| # | Title | Rating | Length |
|---|
| 1 | When I Fall in Love- recording engineer and mixer:
- Al Schmitt
- additional assistant engineer:
- Chris Barrett (task: Pro-Tools operator)
- additional engineer:
- Haydn Bendall
- assistant engineer:
- Steve Genewick (task: Pro-Tools operator)
- producer:
- Bobby Colomby
- acoustic guitar:
- Mitch Dalton
- alto flute and flute:
- Karen Jones , Helen Keen , Stan Sulzmann and Phil Todd
- alto saxophone:
- Nigel Hitchcock
- bass:
- Jon Ossman
- bass clarinet and tenor saxophone:
- Jamie Talbot
- bass flute:
- Andy Panayi
- bass trombone and euphonium:
- Dave Stewart
- cello:
- Anthony Lewis , Dave Daniels , Caroline Dearnley , Paul Kegg , Anthony Pleeth and Frank Schaefer
- clarinet:
- Anthony Pike and Nick Rodwell
- cor anglais:
- Jane Marshall
- double bass:
- Alec Dankworth, Patrick Lannigan , Chris Laurence and Mary Scully
- drums (drum set):
- Billy Kilson and Ralph Salmins
- flugelhorn and trumpet:
- John Barclay , Guy Barker and Derek Watkins
- French horn:
- Richard Bissill , Mike Thompson and David Pyatt
- guitar:
- Shane Fontayne
- harp:
- Fiona Hibbert
- oboe:
- David Theodore
- percussion:
- Paulinho da Costa
- piano:
- Federico Gonzalez Peña
- solo trumpet:
- Chris Botti
- tenor trombone and trombone:
- Richard Edwards , Mark Nightingale and Peter Beachill
- viola:
- Peter Lale , George Robertson , Edward Vanderspar , Vicci Wardman , Ivo van der Werff and Bruce White
- violin:
- Thomas Bowes , Dave Woodcock , Roger Garland , Jonathan Evans‐Jones , Ken Sillito , Patrick Kiernan , Boguslaw Kostecki , Julian Leaper , Rita Manning , Steve Morris , Maciej Rakowski , Jackie Shave, Cathy Thompson , Debbie Widdup , Paul Willey and Rolf Wilson
- orchestra:
- London Session Orchestra
- arranger:
- Marc Shulman
- orchestrator:
- Gil Goldstein
- additionally recorded at:
- AIR Lyndhurst Hall in Hampstead, Camden , London , England, United Kingdom
- recorded at and mixed at:
- Capitol Studios in Hollywood, Los Angeles, California, United States
- instrumental cover recording of:
- When I Fall in Love
- lyricist:
- Edward Heyman
- composer:
- Victor Young
- publisher:
- Avenue Music Co. Ltd., Chappell & Co., Chappell & Co., Inc. , Chappell Music Ltd., Intersong U.S.A. , Northern Music , Victor Young Publishing, Inc. and Warner/Chappell North America Limited
- sub-publisher:
- ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
| | 4:22 |
| 2 | What’ll I Do?- recording engineer and mixer:
- Al Schmitt
- additional assistant engineer:
- Chris Barrett (task: Pro-Tools operator)
- additional engineer:
- Haydn Bendall
- assistant engineer:
- Steve Genewick (task: Pro-Tools operator)
- producer:
- Bobby Colomby
- acoustic guitar:
- Mitch Dalton
- alto flute and flute:
- Karen Jones , Helen Keen , Stan Sulzmann and Phil Todd
- alto saxophone:
- Nigel Hitchcock
- bass:
- Brian Bromberg
- bass clarinet and tenor saxophone:
- Jamie Talbot
- bass flute:
- Andy Panayi
- bass trombone and euphonium:
- Dave Stewart
- cello:
- Anthony Lewis , Dave Daniels , Caroline Dearnley , Paul Kegg , Anthony Pleeth and Frank Schaefer
- clarinet:
- Anthony Pike and Nick Rodwell
- cor anglais:
- Jane Marshall
- double bass:
- Alec Dankworth, Patrick Lannigan , Chris Laurence and Mary Scully
