The All Time Greatest Movie Songs, Volume 1

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

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1CD
#TitleArtistRatingLength
1My Heart Will Go On
recording engineer:
Humberto Gatica and David Gleeson
miscellaneous support:
Emilie Charlap (task: orchestratra contractor) and Dan Shea (task: sound design)
additional drum machine [drum and rhythm] programming:
Dan Shea
drum machine [drum and rhythm] programming:
Walter Afanasieff
programming:
Dan Shea
assistant engineer:
Chris Brooke, Tony Gonzalez (engineer), Tyson Leeper, Glen Marchese, Ethan Schofer and Greg Thompson (engineer, mixer)
engineer:
Humberto Gatica (lead vocals) and Dan Shea
co-producer:
James Horner (American score composer)
producer:
Walter Afanasieff
mixer:
Humberto Gatica
additional keyboard:
Dan Shea
bass synthesizer [synth bass], Hammond organ [Hammond B-3 organ] and keyboard:
Walter Afanasieff
fiddle [Irish fiddle]:
Paul Peabody (violinist)
guitar:
Dann Huff
tin whistle [pennywhistle/whistles]:
Tony Hinnigan (cellist, multi-instrumentalist, most notably flutes, whistles, and pipes)
background vocals:
Cleytoven Richardson, Leslie Ellis, Skyler Jett, Konesha Owens and Jeanie Tracy
conductor:
William Ross (composer, orchestrator, arranger, conductor)
arranger:
Walter Afanasieff
orchestrator:
William Ross (composer, orchestrator, arranger, conductor)
recorded at:
The Hit Factory in Manhattan, New York, New York, United States and Wallyworld in San Rafael, California, United States
mixed at:
The Hit Factory in Manhattan, New York, New York, United States
music videos:
My Heart Will Go On (love theme from Titanic) by Céline Dion
part of:
The Co-Op: Top 10 British Funeral Songs (number: 2) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 279)
recording of:
My Heart Will Go On
lyricist:
Will Jennings
composer:
James Horner (American score composer)
publisher:
Blue Sky Rider Songs, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Ensign Music Corporation, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Fox Film Music Corporation (BMI-affiliated), Irving Music, Inc., Rondor Music (London) Ltd., Rondor Music Publishing, Sony/ATV Harmony, Sony/ATV Melody, TCF Music Publishing, Inc. (Twentieth Century Fox Music Publishing, Inc.; ASCAP), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), フジパシフィック音楽出版 第2事業部 (Fujipacific Music Publishing Division 2) (until 2014-12-31) and フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2) (from 2015-01-01 to present)
part of:
The 70th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1997 winner)
part of:
Titanic
Céline Dion4.354:40
2Streets of Philadelphia
engineer:
Toby Scott
producer:
Chuck Plotkin and Bruce Springsteen
mixer:
Bob Clearmountain
instruments:
Bruce Springsteen
background vocals:
Tommy Sims (r&b, ccm)
lead vocals:
Bruce Springsteen
recorded at:
Thrill Hill West (Springsteen’s home studio in Beverly Hills) in Beverly Hills, California, United States
part of:
A.V. Club: 15 Songs That Make Diseases (Real and Imaginary) Rock (number: 9)
recording of:
Streets of Philadelphia (in 1993-09)
publisher:
Bruce Springsteen
lyricist and composer:
Bruce Springsteen (in 1993-08)
publisher:
Zomba Music Publishing (music publisher – add no releases here!) and Zomba Music Publishing Ltd.
part of:
The 66th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1993 winner)
Bruce Springsteen44:14
3I Want to Spend My Lifetime Loving You
programming:
Jeff Bova
assistant engineer:
Alex Black (engineer), Marc Lane (production music) and Aya Takemura
engineer:
Steven Rinkoff
co-producer:
Steven Rinkoff
producer:
Jim Steinman (in 1998)
mixer:
Frank Filipetti
vocals:
Marc Anthony (Marco Antonio Muñiz, salsa and latin pop singer) and Tina Arena
performer:
Jeff Bova
arranger:
Jeff Bova and Jim Steinman
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1998) and Sony Music Productions Pty. Ltd. (for copyrights use only) (in 1998)
recorded at:
Bovaland in New York, New York, United States, Chung King Studio in New York, New York, United States, Metropolis (London) in London (Greater London), England, United Kingdom and Sarm West in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom
mixed at:
Sarm West in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom
recording of:
I Want to Spend My Lifetime Loving You (The Mask of Zorro) (in 1998)
lyricist:
Will Jennings
composer:
James Horner (American score composer)
publisher:
Blue Sky Rider Songs, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Rondor Music (Australia), Sony/ATV Music Publishing Australia Pty Ltd., Triple Star Music, Inc. and TSP Music, Inc.
