The Classic Albums Collection

~ Release by John Coltrane (see all versions of this release, 1 available)

Tracklist

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1CD: Blue Train (1958) & Giant Steps (1960)
#TitleRatingLength
1Blue Train
recording engineer:
Rudy van Gelder (on 1957-09-15)
producer:
Alfred Lion
double bass:
Paul Chambers (US jazz bassist) (on 1957-09-15)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1957-09-15)
piano:
Kenny Drew (on 1957-09-15)
tenor saxophone:
John Coltrane (on 1957-09-15)
trombone:
Curtis Fuller (on 1957-09-15)
trumpet:
Lee Morgan (jazz trumpeter / composer) (on 1957-09-15)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1957-09-15)
recording of:
Blue Train (on 1957-09-15)
composer:
John Coltrane
publisher:
Jowcol Music
10:43
2Moment's Notice
recording engineer:
Rudy van Gelder (on 1957-09-15)
producer:
Alfred Lion
double bass:
Paul Chambers (US jazz bassist) (on 1957-09-15)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1957-09-15)
piano:
Kenny Drew (on 1957-09-15)
tenor saxophone:
John Coltrane (on 1957-09-15)
trombone:
Curtis Fuller (on 1957-09-15)
trumpet:
Lee Morgan (jazz trumpeter / composer) (on 1957-09-15)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1957-09-15)
recording of:
Moment’s Notice (on 1957-09-15)
composer:
John Coltrane
publisher:
Jowcol Music
59:10
3Locomotion
recording engineer:
Rudy van Gelder (on 1957-09-15)
producer:
Alfred Lion
double bass:
Paul Chambers (US jazz bassist) (on 1957-09-15)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1957-09-15)
piano:
Kenny Drew (on 1957-09-15)
tenor saxophone:
John Coltrane (on 1957-09-15)
trombone:
Curtis Fuller (on 1957-09-15)
trumpet:
Lee Morgan (jazz trumpeter / composer) (on 1957-09-15)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1957-09-15)
recording of:
Locomotion (on 1957-09-15)
composer:
John Coltrane
publisher:
Jowcol Music
7:15
4I'm Old Fashioned
recording engineer:
Rudy van Gelder (on 1957-09-15)
producer:
Alfred Lion
double bass:
Paul Chambers (US jazz bassist) (on 1957-09-15)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1957-09-15)
piano:
Kenny Drew (on 1957-09-15)
tenor saxophone:
John Coltrane (on 1957-09-15)
trombone:
Curtis Fuller (on 1957-09-15)
trumpet:
Lee Morgan (jazz trumpeter / composer) (on 1957-09-15)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1957-09-15)
instrumental cover recording of:
I’m Old Fashioned (from “You Were Never Lovelier”) (on 1957-09-15)
lyricist:
Johnny Mercer (in 1942)
composer:
Jerome Kern (in 1942)
publisher:
T.B. Harms Co., The Johnny Mercer Foundation and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
7:58
5Lazy Bird
recording engineer:
Rudy van Gelder (on 1957-09-15)
producer:
Alfred Lion
double bass:
Paul Chambers (US jazz bassist) (on 1957-09-15)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1957-09-15)
piano:
Kenny Drew (on 1957-09-15)
tenor saxophone:
John Coltrane (on 1957-09-15)
trombone:
Curtis Fuller (on 1957-09-15)
trumpet:
Lee Morgan (jazz trumpeter / composer) (on 1957-09-15)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1957-09-15)
recording of:
Lazy Bird (original instrumental composition) (on 1957-09-15)
composer:
John Coltrane
publisher:
Jowcol Music
7:04
6Giant Steps
recording engineer:
Tom Dowd (on 1959-05-05) and Phil Iehle (on 1959-05-05)
producer:
Nesuhi Ertegun