- drums (drum set):
- Vinnie Colaiuta and Ralph Salmins
- flugelhorn and trumpet:
- John Barclay , Guy Barker and Derek Watkins
- French horn:
- Richard Bissill , Mike Thompson and David Pyatt
- guitar:
- Shane Fontayne
- harp:
- Fiona Hibbert
- oboe:
- David Theodore
- piano:
- Greg Phillinganes
- solo trumpet:
- Chris Botti
- tenor trombone and trombone:
- Richard Edwards , Mark Nightingale and Peter Beachill
- viola:
- Peter Lale , George Robertson , Edward Vanderspar , Vicci Wardman , Ivo van der Werff and Bruce White
- violin:
- Thomas Bowes , Dave Woodcock , Roger Garland , Jonathan Evans‐Jones , Ken Sillito , Patrick Kiernan , Boguslaw Kostecki , Julian Leaper , Rita Manning , Steve Morris , Maciej Rakowski , Jackie Shave, Cathy Thompson , Debbie Widdup , Paul Willey and Rolf Wilson
- vocals:
- Chris Botti and Paula Cole
- orchestra:
- London Session Orchestra
- arranger:
- Gil Goldstein
- additionally recorded at:
- AIR Lyndhurst Hall in Hampstead, Camden , London , England, United Kingdom
- recorded at and mixed at:
- Capitol Studios in Hollywood, Los Angeles, California, United States
- cover recording of:
- What’ll I Do?
- lyricist and composer:
- Irving Berlin (in 1923)
- publisher:
- Irving Berlin Music Company, Irving Berlin Music Corp., Wilhelm Hansen and Williamson Music Company
| | 5:10 |
| 3 | No Ordinary Love- recording engineer:
- Jeff Lorber and Al Schmitt
- assistant engineer:
- Steve Genewick (task: Pro-Tools operator)
- producer:
- Brian Bromberg, Bobby Colomby and Jeff Lorber
- mixer:
- Al Schmitt
- bass and bass guitar:
- Brian Bromberg
- drums (drum set):
- Vinnie Colaiuta
- guitar:
- Dean Parks
- keyboard:
- Jeff Lorber
- piano:
- Billy Childs
- saxophone:
- Bob Sheppard
- solo trumpet:
- Chris Botti
- vocals:
- Jill Zadeh
- arranger:
- Brian Bromberg, Bobby Colomby and Jeff Lorber
- vocals arranger:
- Mike Anthony
- recorded at:
- Capitol Studios in Hollywood, Los Angeles, California, United States and JHL Studios in Pacific Palisades, Los Angeles, California, United States
- mixed at:
- Capitol Studios in Hollywood, Los Angeles, California, United States
- instrumental cover recording of:
- No Ordinary Love
- lyricist:
- Sade Adu
- composer:
- Sade Adu and Stuart Matthewman
- publisher:
- Sony ATV Songs LLC and Sony/ATV Music Publishing UK Ltd.
| | 6:05 |
| 4 | My Romance- additional assistant engineer:
- Chris Barrett (task: Pro-Tools operator)
- additional engineer:
- Haydn Bendall
- producer:
- Bobby Colomby
- mixer:
- Al Schmitt
- acoustic guitar:
- Mitch Dalton
- alto flute and flute:
- Karen Jones , Helen Keen , Stan Sulzmann and Phil Todd
- alto saxophone:
- Nigel Hitchcock
- bass clarinet and tenor saxophone:
- Jamie Talbot
- bass flute:
- Andy Panayi
- bass trombone and euphonium:
- Dave Stewart
- cello:
- Anthony Lewis , Dave Daniels , Caroline Dearnley , Paul Kegg , Anthony Pleeth and Frank Schaefer
- clarinet:
- Anthony Pike and Nick Rodwell
- cor anglais:
- Jane Marshall
- double bass:
- Alec Dankworth, Patrick Lannigan , Chris Laurence and Mary Scully
- drums (drum set):
- Ralph Salmins
- flugelhorn and trumpet:
- John Barclay , Guy Barker and Derek Watkins
- French horn:
- Richard Bissill , Mike Thompson and David Pyatt
- harp:
- Fiona Hibbert
- oboe:
- David Theodore
