4, BWV 1077
recorded in:
Hamburg, Germany (in 1984-06)
executive producer:
Dr. Andreas Holschneider
producer and balance engineer:
Wolfgang Mitlehner
harpsichord:
Andreas Staier (in 1984-06)
viola [viola I]:
Hajo Bäß (viola player) (in 1984-06)
viola [viola II]:
Karlheinz Steeb (in 1984-06)
violin [violin I]:
Reinhard Goebel (violinist and conductor) (in 1984-06)
violin [violin II]:
Mary Utiger (violinist) (in 1984-06)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1984-06)
conductor:
Reinhard Goebel (violinist and conductor) (in 1984-06)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1984-06)
recording of:
Canone doppio sopr' il soggetto, BWV 1077 (in 1984-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1077)
Johann Sebastian Bach0:50
D7Canon Concordia discors, A 2, BWV 1086
executive producer:
Dr. Andreas Holschneider
producer and balance engineer:
Wolfgang Mitlehner
harpsichord:
Andreas Staier (in 1984-06)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1984-06)
recording of:
Canon Concordia discors a 2, BWV 1086 (in 1984-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (third edition, 2022, BWV³) (number: BWV 1086)
Johann Sebastian Bach1:20
D8Canon Fa Mi, á 7, BWV 1078
recorded in:
Hamburg, Germany (in 1984-06)
executive producer:
Dr. Andreas Holschneider
producer and balance engineer:
Wolfgang Mitlehner
viola:
Hajo Bäß (viola player) (in 1984-06)
violin:
Hajo Bäß (viola player) (in 1984-06), Reinhard Goebel (violinist and conductor) (in 1984-06), Jan Reichow (in 1984-06) and Mary Utiger (violinist) (in 1984-06)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1984-06)
conductor:
Reinhard Goebel (violinist and conductor) (in 1984-06)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1984-06)
recording of:
Canon super Fa Mi, a 7, post Tempus Musicum, BWV 1078 (in 1984-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1078)
Johann Sebastian Bach1:34
D9Canones BWV 1087: 1. Canon simplex
executive producer:
Dr. Andreas Holschneider
producer and balance engineer:
Wolfgang Mitlehner
harpsichord:
Andreas Staier (in 1984-06)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1984-06)
recording of:
Quatorze Canons, BWV 1087: I. Canon simplex (in 1984-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Quatorze Canons, BWV 1087
Johann Sebastian Bach0:21
D10Canones BWV 1087: 2. All'rovescio
executive producer:
Dr. Andreas Holschneider
producer and balance engineer:
Wolfgang Mitlehner
harpsichord:
Andreas Staier (in 1984-06)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1984-06)
recording of:
Quatorze Canons, BWV 1087: II. All' rovescio (in 1984-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Quatorze Canons, BWV 1087
Johann Sebastian Bach0:21
D11Canones BWV 1087: 3. Beede vorigen Canones zugleich, Motu recto e contrario
executive producer:
Dr. Andreas Holschneider
producer and balance engineer:
Wolfgang Mitlehner
harpsichord:
Andreas Staier (in 1984-06)
violin:
Hajo Bäß (viola player) (in 1984-06)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1984-06)
recording of:
Quatorze Canons, BWV 1087: III. Beede vorigen Canones zugleich, motu recto e contrario (in 1984-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Quatorze Canons, BWV 1087
Johann Sebastian Bach0:16
D12Canones BWV 1087: 4. Motu contrario e recto
executive producer:
Dr. Andreas Holschneider
producer and balance engineer:
Wolfgang Mitlehner
harpsichord:
Andreas Staier (in 1984-06)
violin:
Reinhard Goebel (violinist and conductor) (in 1984-06)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1984-06)
recording of:
Quatorze Canons, BWV 1087: IV. Motu contrario e recto (in 1984-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Quatorze Canons, BWV 1087
Johann Sebastian Bach0:19
D13Canones BWV 1087: 5. Canon duplex, à 4
executive producer:
Dr. Andreas Holschneider
producer and balance engineer:
Wolfgang Mitlehner
harpsichord:
Andreas Staier (in 1984-06)
violin [violin I]:
Reinhard Goebel (violinist and conductor) (in 1984-06)
violin [violin II]:
Hajo Bäß (viola player) (in 1984-06)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1984-06)
recording of:
Quatorze Canons, BWV 1087: V. Canon duplex à 4 (in 1984-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Quatorze Canons, BWV 1087
Johann Sebastian Bach0:21
D14Canones BWV 1087: 6. Canon simplex Über besagtes Fundament, à 3
executive producer:
Dr. Andreas Holschneider
producer and balance engineer:
Wolfgang Mitlehner
harpsichord:
Andreas Staier (in 1984-06)
viola:
Hajo Bäß (viola player) (in 1984-06)
violin:
Reinhard Goebel (violinist and conductor) (in 1984-06)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1984-06)
recording of:
Quatorze Canons, BWV 1087: VI. Canon simplex über besagtes Fundament à 3 (in 1984-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Quatorze Canons, BWV 1087
Johann Sebastian Bach0:40
D15Canones BWV 1087: 7. Idem, à 3
executive producer:
Dr. Andreas Holschneider
producer and balance engineer:
Wolfgang Mitlehner
harpsichord:
Andreas Staier (in 1984-06)
viola:
Hajo Bäß (viola player) (in 1984-06)
violin:
Reinhard Goebel (violinist and conductor) (in 1984-06)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1984-06)
recording of:
Quatorze Canons, BWV 1087: VII. Canon simplex über besagtes Fundament à 3 (in 1984-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Quatorze Canons, BWV 1087
Johann Sebastian Bach0:20
D16Canones BWV 1087: 8. Canon simplex, à 3, il Soggetto in Alto
executive producer:
Dr. Andreas Holschneider
producer and balance engineer:
Wolfgang Mitlehner
harpsichord:
Andreas Staier (in 1984-06)
violin:
Reinhard Goebel (violinist and conductor) (in 1984-06)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1984-06)
recording of:
Quatorze Canons, BWV 1087: VIII. Canon simplex à 3, il soggetto in Alto (in 1984-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Quatorze Canons, BWV 1087
Johann Sebastian Bach0:23
D17Canones BWV 1087: 9. Canon in unisono post semifusam, à 3
executive producer:
Dr. Andreas Holschneider
producer and balance engineer:
Wolfgang Mitlehner
harpsichord:
Andreas Staier (in 1984-06)
violin [violin I]:
Reinhard Goebel (violinist and conductor) (in 1984-06)
violin [violin II]:
Hajo Bäß (viola player) (in 1984-06)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1984-06)
recording of:
Quatorze Canons, BWV 1087: IX. Canon in unisono post semifusamà 3 (in 1984-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Quatorze Canons, BWV 1087
Johann Sebastian Bach0:20
D18Canones BWV 1087: 10a. Alio modo, per Syncopationes et per Ligaturas, à 2; 10b. Evolutio
executive producer:
Dr. Andreas Holschneider
producer and balance engineer:
Wolfgang Mitlehner
harpsichord:
Andreas Staier (in 1984-06)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1984-06)
recording of:
Quatorze Canons, BWV 1087: X. Alio modo, per syncopationes et per ligaturas à 2 (in 1984-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Quatorze Canons, BWV 1087
Johann Sebastian Bach0:21
D19Canones BWV 1087: 11. Canon Duplex Über Fundament, à 5
executive producer:
Dr. Andreas Holschneider
producer and balance engineer:
Wolfgang Mitlehner
harpsichord:
Andreas Staier (in 1984-06)
viola [viola I]:
Hajo Bäß (viola player) (in 1984-06)
viola [viola II]:
Karlheinz Steeb (in 1984-06)
violin [violin I]:
Reinhard Goebel (violinist and conductor) (in 1984-06)
violin [violin II]:
Mary Utiger (violinist) (in 1984-06)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1984-06)
recording of:
Quatorze Canons, BWV 1087: XI. Canon duplex übers Fundament à 5 (in 1984-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Quatorze Canons, BWV 1087
Johann Sebastian Bach0:50
D20Canones BWV 1087: 12. Canon Duplex Über besagte Fundamental-Noten, à 5
executive producer:
Dr. Andreas Holschneider
producer and balance engineer:
Wolfgang Mitlehner
harpsichord:
Andreas Staier (in 1984-06)
viola [viola I]:
Hajo Bäß (viola player) (in 1984-06)
viola [viola II]:
Karlheinz Steeb (in 1984-06)
violin [violin I]:
Reinhard Goebel (violinist and conductor) (in 1984-06)
violin [violin II]:
Mary Utiger (violinist) (in 1984-06)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1984-06)
recording of:
Quatorze Canons, BWV 1087: XII. Canon duplex über besagte Fundamental-Noten à 5 (in 1984-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Quatorze Canons, BWV 1087
Johann Sebastian Bach0:32
D21Canones BWV 1087: 13. Canon Triplex, à 6
executive producer:
Dr. Andreas Holschneider
producer and balance engineer:
Wolfgang Mitlehner
harpsichord:
Andreas Staier (in 1984-06)
viola [viola I]:
Hajo Bäß (viola player) (in 1984-06)
viola [viola II]:
Karlheinz Steeb (in 1984-06)
violin [violin I]:
Reinhard Goebel (violinist and conductor) (in 1984-06)
violin [violin II]:
Mary Utiger (violinist) (in 1984-06)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1984-06)
recording of:
Quatorze Canons, BWV 1087: XIII. Canon triplex à 6 (in 1984-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Quatorze Canons, BWV 1087
Johann Sebastian Bach0:35
D22Canones BWV 1087: 14. Canon à 4, per Augmentaionem et Diminutionem
executive producer:
Dr. Andreas Holschneider
producer and balance engineer:
Wolfgang Mitlehner
harpsichord:
Andreas Staier (in 1984-06)
viola:
Hajo Bäß (viola player) (in 1984-06)
violin [violin I]:
Reinhard Goebel (violinist and conductor) (in 1984-06)
violin [violin II]:
Mary Utiger (violinist) (in 1984-06)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1984-06)
recording of:
Quatorze Canons, BWV 1087: XIV. Canon à 4 per Augmentationem et Diminutionem (in 1984-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Quatorze Canons, BWV 1087
Johann Sebastian Bach0:32

Credits

Release

phonographic copyright (℗) by:Polydor International GmbH (not for release label use!) (in 1984)
Discogs:https://www.discogs.com/release/7736956 [info]