Ein Portrait in Historischen Aufnahmen

~ Release by Richard Strauss (see all versions of this release, 1 available)

Tracklist

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1▼CD: Sinfonia Domestica, Op. 53; Don Juan, Op. 20
#	Title	Rating	Length
1	Sinfonia Domestica Für Grosses Orchester, Op. 53 orchestra: Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) conductor: Carl Schuricht recording of: Symphonia Domestica (op. 53; TrV 209) composer: Richard Strauss (German composer) (in 1903) premiered at: Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1904-03-21) part of: Works of Richard Strauss by opus number (number: op. 53) and Werkverzeichnis (Richard Strauss TrV) (number: TrV 209)		39:58
2	Don Juan, Op. 20 orchestra: Wiener Philharmoniker (Vienna Philharmonic) conductor: Clemens Krauss (conductor) recording of: Don Juan (op. 20; TrV 156) premiered in: Weimar, Thüringen (Thuringia), Germany (on 1889-11-11) composer: Richard Strauss (German composer) (in 1888) part of: Works of Richard Strauss by opus number (number: op. 20) and Werkverzeichnis (Richard Strauss TrV) (number: TrV 156)		15:40

2▼CD: Ein Heldenleben, Op. 40; Intermezzo, Op. 72; Lieder mit Orchester
#	Title	Rating	Length
1	Ein Heldenleben, Op. 40: I. Der Held orchestra: Koninklijk Concertgebouworkest (Royal Concertgebouw Orchestra) conductor: Willem Mengelberg recording of: Ein Heldenleben, op. 40: I. Der Held (A Hero’s Life, op. 40: 1. The Hero) composer: Richard Strauss (German composer) (in 1898) part of: Ein Heldenleben (op 40; TrV 190)		4:15
2	Ein Heldenleben, Op. 40: II. Des Helden Widersacher orchestra: Koninklijk Concertgebouworkest (Royal Concertgebouw Orchestra) conductor: Willem Mengelberg recording of: Ein Heldenleben, op. 40: II. Des Helden Widersacher (A Hero’s Life, op. 40: 2. The Hero’s Adversaries) composer: Richard Strauss (German composer) (in 1898) part of: Ein Heldenleben (op 40; TrV 190)		3:17
3	Ein Heldenleben, Op. 40: III. Des Helden Gefährtin orchestra: Koninklijk Concertgebouworkest (Royal Concertgebouw Orchestra) conductor: Willem Mengelberg recording of: Ein Heldenleben, op. 40: III. Des Helden Gefährtin (A Hero’s Life, op. 40: 3. The Hero’s Companion) composer: Richard Strauss (German composer) (in 1898) part of: Ein Heldenleben (op 40; TrV 190) part of: Ein Heldenleben (op 40; TrV 190)		11:09
4	Ein Heldenleben, Op. 40: IV. Des Helden Walstatt orchestra: Koninklijk Concertgebouworkest (Royal Concertgebouw Orchestra) conductor: Willem Mengelberg recording of: Ein Heldenleben, op. 40: IV. Des Helden Walstatt (A Hero’s Life, op. 40: 4. The Hero at Battle) composer: Richard Strauss (German composer) (in 1898) part of: Ein Heldenleben (op 40; TrV 190) part of: Ein Heldenleben (op 40; TrV 190)		6:59
5	Ein Heldenleben, Op. 40: V. Des Helden Friedenswerke orchestra: Koninklijk Concertgebouworkest (Royal Concertgebouw Orchestra) conductor: Willem Mengelberg recording of: Ein Heldenleben, op. 40: V. Des Helden Friedenswerke (A Hero’s Life, op. 40: 5. The Hero’s Works of Peace) composer: Richard Strauss (German composer) (in 1898) part of: Ein Heldenleben (op 40; TrV 190)		5:52
6	Ein Heldenleben, Op. 40: VI. Des Helden Weltflucht und Vollendung orchestra: Koninklijk Concertgebouworkest (Royal Concertgebouw Orchestra) conductor: Willem Mengelberg recording of: Ein Heldenleben, op. 40: VI. Des Helden Weltflucht und Vollendung (A Hero’s Life, op. 40: 6. The Hero’s Retreat from the World and Fulfillment) composer: Richard Strauss (German composer) (in 1898) part of: Ein Heldenleben (op 40; TrV 190) part of: Ein Heldenleben (op 40; TrV 190)		10:32
7	Intermezzo, Op. 72: 2. Sinfonisches Zwischenspiel orchestra: Royal Philharmonic Orchestra conductor: Sir Thomas Beecham (conductor)		5:36
8	Lieder mit Orchester: I. Waldseligkeit, Op. 49,1 recorded in: Berlin, Germany (in 1942-02) tenor vocals: Peter Anders (German opera tenor) (in 1942-02) orchestra: Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1942-02) conductor: Wilhelm Furtwängler (conductor) (in 1942-02) recording of: Waldseligkeit, op. 49 no. 1 (in 1942-02) lyricist: Richard Dehmel composer: Richard Strauss (German composer) (from 1900 until 1901) part of: 8 Lieder for voice and piano (op. 49; TrV 204)		2:44
9	Lieder mit Orchester: II. Liebeshymnus, Op. 32,3 recorded in: Berlin, Germany (in 1942-02) tenor vocals: Peter Anders (German opera tenor) (in 1942-02) orchestra: Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1942-02) conductor: Wilhelm Furtwängler (conductor) (in 1942-02) recording of: Liebeshymnus, op. 32 no. 3 (in 1942-02) lyricist: Karl Friedrich Henckell composer: Richard Strauss (German composer) part of: 5 Lieder for voice and piano (op. 32; TrV 174)		2:37
10	Lieder mit Orchester: III. Verführung, Op. 33,1 recorded in: Berlin, Germany (in 1942-02) tenor vocals: Peter Anders (German opera tenor) (in 1942-02) orchestra: Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1942-02) conductor: Wilhelm Furtwängler (conductor) (in 1942-02) recording of: Verführung, op. 33 no. 1 (in 1942-02) lyricist: John Henry Mackay (Scottish-German egoist anarchist, thinker and writer) composer: Richard Strauss (German composer) part of: 4 Gesänge for voice and orchestra (op. 33; TrV 180)		8:39
11	Lieder mit Orchester: IV. Winterliebe, Op. 48,5 recorded in: Berlin, Germany (in 1942-02) tenor vocals: Peter Anders (German opera tenor) (in 1942-02) orchestra: Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1942-02) conductor: Wilhelm Furtwängler (conductor) (in 1942-02) recording of: Winterliebe, op. 48 no. 5 (in 1942-02) lyricist: Karl Friedrich Henckell composer: Richard Strauss (German composer) (in 1900) part of: 5 Lieder for voice and piano (op. 48; TrV 202)		1:28

