Pequeño libro de Anna Magdalena Bach (Selección)

~ Release by Johann Sebastian Bach (see all versions of this release, 4 available)

Annotation

Edición coleccionable, publicada por la editorial RBA

Annotation last modified on 2015-04-17 18:54 UTC.

Tracklist

1▼CD
#TitleRatingLength
1Polonaise g-moll, BWV Anh. 119
producer:
Dr. A. Krings (task: recording supervisor) and Dr. K. Hahn (1915-2005) (task: recording supervisor)
harpsichord:
Gustav Leonhardt (conductor, harpsichordist) (in 1966)
phonographic copyright (℗) by:
harmonia mundi (in 1966)
recorded at:
Schloss Kirchheim in Kirchheim unter Teck, Baden-Württemberg, Germany (in 1966) and Schloss Kirchheim: Cedernsaal in Kirchheim unter Teck, Baden-Württemberg, Germany (in 1966)
recording of:
Polonaise in G minor, BWV Anh. 119 (in 1966)
composer:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 10) and Bach-Werke-Verzeichnis (number: BWV Anh. 119)
50:54
2Marche Es-dur, BWV Anh.127
producer:
Dr. A. Krings (task: recording supervisor) and Dr. K. Hahn (1915-2005) (task: recording supervisor)
harpsichord:
Gustav Leonhardt (conductor, harpsichordist) (in 1966)
phonographic copyright (℗) by:
harmonia mundi (in 1966)
recorded at:
Schloss Kirchheim in Kirchheim unter Teck, Baden-Württemberg, Germany (in 1966) and Schloss Kirchheim: Cedernsaal in Kirchheim unter Teck, Baden-Württemberg, Germany (in 1966)
recording of:
Marche Es-dur, BWV Anh. 127 (in 1966)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 23) and Bach-Werke-Verzeichnis (number: BWV Anh. 127)
51:36
3Menuet G-dur & g-moll, BWV 114/115
producer:
Dr. A. Krings (task: recording supervisor) and Dr. K. Hahn (1915-2005) (task: recording supervisor)
harpsichord:
Gustav Leonhardt (conductor, harpsichordist) (in 1966)
phonographic copyright (℗) by:
harmonia mundi (in 1966)
recorded at:
Schloss Kirchheim in Kirchheim unter Teck, Baden-Württemberg, Germany (in 1966) and Schloss Kirchheim: Cedernsaal in Kirchheim unter Teck, Baden-Württemberg, Germany (in 1966)
recording of:
Menuet in G minor, BWV Anh. 115 (in 1966)
composer:
Christian Petzold
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 5), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV Anh. II 115 / Anh. III 183‑>) and Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV Anh. 115)
recording of:
Menuet in G minor, BWV Anh. 115 (in 1966)
composer:
Christian Petzold
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 5), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV Anh. II 115 / Anh. III 183‑>) and Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV Anh. 115)
recording of:
Minuet in G major, BWV Anh. 114 (for keyboard) (in 1966)
composer:
Christian Petzold
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 4) and Bach-Werke-Verzeichnis (number: BWV Anh. 114)
recording of:
Minuet in G major, BWV Anh. 114 (for keyboard) (in 1966)
composer:
Christian Petzold
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 4) and Bach-Werke-Verzeichnis (number: BWV Anh. 114)
52:41
4Willst du dein Herz mir schenken, BWV 518
producer:
Dr. A. Krings (task: recording supervisor) and Dr. K. Hahn (1915-2005) (task: recording supervisor)
cello:
Angelica May (cellist) (in 1966)
harpsichord:
Gustav Leonhardt (conductor, harpsichordist) (in 1966)
phonographic copyright (℗) by:
harmonia mundi (in 1966)
recorded at:
Schloss Kirchheim in Kirchheim unter Teck, Baden-Württemberg, Germany (in 1966) and Schloss Kirchheim: Cedernsaal in Kirchheim unter Teck, Baden-Württemberg, Germany (in 1966)
recording of:
Aria di Giovannini, BWV 518: Willst du dein Herz mir schenken (attribution doubtful) (in 1966)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bachs Notenbibliothek (BNB) (number: BNB I/An/13), Notebook for Anna Magdalena Bach (1725) (number: 37), Bach-Werke-Verzeichnis (third edition, 2022, BWV³) (number: BWV 518), Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 518) and Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV 518)
52:28
5Rondeau B-dur (Fr.Couperin), BWV Anh. 183
producer:
Dr. A. Krings (task: recording supervisor) and Dr. K. Hahn (1915-2005) (task: recording supervisor)
harpsichord:
Gustav Leonhardt (conductor, harpsichordist) (in 1966)