double bass:
Paul Chambers (US jazz bassist) (on 1959-05-05)
drums (drum set):
Art Taylor (on 1959-05-05)
piano:
Tommy Flanagan (on 1959-05-05)
tenor saxophone:
John Coltrane (on 1959-05-05)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
recorded at:
Atlantic Recording Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1959-05-05)
recording of:
Giant Steps (on 1959-05-05)
composer:
John Coltrane
publisher:
Jowcol Music
part of:
The Real Book (compilation of jazz standards, Volume I)
3.354:48
7Cousin Mary
recording engineer:
Tom Dowd (on 1959-05-04) and Phil Iehle (on 1959-05-04)
producer:
Nesuhi Ertegun
double bass:
Paul Chambers (US jazz bassist) (on 1959-05-04)
drums (drum set):
Art Taylor (on 1959-05-04)
piano:
Tommy Flanagan (on 1959-05-04)
tenor saxophone:
John Coltrane (on 1959-05-04)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
recorded at:
Atlantic Recording Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1959-05-04)
recording of:
Cousin Mary (original instrumental version) (on 1959-05-04)
composer:
John Coltrane
publisher:
Jowcol Music
45:50
8Countdown
recording engineer:
Tom Dowd (on 1959-05-04) and Phil Iehle (on 1959-05-04)
producer:
Nesuhi Ertegun
double bass:
Paul Chambers (US jazz bassist) (on 1959-05-04)
drums (drum set):
Art Taylor (on 1959-05-04)
piano:
Tommy Flanagan (on 1959-05-04)
tenor saxophone:
John Coltrane (on 1959-05-04)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
recorded at:
Atlantic Recording Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1959-05-04)
recording of:
Countdown (on 1959-05-04)
composer:
John Coltrane
publisher:
Jowcol Music
32:26
9Spiral
recording engineer:
Tom Dowd (on 1959-05-04) and Phil Iehle (on 1959-05-04)
producer:
Nesuhi Ertegun (on 1959-05-04)
double bass:
Paul Chambers (US jazz bassist) (on 1959-05-04)
drums (drum set):
Art Taylor (on 1959-05-04)
piano:
Tommy Flanagan (on 1959-05-04)
tenor saxophone:
John Coltrane (on 1959-05-04)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
recorded at:
Atlantic Recording Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1959-05-04)
recording of:
Spiral (on 1959-05-04)
composer:
John Coltrane
publisher:
Jowcol Music
46:00
10Syeeda's Song Flute
recording engineer:
Tom Dowd (on 1959-05-05) and Phil Iehle (on 1959-05-05)
producer:
Nesuhi Ertegun
double bass:
Paul Chambers (US jazz bassist) (on 1959-05-05)
drums (drum set):
Art Taylor (on 1959-05-05)
piano:
Tommy Flanagan (on 1959-05-05)
tenor saxophone:
John Coltrane (on 1959-05-05)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
recorded at:
Atlantic Recording Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1959-05-05)
recording of:
Syeeda's Song Flute (on 1959-05-05)
composer:
John Coltrane
47:06
11Naima
recording engineer:
Tom Dowd (on 1959-12-02) and Phil Iehle (on 1959-12-02)
producer:
Nesuhi Ertegun
double bass:
Paul Chambers (US jazz bassist) (on 1959-12-02)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1959-12-02)
piano:
Wynton Kelly (on 1959-12-02)
tenor saxophone:
John Coltrane (on 1959-12-02)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
recorded at:
Atlantic Recording Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1959-12-02)
recording of:
Naima (original instrumental version) (on 1959-12-02)
composer:
John Coltrane
named after artist:
Juanita Naima Grubbs
publisher:
Jowcol Music
44:25
12Mr. P.C.