cover recording of:
I Want to Spend My Lifetime Loving You (The Mask of Zorro)
lyricist:
Will Jennings
composer:
James Horner (American score composer)
publisher:
Blue Sky Rider Songs, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Rondor Music (Australia), Sony/ATV Music Publishing Australia Pty Ltd., Triple Star Music, Inc. and TSP Music, Inc.
Marc Anthony & Tina Arena4:43
4I Finally Found Someone
engineer:
Felipe Elgueta and Humberto Gatica
producer:
David Foster (Canadian music producer, arranger and composer)
assistant mixer:
Marnie Riley
mixer:
Mick Guzauski
vocals:
Bryan Adams (Canadian singer/songwriter) (in 1996) and Barbra Streisand (in 1996)
strings arranger:
Jack Hayes (American composer & orchestrator)
arranger:
Bryan Adams (Canadian singer/songwriter), David Foster (Canadian music producer, arranger and composer) and Robert John “Mutt” Lange (Robert John Lange)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1996)
part of:
The Downloader’s Music Source Book (number: 187)
recording of:
I Finally Found Someone (in 1996)
writer:
Bryan Adams (Canadian singer/songwriter), Marvin Hamlisch, Robert John “Mutt” Lange (Robert John Lange) and Barbra Streisand
publisher:
Zomba Enterprises, Inc. (ended), Anthem Team Sports Music, Badams Music Limited, Emanuel Music, TSP Music, Inc. and Universal Music–Z Tunes LLC
part of:
The 69th Academy Award for Best Original Song (number: 2)
Barbra Streisand & Bryan Adams3:42
5It Had to Be You
arranger and orchestrator:
Marc Shaiman (American score composer and lyricist)
cover recording of:
It Had to Be You (in 1989-05)
lyricist:
Gus Kahn (in 1924)
composer:
Isham Jones (in 1924)
publisher:
Bantam Music Publishing Co., EMI Music Publishing Ltd. (PRS‐affiliated), Gilbert Keyes Music Company, The Songwriters Guild, Warner Bros., Inc. (not for release label use!) and Jerome H. Remick & Co. (on 1924-05-09)
Harry Connick, Jr.2:40
6I Believe I Can Fly
recording engineer:
Stephen George and Carl Robinson (US bassist, guitarist & recording engineer)
producer:
R. Kelly
mixer:
Stephen George and R. Kelly
arranger:
R. Kelly
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 406)
recording of:
I Believe I Can Fly
lyricist and composer:
R. Kelly
publisher:
Imagem Music (ended), R. Kelly Publishing Inc., Zomba Music Publ. Ltd. and Zomba Songs Inc.