3▼CD: Till Eulenspiegels lustige Streiche, Op. 28; Don Quixote, Op. 35; Tanz der Sieben Schleier aus Salome, Op. 54
#	Title	Rating	Length
1	Till Eulenspiegels lustige Streiche, Op. 28 orchestra: Berliner Philharmoniker (Berlin Philharmonic Orchestra) conductor: Wilhelm Furtwängler (conductor) recording of: Till Eulenspiegels lustige Streiche (Till Eulenspiegel’s Merry Pranks, op. 28; TrV 171) composer: Richard Strauss (German composer) (from 1894 until 1895) part of: Works of Richard Strauss by opus number (number: op. 28) and Werkverzeichnis (Richard Strauss TrV) (number: TrV 171)		14:58
2	Don Quixote, Op. 35: I. Introduction cello: Gregor Piatigorsky (cellist) orchestra: Pittsburgh Symphony Orchestra conductor: Fritz Reiner (conductor) recording of: Don Quixote, op. 35: I. Introduction composer: Richard Strauss (German composer) (in 1897) part of: Don Quixote (op 35; TrV 184)		5:52
3	Don Quixote, Op. 35: II. Theme: Mäßig cello: Gregor Piatigorsky (cellist) orchestra: Pittsburgh Symphony Orchestra conductor: Fritz Reiner (conductor) recording of: Don Quixote, op. 35: Theme: Mäßig. "Don Quichotte, der Ritter von der traurigen Gestalt" (Don Quixote, op. 35: 2. Theme: Mäßig. "Don Quixote, the Knight of the Sorrowful Countenance") composer: Richard Strauss (German composer) (in 1897) part of: Don Quixote, op. 35: II. Theme and Variations		1:00
4	Don Quixote, Op. 35: III. Maggiore: "Sancho Panza" cello: Gregor Piatigorsky (cellist) orchestra: Pittsburgh Symphony Orchestra conductor: Fritz Reiner (conductor) recording of: Don Quixote, op. 35: Maggiore. Sancho Panza composer: Richard Strauss (German composer) (in 1897) part of: Don Quixote, op. 35: II. Theme and Variations		1:02
5	Don Quixote, Op. 35: IV. Variation I: Gemächlich cello: Gregor Piatigorsky (cellist) orchestra: Pittsburgh Symphony Orchestra conductor: Fritz Reiner (conductor) recording of: Don Quixote, op. 35: Variation I: Departure. The Adventure of the Windmills composer: Richard Strauss (German composer) (in 1897) part of: Don Quixote, op. 35: II. Theme and Variations		2:33
6	Don Quixote, Op. 35: V. Variation II: Kriegerisch cello: Gregor Piatigorsky (cellist) orchestra: Pittsburgh Symphony Orchestra conductor: Fritz Reiner (conductor) recording of: Don Quixote, op. 35: Variation II: The Battle With the Sheep composer: Richard Strauss (German composer) (in 1897) part of: Don Quixote, op. 35: II. Theme and Variations		1:39
7	Don Quixote, Op. 35: VI. Variation III: Mäßiges Zeitmaß cello: Gregor Piatigorsky (cellist) orchestra: Pittsburgh Symphony Orchestra conductor: Fritz Reiner (conductor) recording of: Don Quixote, op. 35: Variation III: Sancho's Wishes, Peculiarities of Speech and Maxims composer: Richard Strauss (German composer) (in 1897) part of: Don Quixote, op. 35: II. Theme and Variations		7:19
8	Don Quixote, Op. 35: VII. Variation IV: Etwas breiter cello: Gregor Piatigorsky (cellist) orchestra: Pittsburgh Symphony Orchestra conductor: Fritz Reiner (conductor) recording of: Don Quixote, op. 35: Variation IV: The Adventure With the Procession of Penitents composer: Richard Strauss (German composer) (in 1897) part of: Don Quixote, op. 35: II. Theme and Variations		1:58
9	Don Quixote, Op. 35: VIII. Variation V: Sehr langsam cello: Gregor Piatigorsky (cellist) orchestra: Pittsburgh Symphony Orchestra conductor: Fritz Reiner (conductor) recording of: Don Quixote, op. 35: Variation V: Don Quixote's Vigil During the Summer Night composer: Richard Strauss (German composer) (in 1897) part of: Don Quixote, op. 35: II. Theme and Variations		4:11
10	Don Quixote, Op. 35: IX. Variation VI: Schnell cello: Gregor Piatigorsky (cellist) orchestra: Pittsburgh Symphony Orchestra conductor: Fritz Reiner (conductor) recording of: Don Quixote, op. 35: Variation VI: Dulcinea composer: Richard Strauss (German composer) (in 1897) part of: Don Quixote, op. 35: II. Theme and Variations		1:10
11	Don Quixote, Op. 35: X. Variation VII: Ein wenig ruhiger als vorher cello: Gregor Piatigorsky (cellist) orchestra: Pittsburgh Symphony Orchestra conductor: Fritz Reiner (conductor) recording of: Don Quixote, op. 35: Variation VII: Don Quixote's Ride Through the Air composer: Richard Strauss (German composer) (in 1897) part of: Don Quixote, op. 35: II. Theme and Variations		0:56
12	Don Quixote, Op. 35: XI. Variation VIII: Gemächlich cello: Gregor Piatigorsky (cellist) orchestra: Pittsburgh Symphony Orchestra conductor: Fritz Reiner (conductor) recording of: Don Quixote, op. 35: Variation VIII: The Trip on the Enchanted Boat composer: Richard Strauss (German composer) (in 1897) part of: Don Quixote, op. 35: II. Theme and Variations		1:38
13	Don Quixote, Op. 35: XII. Variation IX: Schnell und stürmisch. cello: Gregor Piatigorsky (cellist) orchestra: Pittsburgh Symphony Orchestra conductor: Fritz Reiner (conductor) recording of: Don Quixote, op. 35: Variation IX: The Attack on the Mendicant Friars composer: Richard Strauss (German composer) (in 1897) part of: Don Quixote, op. 35: II. Theme and Variations		1:02
14	Don Quixote, Op. 35: XIII. Variation X: Viel breiter cello: Gregor Piatigorsky (cellist) orchestra: Pittsburgh Symphony Orchestra conductor: Fritz Reiner (conductor) recording of: Don Quixote, op. 35: Variation X: The Duel and Return Home composer: Richard Strauss (German composer) (in 1897) part of: Don Quixote, op. 35: II. Theme and Variations		3:19
15	Don Quixote, Op. 35: XIV. Finale: Sehr ruhig cello and violoncello piccolo: Gregor Piatigorsky (cellist) orchestra: Pittsburgh Symphony Orchestra conductor: Fritz Reiner (conductor) recording of: Don Quixote, op. 35: III. Epilogue: Don Quixote's Mind Clears. Death of Don Quixote (Don Quixote, op. 35: Epilogue: Don Quixote's Mind Clears. Death of Don Quixote) composer: Richard Strauss (German composer) (in 1897) part of: Don Quixote (op 35; TrV 184)		5:14
16	Tanz der Sieben Schleier aus Salome, Op. 54 orchestra: Berliner Philharmoniker (Berlin Philharmonic Orchestra) conductor: Richard Strauss (German composer) recording of: Salome: Vierte Szene. Tanz der sieben Schleier composer: Richard Strauss (German composer) (from 1903 until 1905) part of: Salome (op. 54; TrV 215)		8:35

4▼CD: Tod und Verklärung, Op. 24; Also sprach Zarathustra, Op. 30; Liebersszene aus Feuersnot, Op. 50
#	Title	Rating	Length
1	Tod und Verklärung, Op. 24 orchestra: Berliner Philharmoniker (Berlin Philharmonic Orchestra) conductor: Richard Strauss (German composer)		23:30
2	Also sprach Zarathustra, Op. 30: I. Einleitung, oder Sonnenaufgang orchestra: Boston Symphony Orchestra conductor: Сергей Кусевицкий (Serge Koussevitsky)		2:29
3	Also sprach Zarathustra, Op. 30: II. Von den Hinterweltlern orchestra: Boston Symphony Orchestra conductor: Сергей Кусевицкий (Serge Koussevitsky)		3:21
4	Also sprach Zarathustra, Op. 30: III. Von der großen Sehnsucht orchestra: Boston Symphony Orchestra conductor: Сергей Кусевицкий (Serge Koussevitsky)		1:25
5	Also sprach Zarathustra, Op. 30: IV. Von den Freuden und Leidenschaften orchestra: Boston Symphony Orchestra conductor: Сергей Кусевицкий (Serge Koussevitsky)		1:47
6	Also sprach Zarathustra, Op. 30: V. Das Grablied orchestra: Boston Symphony Orchestra conductor: Сергей Кусевицкий (Serge Koussevitsky)		2:09
7	Also sprach Zarathustra, Op. 30: VI. Von der Wissenschaft orchestra: Boston Symphony Orchestra conductor: Сергей Кусевицкий (Serge Koussevitsky)		4:37
8	Also sprach Zarathustra, Op. 30: VII. Der Genesende orchestra: Boston Symphony Orchestra conductor: Сергей Кусевицкий (Serge Koussevitsky)		5:20
9	Also sprach Zarathustra, Op. 30: IX. Das Tanzlied orchestra: Boston Symphony Orchestra conductor: Сергей Кусевицкий (Serge Koussevitsky)		6:45
10	Also sprach Zarathustra, Op. 30: X. Nachtwandlerlied orchestra: Boston Symphony Orchestra conductor: Сергей Кусевицкий (Serge Koussevitsky)		3:41
11	Liebesszene aus Feuersnot, Op. 50 orchestra: Royal Philharmonic Orchestra conductor: Sir Thomas Beecham (conductor)		7:51