recording engineer:
Tom Dowd (on 1959-05-05) and Phil Iehle (on 1959-05-05)
producer:
Nesuhi Ertegun
double bass:
Paul Chambers (US jazz bassist) (on 1959-05-05)
drums (drum set):
Art Taylor (on 1959-05-05)
piano:
Tommy Flanagan (on 1959-05-05)
tenor saxophone:
John Coltrane (on 1959-05-05)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
recorded at:
Atlantic Recording Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1959-05-05)
recording of:
Mr. P.C. (on 1959-05-05)
composer:
John Coltrane
named after artist:
Paul Chambers (US jazz bassist)
publisher:
Jowcol Music
46:57
2CD: Coltrane Jazz (1961) & My Favorite Things (1961)
#TitleRatingLength
1Little Old Lady
recording engineer:
Tom Dowd (on 1959-11-24) and Phil Iehle (on 1959-11-24)
producer:
Nesuhi Ertegun
double bass:
Paul Chambers (US jazz bassist) (on 1959-11-24)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1959-11-24)
piano:
Wynton Kelly (on 1959-11-24)
tenor saxophone:
John Coltrane (on 1959-11-24)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1959-11-24)
instrumental cover recording of:
Little Old Lady (on 1959-11-24)
lyricist:
Stanley Adams (US lyricist & songwriter) and Hoagy Carmichael
composer:
Hoagy Carmichael
4:30
2Village Blues
recording engineer:
Tom Dowd (on 1960-10-21) and Phil Iehle (on 1960-10-21)
producer:
Nesuhi Ertegun
double bass:
Steve Davis (post-bop contrabassist who played with Coltrane) (on 1960-10-21)
drums (drum set):
Elvin Jones (jazz drummer) (on 1960-10-21)
piano:
McCoy Tyner (jazz pianist) (on 1960-10-21)
tenor saxophone:
John Coltrane (on 1960-10-21)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1960-10-21)
recording of:
Village Blues (on 1960-10-21)
composer:
John Coltrane
publisher:
Jowcol Music
5:25
3My Shining Hour
recording engineer:
Tom Dowd (on 1959-12-02) and Phil Iehle (on 1959-12-02)
producer:
Nesuhi Ertegun
double bass:
Paul Chambers (US jazz bassist) (on 1959-12-02)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1959-12-02)
piano:
Wynton Kelly (on 1959-12-02)
tenor saxophone:
John Coltrane (on 1959-12-02)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1959-12-02)
instrumental cover recording of:
My Shining Hour (The Sky’s the Limit) (on 1959-12-02)
lyricist:
Johnny Mercer (in 1943)
composer:
Harold Arlen (in 1943)
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) (ended), Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) and Harwin Music Corporation
part of:
The 16th Academy Award for Best Original Song (number: 2)
part of:
The Sky’s the Limit (1943 film)
4:55
4Fifth House
recording engineer:
Tom Dowd (on 1959-12-02) and Phil Iehle (on 1959-12-02)
producer:
Nesuhi Ertegun
double bass:
Paul Chambers (US jazz bassist) (on 1959-12-02)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1959-12-02)
piano:
Wynton Kelly (on 1959-12-02)
tenor saxophone:
John Coltrane (on 1959-12-02)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1959-12-02)
recording of:
Fifth House (on 1959-12-02)
composer:
John Coltrane
publisher:
Jowcol Music
4:42
5Harmonique
recording engineer:
Tom Dowd (on 1959-12-02) and Phil Iehle (on 1959-12-02)
producer:
Nesuhi Ertegun
double bass:
Paul Chambers (US jazz bassist) (on 1959-12-02)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1959-12-02)
piano:
Wynton Kelly (on 1959-12-02)
tenor saxophone:
John Coltrane (on 1959-12-02)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1959-12-02)
recording of:
Harmonique (on 1959-12-02)
composer:
John Coltrane
4:15
6Like Sonny
recording engineer:
Tom Dowd (on 1959-12-02) and Phil Iehle (on 1959-12-02)
producer:
Nesuhi Ertegun
double bass:
Paul Chambers (US jazz bassist) (on 1959-12-02)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1959-12-02)
piano:
Wynton Kelly (on 1959-12-02)