phonographic copyright (℗) by:
harmonia mundi (in 1966)
recorded at:
Schloss Kirchheim in Kirchheim unter Teck, Baden-Württemberg, Germany (in 1966) and Schloss Kirchheim: Cedernsaal in Kirchheim unter Teck, Baden-Württemberg, Germany (in 1966)
recording of:
Rondeau, BWV Anh. 183 (in 1966)
composer:
François Couperin (French composer of the Baroque era)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 6), Bach-Werke-Verzeichnis (abbreviated second edition, 1998, BWV²ᵃ) (number: BWV Anh. III 183), Bach-Werke-Verzeichnis (third edition, 2022, BWV³) (number: BWV Suppl 1, S. 638) and Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV Anh. 183)
44:40
6Bist du bei mir, BWV 508
producer:
Dr. A. Krings (task: recording supervisor) and Dr. K. Hahn (1915-2005) (task: recording supervisor)
cello:
Angelica May (cellist) (in 1966)
harpsichord:
Gustav Leonhardt (conductor, harpsichordist) (in 1966)
viola da gamba:
Johannes Koch (viola da gamba player) (in 1966)
soprano vocals:
Elly Ameling (soprano) (in 1966)
phonographic copyright (℗) by:
harmonia mundi (in 1966)
recorded at:
Schloss Kirchheim in Kirchheim unter Teck, Baden-Württemberg, Germany (in 1966) and Schloss Kirchheim: Cedernsaal in Kirchheim unter Teck, Baden-Württemberg, Germany (in 1966)
recording of:
Aria, BWV 508 “Bist du bei mir” (previously attributed to Bach) (in 1966)
lyricist:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
composer:
Gottfried Heinrich Stölzel (composer)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 25) and Bach-Werke-Verzeichnis (number: BWV 508)
52:21
7Aria fur Clavier G-dur, BWV 988, 1
producer:
Dr. A. Krings (task: recording supervisor) and Dr. K. Hahn (1915-2005) (task: recording supervisor)
harpsichord:
Gustav Leonhardt (conductor, harpsichordist) (in 1966)
phonographic copyright (℗) by:
harmonia mundi (in 1966)
recorded at:
Schloss Kirchheim in Kirchheim unter Teck, Baden-Württemberg, Germany (in 1966) and Schloss Kirchheim: Cedernsaal in Kirchheim unter Teck, Baden-Württemberg, Germany (in 1966)
recording of:
Goldberg-Variationen, BWV 988: Aria (FIRST movement) (in 1966)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 26)
part of:
Goldberg-Variationen, BWV 988 (Goldberg Variations, BWV 988)
recording of:
Goldberg-Variationen, BWV 988: Variatio 1. a 1 Clav. (in 1966)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 26)
part of:
Goldberg-Variationen, BWV 988 (Goldberg Variations, BWV 988)
52:16
8So oft ich meine Tobackspfeife, BWV 515a
producer:
Dr. A. Krings (task: recording supervisor) and Dr. K. Hahn (1915-2005) (task: recording supervisor)
cello:
Angelica May (cellist) (in 1966)
harpsichord:
Gustav Leonhardt (conductor, harpsichordist) (in 1966)
viola da gamba:
Johannes Koch (viola da gamba player) (in 1966)
baritone vocals:
Hans-Martin Linde (flutist and conductor) (in 1966)
phonographic copyright (℗) by:
harmonia mundi (in 1966)
recorded at:
Schloss Kirchheim in Kirchheim unter Teck, Baden-Württemberg, Germany (in 1966) and Schloss Kirchheim: Cedernsaal in Kirchheim unter Teck, Baden-Württemberg, Germany (in 1966)
recording of:
Die Lieder aus dem Notenbuch der Anna Magdalena Bach: VII, Erbauliche Gedanken eines Tabakrauchers, BWV 515 (in 1966)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 20)
recording of:
Klavierbüchlein für Anna Magdalene Bach: Nr. 20 B "Erbauliche Gedanken eines Tobackrauchers", BWV 515a (in 1966)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
53:48
9Marche G-dur, (C,Ph.E.Bach), BWV Anh.124
producer:
Dr. A. Krings (task: recording supervisor) and Dr. K. Hahn (1915-2005) (task: recording supervisor)
harpsichord:
Gustav Leonhardt (conductor, harpsichordist) (in 1966)
phonographic copyright (℗) by:
harmonia mundi (in 1966)
recorded at:
Schloss Kirchheim in Kirchheim unter Teck, Baden-Württemberg, Germany (in 1966) and Schloss Kirchheim: Cedernsaal in Kirchheim unter Teck, Baden-Württemberg, Germany (in 1966)
recording of:
Marche in G major, BWV Anh. 124, H. 1/3 (in 1966)
composer:
Carl Philipp Emanuel Bach (German classical composer)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Thematic catalogue of the works of Carl Philipp Emanuel Bach (Helm [H.]) (number: H. 1/3), Notebook for Anna Magdalena Bach (1725) (number: 18) and Bach-Werke-Verzeichnis (number: BWV Anh. 124)