5▼CD: Der Bürger als Edelmann, Op. 60; Konzert Nr. 1, Op. 11
#	Title	Rating	Length
1	Der Bürger als Edelmann, Op. 60: I. Overtüre zum 1. Aufzug. Schnell orchestra: Pittsburgh Symphony Orchestra conductor: Fritz Reiner (conductor) recording of: Le Bourgeois gentilhomme, op. 60: I. Overtüre composer: Richard Strauss (German composer) (in 1920) part of: Der Bürger als Edelmann (The Bourgeois Gentleman, suite from the ballet; op. 60-IIIa; TrV 228c)		3:54
2	Der Bürger als Edelmann, Op. 60: II. Menuett. Tempo di Menuetto orchestra: Pittsburgh Symphony Orchestra conductor: Fritz Reiner (conductor) recording of: Le Bourgeois gentilhomme, op. 60: II. Menuett composer: Richard Strauss (German composer) (in 1920) part of: Der Bürger als Edelmann (The Bourgeois Gentleman, suite from the ballet; op. 60-IIIa; TrV 228c)		1:24
3	Der Bürger als Edelmann, Op. 60: III. Der Fechtmeister. Ziemlich lebhaft orchestra: Pittsburgh Symphony Orchestra conductor: Fritz Reiner (conductor) recording of: Le Bourgeois gentilhomme, op. 60: III. Der Fechtmeister composer: Richard Strauss (German composer) (in 1920) part of: Der Bürger als Edelmann (The Bourgeois Gentleman, suite from the ballet; op. 60-IIIa; TrV 228c)		1:44
4	Der Bürger als Edelmann, Op. 60: IV. Auftritt und Tanz der Schneider. Schnell orchestra: Pittsburgh Symphony Orchestra conductor: Fritz Reiner (conductor) recording of: Le bourgeois gentilhomme, op. 60: IV. Auftritt und Tanz der Schneider composer: Richard Strauss (German composer) (in 1920) part of: Der Bürger als Edelmann (The Bourgeois Gentleman, suite from the ballet; op. 60-IIIa; TrV 228c)		4:33
5	Der Bürger als Edelmann, Op. 60: V. Das Menuett des Lully. Sehr gemächlich orchestra: Pittsburgh Symphony Orchestra conductor: Fritz Reiner (conductor) recording of: Le bourgeois gentilhomme, op. 60: V. Menuett des Lully composer: Richard Strauss (German composer) (in 1920) part of: Der Bürger als Edelmann (The Bourgeois Gentleman, suite from the ballet; op. 60-IIIa; TrV 228c)		2:54
6	Der Bürger als Edelmann, Op. 60: VI. Courante. Ziemlich lebhaft orchestra: Pittsburgh Symphony Orchestra conductor: Fritz Reiner (conductor) recording of: Le bourgeois gentilhomme, op. 60: VI. Courante composer: Richard Strauss (German composer) (in 1920) part of: Der Bürger als Edelmann (The Bourgeois Gentleman, suite from the ballet; op. 60-IIIa; TrV 228c)		2:19
7	Der Bürger als Edelmann, Op. 60: VII. Auftritt des Cleonte. Feierlich orchestra: Pittsburgh Symphony Orchestra conductor: Fritz Reiner (conductor) recording of: Le bourgeois gentilhomme, op. 60: VII. Auftritt des Cléonte composer: Richard Strauss (German composer) (in 1920) part of: Der Bürger als Edelmann (The Bourgeois Gentleman, suite from the ballet; op. 60-IIIa; TrV 228c)		4:04
8	Der Bürger als Edelmann, Op. 60: VIII. Vorspiel zum 2. Aufzug. Andante, galante e grazioso orchestra: Pittsburgh Symphony Orchestra conductor: Fritz Reiner (conductor) recording of: Le bourgeois gentilhomme, op. 60: VIII. Vorspiel zum 2. Aufzug composer: Richard Strauss (German composer) (in 1920) part of: Der Bürger als Edelmann (The Bourgeois Gentleman, suite from the ballet; op. 60-IIIa; TrV 228c)		2:54
9	Der Bürger als Edelmann, Op. 60: IX. Das Diner. Moderato, alla marcia orchestra: Pittsburgh Symphony Orchestra conductor: Fritz Reiner (conductor) recording of: Le bourgeois gentilhomme, op. 60: IX. Das Diner composer: Richard Strauss (German composer) (in 1920) part of: Der Bürger als Edelmann (The Bourgeois Gentleman, suite from the ballet; op. 60-IIIa; TrV 228c)		9:53
10	Konzert Nr. 1 für Waldhorn und Orchester Es-dur, Op. 11: I. Allegro orchestra: Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) conductor: Alceo Galliera (organist, conductor and composer) recording of: Konzert für Horn und Orchester Nr. 1 Es-dur, op. 11: I. Allegro (Horn Concerto no. 1 in E-flat major, op. 11: I. Allegro) composer: Richard Strauss (German composer) (from 1882 until 1883) part of: Waldhornkonzert Es-Dur nr. 1 (French horn concerto no. 1 in E-flat major, op. 11; TrV 117)		5:10
11	Konzert Nr. 1 für Waldhorn und Orchester Es-dur, Op. 11: II. Andante orchestra: Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) conductor: Alceo Galliera (organist, conductor and composer) recording of: Konzert für Horn und Orchester Nr. 1 Es-dur, op. 11: II. Andante (Horn Concerto no. 1 in E-flat major, op. 11: II. Andante) composer: Richard Strauss (German composer) (from 1882 until 1883) part of: Waldhornkonzert Es-Dur nr. 1 (French horn concerto no. 1 in E-flat major, op. 11; TrV 117)		4:51
12	Konzert Nr. 1 für Waldhorn und Orchester Es-dur, Op. 11: III. Rondo. Allegro orchestra: Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) conductor: Alceo Galliera (organist, conductor and composer) recording of: Konzert für Horn und Orchester Nr. 1 Es-dur, op. 11: III. Rondo (Allegro) (Horn Concerto No. 1 in E-flat major, Op. 11: III. Allegro) composer: Richard Strauss (German composer) (from 1882 until 1883) part of: Waldhornkonzert Es-Dur nr. 1 (French horn concerto no. 1 in E-flat major, op. 11; TrV 117)		4:57

