Anmerkung

Nothing unreleased here.

Anmerkung zuletzt geändert am 2013-06-01 12:42 UTC.

Titelliste

1CD
Nr.TitelBewertungLänge
1Drinkin' Wine Spo-Dee-O-Dee
Produzent(in):
Jack Clement und Sam Phillips (founder of Sun Records)
Gitarre:
Roland Janes (am 1957-02-05)
Klavier:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (am 1957-02-05)
Schlagzeug:
Jimmy Van Eaton (am 1957-02-05)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (am 1957-02-05)
phonographisches Urheberrecht (℗) von:
Sun Record Company (in 1971)
cover recording of:
Drinkin’ Wine, Spo‐Dee‐O‐Dee (am 1957-02-05)
Verfasser(in):
Stick McGhee und J. Mayo ‘Ink’ Williams
2:37
2Big Legged Woman
Produzent(in):
Jack Clement und Bill Justis
Bassgitarre:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (von 1958-07-11 bis 1958-07-19)
Gitarre:
Roland Janes (von 1958-07-11 bis 1958-07-19)
Klavier:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (von 1958-07-11 bis 1958-07-19)
Schlagzeug:
Jimmy Van Eaton (von 1958-07-11 bis 1958-07-19)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (von 1958-07-11 bis 1958-07-19)
phonographisches Urheberrecht (℗) von:
Sun Record Company (in 1969)
recording of:
Big Legged Woman (von 1958-07-11 bis 1958-07-19)
Verfasser(in):
[traditional] (special purpose artist)
arranger:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”)
2:28
3Deep Elem Blues
Produzent(in):
Jack Clement und Sam Phillips (founder of Sun Records)
Gitarre:
Roland Janes (von 1956-11 bis 1956-12)
Klavier:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (von 1956-11 bis 1956-12)
Schlagzeug:
Jimmy Van Eaton (von 1956-11 bis 1956-12)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (von 1956-11 bis 1956-12)
phonographisches Urheberrecht (℗) von:
Sun Record Company (in 1970)
cover recording of:
Deep Elm Blues (von 1956-11 bis 1956-12)
Texter und Komponist(in):
Leon Chappelear
publisher:
Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) (am 1934-01-13)
42:47
4Sixty Minute Man
Produzent(in):
Jack Clement und Sam Phillips (founder of Sun Records)
Bassgitarre:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (in 1957-06)
Gitarre:
Roland Janes (in 1957-06)
Klavier:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (in 1957-06)
Schlagzeug:
Jimmy Van Eaton (in 1957-06)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (in 1957-06)
phonographisches Urheberrecht (℗) von:
Sun Record Company (in 1983)
cover recording of:
Sixty Minute Man (in 1957-06)
Texter und Komponist(in):
Rose Marks (bis 1951) und Billy Ward (US r&b/soul vocalist) (bis 1951)
1:51
5Honey Hush
Produzent(in):
Jack Clement und Sam Phillips (founder of Sun Records)
Gitarre:
Roland Janes (von 1956-11 bis 1956-12)
Klavier:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (von 1956-11 bis 1956-12)
Schlagzeug:
Jimmy Van Eaton (von 1956-11 bis 1956-12)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (von 1956-11 bis 1956-12)
phonographisches Urheberrecht (℗) von:
Sun Record Company (in 1971)
cover recording of:
Honey Hush (von 1956-11 bis 1956-12)
Texter und Komponist(in):
Big Joe Turner
zusätzlicher Texter und zusätzliche(r) Komponist(in):
Lou Willie Turner
publisher:
Carlin Music Corp.
2:07
6Tomorrow Night
Produzent(in):
Jack Clement und Sam Phillips (founder of Sun Records)
Bassgitarre:
J.W. Brown (1960s US R&B, single “That’s How Much / Don’t Push Me Around”) (am 1957-05-30)
Gitarre:
Roland Janes (am 1957-05-30)
Klavier:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (am 1957-05-30)
Schlagzeug:
Russell Smith (US 1950s drummer) (am 1957-05-30)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (am 1957-05-30)