51:28
10Allemande d-moll, BWV 812, 1
producer:
Dr. A. Krings (task: recording supervisor) and Dr. K. Hahn (1915-2005) (task: recording supervisor)
harpsichord:
Gustav Leonhardt (conductor, harpsichordist) (in 1966)
phonographic copyright (℗) by:
harmonia mundi (in 1966)
recorded at:
Schloss Kirchheim in Kirchheim unter Teck, Baden-Württemberg, Germany (in 1966) and Schloss Kirchheim: Cedernsaal in Kirchheim unter Teck, Baden-Württemberg, Germany (in 1966)
recording of:
Französische Suite Nr. 1 d-Moll, BWV 812: I. Allemande (in 1966)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Französische Suite Nr. 1 d-Moll, BWV 812.2/812 (French Suite No. 1 in D minor, BWV 812, revised version, commonly performed)
54:09
11Dir, dir, Jehova, will ich singen, BWV 299
producer:
Dr. A. Krings (task: recording supervisor) and Dr. K. Hahn (1915-2005) (task: recording supervisor)
cello:
Angelica May (cellist) (in 1966)
harpsichord:
Gustav Leonhardt (conductor, harpsichordist) (in 1966)
organ [positivo]:
Rudolf Ewerhart (in 1966)
viola da gamba:
Johannes Koch (viola da gamba player) (in 1966)
soprano vocals:
Elly Ameling (soprano) (in 1966)
phonographic copyright (℗) by:
harmonia mundi (in 1966)
recorded at:
Schloss Kirchheim in Kirchheim unter Teck, Baden-Württemberg, Germany (in 1966) and Schloss Kirchheim: Cedernsaal in Kirchheim unter Teck, Baden-Württemberg, Germany (in 1966)
recording of:
Choralsatz, BWV 299 [1] "Dir, dir, Jehova, will ich singen" (for choir, in Clavier-Büchlein for Anna Magdalena Bach) (in 1966)
lyricist:
Bartholomäus Crasselius (German hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 39a), Breitkopf 389 Choralgesänge (number: 67) and Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV 299 [1])
adaptations:
Geistliches Lied, BWV 452 "Dir, dir, Jehova, will ich singen" (for voice and basso continuo)
recording of:
Geistliches Lied, BWV 452 "Dir, dir, Jehova, will ich singen" (for voice and basso continuo) (in 1966)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Bartholomäus Crasselius (German hymn writer)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 39b), Bach Compendium (number: BC F 250) and Bach-Werke-Verzeichnis (number: BWV 452)
adaptation of:
Choralsatz, BWV 299 [1] "Dir, dir, Jehova, will ich singen" (for choir, in Clavier-Büchlein for Anna Magdalena Bach)
52:29
12Praeludium C-dur, BWV 846, 1
producer:
Dr. A. Krings (task: recording supervisor) and Dr. K. Hahn (1915-2005) (task: recording supervisor)
harpsichord:
Gustav Leonhardt (conductor, harpsichordist) (in 1966)
phonographic copyright (℗) by:
harmonia mundi (in 1966)
recorded at:
Schloss Kirchheim in Kirchheim unter Teck, Baden-Württemberg, Germany (in 1966) and Schloss Kirchheim: Cedernsaal in Kirchheim unter Teck, Baden-Württemberg, Germany (in 1966)
recording of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Prelude (in 1966)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1722)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 29)
part of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846
revision of:
Prelude and Fugue no. 1 in C major, BWV 846.1/846a: I. Prelude (early version)
51:54
13Menuet G-dur, BWV Anh.116
producer:
Dr. A. Krings (task: recording supervisor) and Dr. K. Hahn (1915-2005) (task: recording supervisor)
harpsichord:
Gustav Leonhardt (conductor, harpsichordist) (in 1966)
phonographic copyright (℗) by:
harmonia mundi (in 1966)
recorded at:
Schloss Kirchheim in Kirchheim unter Teck, Baden-Württemberg, Germany (in 1966) and Schloss Kirchheim: Cedernsaal in Kirchheim unter Teck, Baden-Württemberg, Germany (in 1966)
recording of:
Minuet in G major, BWV Anh. 116 (in 1966)
composer:
[anonymous] (special purpose artist)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 7), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV Anh. II 116) and Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV Anh. 116)
51:23
14Marche D-dur (C.PH.E.Bach), BWV Anh. 122
producer:
Dr. A. Krings (task: recording supervisor) and Dr. K. Hahn (1915-2005) (task: recording supervisor)
harpsichord:
Gustav Leonhardt (conductor, harpsichordist) (in 1966)