6▼CD: Der Rosenkavalier, Op. 59, Aufzug 1
#	Title	Rating	Length
1	Der Rosenkavalier, Op. 59, Aufzug 1: I. Einleitung choir vocals: Chor der Bayerischen Staatsoper (Chorus of the Bavarian State Opera) orchestra: Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) conductor: Clemens Krauss (conductor) recording of: Der Rosenkavalier, op. 59: Akt I. Einleitung (The Rose-knight, Act 1: Introduction) composer: Richard Strauss (German composer) (from 1909 until 1910) part of: Der Rosenkavalier, op. 59: Akt I		3:09
2	Der Rosenkavalier, Op. 59, Aufzug 1: II. "Wie du warst!" choir vocals: Chor der Bayerischen Staatsoper (Chorus of the Bavarian State Opera) soprano vocals [Die Feldmarschallin]: Viorica Ursuleac (soprano) soprano vocals [Octavian]: Georgine von Milinkovic (mezzo-soprano) orchestra: Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) conductor: Clemens Krauss (conductor) recording of: Der Rosenkavalier, op. 59: Akt I. "Wie du warst! Wie du bist!" (Octavian, Marschallin) composer: Richard Strauss (German composer) (from 1909 until 1910) librettist: Hugo von Hofmannsthal part of: Der Rosenkavalier, op. 59: Akt I		7:30
3	Der Rosenkavalier, Op. 59, Aufzug 1: III. "Marie-Theres'" / "Octavian!" bass vocals [Der Baron Ochs auf Lerchenau]: Ludwig Weber (operatic bass) choir vocals: Chor der Bayerischen Staatsoper (Chorus of the Bavarian State Opera) soprano vocals [Die Feldmarschallin]: Viorica Ursuleac (soprano) soprano vocals [Octavian]: Georgine von Milinkovic (mezzo-soprano) tenor vocals [Der Haushofmeister bei der Feldmarschallin]: Theo Reuter (german operatic tenor) orchestra: Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) conductor: Clemens Krauss (conductor) recording of: Der Rosenkavalier, op. 59: Akt I. "Marie Theres'!" - "Octavian!" composer: Richard Strauss (German composer) part of: Der Rosenkavalier, op. 59: Akt I		7:48
4	Der Rosenkavalier, Op. 59, Aufzug 1: IV. "Selbstverständlich empfängt mich" bass vocals [Der Baron Ochs auf Lerchenau]: Ludwig Weber (operatic bass) choir vocals: Chor der Bayerischen Staatsoper (Chorus of the Bavarian State Opera) soprano vocals [Die Feldmarschallin]: Viorica Ursuleac (soprano) tenor vocals [Der Haushofmeister bei der Feldmarschallin]: Theo Reuter (german operatic tenor) orchestra: Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) conductor: Clemens Krauss (conductor) recording of: Der Rosenkavalier, op. 59: Akt I. "Selbstverständlich empfängt mich Ihro Gnaden" (Baron, Lakaien, Marschallin, Haushofmeister) composer: Richard Strauss (German composer) (from 1909 until 1910) librettist: Hugo von Hofmannsthal part of: Der Rosenkavalier, op. 59: Akt I		8:43
5	Der Rosenkavalier, Op. 59, Aufzug 1: V. "Hat Sie schon einmal mit einem Kavalier" bass vocals [Der Baron Ochs auf Lerchenau]: Ludwig Weber (operatic bass) choir vocals: Chor der Bayerischen Staatsoper (Chorus of the Bavarian State Opera) soprano vocals [Die Feldmarschallin]: Viorica Ursuleac (soprano) soprano vocals [Octavian]: Georgine von Milinkovic (mezzo-soprano) orchestra: Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) conductor: Clemens Krauss (conductor) recording of: Der Rosenkavalier, op. 59: Akt I. "Hat Sie schon einmal" (Baron, Octavian, Marschallin) composer: Richard Strauss (German composer) (from 1909 until 1910) librettist: Hugo von Hofmannsthal part of: Der Rosenkavalier, op. 59: Akt I		6:27
6	Der Rosenkavalier, Op. 59, Aufzug 1: VI. "Nein, er agiert mir gar zu gut!" bass vocals [Der Baron Ochs auf Lerchenau]: Ludwig Weber (operatic bass) choir vocals: Chor der Bayerischen Staatsoper (Chorus of the Bavarian State Opera) soprano vocals [Die Feldmarschallin]: Viorica Ursuleac (soprano) soprano vocals [Octavian]: Georgine von Milinkovic (mezzo-soprano) orchestra: Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) conductor: Clemens Krauss (conductor) recording of: Der Rosenkavalier, op. 59: Akt I. "Nein, er agiert mir gar zu gut!" composer: Richard Strauss (German composer) part of: Der Rosenkavalier, op. 59: Akt I		4:12
7	Der Rosenkavalier, Op. 59, Aufzug 1: VII. "I komm' glei" / "Drei arme adelige Waisen" choir vocals: Chor der Bayerischen Staatsoper (Chorus of the Bavarian State Opera) soprano vocals [Octavian]: Georgine von Milinkovic (mezzo-soprano) tenor vocals [Ein Sänger]: Franz Klarwein (german operatic lyric tenor) tenor vocals [Valzacchi]: Joszy Trojan Reger orchestra: Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) conductor: Clemens Krauss (conductor) recording of: Der Rosenkavalier, op. 59: Akt I. "I komm' glei" … "Drei arme adelige Waisen" (Octavian, Die drei Waisen, Modistin, Tierhändler, Marschallin, Valzacchi) composer: Richard Strauss (German composer) (from 1909 until 1910) librettist: Hugo von Hofmannsthal part of: Der Rosenkavalier, op. 59: Akt I		5:08
8	Der Rosenkavalier, Op. 59, Aufzug 1: VIII. "Als Morgengabe" bass vocals [Der Baron Ochs auf Lerchenau]: Ludwig Weber (operatic bass) choir vocals: Chor der Bayerischen Staatsoper (Chorus of the Bavarian State Opera) soprano vocals [Die Feldmarschallin]: Viorica Ursuleac (soprano) tenor vocals [Ein Sänger]: Franz Klarwein (german operatic lyric tenor) orchestra: Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) conductor: Clemens Krauss (conductor) recording of: Der Rosenkavalier, op. 59: Akt I. "Als Morgengabe …" (Baron, Notar, Sänger) composer: Richard Strauss (German composer) (from 1909 until 1910) librettist: Hugo von Hofmannsthal part of: Der Rosenkavalier, op. 59: Akt I		3:25
9	Der Rosenkavalier, Op. 59, Aufzug 1: IX. "Abtreten die Leut'!" alto vocals [Annina]: Luise Willer (german operatic contralto) bass vocals [Der Baron Ochs auf Lerchenau]: Ludwig Weber (operatic bass) choir vocals: Chor der Bayerischen Staatsoper (Chorus of the Bavarian State Opera) soprano vocals [Die Feldmarschallin]: Viorica Ursuleac (soprano) tenor vocals [Valzacchi]: Joszy Trojan Reger orchestra: Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) conductor: Clemens Krauss (conductor) partial recording of: Der Rosenkavalier, op. 59: Akt I composer: Richard Strauss (German composer) librettist: Harry Graf Kessler and Hugo von Hofmannsthal part of: Der Rosenkavalier (The Rose-knight, op. 59, op 59; TrV 227)		3:40
10	Der Rosenkavalier, Op. 59, Aufzug 1: X. "Da geht er hin" choir vocals: Chor der Bayerischen Staatsoper (Chorus of the Bavarian State Opera) soprano vocals [Die Feldmarschallin]: Viorica Ursuleac (soprano) orchestra: Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) conductor: Clemens Krauss (conductor) recording of: Der Rosenkavalier, op. 59: Akt I. “Da geht er hin, der aufgeblasene schlechte Kerl” (Marschallin, Octavian) composer: Richard Strauss (German composer) (from 1909 until 1910) librettist: Hugo von Hofmannsthal part of: Der Rosenkavalier, op. 59: Akt I		5:21
11	Der Rosenkavalier, Op. 59, Aufzug 1: XI. "Ah, du bist wieder da!" choir vocals: Chor der Bayerischen Staatsoper (Chorus of the Bavarian State Opera) soprano vocals [Die Feldmarschallin]: Viorica Ursuleac (soprano) soprano vocals [Octavian]: Georgine von Milinkovic (mezzo-soprano) orchestra: Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) conductor: Clemens Krauss (conductor) recording of: Der Rosenkavalier, op. 59: Akt I. "Ach, du bist wieder da!" (Marschallin, Octavian) composer: Richard Strauss (German composer) (from 1909 until 1910) librettist: Hugo von Hofmannsthal part of: Der Rosenkavalier, op. 59: Akt I		7:56
12	Der Rosenkavalier, Op. 59, Aufzug 1: XII. "Mein schöner Schatz" choir vocals: Chor der Bayerischen Staatsoper (Chorus of the Bavarian State Opera) soprano vocals [Die Feldmarschallin]: Viorica Ursuleac (soprano) soprano vocals [Octavian]: Georgine von Milinkovic (mezzo-soprano) orchestra: Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) conductor: Clemens Krauss (conductor) recording of: Der Rosenkavalier, op. 59: Akt I. "Mein schöner Schatz" (Octavian, Marschallin) composer: Richard Strauss (German composer) (from 1909 until 1910) librettist: Hugo von Hofmannsthal part of: Der Rosenkavalier, op. 59: Akt I		7:01
13	Der Rosenkavalier, Op. 59, Aufzug 1: XIII. "Wie Sie befiehlt, Bichette" choir vocals: Chor der Bayerischen Staatsoper (Chorus of the Bavarian State Opera) soprano vocals [Die Feldmarschallin]: Viorica Ursuleac (soprano) soprano vocals [Octavian]: Georgine von Milinkovic (mezzo-soprano) orchestra: Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) conductor: Clemens Krauss (conductor) partial recording of: Der Rosenkavalier, op. 59: Akt I composer: Richard Strauss (German composer) librettist: Harry Graf Kessler and Hugo von Hofmannsthal part of: Der Rosenkavalier (The Rose-knight, op. 59, op 59; TrV 227)		3:50