tenor saxophone:
John Coltrane (on 1959-12-02)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1959-12-02)
recording of:
Like Sonny (on 1959-12-02)
composer:
John Coltrane
named after artist:
Sonny Rollins (American saxophonist)
publisher:
Jowcol Music
5:56
7I'll Wait and Pray
recording engineer:
Tom Dowd (on 1959-11-24) and Phil Iehle (on 1959-11-24)
producer:
Nesuhi Ertegun
double bass:
Paul Chambers (US jazz bassist) (on 1959-11-24)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1959-11-24)
piano:
Wynton Kelly (on 1959-11-24)
tenor saxophone:
John Coltrane (on 1959-11-24)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1959-11-24)
instrumental cover recording of:
I’ll Wait and Pray (on 1959-11-24)
writer:
Jerry Valentine (trombone, aka Jerry Valentine) and George Treadwell
3:37
8Some Other Blues
recording engineer:
Tom Dowd (on 1959-12-02) and Phil Iehle (on 1959-12-02)
producer:
Nesuhi Ertegun
double bass:
Paul Chambers (US jazz bassist) (on 1959-12-02)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1959-12-02)
piano:
Wynton Kelly (on 1959-12-02)
tenor saxophone:
John Coltrane (on 1959-12-02)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1959-12-02)
recording of:
Some Other Blues (on 1959-12-02)
composer:
John Coltrane
5:40
9My Favorite Things
recording engineer:
Tom Dowd (on 1960-10-21) and Phil Iehle (on 1960-10-21)
double bass:
Steve Davis (post-bop contrabassist who played with Coltrane) (on 1960-10-21)
drums (drum set):
Elvin Jones (jazz drummer) (on 1960-10-21)
piano:
McCoy Tyner (jazz pianist) (on 1960-10-21)
soprano saxophone:
John Coltrane (on 1960-10-21)
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2004)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1960-10-21)
part of:
New York Post: 100 Greatest Covers (2007) (number: 49)
instrumental cover recording of:
My Favorite Things (The Sound of Music) (on 1960-10-21)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
Williamson Music Company
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
American Splendor
part of:
The Sound of Music (Rodgers & Hammerstein musical)
3.613:47
10Everytime We Say Goodbye
recording engineer:
Tom Dowd (on 1960-10-26) and Phil Iehle (on 1960-10-26)
double bass:
Steve Davis (post-bop contrabassist who played with Coltrane) (on 1960-10-26)
drums (drum set):
Elvin Jones (jazz drummer) (on 1960-10-26)
piano:
McCoy Tyner (jazz pianist) (on 1960-10-26)
soprano saxophone:
John Coltrane (on 1960-10-26)
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2004)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1960-10-26)
instrumental cover recording of:
Ev’ry Time We Say Goodbye (Seven Lively Arts musical revue) (on 1960-10-26)
lyricist and composer:
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Co. Inc. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
35:44
11Summertime
recording engineer:
Tom Dowd (on 1960-10-24) and Phil Iehle (on 1960-10-24)
double bass:
Steve Davis (post-bop contrabassist who played with Coltrane) (on 1960-10-24)
drums (drum set):
Elvin Jones (jazz drummer) (on 1960-10-24)
piano:
McCoy Tyner (jazz pianist) (on 1960-10-24)
tenor saxophone:
John Coltrane (on 1960-10-24)
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2004)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1960-10-24)
instrumental cover recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess) (on 1960-10-24)
lyricist:
Ira Gershwin (in 1934), Dorothy Heyward (playwright) (in 1934) and DuBose Heyward (in 1934)
composer:
George Gershwin (composer) (in 1934)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (from 1935 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
version of:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