- solo trumpet:
- Chris Botti
- tenor trombone and trombone:
- Richard Edwards , Mark Nightingale and Peter Beachill
- viola:
- Peter Lale , George Robertson , Edward Vanderspar , Vicci Wardman , Ivo van der Werff and Bruce White
- violin:
- Thomas Bowes , Dave Woodcock , Roger Garland , Jonathan Evans‐Jones , Ken Sillito , Patrick Kiernan , Boguslaw Kostecki , Julian Leaper , Rita Manning , Steve Morris , Maciej Rakowski , Jackie Shave, Cathy Thompson , Debbie Widdup , Paul Willey and Rolf Wilson
- orchestra:
- London Session Orchestra
- arranger:
- Jeremy Lubbock
- recorded at:
- AIR Lyndhurst Hall in Hampstead, Camden , London , England, United Kingdom
- mixed at:
- Capitol Studios in Hollywood, Los Angeles, California, United States
- instrumental cover recording of:
- My Romance
- lyricist:
- Lorenz Hart (in 1935)
- composer:
- Richard Rodgers (in 1935)
- publisher:
- Chappell & Co., Inc. , Lorenz Hart Publishing Co., T.B. Harms Co., Universal PolyGram International Publishing, Inc. , Warner Chappell Music Ltd. , Williamson Music Company, シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
- part of:
- Jumbo
| 2 | 3:21 |
| 5 | Let’s Fall in Love- recording engineer and mixer:
- Al Schmitt
- additional assistant engineer:
- Chris Barrett (task: Pro-Tools operator)
- additional engineer:
- Haydn Bendall
- assistant engineer:
- Steve Genewick (task: Pro-Tools operator)
- producer:
- Bobby Colomby
- acoustic guitar:
- Mitch Dalton
- alto flute and flute:
- Karen Jones , Helen Keen , Stan Sulzmann and Phil Todd
- alto saxophone:
- Nigel Hitchcock
- bass:
- Brian Bromberg
- bass clarinet and tenor saxophone:
- Jamie Talbot
- bass flute:
- Andy Panayi
- bass trombone and euphonium:
- Dave Stewart
- cello:
- Anthony Lewis , Dave Daniels , Caroline Dearnley , Paul Kegg , Anthony Pleeth and Frank Schaefer
- clarinet:
- Anthony Pike and Nick Rodwell
- cor anglais:
- Jane Marshall
- double bass:
- Alec Dankworth, Patrick Lannigan , Chris Laurence and Mary Scully
- drums (drum set):
- Vinnie Colaiuta and Ralph Salmins
- electric piano and Rhodes piano:
- Billy Childs
- flugelhorn and trumpet:
- John Barclay , Guy Barker and Derek Watkins
- French horn:
- Richard Bissill , Mike Thompson and David Pyatt
- harp:
- Fiona Hibbert
- oboe:
- David Theodore
- percussion:
- Paulinho da Costa
- solo trumpet:
- Chris Botti
- tenor trombone and trombone:
- Richard Edwards , Mark Nightingale and Peter Beachill
- viola:
- Peter Lale , George Robertson , Edward Vanderspar , Vicci Wardman , Ivo van der Werff and Bruce White
- violin:
- Thomas Bowes , Dave Woodcock , Roger Garland , Jonathan Evans‐Jones , Ken Sillito , Patrick Kiernan , Boguslaw Kostecki , Julian Leaper , Rita Manning , Steve Morris , Maciej Rakowski , Jackie Shave, Cathy Thompson , Debbie Widdup , Paul Willey and Rolf Wilson
- orchestra:
- London Session Orchestra
- arranger:
- Billy Childs
- additionally recorded at:
- AIR Lyndhurst Hall in Hampstead, Camden , London , England, United Kingdom
- recorded at and mixed at:
- Capitol Studios in Hollywood, Los Angeles, California, United States
- instrumental cover recording of:
- Let’s Fall in Love
- lyricist:
- Ted Koehler (in 1933)
- composer:
- Harold Arlen (in 1933)
- publisher:
- Bourne Co. and Francis, Day & Hunter Ltd.
