Ewige Chöre

~ Release by Various Artists (see all versions of this release, 2 available)

Annotation

2 CD jewel case

Annotation last modified on 2024-06-28 10:57 UTC.

Tracklist

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1▼CD
#TitleArtistRatingLength
1Carmina Burana: O Fortuna
choir vocals:
The Cleveland Orchestra Chorus
orchestra:
The Cleveland Orchestra
recording of:
Carmina Burana: Fortuna imperatrix mundi: I. O Fortuna
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
version of:
O Fortuna (Poem, CB 17)
part of:
Carmina Burana: Fortuna Imperatrix Mundi
Carl Orff2:26
2Aida: Marsch
choir vocals:
Mormon Tabernacle Choir (fka Mormon Tabernacle Choir)
orchestra:
The Philadelphia Orchestra
recording of:
Aida: Atto II, scena 2. Marcia trionfale (orchestra) (Triumphal march, Triumphmarsch)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Akt II
part of:
Aida: Atto II
Giuseppe Verdi7:10
3Xerxes: Largo
choir vocals:
Mormon Tabernacle Choir (fka Mormon Tabernacle Choir)
orchestra:
The Philadelphia Orchestra
recording of:
Serse, HWV 40: Atto I. Arioso “Ombra mai fù” (“largo”; catch‐all for arrangements)
composer:
George Frideric Handel (German‐British baroque composer)
arrangement of:
Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse)
Georg Friedrich Händel5:40
4Rigoletto: Zitti Zitti
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir)
orchestra:
Orchester der Wiener Volksoper
recording of:
Rigoletto: Atto I, scena 2. Coro “Zitti, zitti, moviamo a vendetta” (Coro)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Rigoletto: Atto I
Giuseppe Verdi1:39
5Te Deum
choir vocals:
Choir of the Collegiate Church of St. Mary of Warwick
orchestra:
La Grande Écurie et la Chambre du Roy
recording of:
Te Deum, H. 146: Prélude
composer:
Marc‐Antoine Charpentier (composer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
part of:
Te Deum, H. 146
Marc‐Antoine Charpentier5:43
6Ave Maria
choir vocals:
Mormon Tabernacle Choir (fka Mormon Tabernacle Choir)
orchestra:
The Philadelphia Orchestra
conductor:
Eugene Ormandy (conductor)
performer:
The Tabernacle Choir at Temple Square (fka Mormon Tabernacle Choir)
recording of:
Ave Maria (Schubert’s Ave Maria: Latin “Ave Maria” text sung to the tune of ‘Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria”’)
lyricist:
[anonymous] (special purpose artist)
composer:
Franz Schubert (composer)
version of:
Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria” (Schubert's song, not the Bach/Gounod work; original for voice and piano)
Franz Schubert5:25
7Carmen: Choeur des contrebandiers
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir)
orchestra:
Orchester der Wiener Volksoper
recording of:
Carmen : Acte III, No. 19. Sextuor et Chœur « Écoute, écoute, compagnon, écoute » (Les contrebandiers, Le Dancaïre, Le Remendado, Don José, Carmen, Mercédès, Frasquita) (Chœur des contrebandiers)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte III
Georges Bizet3:01
8Samson: Awake the Trumpet’s Lofty Sound
choir vocals:
Mormon Tabernacle Choir (fka Mormon Tabernacle Choir)
orchestra:
The Philadelphia Orchestra
conductor:
Eugene Ormandy (conductor)
chorus master:
Richard P. Condie (conductor)
recording of:
Samson, HWV 57: Act I. Recitative. This day, a Solemn Feast to Dagon Held (Samson). Chorus. Awake the Trumpet’s Lofty Sound!
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Newburgh Hamilton
part of:
Samson, HWV 57: Act I
Georg Friedrich Händel2:16
9Boris Godunow: Chor des 2. Bildes
choir vocals:
Sofia National Opera Chorus
orchestra:
Sofia Festival Orchestra
Modest Mussorgskij2:36
10Tannhäuser: Pilgerchor
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir)
orchestra:
Orchester der Wiener Volksoper
recording of:
Excerpt from Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70: Aufzug III, Scene I. Pilgerchor: “Beglückt darf nun dich”
composer:
Richard Wagner (composer) (from 1843 until 1845-04-13)
librettist:
Richard Wagner (composer) (from 1842-06 until 1843-04)
part of:
Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70: Aufzug III, Scene I. “Wohl wusst’ ich hier sie im Gebet zu finden”
Richard Wagner3:32
11Kantate, BWV 140: »Zion hört die Wächter singen«
choir vocals:
Mormon Tabernacle Choir (fka Mormon Tabernacle Choir)
orchestra:
The Philadelphia Orchestra
recording of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": IV. Choral (Tenor) “Zion hört die Wächter singen”
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
is based on:
Wachet auf, ruft uns die Stimme