7▼CD: Der Rosenkavalier, Op. 59, Aufzug 2
#	Title	Rating	Length
1	Der Rosenkavalier, Op. 59, Aufzug 2: I. "Ein ernster Tag" bass-baritone vocals [Herr von Faninal]: Georg Hann (operatic bass) choir vocals: Chor der Bayerischen Staatsoper (Chorus of the Bavarian State Opera) soprano vocals [Jungfer Marianne Leitmetzerin, die Duenna]: Gertrud Riedner (operatic soprano) soprano vocals [Sophie]: Adele Kern (German operatic soprano) tenor vocals [Der Haushofmeister bei Faninal]: Emil Graf (german operatic tenor) orchestra: Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) conductor: Clemens Krauss (conductor) recording of: Der Rosenkavalier, op. 59: Akt II. "Ein ernster Tag, ein grosser Tag" (Faninal, Marianne, Haushofmeister) composer: Richard Strauss (German composer) (from 1909 until 1910) librettist: Hugo von Hofmannsthal part of: Der Rosenkavalier, op. 59: Akt II		5:42
2	Der Rosenkavalier, Op. 59, Aufzug 2: II. "Mir ist die Ehre widerfahren" choir vocals: Chor der Bayerischen Staatsoper (Chorus of the Bavarian State Opera) soprano vocals [Octavian]: Georgine von Milinkovic (mezzo-soprano) soprano vocals [Sophie]: Adele Kern (German operatic soprano) orchestra: Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) conductor: Clemens Krauss (conductor) recording of: Der Rosenkavalier, op. 59: Akt II. "Mir ist die Ehre widerfahren" (Octavian, Sophie) composer: Richard Strauss (German composer) (from 1909 until 1910) librettist: Hugo von Hofmannsthal part of: Der Rosenkavalier, op. 59: Akt II		7:24
3	Der Rosenkavalier, Op. 59, Aufzug 2: III. "Ich kenn' Ihn schon recht wohl" choir vocals: Chor der Bayerischen Staatsoper (Chorus of the Bavarian State Opera) soprano vocals [Octavian]: Georgine von Milinkovic (mezzo-soprano) soprano vocals [Sophie]: Adele Kern (German operatic soprano) orchestra: Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) conductor: Clemens Krauss (conductor) recording of: Der Rosenkavalier, op. 59: Akt II. "Ich kenn' ihn schon recht wohl" (Sophie, Octavian) composer: Richard Strauss (German composer) (from 1909 until 1910) librettist: Hugo von Hofmannsthal part of: Der Rosenkavalier, op. 59: Akt II		4:12
4	Der Rosenkavalier, Op. 59, Aufzug 2: IV. "Ich präsentiere Euer Gnaden Dero Zukünftige" bass vocals [Der Baron Ochs auf Lerchenau]: Ludwig Weber (operatic bass) bass-baritone vocals [Herr von Faninal]: Georg Hann (operatic bass) choir vocals: Chor der Bayerischen Staatsoper (Chorus of the Bavarian State Opera) soprano vocals [Jungfer Marianne Leitmetzerin, die Duenna]: Gertrud Riedner (operatic soprano) soprano vocals [Octavian]: Georgine von Milinkovic (mezzo-soprano) soprano vocals [Sophie]: Adele Kern (German operatic soprano) orchestra: Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) conductor: Clemens Krauss (conductor) partial recording of: Der Rosenkavalier, op. 59: Akt II composer: Richard Strauss (German composer) librettist: Harry Graf Kessler and Hugo von Hofmannsthal part of: Der Rosenkavalier (The Rose-knight, op. 59, op 59; TrV 227) part of: Der Rosenkavalier, op. 59: Akt II. "Da lieg' ich! Was einem Cavalier nit alls passieren kann in dieser Wienerstadt" (Ochs, Annina, Chorus) part of: Der Rosenkavalier, op. 59: Akt II. "Eh bien, Mamsell, was hat Sie mir zu sagen" (Ochs, Sophie, Octavian, Annina, Duenna, Faninal, Chorus)		7:17
5	Der Rosenkavalier, Op. 59, Aufzug 2: V. "Wird kommen über Nacht" bass vocals [Der Baron Ochs auf Lerchenau]: Ludwig Weber (operatic bass) bass-baritone vocals [Herr von Faninal]: Georg Hann (operatic bass) choir vocals: Chor der Bayerischen Staatsoper (Chorus of the Bavarian State Opera) soprano vocals [Jungfer Marianne Leitmetzerin, die Duenna]: Gertrud Riedner (operatic soprano) soprano vocals [Octavian]: Georgine von Milinkovic (mezzo-soprano) orchestra: Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) conductor: Clemens Krauss (conductor) recording of: Der Rosenkavalier, op. 59: Akt II. "Wird kommen über Nacht" (Baron, Octavian, Marianne, Faninal) composer: Richard Strauss (German composer) (from 1909 until 1910) librettist: Hugo von Hofmannsthal part of: Der Rosenkavalier, op. 59: Akt II		3:22
6	Der Rosenkavalier, Op. 59, Aufzug 2: VI. "Wird sie das Mannsbild da heiraten" bass-baritone vocals [Herr von Faninal]: Georg Hann (operatic bass) choir vocals: Chor der Bayerischen Staatsoper (Chorus of the Bavarian State Opera) soprano vocals [Jungfer Marianne Leitmetzerin, die Duenna]: Gertrud Riedner (operatic soprano) soprano vocals [Octavian]: Georgine von Milinkovic (mezzo-soprano) soprano vocals [Sophie]: Adele Kern (German operatic soprano) tenor vocals [Der Haushofmeister bei Faninal]: Emil Graf (german operatic tenor) orchestra: Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) conductor: Clemens Krauss (conductor) recording of: Der Rosenkavalier, op. 59: Akt II. "Wird Sie das Mannsbild da heiraten" composer: Richard Strauss (German composer) librettist: Hugo von Hofmannsthal part of: Der Rosenkavalier, op. 59: Akt II		6:24
7	Der Rosenkavalier, Op. 59, Aufzug 2: VII. "Herr Baron von Lerchenau!" alto vocals [Annina]: Luise Willer (german operatic contralto) choir vocals: Chor der Bayerischen Staatsoper (Chorus of the Bavarian State Opera) soprano vocals [Jungfer Marianne Leitmetzerin, die Duenna]: Gertrud Riedner (operatic soprano) soprano vocals [Octavian]: Georgine von Milinkovic (mezzo-soprano) soprano vocals [Sophie]: Adele Kern (German operatic soprano) tenor vocals [Valzacchi]: Joszy Trojan Reger orchestra: Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) conductor: Clemens Krauss (conductor) recording of: Der Rosenkavalier, op. 59: Akt II. "Herr Baron von Lerchenau!" (Valzacchi, Annina, Baron, Sophie, Octavian, Die Lerchenauschen, Faninals Dienerschaft, Marianne, Faninal) composer: Richard Strauss (German composer) (from 1909 until 1910) librettist: Hugo von Hofmannsthal part of: Der Rosenkavalier, op. 59: Akt II		6:56
8	Der Rosenkavalier, Op. 59, Aufzug 2: VIII. "Herr Schwiegersohn!" bass vocals [Der Baron Ochs auf Lerchenau]: Ludwig Weber (operatic bass) bass-baritone vocals [Herr von Faninal]: Georg Hann (operatic bass) choir vocals: Chor der Bayerischen Staatsoper (Chorus of the Bavarian State Opera) soprano vocals [Jungfer Marianne Leitmetzerin, die Duenna]: Gertrud Riedner (operatic soprano) soprano vocals [Octavian]: Georgine von Milinkovic (mezzo-soprano) soprano vocals [Sophie]: Adele Kern (German operatic soprano) orchestra: Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) conductor: Clemens Krauss (conductor) recording of: Der Rosenkavalier, op. 59: Akt II. "Herr Schwiegersohn! Wie ist ihm denn?" composer: Richard Strauss (German composer) part of: Der Rosenkavalier, op. 59: Akt II		7:21
9	Der Rosenkavalier, Op. 59, Aufzug 2: IX. "Da lieg' ich! Was einem Kavalier" bass vocals [Der Baron Ochs auf Lerchenau]: Ludwig Weber (operatic bass) choir vocals: Chor der Bayerischen Staatsoper (Chorus of the Bavarian State Opera) orchestra: Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) conductor: Clemens Krauss (conductor) recording of: Der Rosenkavalier, op. 59: Akt II. "Da lieg' ich!" (Baron, Die Lerchenauschen, Annina) composer: Richard Strauss (German composer) (from 1909 until 1910) librettist: Hugo von Hofmannsthal part of: Der Rosenkavalier, op. 59: Akt II		5:03
10	Der Rosenkavalier, Op. 59, Aufzug 2: X. "Ohne mich, ohne mich" alto vocals [Annina]: Luise Willer (german operatic contralto) bass vocals [Der Baron Ochs auf Lerchenau]: Ludwig Weber (operatic bass) choir vocals: Chor der Bayerischen Staatsoper (Chorus of the Bavarian State Opera) orchestra: Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) conductor: Clemens Krauss (conductor) recording of: Der Rosenkavalier, op. 59: Akt II. "Ohne mich, ohne mich jeder Tag dir so bang" composer: Richard Strauss (German composer) part of: Der Rosenkavalier, op. 59: Akt II		6:09