311:36
12But Not For Me
recording engineer:
Tom Dowd (on 1960-10-26) and Phil Iehle (on 1960-10-26)
double bass:
Steve Davis (post-bop contrabassist who played with Coltrane) (on 1960-10-26)
drums (drum set):
Elvin Jones (jazz drummer) (on 1960-10-26)
piano:
McCoy Tyner (jazz pianist) (on 1960-10-26)
tenor saxophone:
John Coltrane (on 1960-10-26)
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2004)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1960-10-26)
instrumental cover recording of:
But Not for Me (on 1960-10-26)
lyricist:
Ira Gershwin (in 1930)
composer:
George Gershwin (composer) (in 1930)
publisher:
WB Music Corp. (1929–2019) (until 2019-05-28), New World Music Co. (in 1930) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
9:44
3CD: Olé Coltrane (1961) & Africa/Brass (1961)
#TitleRatingLength
1Olé
recording engineer:
Phil Ramone (on 1961-05-25)
producer:
Nesuhi Ertegun
double bass:
Art Davis (US jazz double bassist) (on 1961-05-25) and Reggie Workman (on 1961-05-25)
drums (drum set):
Elvin Jones (jazz drummer) (on 1961-05-25)
flute:
George Lane (on 1961-05-25)
piano:
McCoy Tyner (jazz pianist) (on 1961-05-25)
soprano saxophone:
John Coltrane (on 1961-05-25)
trumpet:
Freddie Hubbard (on 1961-05-25)
phonographic copyright (℗) by:
Essential Jazz Classics (in 2014)
recorded at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States (on 1961-05-25)
recording of:
Olé (on 1961-05-25)
composer:
John Coltrane
publisher:
Jowcol Music
is based on:
El vito (traditional Andalusian)
18:19
2Dahomey Dance
recording engineer:
Phil Ramone (on 1961-05-25)
producer:
Nesuhi Ertegun
alto saxophone:
George Lane (on 1961-05-25)
double bass:
Art Davis (US jazz double bassist) (on 1961-05-25) and Reggie Workman (on 1961-05-25)
drums (drum set):
Elvin Jones (jazz drummer) (on 1961-05-25)
piano:
McCoy Tyner (jazz pianist) (on 1961-05-25)
tenor saxophone:
John Coltrane (on 1961-05-25)
trumpet:
Freddie Hubbard (on 1961-05-25)
phonographic copyright (℗) by:
Essential Jazz Classics (in 2014)
recorded at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States (on 1961-05-25)
recording of:
Dahomey Dance (on 1961-05-25)
composer:
John Coltrane
10:53
3Aisha
recording engineer:
Phil Ramone (on 1961-05-25)
producer:
Nesuhi Ertegun
alto saxophone:
George Lane (on 1961-05-25)
double bass:
Reggie Workman (on 1961-05-25)
drums (drum set):
Elvin Jones (jazz drummer) (on 1961-05-25)
piano:
McCoy Tyner (jazz pianist) (on 1961-05-25)
tenor saxophone:
John Coltrane (on 1961-05-25)
trumpet:
Freddie Hubbard (on 1961-05-25)
phonographic copyright (℗) by:
Essential Jazz Classics (in 2014)
recorded at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States (on 1961-05-25)
recording of:
Aisha (on 1961-05-25)
composer:
McCoy Tyner (jazz pianist)
57:45
4Africa
recording engineer:
Rudy van Gelder (on 1961-06-07)
producer:
Creed Taylor
alto saxophone, bass clarinet and flute:
Eric Dolphy (on 1961-06-07)
baritone saxophone:
Pat Patrick (American jazz musician) (on 1961-06-07)
double bass:
Art Davis (US jazz double bassist) (on 1961-06-07) and Reggie Workman (on 1961-06-07)
drums (drum set):
Elvin Jones (jazz drummer) (on 1961-06-07)
euphonium:
Carl Bowman (on 1961-06-07)
French horn:
Bob Northern (aka Brother Ah, French hornist and radio host) (on 1961-06-07), Donald Corrado (on 1961-06-07), Robert Swisshelm (on 1961-06-07) and Julius Watkins (on 1961-06-07)
piano:
McCoy Tyner (jazz pianist) (on 1961-06-07)
tenor saxophone:
John Coltrane (on 1961-06-07)
trombone:
Britt Woodman (on 1961-06-07)
trumpet:
Booker Little (on 1961-06-07)
tuba:
Bill Barber (Jazz tuba player) (on 1961-06-07)
conductor:
Eric Dolphy (on 1961-06-07)
instruments arranger and orchestrator:
Eric Dolphy
arranger:
John Coltrane and McCoy Tyner (jazz pianist)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1995)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1961-06-07)
recording of:
Africa (on 1961-06-07)
composer:
John Coltrane
publisher:
Jowcol Music
16:29
5Greensleeves
recording engineer:
Rudy van Gelder (on 1961-05-23)
producer:
Creed Taylor
alto saxophone, alto saxophone, bass clarinet and flute, bass clarinet and flute:
Eric Dolphy (on 1961-05-23)
baritone saxophone:
Pat Patrick (American jazz musician) (on 1961-05-23)
double bass:
Reggie Workman (on 1961-05-23)
double bass [bass]:
Jimmy Garrison (on 1961-05-23)
drums (drum set):
Elvin Jones (jazz drummer) (on 1961-05-23)
euphonium:
Charles Greenlee (on 1961-05-23) and Julian Priester (on 1961-05-23)
French horn:
Bob Northern (aka Brother Ah, French hornist and radio host) (on 1961-05-23), Donald Corrado (on 1961-05-23), Jim Buffington (US jazz, studio and classical hornist) (on 1961-05-23), Robert Swisshelm (on 1961-05-23) and Julius Watkins (on 1961-05-23)
piano:
McCoy Tyner (jazz pianist) (on 1961-05-23)
piccolo, piccolo and woodwind and reeds:
Garvin Bushell (on 1961-05-23)
soprano saxophone:
John Coltrane (on 1961-05-23)
trumpet:
Freddie Hubbard (on 1961-05-23) and Booker Little (on 1961-05-23)
tuba:
Bill Barber (Jazz tuba player) (on 1961-05-23)
conductor:
Eric Dolphy (on 1961-05-23)
instruments arranger:
McCoy Tyner (jazz pianist)
arranger:
McCoy Tyner (jazz pianist) (on 1961-05-23)
orchestrator:
Eric Dolphy
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1995)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1961-05-23)
recording of:
Greensleeves (arrangement for John Coltrane by McCoy Tyner) (on 1961-05-23)
composer:
[traditional] (special purpose artist)
arranger:
McCoy Tyner (jazz pianist) (in 1961)
9:58
6Blues Minor
recording engineer:
Rudy van Gelder (on 1961-06-07)
producer:
Creed Taylor
alto saxophone, alto saxophone, bass clarinet and flute, bass clarinet and flute:
Eric Dolphy (on 1961-06-07)
baritone saxophone:
Pat Patrick (American jazz musician) (on 1961-06-07)
double bass:
Art Davis (US jazz double bassist) (on 1961-06-07) and Reggie Workman (on 1961-06-07)
drums (drum set):
Elvin Jones (jazz drummer) (on 1961-06-07)
euphonium:
Carl Bowman (on 1961-06-07)
French horn:
Bob Northern (aka Brother Ah, French hornist and radio host) (on 1961-06-07), Donald Corrado (on 1961-06-07), Robert Swisshelm (on 1961-06-07) and Julius Watkins (on 1961-06-07)
piano:
McCoy Tyner (jazz pianist) (on 1961-06-07)
tenor saxophone:
John Coltrane (on 1961-06-07)
trombone:
Britt Woodman (on 1961-06-07)
trumpet:
Booker Little (on 1961-06-07)
tuba:
Bill Barber (Jazz tuba player) (on 1961-06-07)
conductor:
Eric Dolphy (on 1961-06-07)
instruments arranger and orchestrator:
Eric Dolphy
arranger:
John Coltrane and McCoy Tyner (jazz pianist)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1995)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1961-06-07)
instrumental recording of:
Blues Minor (on 1961-06-07)
composer:
John Coltrane
publisher:
Jowcol Music
7:21
4CD: Coltrane (1962) & Ballads (1963)
#TitleRatingLength
1Out of This World
recording engineer:
Rudy van Gelder (on 1962-06-19)
producer:
Bob Thiele (producer & songwriter)
double bass:
Jimmy Garrison (on 1962-06-19)
drums (drum set):
Elvin Jones (jazz drummer) (on 1962-06-19)
piano:
McCoy Tyner (jazz pianist) (on 1962-06-19)
tenor saxophone:
John Coltrane (on 1962-06-19)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 2002)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1962-06-19)
instrumental cover recording of:
Out of This World (on 1962-06-19)
lyricist:
Johnny Mercer (in 1945)
composer:
Harold Arlen (in 1945)
publisher:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.)