sub-publisher:
BMG Music Publishing Hong Kong Ltd
R. Kelly3.55:22
7Gangsta’s Paradise
producer:
Doug Rasheed
vocals:
L.V. (US R&B singer Larry Sanders, known for “Gangsta’s Paradise”)
samples:
Pastime Paradise by Stevie Wonder
music videos:
Gangsta’s Paradise by Coolio (US rapper, actor, chef & record producer) feat. L.V. (US R&B singer Larry Sanders, known for “Gangsta’s Paradise”)
part of:
Billboard: Greatest of All Time Hot 100 Songs (number: 98) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 166)
recording of:
Gangsta’s Paradise
writer:
Artis L. Ivey Jr. (US rapper, actor, chef & record producer), Larry James Sanders (US R&B singer Larry Sanders, known for “Gangsta’s Paradise”), Doug Rasheed and Stevie Wonder
publisher:
IQ Music Ltd., Jobete Music (appears also as: Jobete Msc.) and Polygram International (renamed Universal PolyGram International Publishing, Inc. circa 1998)
is based on:
Pastime Paradise
Coolio feat. L.V.3.954:02
8Will You Be There
recording engineer and mixer:
Matt Forger and Bruce Swedien
co-producer:
Bruce Swedien
producer:
Michael Jackson (“King of Pop”)
recording of:
Will You Be There
lyricist and composer:
Michael Jackson (“King of Pop”)
Michael Jackson5:53
9Take My Breath Away
engineer:
Dave Concors, Michael Rosen (US metal producer/engineer) and Tom Whitlock
producer:
Jerry Bruckheimer, Giorgio Moroder and Don Simpson (American film producer, screenwriter, and actor)
mixer:
Giorgio Moroder and Brian Reeves
drums (drum set):
Rob Brill
electric guitar:
Ric Olsen
synthesizer:
Arthur Barrow and John Crawford (Berlin bassist)
lead vocals:
Terri Nunn (Berlin singer)
phonographic copyright (℗) by:
CBS Inc. (US broadcasting company; file no releases here!) (in 1986) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1986)
recorded at:
Oasis Recording Studios in North Hollywood, Los Angeles, California, United States
music videos:
Take My Breath Away by Berlin (US new wave/synthpop)
part of:
TV Cream: Real 100 Best Singles Ever (number: 28), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 62) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 490)
recording of:
Take My Breath Away (song from the 1986 film Top Gun)
lyricist:
Tom Whitlock
composer:
Giorgio Moroder
publisher:
Famous Music Publishing Germany GmbH & Co. KG (ended), Jastian Music Inc. (ended), BMG Ariola Belgium, BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Neue Welt Musikverlag GmbH & Co. KG (– 2017), Sony/ATV Harmony, Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (in 1986), GMPC (in 1986) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) (ended), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
The 59th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1986 winner)
Berlin3.654:11
10Show Me Heaven
Maria McKee3:26
11What a Wonderful World
recorded in:
New York, United States (on 1967-08-16)
engineer:
Eddie Brackett and Bob Simpson (US jazz engineer/producer)
producer:
Bob Thiele (producer & songwriter)
alto saxophone:
Sam Marowitz (saxophonist and clarinetist) (on 1967-08-16) and Daniel Trimboli (on 1967-08-16)
baritone saxophone:
Raymond Stanfield (on 1967-08-16)
clarinet:
Sam Marowitz (saxophonist and clarinetist) (on 1967-08-16) and Jerome Richardson (on 1967-08-16)
double bass:
Russ Savakus (on 1967-08-16)
drums (drum set):
Grady Tate (on 1967-08-16)
flute:
Sam Marowitz (saxophonist and clarinetist) (on 1967-08-16), Jerome Richardson (on 1967-08-16) and Daniel Trimboli (on 1967-08-16)
guitar:
Allen Hanlon (jazz guitarist) (on 1967-08-16), Art Ryerson (on 1967-08-16) and Willard Suyker (on 1967-08-16)
percussion:
Warren Hard (on 1967-08-16)
piano:
Hank Jones (piano) (on 1967-08-16)
tenor saxophone:
Jerome Richardson (on 1967-08-16) and Daniel Trimboli (on 1967-08-16)
trombone:
Urbie Green (on 1967-08-16) and J.J. Johnson (jazz/bop trombonist/session leader) (on 1967-08-16)
trumpet:
Louis Armstrong (on 1967-08-16), Clark Terry (American swing trumpeter) (on 1967-08-16) and Joe Wilder (on 1967-08-16)
lead vocals:
Louis Armstrong (on 1967-08-16)
orchestra:
Louis Armstrong’s Orchestra and Chorus (on 1967-08-16)
conductor and chorus master:
Tommy Goodman (pianist, arranger for Benny Goodman and Duke Ellington) (on 1967-08-16)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1968)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 171) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 283)
recording of:
What a Wonderful World (on 1967-08-16)
writer:
George Douglas (producer & songwriter) and George David Weiss
publisher:
Abilene Music Inc., Carlin Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Memory Lane Music (publishing company), Quartet Music Inc., Range Road Music Inc. and Valando Music, Inc.