8▼CD: Der Rosenkavalier, Op. 59, Aufzug 3
#	Title	Rating	Length
1	Der Rosenkavalier, Op. 59, Aufzug 3: I. Einleitung choir vocals: Chor der Bayerischen Staatsoper (Chorus of the Bavarian State Opera) orchestra: Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) conductor: Clemens Krauss (conductor) recording of: Der Rosenkavalier, op. 59: Akt III. Einleitung und Pantomime composer: Richard Strauss (German composer) (from 1909 until 1910) librettist: Hugo von Hofmannsthal part of: Der Rosenkavalier, op. 59: Akt III		5:26
2	Der Rosenkavalier, Op. 59, Aufzug 3: II. "Haben Euer Gnaden" bass vocals [Der Baron Ochs auf Lerchenau]: Ludwig Weber (operatic bass) choir vocals: Chor der Bayerischen Staatsoper (Chorus of the Bavarian State Opera) orchestra: Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) conductor: Clemens Krauss (conductor) recording of: Der Rosenkavalier, op. 59: Akt III. "Hab'n Euer Gnaden noch weitre Befehle?" (Der Wirt, Kellner, Baron) composer: Richard Strauss (German composer) (from 1909 until 1910) librettist: Hugo von Hofmannsthal part of: Der Rosenkavalier, op. 59: Akt III		4:24
3	Der Rosenkavalier, Op. 59, Aufzug 3: III. "Nein, nein!" bass vocals [Der Baron Ochs auf Lerchenau]: Ludwig Weber (operatic bass) choir vocals: Chor der Bayerischen Staatsoper (Chorus of the Bavarian State Opera) soprano vocals [Octavian]: Georgine von Milinkovic (mezzo-soprano) orchestra: Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) conductor: Clemens Krauss (conductor) recording of: Der Rosenkavalier, op. 59: Akt III. "Nein, nein, nein! I trink' kein Wein" (Octavian, Baron) composer: Richard Strauss (German composer) (from 1909 until 1910) librettist: Hugo von Hofmannsthal part of: Der Rosenkavalier, op. 59: Akt III		8:30
4	Der Rosenkavalier, Op. 59, Aufzug 3: IV. "Wie die Stund' hingeht, wie der Wind verweht" alto vocals [Annina]: Luise Willer (german operatic contralto) bass vocals [Der Baron Ochs auf Lerchenau]: Ludwig Weber (operatic bass) choir vocals: Chor der Bayerischen Staatsoper (Chorus of the Bavarian State Opera) soprano vocals [Octavian]: Georgine von Milinkovic (mezzo-soprano) tenor vocals [Valzacchi]: Joszy Trojan Reger orchestra: Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) conductor: Clemens Krauss (conductor) partial recording of: Der Rosenkavalier, op. 59: Akt III composer: Richard Strauss (German composer) librettist: Harry Graf Kessler and Hugo von Hofmannsthal part of: Der Rosenkavalier (The Rose-knight, op. 59, op 59; TrV 227) part of: Der Rosenkavalier, op. 59: Akt III. "Euer Gnaden sind die Güte selbst" (Sophie) … "Hab' mir's gelobt, ihn lieb zu haben in der richtigen Weis'" (Marschallin) part of: Der Rosenkavalier, op. 59: Akt III. "Ihre hochfürstliche Gnaden die Frau Fürstin Feldmarschall!" (Landlord, Ochs, Octavian, police commissioner, Marschallin) part of: Der Rosenkavalier, op. 59: Akt III. "Leupold, wir geh'n" (Ochs) part of: Der Rosenkavalier, op. 59: Akt III. "War anders abgemacht, Marie Theres’, ich wunder mich!" (Octavian, Sophie, Ochs, Marschallin, police commissioner) part of: Der Rosenkavalier: Act III. "Macht Sie der Wein leicht immer so?"		4:27
5	Der Rosenkavalier, Op. 59, Aufzug 3: V. "Halt! Keiner rührt sich!" bass vocals [Der Baron Ochs auf Lerchenau]: Ludwig Weber (operatic bass) bass vocals [Ein Polizeikommissar]: Georg Wieter (german operatic bass) bass-baritone vocals [Herr von Faninal]: Georg Hann (operatic bass) choir vocals: Chor der Bayerischen Staatsoper (Chorus of the Bavarian State Opera) soprano vocals [Octavian]: Georgine von Milinkovic (mezzo-soprano) tenor vocals [Valzacchi]: Joszy Trojan Reger orchestra: Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) conductor: Clemens Krauss (conductor) recording of: Der Rosenkavalier, op. 59: Akt III. "Halt! Keiner rührt sich!" composer: Richard Strauss (German composer) librettist: Hugo von Hofmannsthal part of: Der Rosenkavalier, op. 59: Akt III		8:23
6	Der Rosenkavalier, Op. 59, Aufzug 3: VI. "Sind desto ehr im klaren" bass vocals [Der Baron Ochs auf Lerchenau]: Ludwig Weber (operatic bass) bass vocals [Ein Polizeikommissar]: Georg Wieter (german operatic bass) choir vocals: Chor der Bayerischen Staatsoper (Chorus of the Bavarian State Opera) soprano vocals [Octavian]: Georgine von Milinkovic (mezzo-soprano) orchestra: Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) conductor: Clemens Krauss (conductor) recording of: Der Rosenkavalier, op. 59: Akt III. "Sind desto eher im Klaren" (Baron, Kommissarius, Octavian) composer: Richard Strauss (German composer) (from 1909 until 1910) librettist: Hugo von Hofmannsthal part of: Der Rosenkavalier, op. 59: Akt III		5:22
7	Der Rosenkavalier, Op. 59, Aufzug 3: VII. "Er sieht, Herr Kommissar" bass vocals [Der Baron Ochs auf Lerchenau]: Ludwig Weber (operatic bass) bass vocals [Ein Polizeikommissar]: Georg Wieter (german operatic bass) choir vocals: Chor der Bayerischen Staatsoper (Chorus of the Bavarian State Opera) soprano vocals [Die Feldmarschallin]: Viorica Ursuleac (soprano) soprano vocals [Octavian]: Georgine von Milinkovic (mezzo-soprano) soprano vocals [Sophie]: Adele Kern (German operatic soprano) orchestra: Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) conductor: Clemens Krauss (conductor) recording of: Der Rosenkavalier: Act III. "Er sieht, Herr Kommissar, das Ganze war halt eine Farce"		6:39
8	Der Rosenkavalier, Op. 59, Aufzug 3: VIII. "Leupold, wir geh'n!" alto vocals [Annina]: Luise Willer (german operatic contralto) bass vocals [Der Baron Ochs auf Lerchenau]: Ludwig Weber (operatic bass) choir vocals: Chor der Bayerischen Staatsoper (Chorus of the Bavarian State Opera) soprano vocals [Octavian]: Georgine von Milinkovic (mezzo-soprano) soprano vocals [Sophie]: Adele Kern (German operatic soprano) tenor vocals [Valzacchi]: Joszy Trojan Reger orchestra: Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) conductor: Clemens Krauss (conductor) recording of: Der Rosenkavalier, op. 59: Akt III. "Leopold, wir gehn!" composer: Richard Strauss (German composer) librettist: Hugo von Hofmannsthal part of: Der Rosenkavalier, op. 59: Akt III		6:24
9	Der Rosenkavalier, Op. 59, Aufzug 3: IX. "Ich muss hinein und fragen" choir vocals: Chor der Bayerischen Staatsoper (Chorus of the Bavarian State Opera) soprano vocals [Die Feldmarschallin]: Viorica Ursuleac (soprano) soprano vocals [Octavian]: Georgine von Milinkovic (mezzo-soprano) soprano vocals [Sophie]: Adele Kern (German operatic soprano) orchestra: Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) conductor: Clemens Krauss (conductor) partial recording of: Der Rosenkavalier, op. 59: Akt III composer: Richard Strauss (German composer) librettist: Harry Graf Kessler and Hugo von Hofmannsthal part of: Der Rosenkavalier (The Rose-knight, op. 59, op 59; TrV 227) part of: Der Rosenkavalier, op. 59: Akt III. "Euer Gnaden sind die Güte selbst" (Sophie) … "Hab' mir's gelobt, ihn lieb zu haben in der richtigen Weis'" (Marschallin) part of: Der Rosenkavalier, op. 59: Akt III. "Ihre hochfürstliche Gnaden die Frau Fürstin Feldmarschall!" (Landlord, Ochs, Octavian, police commissioner, Marschallin) part of: Der Rosenkavalier, op. 59: Akt III. "Leupold, wir geh'n" (Ochs) part of: Der Rosenkavalier, op. 59: Akt III. "War anders abgemacht, Marie Theres’, ich wunder mich!" (Octavian, Sophie, Ochs, Marschallin, police commissioner) part of: Der Rosenkavalier: Act III. "Macht Sie der Wein leicht immer so?"		3:36
10	Der Rosenkavalier, Op. 59, Aufzug 3: X. "Marie Theres'" bass-baritone vocals [Herr von Faninal]: Georg Hann (operatic bass) choir vocals: Chor der Bayerischen Staatsoper (Chorus of the Bavarian State Opera) soprano vocals [Die Feldmarschallin]: Viorica Ursuleac (soprano) soprano vocals [Octavian]: Georgine von Milinkovic (mezzo-soprano) soprano vocals [Sophie]: Adele Kern (German operatic soprano) orchestra: Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) conductor: Clemens Krauss (conductor) recording of: Der Rosenkavalier, op. 59: Akt III. “Marie Theres’!” … “Hab’ mir’s gelobt” (Octavian, Marschallin, Sophie, Faninal) composer: Richard Strauss (German composer) (from 1909 until 1910) librettist: Hugo von Hofmannsthal part of: Der Rosenkavalier, op. 59: Akt III		6:24
11	Der Rosenkavalier, Op. 59, Aufzug 3: XI. "Spür' nur dich allein" choir vocals: Chor der Bayerischen Staatsoper (Chorus of the Bavarian State Opera) soprano vocals [Octavian]: Georgine von Milinkovic (mezzo-soprano) soprano vocals [Sophie]: Adele Kern (German operatic soprano) orchestra: Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) conductor: Clemens Krauss (conductor) recording of: Der Rosenkavalier, op. 59: Akt III. "Ist ein Traum" … "Spür nur dich" (Sophie, Octavian) composer: Richard Strauss (German composer) (from 1909 until 1910) librettist: Hugo von Hofmannsthal part of: Der Rosenkavalier, op. 59: Akt III		6:29