part of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme"
Johann Sebastian Bach6:58
12Fidelio: Gefangenenchor
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir)
orchestra:
Orchester der Wiener Volksoper
recording of:
Fidelio, op. 72: Act I, Scene II, no. 10a. Prisoner’s Chorus „O welche Lust, in freier Luft“ (Chor, 1st Prisoner, 2nd Prisoner)
composer:
Ludwig van Beethoven (German composer) (in 1805, in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven7:05
13Symphonie Nr. 3: 5. Satz
choir vocals:
London Symphony Chorus and Southend Boys’ Choir
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto)
orchestra:
London Symphony Orchestra
Gustav Mahler4:27
14Faust: Choeur des soldats
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir)
orchestra:
Orchester der Wiener Volksoper
recording of:
Faust : Acte IV. « Gloire immortelle de nos aïeux » (Chœur des soldats) (Soldier's Chorus)
composer:
Charles Gounod (French composer)
part of:
Faust : Acte IV
Charles Gounod2:47
15Der Freischütz: Jägerchor
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir)
orchestra:
Orchester der Wiener Volksoper
recording of:
Der Freischütz: Akt III. Nr. 15. Jägerchor „Was gleicht wohl auf Erden dem Jägervergnügen?“ (Chor) (Der Freischütz: The Huntsmen's Chorus)
composer:
Carl Maria von Weber (composer)
librettist:
Johann Friedrich Kind (German dramatist)
part of:
Der Freischütz: Akt III
Carl Maria von Weber2:40
16Requiem: Sanctus
choir vocals:
Musica Sacra (New York based choir & orchestra)
orchestra:
New York Philharmonic
recording of:
Messa da requiem: IV. Sanctus (a doppio coro)
composer:
Giuseppe Verdi (Italian opera composer) (in 1874)
part of:
Messa da requiem (Manzoni requiem)
Giuseppe Verdi2:35
17Battle Hymn of the Republic: Glory, hallelujah
choir vocals:
Mormon Tabernacle Choir (fka Mormon Tabernacle Choir)
orchestra:
The Philadelphia Orchestra
recording of:
Battle Hymn of the Republic (arr. Wilhousky)
composer:
William Steffe
arranger:
Peter J. Wilhousky
arrangement of:
Battle Hymn of the Republic (Glory, Glory, Hallelujah)
P. Wilhousky4:49
2▼CD
#TitleArtistRatingLength
1Pomp and Circumstance Nr. 1: Land of Hope and Glory
choir vocals:
Mormon Tabernacle Choir (fka Mormon Tabernacle Choir)
orchestra:
The Philadelphia Orchestra
recording of:
Pomp and Circumstance Military Marches, op. 39: March no. 1 in D major
premiered in:
Liverpool, Merseyside, England, United Kingdom (on 1901-10-19)
publisher:
Sir Edward Elgar (dec’d) (Edward Elgar, composer)
composer:
Edward Elgar (composer) (in 1901)
publisher:
Boosey & Co. Ltd. (music publisher founded in the 1760s, forebear of Boosey & Hawkes)
part of:
Pomp and Circumstance Military Marches, op. 39
Edward Elgar5:09
2Nabucco: Sklavenchor
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir)
orchestra:
Orchester der Wiener Volksoper
recording of:
Nabucco: Parte III, scena 2. Coro “Va, pensiero, sull’ali dorate” (Coro) (Chorus of the Hebrew Slaves)
composer:
Giuseppe Verdi (Italian opera composer) (in 1841)
librettist:
Temistocle Solera
part of:
Nabucco: Parte III. La profezia
Giuseppe Verdi3:54
3Fürst Igor: Polowetzer Tänze
choir vocals:
Sofia National Opera Chorus
orchestra:
Sofia Festival Orchestra
conductor:
Emil Tchakarov (conductor)
recording of:
Polovtsian Dances (from Prince Igor, completed after Borodin's death, ca. 1890)
composer:
Александр Порфирьевич Бородин (Alexander Borodin, Russian composer)
arranger:
Александр Константинович Глазунов (Alexander Glazunov, Russian composer, 1865–1936) and Николай Андреевич Римский‐Корсаков (Nikolai Rimsky‐Korsakov, Russian composer)
recording of:
Prince Igor: Act II. Polovtsian Dance with Choir
orchestrator:
Александр Константинович Глазунов (Alexander Glazunov, Russian composer, 1865–1936) and Николай Андреевич Римский‐Корсаков (Nikolai Rimsky‐Korsakov, Russian composer)
composer:
Александр Порфирьевич Бородин (Alexander Borodin, Russian composer)
part of:
Prince Igor: Act II
Alexander Borodin11:55
4Die Meistersinger bon Nürnberg: Wach-auf-Chor
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir)
orchestra:
Orchester der Wiener Volksoper
partial recording of:
Die Meistersinger von Nürnberg, WWV 96: Akt III, Scene V. "Sankt Krispin, lobet ihn!"
composer:
Richard Wagner (composer) (from 1863 until 1867)
librettist:
Richard Wagner (composer) (in 1862)
part of:
Die Meistersinger von Nürnberg, WWV 96: Akt III
Richard Wagner4:47
5Carmen: Les Voici
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir)
orchestra:
Orchester der Wiener Volksoper
recording of:
Carmen : Acte IV. No. 26 « Les voici ! Voici la quadrille ! » (Chœur, les gamins, Escamillo, Carmen, Frasquita, Mercédès)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte IV
Georges Bizet3:52
6La Traviata: Zigeunerinnenchor
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir)
orchestra:
Orchester der Wiener Volksoper
recording of:
La traviata: Atto II, scena 2. “Noi siamo zingarelle” (Zingare, Flora, Marchese, Coro)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto II (La traviata: Act II)
Giuseppe Verdi1:58
7Kantate, BWV 147: »Jesus Bleibet Meine Freude«
choir vocals:
Mormon Tabernacle Choir (fka Mormon Tabernacle Choir)
orchestra:
The Philadelphia Orchestra
conductor:
Eugene Ormandy (conductor)
chorus master:
Richard P. Condie (conductor)
recording of:
Kantate, BWV 147 “Herz und Mund und Tat und Leben”: Teil II, X. Choral “Jesus bleibet meine Freude” (Jesu, Joy of Man’s Desiring; catch‐all for arrangements and unknown orchestrations)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
Johann Sebastian Bach3:11
8Gloria (Anfang)
choir vocals:
Ensemble vocal Raphaël Passaquet
orchestra:
La Grande Écurie et la Chambre du Roy
recording of:
Gloria, RV 589: I. Gloria in excelsis Deo (edited by Malipiero)
lyricist:
Anonymous ([anonymous], special purpose artist)
additional composer:
Gian Francesco Malipiero (Italian composer)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
is based on:
Gloria in D major, RV 589: I. Gloria in excelsis Deo
part of:
Gloria, RV 589 (edited by Malipiero)
Antonio Vivaldi2:26
9Madame Butterfly: Chor
choir vocals:
Mormon Tabernacle Choir (fka Mormon Tabernacle Choir)
orchestra:
The Philadelphia Orchestra
recording of:
Madama Butterfly: Atto II. Coro a bocca chiusa (Humming Chorus)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini2:53
10Tannhäuser: Freudig begrüssen wir die edle Halle
choir vocals:
Mormon Tabernacle Choir (fka Mormon Tabernacle Choir)
orchestra:
The Philadelphia Orchestra
recording of:
Excerpt from Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70: Aufzug II, Scene IV. Festmarsch (Grand March)
composer:
Richard Wagner (composer)
part of:
Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70: Aufzug II, Scene IV. "Freudig begrüssen wir die edle Halle" (Einzug der Gäste)
Richard Wagner6:58
11Faust: Kernmesse
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir)
orchestra:
Orchester der Wiener Volksoper
partial recording of:
Faust
composer:
Charles Gounod (French composer) (from 1845 until 1859)
librettist:
Jules Barbier and Michel Carré (librettist)
premiered at:
Théâtre de la Ville (Paris) in Paris, Île-de-France, France (on 1859-03-19)
Charles Gounod5:18
12Requiem: Confutatis, Lacrimosa
choir vocals:
Chœur régional Nord‐Pas de Calais (Pas-de-Calais North Regional Choir)
orchestra:
La Grande Écurie et la Chambre du Roy
recording of:
Requiem in D minor, K. 626: III. Sequenz: e. Confutatis (catch-all for unknown editions)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626 (catch-all for unknown editions)
Wolfgang Amadeus Mozart5:06
13Der Messias: Hallelujah
choir vocals:
Mormon Tabernacle Choir (fka Mormon Tabernacle Choir)
orchestra:
The Philadelphia Orchestra
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus: “Hallelujah”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
librettist:
Charles Jennens
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel3:45
14Il Trovatore: Soldatenchor
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir)
orchestra:
Orchester der Wiener Volksoper
recording of:
Il trovatore: Atto III, scena 1. “Or co' dadi, ma fra poco” (soldati, Ferrando) (“Soldier's Chorus”)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi3:41
15Lohengrin: Brautchor
choir vocals:
Chor der Bayreuther Festspiele (Bayreuth Festival Chorus)
orchestra:
Orchester der Bayreuther Festspiele (Bayreuth Festival Orchestra)
recording of:
Lohengrin, WWV 75: Akt III, Szene I. „Treulich geführt ziehet dahin“ (Chor) (Lohengrin: Act III, Scene I. Bridal Chorus (Choir))
composer:
Richard Wagner (composer) (from 1846 until 1848)
librettist:
Richard Wagner (composer)
part of:
Lohengrin, WWV 75: Akt III
Richard Wagner4:40
16Weihnachtsoratorium Eingangschor »Jachzet, Frohlocket«
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bachkollegium Stuttgart
recording of:
Weihnachts‐Oratorium, BWV 248: Teil I, I. Coro „Jauchzet, frohlocket“
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!": I. Coro "Tönet, ihr Pauken! Erschallet, Trompeten!"
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach7:40