514:07
2Soul Eyes
recording engineer:
Rudy van Gelder (on 1962-06-19)
producer:
Bob Thiele (producer & songwriter) (on 1962-06-19)
double bass:
Jimmy Garrison (on 1962-06-19)
drums (drum set):
Elvin Jones (jazz drummer) (on 1962-06-19)
piano:
McCoy Tyner (jazz pianist) (on 1962-06-19)
tenor saxophone:
John Coltrane (on 1962-06-19)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 2002)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1962-06-19)
instrumental cover recording of:
Soul Eyes (on 1962-06-19)
composer:
Mal Waldron (American jazz pianist)
publisher:
Prestige Music (US drum & bass)
5:28
3The Inch Worm
recording engineer:
Rudy van Gelder (on 1962-04-11)
producer:
Bob Thiele (producer & songwriter)
double bass:
Jimmy Garrison (on 1962-04-11)
drums (drum set):
Elvin Jones (jazz drummer) (on 1962-04-11)
piano:
McCoy Tyner (jazz pianist) (on 1962-04-11)
soprano saxophone:
John Coltrane (on 1962-04-11)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 2002)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1962-04-11)
instrumental recording of:
Inchworm (on 1962-04-11)
lyricist and composer:
Frank Loesser
6:19
4Tunji
recording engineer:
Rudy van Gelder (on 1962-06-29)
producer:
Bob Thiele (producer & songwriter)
double bass:
Jimmy Garrison (on 1962-06-29)
drums (drum set):
Elvin Jones (jazz drummer) (on 1962-06-29)
piano:
McCoy Tyner (jazz pianist) (on 1962-06-29)
tenor saxophone:
John Coltrane (on 1962-06-29)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 2002)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1962-06-29)
recording of:
Tunji (on 1962-06-29)
composer:
John Coltrane
dedicated to:
Babatunde Olatunji
publisher:
Jowcol Music
6:39
5Miles' Mode
recording engineer:
Rudy van Gelder (on 1962-06-20)
producer:
Bob Thiele (producer & songwriter)
double bass [bass]:
Jimmy Garrison (on 1962-06-20)
drums (drum set):
Elvin Jones (jazz drummer) (on 1962-06-20)
piano:
McCoy Tyner (jazz pianist) (on 1962-06-20)
tenor saxophone:
John Coltrane (on 1962-06-20)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 2002)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1962-06-20)
recording of:
Red Planet (aka “Miles’ Mode”) (on 1962-06-20)
composer:
John Coltrane and Eric Dolphy
7:35
6Say It (Over and Over Again)
recording engineer:
Rudy van Gelder (on 1962-11-13)
producer:
Bob Thiele (producer & songwriter)
double bass [bass]:
Jimmy Garrison (on 1962-11-13)
drums (drum set):
Elvin Jones (jazz drummer) (on 1962-11-13)
piano:
McCoy Tyner (jazz pianist) (on 1962-11-13)
tenor saxophone:
John Coltrane (on 1962-11-13)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1995)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1962-11-13)
instrumental cover recording of:
Say It Over and Over Again (on 1962-11-13)
lyricist:
Frank Loesser
composer:
Jimmy McHugh (songwriter)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
4:17
7You Don't Know What Love Is
recording engineer:
Rudy van Gelder (on 1962-11-13)
producer:
Bob Thiele (producer & songwriter)
double bass [bass]:
Jimmy Garrison (on 1962-11-13)
drums (drum set):
Elvin Jones (jazz drummer) (on 1962-11-13)
piano:
McCoy Tyner (jazz pianist) (on 1962-11-13)
tenor saxophone:
John Coltrane (on 1962-11-13)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1995)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1962-11-13)
instrumental cover recording of:
You Don’t Know What Love Is (on 1962-11-13)
lyricist and composer:
Gene de Paul and Don Raye
publisher:
MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Universal Music Corp. (USA, affiliated with ASCAP), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
5:14
8Too Young to Go Steady
recording engineer:
Rudy van Gelder (on 1962-11-13)
producer:
Bob Thiele (producer & songwriter)
double bass:
Jimmy Garrison (on 1962-11-13)
drums (drum set):
Elvin Jones (jazz drummer) (on 1962-11-13)
piano:
McCoy Tyner (jazz pianist) (on 1962-11-13)
