Lo Mejor del Soul 2

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1CD: Lo Mejor del Soul 2 CD1
#TitleArtistRatingLength
1Think
recording engineer:
Tom Dowd
producer:
Jerry Wexler
baritone saxophone:
Willie Bridges (on 1968-04-15) and Floyd Newman (on 1968-04-15)
bass guitar:
Jerry Jemmott (on 1968-04-15)
drums (drum set):
Roger Hawkins (on 1968-04-15)
guitar:
Tommy Cogbill (on 1968-04-15) and Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1968-04-15)
organ:
Spooner Oldham (on 1968-04-15)
piano and lead vocals:
Aretha Franklin (on 1968-04-15)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (on 1968-04-15) and Andrew Love (on 1968-04-15)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (on 1968-04-15)
background vocals:
The Sweet Inspirations (on 1968-04-15)
arranger:
Tom Dowd and Arif Mardin
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1968)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1968-04-15)
part of:
RuPaul’s Drag Race Lip Sync Performances (season 6) (number: 10)
recording of:
Think (on 1968-04-15)
writer:
Aretha Franklin and Ted White (husband & co-songwriter of Aretha Franklin)
adapter:
Muck Ferenc (saxophonist // member of Muckshow, Cabaret, Slang, Németh Gábor Project)
publisher:
14th Hour Music, EMI Songs Ltd., Fourteenth Hour Music, Inc., フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (until 2014-12-31) and フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (from 2015-01-01 to present)
Aretha Franklin3.652:16
2Let's Stay Together
producer:
Willie Mitchell (US soul/R&B & funk producer, trumpeter & singer)
drums (drum set):
Howard Grimes and Al Jackson, Jr. (Booker T & The MGs drummer)
electric bass guitar:
Leroy Hodges
guitar family:
Mabon Hodges (“Teenie”, soul guitarist)
organ and piano:
Charles Hodges (soul organist)
saxophone:
James Mitchell (US saxophonist/arranger)
tenor saxophone:
Ed Logan
trombone:
Jack Hale (trombone)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns)
background vocals:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer), Donna Rhodes and Sandra Rhodes
vocals:
Al Green (US soul singer, songwriter, pastor and record producer)
phonographic copyright (℗) by:
Cream Records (70s Los Angeles) (in 1971) and HI Records Inc. (in 1971)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 34), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 60), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 84)
recording of:
Let’s Stay Together
writer:
Al Jackson, Jr. (Booker T & The MGs drummer), Al Green (US soul singer, songwriter, pastor and record producer) and Willie Mitchell (US soul/R&B & funk producer, trumpeter & singer)
publisher:
Al Green Music Inc. (BMI-affiliated), Al Jackson Jr. Music, Burlington Music Co., Ltd. and Irving Music, Inc.
Al Green4.53:16
3I've Got Dreams to Remember
recording of:
I’ve Got Dreams to Remember
writer:
Otis Redding, Zelma Redding and Joe Rock (US songwriter/band manager)
publisher:
GMB Unlimited Publishing (ASCAP) and Irving Music, Inc.
Otis Redding3:34
4Smoke Gets in Your Eyes
recorded in:
Paris, Île-de-France, France (on 1958-09-24)
producer:
Buck Ram
lead vocals:
Tony Williams (lead singer for The Platters)
performer:
The Platters
cover recording of:
Smoke Gets in Your Eyes (on 1958-09-24)
lyricist:
Otto Harbach
composer:
Jerome Kern
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell Music (UK), Chappell Music Ltd., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), PolyGram Music Publishing Ltd., Redwood Music, T.B. Harms Co., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
Roberta
The Platters3.752:40
5I Believe I'm Gonna Make It
recording of:
I Believe I'm Gonna Make It
writer:
Joe Tex (American southern soul musician)
Joe Tex3:01
6Soul Man
recorded in:
Memphis, Tennessee, United States (on 1967-08-10)
producer:
Isaac Hayes, David Porter (US soul musician, producer & songwriter) and Jim Stewart (US producer, founder for Stax & Volt Records)
instruments:
Booker T. & the MG’s (in 1967) and The Mar‐Keys Horns (in 1967)
lead vocals:
Sam Moore (singer, ex "Sam and Dave") (in 1967) and David Prater (soul artist) (in 1967)