phonographisches Urheberrecht (℗) von:
Sun Record Company (in 1974)
cover recording of:
Tomorrow Night (am 1957-05-30)
Verfasser(in):
Sam Coslow und Wilhelm Grosz (aka Hugh Williams)
publisher:
Bourne Co. (not for release label use, this is a music publisher) und Wilhelm Grosz Music Co
2:58
7All Night Long
Produzent(in):
Jack Clement und Sam Phillips (founder of Sun Records)
Gitarre:
Roland Janes (in 1957-02)
Klavier:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (in 1957-02)
Schlagzeug:
Jimmy Van Eaton (in 1957-02)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (in 1957-02)
phonographisches Urheberrecht (℗) von:
Sun Record Company (in 1974)
recording of:
All Night Long (Song of Jerry Lee Lewis) (in 1957-02)
Verfasser(in):
[traditional] (special purpose artist)
arranger:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”)
2:05
8Matchbox (undubbed version)
Bearbeitung von:
Matchbox (chat & undubbed master) von Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”)
cover recording of:
Matchbox
Texter und Komponist(in):
Carl Perkins (American pioneer of rockabilly music)
publisher:
Aberbach (London) (publisher), Carl Perkins Music Inc., Carlin Music Corp., Knox Music, Inc., MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company), Unichappell Music und Wren Music Co.
Version von:
Match Box Blues
1:45
9Whole Lotta Shakin' Going On (alternate version)2:45
10Rockin' With Red
Bearbeitung von:
Rockin' With Red von Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”)
1:59
11Mean Woman Blues
Produzent(in):
Jack Clement und Sam Phillips (founder of Sun Records)
Bassgitarre:
Sid Manker (am 1957-09-10)
Gitarre:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1957-09-10)
Klavier:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (am 1957-09-10)
Schlagzeug:
Otis Jett (am 1957-09-10)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (am 1957-09-10)
phonographisches Urheberrecht (℗) von:
Sun Record Company (in 1957)
cover recording of:
Mean Woman Blues (am 1957-09-10)
Texter und Komponist(in):
Claude Demetrius
publisher:
Carlin Music Corporation, Gladys Music, Gladys Music Inc. und Williamson Music Company
2:27
12Hound Dog
Produzent(in):
Jack Clement und Sam Phillips (founder of Sun Records)
Bassgitarre und Schlagzeug:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1958-02-14)
Klavier:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (am 1958-02-14)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (am 1958-02-14)
phonographisches Urheberrecht (℗) von:
Sun Record Company (in 1974)
cover recording of:
Hound Dog (am 1958-02-14)
Texter:
Jerry Leiber (am 1952-08-12)
Komponist(in):
Mike Stoller (am 1952-08-12)
vorher zugeschrieben zu:
Johnny Otis
publisher:
Chappell Morris Ltd., Cherry Lane, Cherry Lane Music, Cherry Lane Music Publishing, Elvis Presley Music, Gladys Music, Lion Publishing Co., MCA Music Inc. (US-based music publishers), MCA Music Ltd., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Sony/ATV Songs LLC, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal/MCA Music (music publisher; do not use as release label!), Williamson Music Company und Williamson Music, Inc.
41:27
13Cool Cool Ways (Sexy Ways)
Produzent(in):
Jack Clement und Sam Phillips (founder of Sun Records)
Bassgitarre:
Jay W. Brown (1960s US R&B, single “That’s How Much / Don’t Push Me Around”) (von 1958-01-16 bis 1958-01-18)
Gitarre:
Roland Janes (von 1958-01-16 bis 1958-01-18) und Billy Lee Riley (von 1958-01-16 bis 1958-01-18)
Klavier:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (von 1958-01-16 bis 1958-01-18)
Schlagzeug:
Jimmy Van Eaton (von 1958-01-16 bis 1958-01-18)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (von 1958-01-16 bis 1958-01-18)
phonographisches Urheberrecht (℗) von:
Sun Record Company (in 1974)
cover recording of:
Sexy Ways (von 1958-01-16 bis 1958-01-18)
Texter und Komponist(in):
Hank Ballard
2:34
14Hello Hello Baby
Produzent(in):
Jack Clement und Sam Phillips (founder of Sun Records)
Bassgitarre:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (in 1958-03)
Gitarre:
Roland Janes (in 1958-03) und Billy Lee Riley (in 1958-03)
Klavier:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (in 1958-03)
Schlagzeug:
Jimmy Van Eaton (in 1958-03)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (in 1958-03)
phonographisches Urheberrecht (℗) von:
Sun Record Company (in 1961)
recording of:
Hello Hello Baby (in 1958-03)
Texter und Komponist(in):
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”)
publisher:
Knox Music, Inc.
3:25
15Let the Good Times Roll
Produzent(in):
Jack Clement und Sam Phillips (founder of Sun Records)
Bassgitarre:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (in 1958-03)
Gitarre:
Roland Janes (in 1958-03) und Billy Lee Riley (in 1958-03)
Klavier:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (in 1958-03)
Schlagzeug:
Jimmy Van Eaton (in 1958-03)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (in 1958-03)
phonographisches Urheberrecht (℗) von:
Sun Record Company (in 1974)
cover recording of:
Let the Good Times Roll (in 1958-03)
Verfasser(in):
Fleecie Moore (in 1946) und Sam Theard (in 1946)
publisher:
Rytvoc, Inc. (ASCAP), Theard Swanson Publishing und Warock Corp.
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
2:15
16Sick and Tired
Produzent(in):
Jack Clement, Bill Justis und Sam Phillips (founder of Sun Records)
Gitarre:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (in 1959-03)
Klavier:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (in 1959-03)
Schlagzeug:
Jimmy Van Eaton (in 1959-03)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (in 1959-03)
phonographisches Urheberrecht (℗) von:
Sun Record Company (in 1974)
cover recording of:
Sick and Tired (in 1959-03)
Verfasser(in):
Antoine Dominique Domino (Fats Domino), Dave Bartholomew und Chris Kenner
publisher:
J. Albert & Son Pty. Ltd. und Travis Music Co.
2:47
17Keep Your Hands Off It (Birthday Cake)
Bearbeitung von:
Keep Your Hands Off of It (chat, slate & version 2 take 1) von Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”)
2:19
18What'd I Say
cover recording of:
What’d I Say
Texter und Komponist(in):
Ray Charles (soul musician, singer and songwriter)
publisher:
Carlin Music Corporation, Mijac Music, MUAC Music, Progressive Music (publisher), Unichappell Music, Inc. und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
3:24
19C.C. Rider
Produzent(in):
Sam Phillips (founder of Sun Records)
Bassgitarre:
Leo Lodner (in 1960-06)
Gitarre:
Roland Janes (in 1960-06)
Klavier:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (in 1960-06)
Saxophon:
Martin Willis (US saxophonist) (in 1960-06)
Schlagzeug:
Jimmy Van Eaton (in 1960-06)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (in 1960-06)
phonographisches Urheberrecht (℗) von:
Sun Record Company (in 1969)
recording of:
C. C. Rider (Jerry Lee Lewis version) (in 1960-06)
arranger:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”)
Version von:
See See Rider Blues
2:53
20I've Been Twistin' (Feelin' Good)
Produzent(in):
Sam Phillips (founder of Sun Records)
Bassgitarre:
R.W. McGee (am 1962-01-04)
Gitarre:
Roland Janes (am 1962-01-04) und Brad Suggs (am 1962-01-04)
Klavier:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (am 1962-01-04)