| | 3:40 |
| 6 | Cinema Paradiso- recording engineer and mixer:
- Al Schmitt
- additional assistant engineer:
- Chris Barrett (task: Pro-Tools operator)
- additional engineer:
- Haydn Bendall
- assistant engineer:
- Steve Genewick (task: Pro-Tools operator)
- producer:
- Bobby Colomby
- acoustic guitar:
- Mitch Dalton
- alto flute and flute:
- Karen Jones , Helen Keen , Stan Sulzmann and Phil Todd
- alto saxophone:
- Nigel Hitchcock
- bass:
- Brian Bromberg
- bass clarinet and tenor saxophone:
- Jamie Talbot
- bass flute:
- Andy Panayi
- bass trombone and euphonium:
- Dave Stewart
- cello:
- Anthony Lewis , Dave Daniels , Caroline Dearnley , Paul Kegg , Anthony Pleeth and Frank Schaefer
- clarinet:
- Anthony Pike and Nick Rodwell
- cor anglais:
- Jane Marshall
- double bass:
- Alec Dankworth, Patrick Lannigan , Chris Laurence and Mary Scully
- drums (drum set):
- Billy Kilson and Ralph Salmins
- flugelhorn and trumpet:
- John Barclay , Guy Barker and Derek Watkins
- French horn:
- Richard Bissill , Mike Thompson and David Pyatt
- guitar:
- Dean Parks
- harp:
- Fiona Hibbert
- oboe:
- David Theodore
- percussion:
- Paulinho da Costa
- piano:
- Billy Childs
- solo trumpet:
- Chris Botti
- tenor trombone and trombone:
- Richard Edwards , Mark Nightingale and Peter Beachill
- viola:
- Peter Lale , George Robertson , Edward Vanderspar , Vicci Wardman , Ivo van der Werff and Bruce White
- violin:
- Thomas Bowes , Dave Woodcock , Roger Garland , Jonathan Evans‐Jones , Ken Sillito , Patrick Kiernan , Boguslaw Kostecki , Julian Leaper , Rita Manning , Steve Morris , Maciej Rakowski , Jackie Shave, Cathy Thompson , Debbie Widdup , Paul Willey and Rolf Wilson
- orchestra:
- London Session Orchestra
- arranger:
- Gil Goldstein
- additionally recorded at:
- AIR Lyndhurst Hall in Hampstead, Camden , London , England, United Kingdom
- recorded at and mixed at:
- Capitol Studios in Hollywood, Los Angeles, California, United States
- instrumental cover recording of:
- Cinema Paradiso (Se)
- lyricist:
- Alessio de Sensi
- composer:
- Andrea Morricone and Ennio Morricone
- publisher:
- EMI April Music Inc. and EMI General Music SRL
- version of:
- Nuovo cinema Paradiso: Tema d’amore
| | 4:57 |
| 7 | Someone to Watch Over Me- additional assistant engineer:
- Chris Barrett (task: Pro-Tools operator)
- additional engineer:
- Haydn Bendall
- producer:
- Bobby Colomby
- mixer:
- Al Schmitt
- alto flute and flute:
- Karen Jones , Helen Keen , Stan Sulzmann and Phil Todd
- alto saxophone:
- Nigel Hitchcock
- bass clarinet and tenor saxophone:
- Jamie Talbot
- bass flute:
- Andy Panayi
- bass trombone and euphonium:
- Dave Stewart
- cello:
- Anthony Lewis , Dave Daniels , Caroline Dearnley , Paul Kegg , Anthony Pleeth and Frank Schaefer
- clarinet:
- Anthony Pike and Nick Rodwell
- cor anglais:
- Jane Marshall
- double bass:
- Alec Dankworth, Patrick Lannigan , Chris Laurence and Mary Scully
- drums (drum set):
- Ralph Salmins
- flugelhorn and trumpet:
- John Barclay , Guy Barker and Derek Watkins
- French horn:
- Richard Bissill , Mike Thompson and David Pyatt
- guitar [semi-acoustic jazz guitar]:
- Mitch Dalton
- harp:
- Fiona Hibbert
- oboe:
- David Theodore
- solo trumpet:
- Chris Botti
- tenor trombone and trombone:
- Richard Edwards , Mark Nightingale and Peter Beachill
- viola:
- Peter Lale , George Robertson , Edward Vanderspar , Vicci Wardman , Ivo van der Werff and Bruce White
- violin:
- Thomas Bowes , Dave Woodcock , Roger Garland , Jonathan Evans‐Jones , Ken Sillito , Patrick Kiernan , Boguslaw Kostecki , Julian Leaper , Rita Manning , Steve Morris , Maciej Rakowski , Jackie Shave, Cathy Thompson , Debbie Widdup , Paul Willey and Rolf Wilson
- orchestra:
- London Session Orchestra
- arranger:
- Jeremy Lubbock
- recorded at:
- AIR Lyndhurst Hall in Hampstead, Camden , London , England, United Kingdom
- mixed at:
- Capitol Studios in Hollywood, Los Angeles, California, United States
- instrumental cover recording of:
- Someone to Watch Over Me
- lyricist:
- Ira Gershwin (in 1926)
- composer:
- George Gershwin (in 1926)
- publisher:
- Warner Bros., Inc. , WB Music Corp. (until 2019-05-28), Harms, Inc. (in 1926) and WC Music Corp. (from 2019-05-28 until 2022-01-01)
- sub-publisher:
- ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
- part of:
- Crazy for You
- part of:
- Oh, Kay!