sub-publisher:
BMC Publishing NV, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (until 2014-12-31) and フジパシフィックミュージック (Fujipacific Music, Inc.) (from 2015-01-01 to present)
part of:
12 Monkeys Soundtrack
part of:
Freaky Friday (2003)
Louis Armstrong42:18
12Mrs. Robinson
recording engineer:
Roy Halee (on 1968-02-02)
assistant producer:
Bob Johnston (US record producer and early rockebilly singer)
producer:
Art Garfunkel, Roy Halee and Paul Simon (of Simon & Garfunkel)
drums (drum set):
Hal Blaine (U.S. studio drummer and percussionist) (on 1968-02-02)
guitar:
Paul Simon (of Simon & Garfunkel) (on 1968-02-02)
vocals:
Art Garfunkel (on 1968-02-02) and Paul Simon (of Simon & Garfunkel) (on 1968-02-02)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1968) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1968)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 270)
recording of:
Mrs. Robinson (on 1968-02-02)
lyricist and composer:
Paul Simon (of Simon & Garfunkel)
publisher:
Charing Cross Music (Paul Simon’s publishing company), Pattern Music Ltd (publisher), Paul Simon Music, Universal/MCA Music Ltd. (not for release label use!) and Universal/MCA Music Publishing Pty Ltd
Simon & Garfunkel4.253:50
13Dream a Little Dream of Me
producer:
Lou Adler
cover recording of:
Dream a Little Dream of Me
lyricist:
Gus Kahn (in 1931)
composer:
Fabian André (in 1931) and Wilbur Schwandt (in 1931)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Essex Music, Inc., Étienne Marrix Music, Francis, Day & Hunter Ltd., Gilbert Keyes Music Company, Infoswan Publications, One Less Car Music, Words & Music, Inc. (US work publisher) and ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
part of:
The Real Book (compilation of jazz standards, Volume I)
Cass Elliot3.353:12
14San Francisco
producer:
Lou Adler and John Phillips (The Mamas & The Papas)
vocals:
Scott McKenzie (in 1967-05)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1967) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1967)
recording of:
San Francisco (Be Sure to Wear Flowers in Your Hair) (in 1967-05)
publisher:
John Phillips (The Mamas & The Papas)
lyricist and composer:
John Phillips (The Mamas & The Papas)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Honest John Music, MCA Music Ltd., Universal Music Corp. (USA, affiliated with ASCAP), Universal‐MCA Music Publishing (US) and Wingate Music Corp.
Scott McKenzie3.752:59
15A Whole New World
additional programming:
Dan Shea
programming and producer:
Walter Afanasieff
synclavier programming:
Gary Cirimelli and Ren Klyce
engineer:
Dana Jon Chappelle
executive producer:
Brenda Dash and Jay Landers (Executive producer, A&R, producer, songwriter and music publisher)
mixer:
Bruce Botnick
editor:
Kathleen Fogarty-Bennett
bass synthesizer, keyboard and synclavier [synclavier acoustic guitar]:
Walter Afanasieff
guitar:
Michael Landau
synthesizer [Akai]:
Ren Klyce
vocals:
Regina Belle and Peabo Bryson
additional arranger:
Robbie Buchanan (Canadian producer)
arranger:
Walter Afanasieff
phonographic copyright (℗) by:
Buena Vista Pictures Distribution, Inc. (briefly as Buena Vista Pictures Distribution (1987/03/06–1987/07/24), rights holders and distribution) (in 1992) and Walt Disney Records (in 1992)
recording of:
A Whole New World (Aladdin)
lyricist:
Tim Rice
composer:
Alan Menken
publisher:
Walt Disney Music Company (music publisher, do not use as release label) (in 1992) and Wonderland Music Company, Inc. (a division of Disney Music Publishing) (in 1992)
part of:
The 65th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1992 winner)
part of:
Aladdin (1992 film soundtrack)
part of:
Aladdin (stage musical based on the 1992 Disney animated film)
Peabo Bryson & Regina Belle54:05
16The Way You Look Tonight
producer:
Danny Bennett
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1998)
cover recording of:
The Way You Look Tonight (from “Swing Time”)
publisher:
Jerome Kern (on 1936-07-24)
lyricist:
Dorothy Fields (American librettist and lyricist) (in 1936)
composer:
Jerome Kern (in 1936)
publisher:
Aldi Music Company, Chappell & Co., Inc. (USA), Chappell Music Ltd., Polygram Music, PolyGram Music Publishing Ltd., Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc., The Songwriters Guild and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (in 1936)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
The 9th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1936 winner)
part of:
Swing Time (film)
Tony Bennett3:24
17Someday
producer:
Simon Climie
mixer:
Andy Bradfield
guitar:
Eric Clapton
vocals:
Eternal (British R&B girl group)
performer:
Eric Clapton and Eternal (British R&B girl group)
strings arranger:
Nick Ingman
arranger:
Simon Climie and Grant Mitchell (musician, record producer and arranger)
cover recording of:
Someday (The Hunchback of Notre Dame)
lyricist:
Stephen Schwartz (musical theatre lyricist/composer)
composer:
Alan Menken
publisher:
Walt Disney Music Company (music publisher, do not use as release label) (in 1996) and Wonderland Music Company, Inc. (a division of Disney Music Publishing) (in 1996)
part of:
The Hunchback of Notre Dame (1996 film soundtrack)
Eternal2.84:20
18Go the Distance
recording engineer:
Dana Jon Chappelle, John Kurlander (engineer) and David Reitzas
programming:
David Gleeson and Dan Shea
additional engineer:
David Gleeson
assistant engineer:
Steve Milo
producer:
Walter Afanasieff and Michael Bolton
mixer:
Mick Guzauski
additional keyboard:
Dan Shea
drums (drum set):
John “JR” Robinson (session drummer)
guitar:
Michael Landau
background vocals:
Sandy Griffith, Claytoven Richardson and Jeanie Tracy
vocals:
Michael Bolton
conductor:
Jeremy Lubbock
arranger:
Walter Afanasieff, Michael Bolton and Jeremy Lubbock
phonographic copyright (℗) by:
Disney Enterprises, Inc. (not for release label use!) (in 1997) and Walt Disney Records (in 1997)
mixed at:
The Hit Factory in Manhattan, New York, New York, United States
recording of:
Go the Distance (Michael Bolton version)
lyricist:
David Zippel
composer:
Alan Menken
publisher:
Walt Disney Music Company (music publisher, do not use as release label) and Wonderland Music Company, Inc. (a division of Disney Music Publishing)
version of:
Go the Distance (Hercules, film version)
Michael Bolton4:41
19Knockin’ on Heaven’s Door
engineer:
Dan Wallin
producer:
Gordon Carroll (producer)
bass guitar:
Terry Paul (in 1973-02)
drums (drum set):
Jim Keltner (in 1973-02)
guitar:
Bob Dylan (in 1973-02) and Roger McGuinn (in 1973-02)
harmonium, organ and spinet:
Carl Fortina (in 1973-02)
background vocals:
Carol Hunter (in 1973-02), Brenda Patterson (in 1973-02) and Donna Weiss (in 1973-02)
vocals:
Bob Dylan (in 1973-02)
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1973)
engineered at:
The Burbank Studios in Burbank, California, United States
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 190)
recording of:
Knockin’ on Heaven’s Door (in 1973-02)
additional lyricist:
Bob Dylan (on 1975-03-23)
lyricist and composer:
Bob Dylan
publisher:
Sony Music Publishers, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Ram’s Horn Music (in 1973)
Bob Dylan4.72:30
20Unchained Melody
engineer:
Larry Levine
producer:
Phil Spector
solo lead vocals:
Bobby Hatfield (in 1965-03)
arranger:
Jack Nitzsche (American musician and score composer)
phonographic copyright (℗) by:
Spectrum Music (Universal Music Group budget label), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1965, in 1968) and Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (in 1966)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (in 1965-03)
part of:
The Co-Op: Top 10 British Funeral Songs (number: 8), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 269) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 366)