phonographic copyright (℗) by:
HHO Recordings Ltd., WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1966) and Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1967)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 458)
recording of:
Soul Man (on 1967-08-10)
writer:
Isaac Hayes (in 1967) and David Porter (US soul musician, producer & songwriter) (in 1967)
publisher:
EMI Music Publishing (do not use as a release label!), Rondor Music (London) Ltd., Rondor Music Ltd. (publisher), Walden Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Almo Music Corp. (USA, affiliated with ASCAP) (in 1986) and Walden Music Corp. (publisher) (in 1986)
Sam & Dave4.52:32
7I (Who Have Nothing)
recorded in:
New York, New York, United States (on 1963-02-11)
producer:
Leiber and Stoller (songwriting team)
strings:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1963-02-11)
vocals:
Ben E. King (on 1963-02-11)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1963-02-11)
conductor:
Klaus Ogerman (on 1963-02-11)
arranger:
Klaus Ogerman
recording of:
I (Who Have Nothing) (on 1963-02-11)
lyricist:
Jerry Leiber and Mike Stoller
writer:
Mogol (Italian lyricist)
composer:
Carlo Donida
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Orange Sky Music Ltd., Shapiro Bernstein & Co. Ltd., Sony/ATV Songs LLC, Cotillion Music Inc. (BMI) (in 1961, in 1963), Milky Way Publishing Co., Inc. (in 1961, in 1963), Trio Music Co., Inc. (in 1961, in 1963), Walden Music (publisher) (in 1979) and Yellow Dog Music (in 1979)
translated version of:
Uno dei tanti
Ben E. King2:23
8Make It Easy on Yourself
arranger:
Burt Bacharach
recording of:
Make It Easy on Yourself
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) and MCA Music Ltd.
Jerry Butler2:35
9Under the Boardwalk
recording of:
Under the Boardwalk
writer:
Arthur Resnick (songwriter, producer) and Kenny Young
publisher:
Alley Music Corp., Intersong (publisher), TM Music Ltd. and Trio Music Company
The Drifters2:36
10Cover Me
Percy Sledge2:50
11If You Need Me
cover recording of:
If You Need Me
writer:
Robert Bateman (R&B singer/songwriter/record producer), Wilson Pickett and Sonny Sanders
publisher:
Belinda (ended), Cotillion Music Inc. (BMI) and Lupine Music
Solomon Burke2:28
12Groove Me
recorded in:
Jackson, Mississippi, United States (on 1970-05-04)
producer:
Wardell Quezergue and Elijah Walker
vocals:
King Floyd (on 1970-05-04)
arranger:
Wardell Quezergue
recording of:
Groove Me (on 1970-05-04)
lyricist and composer:
King Floyd
publisher:
Malaco Music Co. (publisher) (in 1991)
King Floyd53:01
13Harlem Shuffle
phonographic copyright (℗) by:
HHO Licensing Ltd. and HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing)
remaster of:
Harlem Shuffle by Bob & Earl
recording of:
Harlem Shuffle
writer:
Earl Nelson and Bob Relf
publisher:
Bug Music Ltd., Bug Music (music publishing) (in 1988), Keyman Music (publisher) (in 1988) and Marc-Jean Music (publisher) (in 1988)
Bob & Earl22:47
14Rescue Me
recording of:
Rescue Me
writer:
Raynard Miner and Carl Smith (US songwriter and producer active in Chicago)
publisher:
United Artists Music Co., Inc. (ended), Chevis Music Publ. Corp. and Reservoir 416
Fontella Bass2:48
15I Get the Sweetest Feeling
recording of:
I Get the Sweetest Feeling
writer:
Alicia Evelyn (songwriter and performer) and Van McCoy
publisher:
Alley Music, TM Music Ltd., Trio Music (publisher) and Van McCoy Music
Jackie Wilson2:54
16Piece of My Heart
producer:
Bert Russell Berns
vocals:
Erma Franklin (in 1967-08)
conductor:
Gary Sherman (mid-20th century composer, arranger & conductor) (in 1967-08)
arranger:
Gary Sherman (mid-20th century composer, arranger & conductor)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1967)
recording of:
Piece of My Heart (in 1967-08)
writer:
Bert Russell and Jerry Ragovoy
publisher:
Campbell Connelly, MPL Music Publishing Inc., Sloopy II Music, Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Music Publishing Ltd., Unichappell Music, Inc., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Web IV Music Inc. and Wren Music Co.