9▼CD: Elektra, Op. 58
#	Title	Rating	Length
1	Elektra, Op. 58: "Wo bleibt Elektra" choir vocals: Coro del Maggio Musicale Fiorentino (in 1951) contralto vocals [1. Magd]: Gertrud Burgsthaler-Schuster (contralto) (in 1951) mezzo-soprano vocals [2. Magd]: Polly Batic (austrian operatic mezzo-soprano) (in 1951) mezzo-soprano vocals [3. Magd]: Katja Sabo (operatic mezzo-soprano) (in 1951) soprano vocals [4. Magd]: Dagmar Schmedes (soprano) (in 1951) orchestra: Orchestra del Maggio Musicale Fiorentino (in 1951) conductor: Dimitri Mitropoulos (conductor) (in 1951) recorded at: Maggio musicale fiorentino live recording of: Elektra: "Wo bleibt Elektra?" (1., 2., 3. & 4. Magd) (in 1951) composer: Richard Strauss (German composer) librettist: Hugo von Hofmannsthal publisher: Boosey & Hawkes Music Publishers, Ltd part of: Elektra (op. 58; TrV 223)		2:56
2	Elektra, Op. 58: "Ich will mich vor ihr niederwerfen" choir vocals: Coro del Maggio Musicale Fiorentino (in 1951) contralto vocals [1. Magd]: Gertrud Burgsthaler-Schuster (contralto) (in 1951) mezzo-soprano vocals [2. Magd]: Polly Batic (austrian operatic mezzo-soprano) (in 1951) mezzo-soprano vocals [3. Magd]: Katja Sabo (operatic mezzo-soprano) (in 1951) soprano vocals [4. Magd]: Dagmar Schmedes (soprano) (in 1951) soprano vocals [5. Magd]: Friedl Riegler (operatic soprano) (in 1951) soprano vocals [Die Aufseherin]: Charlotte Markus (operatic soprano) (in 1951) orchestra: Orchestra del Maggio Musicale Fiorentino (in 1951) conductor: Dimitri Mitropoulos (conductor) (in 1951) recorded at: Maggio musicale fiorentino live recording of: Elektra: "Ich will vor ihr mich niederwerfen" (5. Magd, Aufseherin, 1., 3., 2. & 4. Magd) (in 1951) composer: Richard Strauss (German composer) librettist: Hugo von Hofmannsthal part of: Elektra (op. 58; TrV 223)		3:07
3	Elektra, Op. 58: "Allein! Weh, ganz allein" choir vocals: Coro del Maggio Musicale Fiorentino (in 1951) soprano vocals [Chrysothemis]: Daniza Ilitsch (Yugoslav soprano) (in 1951) soprano vocals [Elektra]: Anny Konetzni (soprano) (in 1951) orchestra: Orchestra del Maggio Musicale Fiorentino (in 1951) conductor: Dimitri Mitropoulos (conductor) (in 1951) recorded at: Maggio musicale fiorentino live recording of: Elektra: "Allein! Weh ganz allein" (Elektra) (in 1951) composer: Richard Strauss (German composer) librettist: Hugo von Hofmannsthal publisher: Boosey & Hawkes Music Publishers, Ltd part of: Elektra (op. 58; TrV 223)		9:30
4	Elektra, Op. 58: "Elektra! Ah, das Gesicht!" choir vocals: Coro del Maggio Musicale Fiorentino (in 1951) soprano vocals [Chrysothemis]: Daniza Ilitsch (Yugoslav soprano) (in 1951) soprano vocals [Elektra]: Anny Konetzni (soprano) (in 1951) orchestra: Orchestra del Maggio Musicale Fiorentino (in 1951) conductor: Dimitri Mitropoulos (conductor) (in 1951) recorded at: Maggio musicale fiorentino live recording of: Elektra: "Elektra!... Ah, das Gesicht!" (Chrysothemis, Elektra) (in 1951) composer: Richard Strauss (German composer) librettist: Hugo von Hofmannsthal part of: Elektra (op. 58; TrV 223)		2:14
5	Elektra, Op. 58: "Ich hab's wie Feuer in der Brust" choir vocals: Coro del Maggio Musicale Fiorentino (in 1951) soprano vocals [Chrysothemis]: Daniza Ilitsch (Yugoslav soprano) (in 1951) soprano vocals [Elektra]: Anny Konetzni (soprano) (in 1951) orchestra: Orchestra del Maggio Musicale Fiorentino (in 1951) conductor: Dimitri Mitropoulos (conductor) (in 1951) recorded at: Maggio musicale fiorentino live partial recording of: Elektra (op. 58; TrV 223) (in 1951) composer: Richard Strauss (German composer) (from 1906 until 1908) librettist: Hugo von Hofmannsthal premiered at: Semperoper in Dresden, Sachsen (Saxony), Germany (on 1909-01-25) part of: Works of Richard Strauss by opus number (number: op. 58) and Werkverzeichnis (Richard Strauss TrV) (number: TrV 223) medley of: Elektra: "Hörst du denn nicht, sie tragen ihn" (Chrysothemis)		5:13
6	Elektra, Op. 58: "Was heulst du" choir vocals: Coro del Maggio Musicale Fiorentino (in 1951) soprano vocals [Chrysothemis]: Daniza Ilitsch (Yugoslav soprano) (in 1951) soprano vocals [Elektra]: Anny Konetzni (soprano) (in 1951) orchestra: Orchestra del Maggio Musicale Fiorentino (in 1951) conductor: Dimitri Mitropoulos (conductor) (in 1951) recorded at: Maggio musicale fiorentino live partial recording of: Elektra (op. 58; TrV 223) (in 1951) composer: Richard Strauss (German composer) (from 1906 until 1908) librettist: Hugo von Hofmannsthal premiered at: Semperoper in Dresden, Sachsen (Saxony), Germany (on 1909-01-25) part of: Works of Richard Strauss by opus number (number: op. 58) and Werkverzeichnis (Richard Strauss TrV) (number: TrV 223) medley of: Elektra: "Hörst du denn nicht, sie tragen ihn" (Chrysothemis)		2:49