| | 4:36 |
| 8 | La belle dame sans regrets- recording engineer:
- Elliot Scheiner and Al Schmitt
- additional assistant engineer:
- Chris Barrett (task: Pro-Tools operator)
- additional engineer:
- Haydn Bendall
- assistant engineer:
- Steve Genewick (task: Pro-Tools operator) and Brian Montgomery (task: Pro-Tools operator)
- producer:
- Bobby Colomby
- mixer:
- Al Schmitt
- accordion:
- Gil Goldstein
- acoustic guitar:
- Mitch Dalton
- alto flute and flute:
- Karen Jones , Helen Keen , Stan Sulzmann and Phil Todd
- alto saxophone:
- Nigel Hitchcock
- bass:
- Brian Bromberg
- bass clarinet and tenor saxophone:
- Jamie Talbot
- bass flute:
- Andy Panayi
- bass trombone and euphonium:
- Dave Stewart
- cello:
- Anthony Lewis , Dave Daniels , Caroline Dearnley , Paul Kegg , Anthony Pleeth and Frank Schaefer
- clarinet:
- Anthony Pike and Nick Rodwell
- cor anglais:
- Jane Marshall
- double bass:
- Alec Dankworth, Patrick Lannigan , Chris Laurence and Mary Scully
- drums (drum set):
- Vinnie Colaiuta and Ralph Salmins
- flugelhorn and trumpet:
- John Barclay , Guy Barker and Derek Watkins
- French horn:
- Richard Bissill , Mike Thompson and David Pyatt
- guitar:
- Dominic Miller and Dean Parks
- harp:
- Fiona Hibbert
- oboe:
- David Theodore
- percussion:
- Paulinho da Costa
- piano:
- Billy Childs
- solo trumpet:
- Chris Botti
- tenor trombone and trombone:
- Richard Edwards , Mark Nightingale and Peter Beachill
- viola:
- Peter Lale , George Robertson , Edward Vanderspar , Vicci Wardman , Ivo van der Werff and Bruce White
- violin:
- Thomas Bowes , Dave Woodcock , Roger Garland , Jonathan Evans‐Jones , Ken Sillito , Patrick Kiernan , Boguslaw Kostecki , Julian Leaper , Rita Manning , Steve Morris , Maciej Rakowski , Jackie Shave, Cathy Thompson , Debbie Widdup , Paul Willey and Rolf Wilson
- vocals:
- Sting
- orchestra:
- London Session Orchestra
- arranger:
- Gil Goldstein
- additionally recorded at:
- AIR Lyndhurst Hall in Hampstead, Camden , London , England, United Kingdom
- recorded at:
- Avatar Studios in Hell's Kitchen, New York, New York, United States and Capitol Studios in Hollywood, Los Angeles, California, United States
- mixed at:
- Capitol Studios in Hollywood, Los Angeles, California, United States
- recording of:
- La Belle Dame sans regrets
- lyricist and composer:
- Dominic Miller and Sting
- publisher:
- Songs of Universal, Inc.