cover recording of:
Unchained Melody (in 1965-03)
publisher:
Hy Zaret
lyricist:
Hy Zaret
composer:
Alex North (US composer)
publisher:
Frank Music Corp. (ended), HZUM Publishing, MPL Communication Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL Communications Australia, MPL Musik Verlags GmbH, North Melody Publishing and Unchained Melody Publishing, LLC
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
part of:
The 28th Academy Award for Best Original Song (number: 2)
The Righteous Brothers33:36
2CD
#TitleArtistRatingLength
1Men in Black
recording engineer:
John Shriver
drum machine [drum] programming:
Poke and Tone
producer:
Poke and Tone
mixer:
Commissioner Gordon (US hip hop producer Gordon Williams) and Tony Maserati (engineer / mixer)
background vocals:
Coko (R&B singer Cheryl Gamble)
publisher:
Track Masters Entertainment
samples:
Forget Me Nots by Patrice Rushen
recording of:
Men in Black
writer:
Fred Washington (US session bassist), Patrice Rushen, Will Smith (US actor aka The Fresh Prince) and Terry McFadden
publisher:
Baby Fingers Music, Freddie Dee Music, New Columbia Pictures, Inc, Treyball Music, Inc. and Yamina Music
Will Smith4.63:48
2The Shoop Shoop Song
cover recording of:
It’s in His Kiss (The Shoop Shoop Song)
lyricist and composer:
Rudy Clark (US songwriter)
publisher:
By the Bay Music, Pathe Publications (F.E.) Ltd., TM Music Ltd. and Trio Music Company
Cher2:37
3Deeper Underground
producer:
Jay Kay (English singer, Jamiroquai)
recording of:
Deeper Underground
composer:
Jay Kay (English singer, Jamiroquai) and Tobi Smith
publisher:
EMI Blackwood Music Inc. and EMI Music Publishing Ltd. (PRS‐affiliated)
Jamiroquai3:35
4A View to a Kill
engineer and mixer:
Jason Corsaro (U.S. music engineer, and record producer)
producer:
John Barry (English score composer), Jason Corsaro (U.S. music engineer, and record producer), Duran Duran (English rock band) and Bernard Edwards (American bassist and record producer)
sampler:
Jonathan Elias
vocals:
Duran Duran (English rock band)
conductor:
John Barry (English score composer)
arranger:
John Barry (English score composer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1998)
recording of:
A View to a Kill
orchestrator:
John Barry (English score composer)
writer:
John Barry (English score composer), Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) and Roger Taylor (Duran Duran drummer)
composer:
John Barry (English score composer) and Duran Duran (English rock band)
publisher:
EMI Songs and Gloucester Place Music Ltd.
part of:
James Bond themes
part of:
A View to a Kill (from the James Bond film)
Duran Duran3.63:35
5The Sweetest Thing
performer:
Lauryn Hill and Refugee Camp Allstars
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1997)
Lauryn Hill4:52
6Lovefool
engineer and producer:
Tore Johansson
bass guitar:
Magnus Sveningsson
drums (drum set) and percussion:
Bengt Lagerberg
guitar:
Peter Svensson (guitarist, composer, producer; member of The Cardigans)
keyboard:
Lars-Olof Johansson
background vocals:
Magnus Sveningsson and Peter Svensson (guitarist, composer, producer; member of The Cardigans)
lead vocals:
Nina Persson
phonographic copyright (℗) by:
Stockholm Records and Universal Music AB (Swedish subsidiary of Universal Music Group)
engineered at:
Tambourine Studios in Malmö, Skåne (Skåne county), Sweden
produced at:
Tambourine Studios in Malmö, Skåne (Skåne county), Sweden
music videos:
Lovefool by The Cardigans (Swedish rock band)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 242)
recording of:
Lovefool
lyricist:
Nina Persson and Peter Svensson (guitarist, composer, producer; member of The Cardigans)
composer:
Peter Svensson (guitarist, composer, producer; member of The Cardigans)
publisher:
Stockholm Songs and Universal–Songs of PolyGram International, Inc.