7	Elektra, Op. 58: "Was willst du? Seht doch, dort!" choir vocals: Coro del Maggio Musicale Fiorentino (in 1951) mezzo-soprano vocals [Klytämnestra]: Martha Mödl (German soprano) (in 1951) soprano vocals [Die Schleppträgerin]: Aenne Michalsky (soprano) (in 1951) soprano vocals [Die Vertraute]: Dorothea Frass (operatic soprano) (in 1951) soprano vocals [Elektra]: Anny Konetzni (soprano) (in 1951) orchestra: Orchestra del Maggio Musicale Fiorentino (in 1951) conductor: Dimitri Mitropoulos (conductor) (in 1951) recorded at: Maggio musicale fiorentino live recording of: Elektra: "Was willst du? Seht doch, dort!" (Klytämnestra, Elektra, Vertraute, Schleppträgerin) (in 1951) composer: Richard Strauss (German composer) librettist: Hugo von Hofmannsthal part of: Elektra (op. 58; TrV 223)		8:39
8	Elektra, Op. 58: "Ich habe keine guten Nächte" choir vocals: Coro del Maggio Musicale Fiorentino (in 1951) mezzo-soprano vocals [Klytämnestra]: Martha Mödl (German soprano) (in 1951) soprano vocals [Elektra]: Anny Konetzni (soprano) (in 1951) orchestra: Orchestra del Maggio Musicale Fiorentino (in 1951) conductor: Dimitri Mitropoulos (conductor) (in 1951) recorded at: Maggio musicale fiorentino live recording of: Elektra: "Ich habe keine guten Nächte" (Klytämnestra, Elektra) (in 1951) composer: Richard Strauss (German composer) librettist: Hugo von Hofmannsthal publisher: Boosey & Hawkes Music Publishers, Ltd part of: Elektra (op. 58; TrV 223)		7:56
9	Elektra, Op. 58: "Läßt Du den Bruder nicht nach Haus, Mutter" choir vocals: Coro del Maggio Musicale Fiorentino (in 1951) mezzo-soprano vocals [Klytämnestra]: Martha Mödl (German soprano) (in 1951) soprano vocals [Elektra]: Anny Konetzni (soprano) (in 1951) orchestra: Orchestra del Maggio Musicale Fiorentino (in 1951) conductor: Dimitri Mitropoulos (conductor) (in 1951) recorded at: Maggio musicale fiorentino live partial recording of: Elektra (op. 58; TrV 223) (in 1951) composer: Richard Strauss (German composer) (from 1906 until 1908) librettist: Hugo von Hofmannsthal premiered at: Semperoper in Dresden, Sachsen (Saxony), Germany (on 1909-01-25) part of: Works of Richard Strauss by opus number (number: op. 58) and Werkverzeichnis (Richard Strauss TrV) (number: TrV 223) medley of: Elektra: "Hörst du denn nicht, sie tragen ihn" (Chrysothemis)		1:52
10	Elektra, Op. 58: "Was bluten muß" choir vocals: Coro del Maggio Musicale Fiorentino (in 1951) soprano vocals [Elektra]: Anny Konetzni (soprano) (in 1951) orchestra: Orchestra del Maggio Musicale Fiorentino (in 1951) and Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1951) conductor: Dimitri Mitropoulos (conductor) (in 1951) recorded at: Maggio musicale fiorentino live recording of: Elektra: "Was bluten muß? Dein eigenes Genick" (Elektra, Klytämnestra) (in 1951) composer: Richard Strauss (German composer) librettist: Hugo von Hofmannsthal publisher: Boosey & Hawkes Music Publishers, Ltd part of: Elektra (op. 58; TrV 223)		0:56
11	Elektra, Op. 58: "Und ich steh' da und seh' dich endlich sterben!" choir vocals: Coro del Maggio Musicale Fiorentino (in 1951) soprano vocals [Elektra]: Anny Konetzni (soprano) (in 1951) orchestra: Orchestra del Maggio Musicale Fiorentino (in 1951) conductor: Dimitri Mitropoulos (conductor) (in 1951) recorded at: Maggio musicale fiorentino live partial recording of: Elektra (op. 58; TrV 223) (in 1951) composer: Richard Strauss (German composer) (from 1906 until 1908) librettist: Hugo von Hofmannsthal premiered at: Semperoper in Dresden, Sachsen (Saxony), Germany (on 1909-01-25) part of: Works of Richard Strauss by opus number (number: op. 58) and Werkverzeichnis (Richard Strauss TrV) (number: TrV 223) medley of: Elektra: "Hörst du denn nicht, sie tragen ihn" (Chrysothemis)		2:53
12	Elektra, Op. 58: "Orest! Orest ist tot" choir vocals: Coro del Maggio Musicale Fiorentino (in 1951) soprano vocals [Chrysothemis]: Daniza Ilitsch (Yugoslav soprano) (in 1951) soprano vocals [Elektra]: Anny Konetzni (soprano) (in 1951) orchestra: Orchestra del Maggio Musicale Fiorentino (in 1951) conductor: Dimitri Mitropoulos (conductor) (in 1951) recorded at: Maggio musicale fiorentino live recording of: Elektra: "Orest! Orest ist tot!" (Chrysothemis, Elektra, junger Diener, alter Diener) (in 1951) composer: Richard Strauss (German composer) librettist: Hugo von Hofmannsthal publisher: Boosey & Hawkes Music Publishers, Ltd part of: Elektra (op. 58; TrV 223)		2:31

10▶CD: Elektra, Op. 58

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Release

ASIN:	DE: B00009YFPJ [info]

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Release information

Barcode:: 4011222209801
Format:: 10×CD
Length:: 9:43:17

Additional details

Type:: Album + Compilation
Status:: Official
Language:: German
Script:: Latin
Data quality:: Normal

Labels

Documents
220980-325

Release events

Germany
2003-03-07

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DE: B00009YFPJ

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Last updated on 2021-03-20 17:01 UTC