| | 5:31 |
| 9 | Nearness of You- recording engineer and mixer:
- Al Schmitt
- additional assistant engineer:
- Chris Barrett (task: Pro-Tools operator)
- additional engineer:
- Haydn Bendall
- assistant engineer:
- Steve Genewick (task: Pro-Tools operator)
- producer:
- Bobby Colomby
- acoustic guitar:
- Mitch Dalton
- alto flute and flute:
- Karen Jones , Helen Keen , Stan Sulzmann and Phil Todd
- alto saxophone:
- Nigel Hitchcock
- bass:
- Brian Bromberg
- bass clarinet and tenor saxophone:
- Jamie Talbot
- bass flute:
- Andy Panayi
- bass trombone and euphonium:
- Dave Stewart
- cello:
- Anthony Lewis , Dave Daniels , Caroline Dearnley , Paul Kegg , Anthony Pleeth and Frank Schaefer
- clarinet:
- Anthony Pike and Nick Rodwell
- cor anglais:
- Jane Marshall
- double bass:
- Alec Dankworth, Patrick Lannigan , Chris Laurence and Mary Scully
- drums (drum set):
- Vinnie Colaiuta and Ralph Salmins
- flugelhorn and trumpet:
- John Barclay , Guy Barker and Derek Watkins
- French horn:
- Richard Bissill , Mike Thompson and David Pyatt
- guitar:
- Dean Parks
- harp:
- Fiona Hibbert
- oboe:
- David Theodore
- piano:
- Billy Childs
- solo trumpet:
- Chris Botti
- tenor trombone and trombone:
- Richard Edwards , Mark Nightingale and Peter Beachill
- viola:
- Peter Lale , George Robertson , Edward Vanderspar , Vicci Wardman , Ivo van der Werff and Bruce White
- violin:
- Thomas Bowes , Dave Woodcock , Roger Garland , Jonathan Evans‐Jones , Ken Sillito , Patrick Kiernan , Boguslaw Kostecki , Julian Leaper , Rita Manning , Steve Morris , Maciej Rakowski , Jackie Shave, Cathy Thompson , Debbie Widdup , Paul Willey and Rolf Wilson
- orchestra:
- London Session Orchestra
- arranger:
- Billy Childs
- additionally recorded at:
- AIR Lyndhurst Hall in Hampstead, Camden , London , England, United Kingdom
- recorded at and mixed at:
- Capitol Studios in Hollywood, Los Angeles, California, United States
- instrumental recording of:
- Nearness of You
- composer:
- Paul Edgar Johnson
| | 3:11 |
| 10 | How Love Should Be- recording engineer and mixer:
- Al Schmitt
- additional assistant engineer:
- Chris Barrett (task: Pro-Tools operator)
- additional engineer:
- Haydn Bendall
- assistant engineer:
- Steve Genewick (task: Pro-Tools operator)
- producer:
- Bobby Colomby
- acoustic guitar:
- Mitch Dalton
- alto flute and flute:
- Karen Jones , Helen Keen , Stan Sulzmann and Phil Todd
- alto saxophone:
- Nigel Hitchcock
- bass:
- Brian Bromberg
- bass clarinet and tenor saxophone:
- Jamie Talbot
- bass flute:
- Andy Panayi
- bass trombone and euphonium:
- Dave Stewart
- cello:
- Anthony Lewis , Dave Daniels , Caroline Dearnley , Paul Kegg , Anthony Pleeth and Frank Schaefer
- clarinet:
- Anthony Pike and Nick Rodwell
- cor anglais:
- Jane Marshall
- double bass:
- Alec Dankworth, Patrick Lannigan , Chris Laurence and Mary Scully
- drums (drum set):
- Vinnie Colaiuta and Ralph Salmins
- flugelhorn and trumpet:
- John Barclay , Guy Barker and Derek Watkins
- French horn:
- Richard Bissill , Mike Thompson and David Pyatt
- harp:
- Fiona Hibbert
- oboe:
- David Theodore
- piano:
- Greg Phillinganes
- solo trumpet:
- Chris Botti
- tenor trombone and trombone:
- Richard Edwards , Mark Nightingale and Peter Beachill
- viola:
- Peter Lale , George Robertson , Edward Vanderspar , Vicci Wardman , Ivo van der Werff and Bruce White
- violin:
- Thomas Bowes , Dave Woodcock , Roger Garland , Jonathan Evans‐Jones , Ken Sillito , Patrick Kiernan , Boguslaw Kostecki , Julian Leaper , Rita Manning , Steve Morris , Maciej Rakowski , Jackie Shave, Cathy Thompson , Debbie Widdup , Paul Willey and Rolf Wilson
- vocals:
- Paula Cole
- orchestra:
- London Session Orchestra
- arranger:
- Jeremy Lubbock
- additionally recorded at:
- AIR Lyndhurst Hall in Hampstead, Camden , London , England, United Kingdom
- recorded at and mixed at:
- Capitol Studios in Hollywood, Los Angeles, California, United States
- recording of:
- How Love Should Be
- lyricist and composer:
- Jeremy Lubbock
- publisher:
- Rosongs
| | 4:03 |
| 11 | Make Someone Happy- recording engineer and mixer:
- Al Schmitt
- additional assistant engineer:
- Chris Barrett (task: Pro-Tools operator)
- additional engineer:
- Haydn Bendall
- assistant engineer:
- Steve Genewick (task: Pro-Tools operator)
- producer:
- Bobby Colomby
- acoustic guitar:
- Mitch Dalton
- alto flute and flute:
- Karen Jones , Helen Keen , Stan Sulzmann and Phil Todd
- alto saxophone:
- Nigel Hitchcock
- bass:
- Brian Bromberg
- bass clarinet and tenor saxophone:
- Jamie Talbot
- bass flute:
- Andy Panayi
- bass trombone and euphonium:
- Dave Stewart
- cello:
- Anthony Lewis , Dave Daniels , Caroline Dearnley , Paul Kegg , Anthony Pleeth and Frank Schaefer
- clarinet:
- Anthony Pike and Nick Rodwell
- cor anglais:
- Jane Marshall
- double bass:
- Alec Dankworth, Patrick Lannigan , Chris Laurence and Mary Scully
- drums (drum set):
- Billy Kilson and Ralph Salmins
- flugelhorn and trumpet:
- John Barclay , Guy Barker and Derek Watkins
- French horn:
- Richard Bissill , Mike Thompson and David Pyatt
- guitar:
- Dean Parks
- harp:
- Fiona Hibbert
- oboe:
- David Theodore
- percussion:
- Paulinho da Costa
- piano:
- Billy Childs
- solo trumpet:
- Chris Botti
- tenor trombone and trombone:
- Richard Edwards , Mark Nightingale and Peter Beachill
- viola:
- Peter Lale , George Robertson , Edward Vanderspar , Vicci Wardman , Ivo van der Werff and Bruce White
- violin:
- Thomas Bowes , Dave Woodcock , Roger Garland , Jonathan Evans‐Jones , Ken Sillito , Patrick Kiernan , Boguslaw Kostecki , Julian Leaper , Rita Manning , Steve Morris , Maciej Rakowski , Jackie Shave, Cathy Thompson , Debbie Widdup , Paul Willey and Rolf Wilson
- orchestra:
- London Session Orchestra
- arranger:
- Gil Goldstein
- additionally recorded at:
- AIR Lyndhurst Hall in Hampstead, Camden , London , England, United Kingdom
- recorded at and mixed at:
- Capitol Studios in Hollywood, Los Angeles, California, United States
- instrumental cover recording of:
- Make Someone Happy
- lyricist:
- Betty Comden and Adolph Green
- composer:
- Jule Styne
- publisher:
- Chappell & Co., Chappell & Co., Inc. , Sole Selling Agent and Stratford Music Corporation
- part of:
- Do Re Mi
| | 4:09 |
| 12 | One for My Baby- recording engineer and mixer:
- Al Schmitt
- additional assistant engineer:
- Chris Barrett (task: Pro-Tools operator)
- additional engineer:
- Haydn Bendall
- assistant engineer:
- Steve Genewick (task: Pro-Tools operator)
- producer:
- Bobby Colomby
- acoustic guitar:
- Mitch Dalton
- alto flute and flute:
- Karen Jones , Helen Keen , Stan Sulzmann and Phil Todd
- alto saxophone:
- Nigel Hitchcock
- bass clarinet and tenor saxophone:
- Jamie Talbot
- bass flute:
- Andy Panayi
- bass trombone and euphonium:
- Dave Stewart
- cello:
- Anthony Lewis , Dave Daniels , Caroline Dearnley , Paul Kegg , Anthony Pleeth and Frank Schaefer
- clarinet:
- Anthony Pike and Nick Rodwell
- cor anglais:
- Jane Marshall
- double bass:
- Alec Dankworth, Patrick Lannigan , Chris Laurence and Mary Scully
- drums (drum set):
- Ralph Salmins
- flugelhorn and trumpet:
- John Barclay , Guy Barker and Derek Watkins
- French horn:
- Richard Bissill , Mike Thompson and David Pyatt
- harp:
- Fiona Hibbert
- oboe:
- David Theodore
- piano:
- Billy Childs
- solo trumpet:
- Chris Botti
- tenor trombone and trombone:
- Richard Edwards , Mark Nightingale and Peter Beachill
- viola:
- Peter Lale , George Robertson , Edward Vanderspar , Vicci Wardman , Ivo van der Werff and Bruce White
- violin:
- Thomas Bowes , Dave Woodcock , Roger Garland , Jonathan Evans‐Jones , Ken Sillito , Patrick Kiernan , Boguslaw Kostecki , Julian Leaper , Rita Manning , Steve Morris , Maciej Rakowski , Jackie Shave, Cathy Thompson , Debbie Widdup , Paul Willey and Rolf Wilson
- orchestra:
- London Session Orchestra
- arranger:
- Billy Childs
- additionally recorded at:
- AIR Lyndhurst Hall in Hampstead, Camden , London , England, United Kingdom
- recorded at and mixed at:
- Capitol Studios in Hollywood, Los Angeles, California, United States
- instrumental cover recording of:
- One for My Baby (and One More for the Road)
- lyricist:
- Johnny Mercer (in 1943)
- composer:
- Harold Arlen (in 1943)
- publisher:
- Chappell/Morris Ltd. and Harwin Music
- part of:
- The Sky’s the Limit
| | 4:53 |
| 13 | Time to Say Goodbye (Con te partiro)- additional assistant engineer:
- Chris Barrett (task: Pro-Tools operator)
- additional engineer:
- Haydn Bendall
- producer:
- Bobby Colomby
- mixer:
- Al Schmitt
- acoustic guitar:
- Mitch Dalton
- alto flute and flute:
- Karen Jones , Helen Keen , Stan Sulzmann and Phil Todd
- alto saxophone:
- Nigel Hitchcock
- bass clarinet and tenor saxophone:
- Jamie Talbot
- bass flute:
- Andy Panayi
- bass trombone and euphonium:
- Dave Stewart
- cello:
- Anthony Lewis , Dave Daniels , Caroline Dearnley , Paul Kegg , Anthony Pleeth and Frank Schaefer
- clarinet:
- Anthony Pike and Nick Rodwell
- cor anglais:
- Jane Marshall
- double bass:
- Alec Dankworth, Patrick Lannigan , Chris Laurence and Mary Scully
- drums (drum set):
- Ralph Salmins
- flugelhorn and trumpet:
- John Barclay , Guy Barker and Derek Watkins
- French horn:
- Richard Bissill , Mike Thompson and David Pyatt
- harp:
- Fiona Hibbert
- oboe:
- David Theodore
- solo trumpet:
- Chris Botti
- tenor trombone and trombone:
- Richard Edwards , Mark Nightingale and Peter Beachill
- viola:
- Peter Lale , George Robertson , Edward Vanderspar , Vicci Wardman , Ivo van der Werff and Bruce White
- violin:
- Thomas Bowes , Dave Woodcock , Roger Garland , Jonathan Evans‐Jones , Ken Sillito , Patrick Kiernan , Boguslaw Kostecki , Julian Leaper , Rita Manning , Steve Morris , Maciej Rakowski , Jackie Shave, Cathy Thompson , Debbie Widdup , Paul Willey and Rolf Wilson
- orchestra:
- London Session Orchestra
- arranger:
- Jeremy Lubbock
- recorded at:
- AIR Lyndhurst Hall in Hampstead, Camden , London , England, United Kingdom
- mixed at:
- Capitol Studios in Hollywood, Los Angeles, California, United States
- instrumental cover recording of:
- Time to Say Goodbye
- additional lyricist:
- Frank Peterson
- lyricist:
- Lucio Quarantotto
- composer:
- Francesco Sartori
- publisher:
- Sugar Music MV and Sugar S.r.l.
- translated version of:
- Con te partirò
| | 4:45 |
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