The Cardigans3.753:17
7Pretty Woman
producer:
Fred Foster
12 string guitar [12 string guitar Epiphone] and lead vocals:
Roy Orbison (on 1964-08-01)
double bass [upright bass]:
Bob Moore (U.S. bassist and bandleader) (on 1964-08-01)
drums (drum set):
Buddy Harman (Session drummer and songwriter) (on 1964-08-01)
guitar:
Jerry Kennedy (on 1964-08-01), Wayne Moss (on 1964-08-01) and Billy Sanford (guitar) (on 1964-08-01)
harmonica:
Charlie McCoy (white blues harmonica player, 1960s-present) (on 1964-08-01)
percussion:
Paul Garrison (on 1964-08-01)
piano:
Floyd Cramer (on 1964-08-01)
saxophone:
Boots Randolph (on 1964-08-01)
vocals:
Roy Orbison
phonographic copyright (℗) by:
Orbison Records, Orbison Records, Inc. and Monument Record Corp. (not for release label use!) (in 1964)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (number: 20), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 59), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 222)
recording of:
Oh, Pretty Woman (Roy Orbison song) (on 1964-08-01)
lyricist and composer:
Bill Dees (songwriter, singer, guitarist) and Roy Orbison
publisher:
Acuff-Rose Music Limited (UK), Barbara Orbison Music Company, Roy Orbison Music Company, Universal/MCA Music Ltd. (not for release label use!), Acuff-Rose Publications, Inc. (BMI) (on 1964-08-26) and Acuff-Rose (BMI) (in 1972)
Roy Orbison4.23:00
8Brown Eyed Girl
recording of:
Brown Eyed Girl (Van Morrison song)
lyricist and composer:
Van Morrison
publisher:
Artist Alliance, Gallo Music Publishers, PolyGram Music Publishing Australia Pty. Ltd., PolyGram Music Publishing Ltd., Songs of PolyGram International, Inc., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc., Web IV Music Inc. (in 1967) and Polygram Publishing AB (in 1992)
Van Morrison2:53
9You Never Can Tell
producer:
Chuck Berry, Leonard Chess, Leonard & Phil Chess (legendary US production duo), Phil Chess and Willie Dixon
drums (drum set):
Odie Payne (American Chicago blues drummer) (from 1964-01-07 until 1964-01-09)
electric bass guitar:
Louis Satterfield (from 1964-01-07 until 1964-01-09)
guitar:
Chuck Berry (from 1964-01-07 until 1964-01-09)
piano:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (from 1964-01-07 until 1964-01-09)
tenor saxophone:
Rubin Cooper (from 1964-01-07 until 1964-01-09) and George Patterson (from 1964-01-07 until 1964-01-09)
vocals:
Chuck Berry (from 1964-01-07 until 1964-01-09)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1964)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1964-01-07 until 1964-01-09)
recording of:
You Never Can Tell (from 1964-01-07 until 1964-01-09)
lyricist and composer:
Chuck Berry
publisher:
Arc Music Corp. (U.S. rock & blues publisher), Tristan Music Ltd. and Isalee Music (in 1994)
Chuck Berry4.152:42
10Shy Guy
recording of:
Shy Guy
writer:
Kingsley Gardner, Diana King (Jamaican-American singer-songwriter) and Andy Marvel
publisher:
Diana King Music, Kinsley Gardner Nation of Soul Music, W'nR Music and World of Andy Music
Diana King4:06
11I Can See Clearly Now
additional producer:
Jimmy Bralower
producer:
Paul Henton
remixer:
Jimmy Bralower
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1993)
cover recording of:
I Can See Clearly Now
lyricist and composer:
Johnny Nash (US reggae/pop singer-songwriter)
publisher:
Cayman Music, CP Masters B V, Dovan Music, Rondor Music (London) Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Artemis Music Limited, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Jimmy Cliff4.53:16
12When the Going Gets Tough
recording of:
When the Going Gets Tough, the Tough Get Going
writer:
Wayne Brathwaite, Barry Eastmond, Robert John “Mutt” Lange (Robert John Lange) and Billy Ocean
publisher:
Aqua Music (Billy Ocean's recording & publishing label), Aqua Music Ltd., BMG Music Publishing Ltd., Imagem London Ltd., Universal Music Publishers MGB Australia Pty Ltd, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Zomba Enterprises, Inc. and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Billy Ocean4:08
13Ghostbusters
producer:
Ray Parker Jr.
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1984) and RCA Records (not for release label use! for the imprint, please use “RCA” instead) (from 2016 to present)
part of:
Billboard Hot 100: 2025-11-15 (number: 22)
recording of:
Ghostbusters
lyricist and composer:
Ray Parker Jr.