tenor saxophone:
John Coltrane (on 1962-11-13)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1995)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1962-11-13)
instrumental cover recording of:
Too Young to Go Steady (on 1962-11-13)
lyricist:
Harold Adamson
composer:
Jimmy McHugh (songwriter)
publisher:
Harold Adamson Music
4:23
9All or Nothing at All
recording engineer:
Rudy van Gelder (on 1962-11-13)
producer:
Bob Thiele (producer & songwriter)
double bass [bass]:
Jimmy Garrison (on 1962-11-13)
drums (drum set):
Elvin Jones (jazz drummer) (on 1962-11-13)
piano:
McCoy Tyner (jazz pianist) (on 1962-11-13)
tenor saxophone:
John Coltrane (on 1962-11-13)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1995)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1962-11-13)
instrumental cover recording of:
All or Nothing at All (on 1962-11-13)
lyricist:
Jack Lawrence (US songwriter)
composer:
Arthur Altman and Jack Lawrence (US songwriter)
publisher:
MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996), Range Road Music Inc. and Universal‐MCA Music Publishing (US)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
3:31
10I Wish I Knew
recording engineer:
Rudy van Gelder (on 1962-11-13)
producer:
Bob Thiele (producer & songwriter)
double bass [bass]:
Jimmy Garrison (on 1962-11-13)
drums (drum set):
Elvin Jones (jazz drummer) (on 1962-11-13)
piano:
McCoy Tyner (jazz pianist) (on 1962-11-13)
tenor saxophone:
John Coltrane (on 1962-11-13)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1995)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1962-11-13)
instrumental cover recording of:
I Wish I Knew (on 1962-11-13)
lyricist:
Mack Gordon
composer:
Mack Gordon and Harry Warren (US composer and lyricist)
publisher:
WB Music Corp. (1929–2019)
4:51
11What's New
recording engineer:
Rudy van Gelder (on 1962-09-18)
producer:
Bob Thiele (producer & songwriter)
double bass [bass]:
Jimmy Garrison (on 1962-09-18)
drums (drum set):
Elvin Jones (jazz drummer) (on 1962-09-18)
piano:
McCoy Tyner (jazz pianist) (on 1962-09-18)
tenor saxophone:
John Coltrane (on 1962-09-18)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1995)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1962-09-18)
instrumental cover recording of:
What’s New? (on 1962-09-18)
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
Bob Haggart
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946) and Warner Bros., Inc. (not for release label use!)
33:44
12It's Easy to Remember
recording engineer:
Rudy van Gelder (on 1961-12-21)
producer:
Bob Thiele (producer & songwriter) (on 1961-12-21)
double bass [bass]:
Jimmy Garrison (on 1961-12-21)
drums (drum set):
Elvin Jones (jazz drummer) (on 1961-12-21)
piano:
McCoy Tyner (jazz pianist) (on 1961-12-21)
tenor saxophone:
John Coltrane (on 1961-12-21)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1995)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1961-12-21)
instrumental cover recording of:
It’s Easy to Remember (and So Hard to Forget) (on 1961-12-21)
lyricist:
Lorenz Hart (in 1935)
composer:
Richard Rodgers (composer) (in 1935)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
2:45
13Nancy (With the Laughing Face)
recording engineer:
Rudy van Gelder (on 1962-09-18)
producer:
Bob Thiele (producer & songwriter) (on 1962-09-18)
double bass [bass]:
Jimmy Garrison (on 1962-09-18)
drums (drum set):
Elvin Jones (jazz drummer) (on 1962-09-18)
piano:
McCoy Tyner (jazz pianist) (on 1962-09-18)
tenor saxophone:
John Coltrane (on 1962-09-18)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1995)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1962-09-18)
instrumental cover recording of:
Nancy (With the Laughing Face) (on 1962-09-18)
lyricist:
Phil Silvers (actor)
composer:
Jimmy Van Heusen
publisher:
Barton Music Corp., Chappell/Morris Ltd. and Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
3:10