phonographic copyright (℗) by:
harmonia mundi (in 1966)
recorded at:
Schloss Kirchheim in Kirchheim unter Teck, Baden-Württemberg, Germany (in 1966) and Schloss Kirchheim: Cedernsaal in Kirchheim unter Teck, Baden-Württemberg, Germany (in 1966)
recording of:
Marche in D major, BWV Anh. 122, H. 1/1 (in 1966)
composer:
Carl Philipp Emanuel Bach (German classical composer)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Thematic catalogue of the works of Carl Philipp Emanuel Bach (Helm [H.]) (number: H. 1/1), Notebook for Anna Magdalena Bach (1725) (number: 16) and Bach-Werke-Verzeichnis (number: BWV Anh. 122)
50:54
15Musette D-dur, BWV Anh.126
producer:
Dr. A. Krings (task: recording supervisor) and Dr. K. Hahn (1915-2005) (task: recording supervisor)
harpsichord:
Gustav Leonhardt (conductor, harpsichordist) (in 1966)
phonographic copyright (℗) by:
harmonia mundi (in 1966)
recorded at:
Schloss Kirchheim in Kirchheim unter Teck, Baden-Württemberg, Germany (in 1966) and Schloss Kirchheim: Cedernsaal in Kirchheim unter Teck, Baden-Württemberg, Germany (in 1966)
recording of:
Musette in D major, BWV Anh. 126 (in 1966)
composer:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 22) and Bach-Werke-Verzeichnis (number: BWV Anh. 126)
50:49
16Rezitativ Ich hab genug und Arie: Schlummert ein ihr matten Augen,BWV 82, 2&3
producer:
Dr. A. Krings (task: recording supervisor) and Dr. K. Hahn (1915-2005) (task: recording supervisor)
cello:
Angelica May (cellist) (in 1966)
harpsichord:
Gustav Leonhardt (conductor, harpsichordist) (in 1966)
viola da gamba:
Johannes Koch (viola da gamba player) (in 1966)
soprano vocals:
Elly Ameling (soprano) (in 1966)
phonographic copyright (℗) by:
harmonia mundi (in 1966)
recorded at:
Schloss Kirchheim in Kirchheim unter Teck, Baden-Württemberg, Germany (in 1966) and Schloss Kirchheim: Cedernsaal in Kirchheim unter Teck, Baden-Württemberg, Germany (in 1966)
recording of:
Kantate, BWV 82a "Ich habe genug": II. Recitativo (Soprano) "Ich habe genug" (in 1966)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
[anonymous] (special purpose artist)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 34)
part of:
Kantate, BWV 82a “Ich habe genug” (for soprano)
recording of:
Kantate, BWV 82a "Ich habe genug": III. Aria (Soprano) "Schlummert ein, ihr matten Augen" (in 1966)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
[anonymous] (special purpose artist)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 34)
part of:
Kantate, BWV 82a “Ich habe genug” (for soprano)
58:13
17Chorealbeabeitung Er nur den lieben Gott lasst walten, BWV 691
producer:
Dr. A. Krings (task: recording supervisor) and Dr. K. Hahn (1915-2005) (task: recording supervisor)
harpsichord:
Gustav Leonhardt (conductor, harpsichordist) (in 1966)
phonographic copyright (℗) by:
harmonia mundi (in 1966)
recorded at:
Schloss Kirchheim in Kirchheim unter Teck, Baden-Württemberg, Germany (in 1966) and Schloss Kirchheim: Cedernsaal in Kirchheim unter Teck, Baden-Württemberg, Germany (in 1966)
recording of:
Wer nur den lieben Gott läßt walten, BWV 691 (in 1966)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1720)
part of:
Chorale Preludes, Kirnberger Collection (number: 2), Notebook for Anna Magdalena Bach (1725) (number: 11), Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 691) and Bach Compendium (number: BC K 99)
is based on:
Wer nur den lieben Gott läßt walten (1641 hymn)
51:40
18O Ewigkeit du Donnerwort, BWV 513 (4 stimmig)
producer:
Dr. A. Krings (task: recording supervisor) and Dr. K. Hahn (1915-2005) (task: recording supervisor)
choir vocals:
Tölzer Knabenchor (Tölz Boys’ Choir) (in 1966)
phonographic copyright (℗) by:
harmonia mundi (in 1966)
recorded at:
Schloss Kirchheim in Kirchheim unter Teck, Baden-Württemberg, Germany (in 1966) and Schloss Kirchheim: Cedernsaal in Kirchheim unter Teck, Baden-Württemberg, Germany (in 1966)
recording of:
O Ewigkeit, du Donnerwort, BWV 513 (in 1966)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Johann von Rist (in 1642)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 42), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV 513) and Bach Compendium (number: BC F 218)
51:19