Erma Franklin3.752:33
2CD: Lo Mejor del Soul 2 CD2
#TitleArtistRatingLength
1Mad About the Boy
recorded in:
Chicago, Illinois, United States (on 1961-12-04)
piano:
Jack Wilson (jazz pianist) (on 1961-12-04)
trombone:
Billy Byers (on 1961-12-04)
trumpet:
Joe Newman (US jazz trumpeter) (on 1961-12-04)
vocals:
Dinah Washington
orchestra:
Quincy Jones and His Orchestra (on 1961-12-04)
arranger:
Quincy Jones (on 1961-12-04)
cover recording of:
Mad About the Boy (in 1961)
lyricist and composer:
Noël Coward
publisher:
Chappell & Co. and Chappell Music Ltd.
part of:
Words and Music
Dinah Washington52:48
2Only Sixteen
recording of:
Only Sixteen
writer:
Barbara Campbell (collective songwriter pseudonym for Sam Cooke, Lou Adler and Herb Alpert)
publisher:
ABKCO Music and Ardmore and Beechwood Ltd.
Sam Cooke1:57
3Save the Last Dance for Me
recording of:
Save the Last Dance for Me
writer:
Doc Pomus and Mort Shuman (US singer, pianist & songwriter)
publisher:
Hill and Range Southwind Mus S A (BMI-affiliated), Pomus Songs Inc., Progressive Music Publishing Company Inc., Rumbalero Music Inc., The Manor Music Co. Ltd., Trio Music Co., Inc., Unichappell Music, Inc., Warner/Chappell Music Ltd. (1996–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), Hill and Range Songs, Inc. (publisher) (in 1974) and Trio Music (publisher) (in 1974)
The Drifters2:30
4My Special Prayer
Percy Sledge3:01
5Hold on I'm Comin'
recording of:
Hold On, I’m Comin’
writer:
Isaac Hayes and David Porter (US soul musician, producer & songwriter)
publisher:
Cotillion Music Inc. (BMI), East/Memphis Music, Irving Music, Inc., Pronto Music, Inc. (publisher) and Warner Bros. Music (publisher; do NOT use as release label)
sub-publisher:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Sam & Dave2:39
6Hold What You've Got
recorded in:
Muscle Shoals, Alabama, United States (on 1964-11-06)
recording engineer:
Tom Dowd
producer:
Buddy Killen
baritone saxophone:
Mack Williams (saxophone) (on 1964-11-06)
bass:
Warren Jones (bass, Soul) (on 1964-11-06)
drums (drum set):
Clyde Williams (US drummer) (on 1964-11-06)
electric bass guitar [electric bass]:
Clarence Hadley (on 1964-11-06)
guitar:
Lee Royal Hadley (guitar, Soul) (on 1964-11-06)
tenor saxophone:
Eddie Williams (saxophone) (on 1964-11-06)
vocals:
Joe Tex (American southern soul musician) (on 1964-11-06)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (number: 26)
recording of:
Hold What You’ve Got (from 1964 until 1964-11-06)
lyricist and composer:
Joe Tex (American southern soul musician)
publisher:
Fort Knox Music Inc., Sony/ATV Tree Publishing and Trio Music Company
Joe Tex3:06
7Knock on Wood
recorded in:
Memphis, Tennessee, United States (on 1966-07-13)
producer:
Steve Cropper
baritone saxophone:
probably Floyd Newman
bass guitar [bass]:
Duck Dunn (US bass guitarist, session musician, record producer & songwriter) (on 1966-07-13)
drums (drum set) [drums]:
Al Jackson (Booker T & The MGs drummer) (on 1966-07-13)
guitar:
Steve Cropper (on 1966-07-13)
organ:
Booker T. Jones (on 1966-07-13)
piano:
Isaac Hayes (on 1966-07-13) and Booker T. Jones (on 1966-07-13)
tenor saxophone:
probably Andrew Love (on 1966-07-13)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (on 1966-07-13)
vocals:
Eddie Floyd (on 1966-07-13)
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1967)
recording of:
Knock on Wood (on 1966-07-13)
writer:
Steve Cropper and Eddie Floyd
publisher:
East/Memphis Music, Irving Music, Inc., Rondor Music, Rondor Music (London) Ltd., Rondor Music Publishing, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner Chappell North America
adaptation of:
Potkraj na les
Eddie Floyd42:58
8Blue Moon
producer:
Danny and Stu (US TV/film composer, conductor & producer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1961, in 2004)
cover recording of:
Blue Moon
lyricist:
Lorenz Hart (in 1934)
composer:
Richard Rodgers (composer) (in 1934)
publisher:
EMI Catalogue Partnership, EMI Music Publishing (do not use as a release label!), EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Robbins Music Corporation, SBK United Partnership Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
sub-publisher:
EMI Music Publishing Belgium NV and Francis Day Editions (SABAM)
part of:
New York, New York (1977 musical film soundtrack)
The Marcels32:16
9Will You Love Me Tomorrow
drums (drum set) [drums]:
Gary Chester (studio drummer and educator) (in 1960)
kettle drum:
Carole King (in 1960)
piano:
Paul Griffin (American pianist, session musician) (in 1960)
lead vocals:
Shirley Owens (in 1960)
vocals:
Doris Coley (in 1960), Addie Harris (in 1960) and Beverly Lee (singer for The Shirelles) (in 1960)
phonographic copyright (℗) by:
HHO Licensing Ltd.