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Golden Torch Music Corp., EMI Music Publishing Ltd. (PRS‐affiliated), IQ Music Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019), Golden Torch Music Corp. (in 1984) and Raydiola Music (in 1984)
part of:
The 57th Academy Award for Best Original Song (number: 2)
is based on:
I Want a New Drug
Ray Parker Jr.3.94:05
14Here Comes the Hotstepper
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1994) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1994)
samples:
Heartbeat (club version) by Taana Gardner and Land of 1000 Dances by Cannibal & the Headhunters
recording of:
Here Comes the Hotstepper
writer:
Ini Kamoze, Chris Kenner and Salaam Remi
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), EMI (EMI Records, or EMI Music only if there is no other imprint), Longitude Music, Pine Publishing, Rondor Music (London) Ltd. and Salaam Remi Music
Ini Kamoze34:09
15Mustang Sally
background vocals:
Angeline Ball, Maria Doyle Kennedy and Bronagh Gallagher (Irish singer and actress)
vocals:
Andrew Strong (Irish singer)
phonographic copyright (℗) by:
Geffen Records (in 1991) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1991)
cover recording of:
Mustang Sally
lyricist and composer:
Sir Mack Rice
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Australia Pty. Ltd., Fourteenth Hour Music, Inc., Springtime Music, Inc. and フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
The Commitments4.54:00
16Hot Stuff
part of:
Billboard: Greatest of All Time Hot 100 Songs (number: 96)
recording of:
Hot Stuff
writer:
Pete Bellotte (English lyricist and producer), Harold Faltermeyer and Keith Forsey (drummer, producer and songwriter)
publisher:
Warner Chappell, WB Music Corp. (1929–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Donna Summer3:28
17Flashdance… What a Feeling
producer:
Giorgio Moroder
vocals:
Irene Cara
phonographic copyright (℗) by:
Polygram Records, Inc. (New York) (not for release label use! US division of PolyGram) (in 1983), Unidisc Music Inc. (not for release label use! use “Unidisc” instead) (in 1983) and Universal Music TV (UK, a division of Universal Music Operations Limited) (in 1995)
part of:
Billboard: Greatest of All Time Hot 100 Songs (number: 38) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 492)
recording of:
Flashdance… What a Feeling
lyricist:
Irene Cara and Keith Forsey (drummer, producer and songwriter)
composer:
Giorgio Moroder
publisher:
Alcor Music (publisher), Carasmatic Music, Carub Music (publisher), Chappell Music Ltd., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), GMPC, Intersong Music, Intersong Music Ltd., Intersong U.S.A. (publisher), Sony/ATV Harmony and WB Music Corp. (1929–2019)
part of:
The 56th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1983 winner)
Irene Cara3.553:44
18Superfly
engineer:
Roger Anfinsen
producer:
Curtis Mayfield
bass guitar:
Joseph Scott (US funk/soul bassist)
drums (drum set):
Morris Jennings
guitar:
Curtis Mayfield and Craig McMullen
percussion:
Master Henry Gibson (Percussionist with Curtis Mayfield, Stan Getz, Ramsey Lewis)
lead vocals:
Curtis Mayfield
arranger and orchestrator:
Johnny Pate
phonographic copyright (℗) by:
Curtom Records (in 1972)
recording of:
Superfly
lyricist and composer:
Curtis Mayfield
publisher:
Todd Mayfield Publishing, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and Curtom Publishing Co Inc (from 1972 to ????)
Curtis Mayfield4.653:53
19Born Slippy
producer and mixer:
Underworld (UK electronic music group)
phonographic copyright (℗) by:
Junior Boy’s Own (in 1996) and Junior Recordings (in 1996)
recording of:
Born Slippy .NUXX (vocal version associated with Trainspotting)
lyricist:
Karl Hyde
writer:
Darren Emerson, Karl Hyde and Rick Smith (electronic producer, member of Underworld)
publisher:
Mute Song (either subsidiary of Mute Song Ltd., or brand that refers to itself), Sherlock Holmes Music Ltd. and Underworld (legal entity for the band)
Underworld3.94:22
20Modern Woman
engineer:
Jim Boyer (producer/engineer)
producer:
Phil Ramone
bass:
Doug Stegmeyer (bass player, aka Slug Douglas) (in 1985)
drums (drum set):
Liberty DeVitto (US drummer) (in 1985)
guitar:
David Brown (guitarist for Billy Joel) (in 1985) and Russell Javors (in 1985)
percussion:
Jimmy Bralower (in 1985)
synthesizer:
Billy Joel (American singer-songwriter and pianist) (in 1985)
tenor saxophone [tenor sax]:
Mark Rivera (in 1985)
orchestrator:
Rob Mounsey
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1986), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1986) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1986)
mixed at:
The Power Station, NYC (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States
recording of:
Modern Woman (in 1985)
lyricist and composer:
Billy Joel (American singer-songwriter and pianist)
publisher:
Joel Songs (in 1986)
Billy Joel33:49