Schlagzeug:
Al Jackson, Jr. (Booker T & The MGs drummer) (am 1962-01-04)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (am 1962-01-04)
phonographisches Urheberrecht (℗) von:
Sun Record Company (in 1962)
Kompilation von:
I've Been Twistin' (take named (1) on BCD 17254) von Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) und I've Been Twistin' (take 4) von Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”)
Bearbeitung von:
I've Been Twistin' (take 4) von Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) und I've Been Twistin' (take named (1) on BCD 17254) von Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”)
recording of:
I’ve Been Twistin’ (am 1962-01-04)
Texter und Komponist(in):
Herman Parker Jr.
3:17
21High Powered Woman
Produzent(in):
Sam Phillips (founder of Sun Records)
Bassgitarre:
R.W. McGee (am 1962-01-04)
Gitarre:
Roland Janes (am 1962-01-04) und Brad Suggs (am 1962-01-04)
Klavier:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (am 1962-01-04)
Schlagzeug:
Al Jackson, Jr. (Booker T & The MGs drummer) (am 1962-01-04)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (am 1962-01-04)
phonographisches Urheberrecht (℗) von:
Sun Record Company (in 1989)
recording of:
High Powered Woman (am 1962-01-04)
Texter und Komponist(in):
Sonny Terry
1:48
22My Girl Josephine
recording of:
My Girl Josephine
Texter und Komponist(in):
Antoine Dominique Domino (Fats Domino) und Dave Bartholomew
Verfasser(in):
Dave Bartholomew und Fats Domino
publisher:
EMI United Partnership Ltd. und J. Albert & Son Pty. Ltd.
2:21
23Good Rockin' Tonight
Bearbeitung von:
Good Rockin’ Tonight (version 2 take 2 stereo) von Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”)
recording of:
Good Rockin’ Tonight
Texter und Komponist(in):
Roy Brown (blues musician) (in 1947-07)
publisher:
Brown Angel Music Publishing (BMI-affiliated), Carlin Music Corporation, Fort Knox Music, Fort Knox Music Co, Fort Knox Music Inc., Knox Music, Inc., Lark Music Ltd., Lois Music Publishing Co., Trio Music (publisher), Trio Music Co., Inc. und Wixen Music UK Ltd.
2:45
24Be-Bop-A-Lula
Produzent(in):
Scotty Moore (American guitarist and recording engineer) und Sam Phillips (founder of Sun Records)
Bassgitarre:
Jay W. Brown (1960s US R&B, single “That’s How Much / Don’t Push Me Around”) (am 1962-06-14)
Gitarre:
Roland Janes (am 1962-06-14) und Scotty Moore (American guitarist and recording engineer) (am 1962-06-14)
Klavier:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (am 1962-06-14)
Orgel:
Shirley Sisk (am 1962-06-14)
Schlagzeug:
Al Jackson, Jr. (Booker T & The MGs drummer) (am 1962-06-14)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (am 1962-06-14)
phonographisches Urheberrecht (℗) von:
Sun Record Company (in 1971)
cover recording of:
Be‐Bop‐a‐Lula (am 1962-06-14)
Verfasser(in):
Bill “Tex” Davis und Gene Vincent
publisher:
Lowery Music Co. Inc.
2:27
25Teenage Letter
Ko-Mix:
Colin Escott (bis 1989) und Frank Green (Sound engineer) (bis 1989)
Bassgitarre:
George Webb (US bass guitarist)
Gitarre:
Scotty Moore (American guitarist and recording engineer)
Klavier:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”)
Orgel:
W.R. Felts
Saxophon:
Luke Wright
Schlagzeug:
Tarp Tarrant (American drummer)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”)
Bearbeitung von:
Teenage Letter (false start & take 2 stereo) von Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”)
recording of:
Teenage Letter
Texter und Komponist(in):
Renald Richard
2:21

Nennungen

Veröffentlichung

ASIN:US: B00006JKBC [Info]

Veröffentlichungsgruppe

Allmusic:https://www.allmusic.com/album/mw0000225402 [Info]