part of:
Dave Marsh: The Best of the Top 40 Singles: 1960 (number: 4), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 33), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 125), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 151)
recording of:
Will You Love Me Tomorrow (Carole King song) (in 1960)
lyricist:
Gerry Goffin
composer:
Carole King
publisher:
Lushmole Music, Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Warner/Chappell Music Ltd. (1996–2019), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
The Shirelles3.82:41
10My Prayer
The Platters2:44
11My Guy
bass:
James Jamerson (in 1964)
drums (drum set):
Benny Benjamin (US drummer) (in 1964)
guitar:
Robert White (US funk/soul guitarist) (in 1964) and Eddie Willis (in 1964)
instruments:
The Funk Brothers (in 1964)
organ:
Earl Van Dyke (in 1964)
piano:
Johnny Griffith (in 1964)
trombone:
George Bohanon (in 1964) and Paul Riser (in 1964)
trumpet:
Russell Conway (trumpet player) (in 1964) and Herbert Williams (trumpet player) (in 1964)
vibraphone:
Dave Hamilton (US guitar/vibraphone player) (in 1964)
background vocals:
The Andantes (in 1964), Marlene Barrow (in 1964), Louvain Demps (in 1964) and Jackie Hicks (in 1964)
lead vocals:
Mary Wells (Motown singer) (in 1964)
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1964)
recorded at:
Hitsville (Motown Records) in Detroit, Michigan, United States (in 1964)
recording of:
My Guy (in 1964)
lyricist and composer:
Smokey Robinson
publisher:
Jobette Music (UK) Ltd.
Mary Wells4.22:51
12Nothing Can Stop Me
Gene Chandler2:56
13It's Just a Matter of Time
Brook Benton2:30
14Don't Play That Song
Ben E. King2:49
15(You Make Me Feel Like) A Natural Woman
recording engineer:
Tom Dowd (on 1967-02-16)
producer:
Jerry Wexler
bass guitar:
Tommy Cogbill (on 1967-02-16)
drums (drum set):
Gene Chrisman (on 1967-02-16)
piano:
Spooner Oldham (on 1967-02-16)
trumpet:
Bernie Glow (on 1967-02-16), Melvin Lastie (on 1967-02-16) and Joe Newman (US jazz trumpeter) (on 1967-02-16)
choir vocals:
Carolyn Franklin (on 1967-02-16), Erma Franklin (on 1967-02-16) and The Sweet Inspirations (on 1967-02-16)
vocals:
Aretha Franklin (on 1967-02-16)
arranger:
Tom Dowd and Arif Mardin
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1967) and Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1967-02-16)
part of:
RuPaul’s Drag Race Lip Sync Performances (season 4) (number: 10) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 90)
cover recording of:
(You Make Me Feel Like) A Natural Woman (on 1967-02-16)
lyricist:
Gerry Goffin
additional writer:
Jerry Wexler
composer:
Carole King
publisher:
Screen Gems–Columbia Music, Inc. and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-publisher:
Screen Gems–EMI Music Ltd. and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Aretha Franklin4.22:40
16Try a Little Tenderness
cover recording of:
Try a Little Tenderness
lyricist:
James Campbell (British songwriter and music publisher) and Reginald Connelly
composer:
Harry M. Woods (American 1920/30s songwriter)
publisher:
BMG Recordi ex Recordi G.&C., EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp., Warner Chappell and Campbell Connelly & Co. Ltd. (on 1932-11-04)
Otis Redding3:58