The Genius of Bach

~ Release by Johann Sebastian Bach (see all versions of this release, 1 available)

Tracklist

| |
1▼CD: The Genius of Bach CD1
#TitleRatingLength
1Jesu Joy of Man's Desiring
engineer:
Stuart A. Rosenthal (engineer) (in 1995-06), Paul Stubblebine (in 1995-06) and Michael Weakley (engineer) (in 1995-06)
producer:
Maria Levin (in 1995-06) and Victor Levin (in 1995-06)
editor:
Lolly Lewis (producer)
piano:
Eteri Andjaparidze (pianist) (from 1995-06-15 until 1995-06-16)
arranger:
Dame Myra Hess (pianist)
recorded at:
Fisher Hall in Santa Rosa, California, United States (from 1995-06-15 until 1995-06-16)
recording of:
Jesu, Joy of Man’s Desire, from BWV 147 (for piano, Myra Hess) (from 1995-06-15 until 1995-06-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
piano arranger:
Dame Myra Hess (pianist)
arrangement of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
3:19
2Cantata No. 147 BWV 147 - Jesu bleibt meine Freude
choir vocals:
Hungarian Radio Chorus (Hungarian Radio and Television Chorus)
orchestra:
Failoni Chamber Orchestra, Budapest (Failoni Chamber Orchestra)
conductor:
Mátyás Antal (conductor)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
lyricist:
Martin Janus (German Protestant minister, c. 1620–1682) (in 1665)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Classic 100: Piano (2025) (number: 15)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
3:27
3Concerto for 2 Violins in D minor BWV 1043 -I. Vivace
violin:
Christine Pichlmeier (violinist) and Lisa Stewart (violinist)
conductor:
Helmut Müller‐Brühl (conductor)
performer:
Kölner Kammerorchester (Cologne Chamber Orchestra)
recording of:
Concerto for 2 Violins in D minor, BWV 1043: I. Vivace
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1730 until 1731)
part of:
Concerto for 2 Violins in D minor, BWV 1043
3:36
4Concerto for 2 Violins in D minor BWV 1043 - II. Largo ma non tanto
violin:
Christine Pichlmeier (violinist) and Lisa Stewart (violinist)
orchestra:
Kölner Kammerorchester (Cologne Chamber Orchestra)
conductor:
Helmut Müller‐Brühl (conductor)
recording of:
Concerto for 2 Violins in D minor, BWV 1043: II. Largo ma non tanto
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1730 until 1731)
part of:
Concerto for 2 Violins in D minor, BWV 1043
6:27
5Concerto for 2 Violins in D minor BWV 1043 - III. Allegro
violin:
Christine Pichlmeier (violinist) and Lisa Stewart (violinist)
conductor:
Helmut Müller‐Brühl (conductor)
performer:
Kölner Kammerorchester (Cologne Chamber Orchestra)
recording of:
Concerto for 2 Violins in D minor, BWV 1043: III. Allegro
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1730 until 1731)
part of:
Concerto for 2 Violins in D minor, BWV 1043
4:44
6Orchestral Suite No. 4 in D major BWV 1069 - Bourée I-II
engineer:
Ernst Hartmann
producer:
Uwe Walter (classical engineer)
editor:
Christoph Herr (engineer) and Uwe Walter (classical engineer)
bassoon:
Martin Kevenhörster (Classical bossoonist) (from 1988-02 until 1988-08)
oboe:
Bettina Eger (oboist) (from 1988-02 until 1988-08), Stefan Schilli (oboist) (from 1988-02 until 1988-08) and Anja Schmiel (Classical oboeist) (from 1988-02 until 1988-08)
timpani:
Stefan Rapp (from 1988-02 until 1988-08)
trumpet:
Ute Hartwich (trumpet) (from 1988-02 until 1988-08), Hans-Martin Kothe (trumpet) (from 1988-02 until 1988-08) and Almut Rux (trumpet) (from 1988-02 until 1988-08)
orchestra:
Kölner Kammerorchester (Cologne Chamber Orchestra) (from 1988-02 until 1988-08)
conductor:
Helmut Müller‐Brühl (conductor) (from 1988-02 until 1988-08)
recorded at:
Deutschlandradio Studios in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 1988-02 until 1988-08)
recording of:
Orchestersuite Nr. 4 D-Dur, BWV 1069: II. Bourrée I - alternativement Bourrée II (from 1988-02 until 1988-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 4 D-Dur, BWV 1069 (Orchestral suite no. 4 in D major, BWV 1069)
2:49
7Anna Magdalena notebook BWV Anh 114 - Minuet in G mjor
engineer:
János Bohus (Hungarian sound engineer.) (in 1992-07)
producer:
Ibolya Tóth (in 1992-07)
piano:
János Sebestyén (organist, harpsichordist and pianist) (from 1992-07-06 until 1992-07-09)
recorded at:
Unitarian Church in Budapest, Hungary (from 1992-07-06 until 1992-07-09)
recording of:
Minuet in G major, BWV Anh. 114 (for keyboard) (from 1992-07-06 until 1992-07-09)
composer:
Christian Petzold
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 4) and Bach-Werke-Verzeichnis (number: BWV Anh. 114)
1:36
8Anna Magdalena Notebook BWV 508 - Bist du bei mir
soprano vocals:
Ingrid Kertesi (soprano)
orchestra:
Camerata Budapest
conductor:
Kovács László (conductor)
recording of:
Aria, BWV 508 “Bist du bei mir” (previously attributed to Bach)
lyricist:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
composer:
Gottfried Heinrich Stölzel (composer)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 25) and Bach-Werke-Verzeichnis (number: BWV 508)
52:31
9Brandenburg Concerto No. 3 BWV 1048 - I. Allegro
recording engineer:
Uwe Walter (classical engineer)
producer:
Ludwig Rink
cello [cello I]:
Gerhard Anders (classical cellist)
cello [cello II]:
Allan Bergius (boy soprano, classical cellist and conductor)
cello [cello III]:
Daniel Petrovich (classical cellist)
double bass [basso continuo]:
Thomas Falke
harpsichord [basso continuo]:
Robert Hill (American harpsichordist)
viola [viola I]:
須藤真琴 (classical violinist)
viola [viola II]:
Marco Genero (classical violist)
viola [viola III]:
Maria Scheid (classical violist)
violin [violin I]:
Christine Pichlmeier (violinist)
violin [violin II]:
Corinne Chapelle (violinist)
violin [violin III]:
Lucas Barr (violinist)
orchestra:
Cologne Chamber Orchestra (from 1999-03 until 1999-04)
conductor:
Helmut Müller‐Brühl (conductor) (from 1999-03 until 1999-04)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1999)
recorded at:
Deutschlandradio Studios in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 1999-03 until 1999-04)
recording of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: I. Allegro (from 1999-03 until 1999-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048, Hillborg version with new 2nd mvt)
5:02
10Brandenburg Concerto No. 3 BWV 1048 - Cadenza
recording engineer:
Uwe Walter (classical engineer)
producer:
Ludwig Rink
cello [cello I]:
Gerhard Anders (classical cellist)
cello [cello II]:
Allan Bergius (boy soprano, classical cellist and conductor)
cello [cello III]:
Daniel Petrovich (classical cellist)
double bass [basso continuo]:
Thomas Falke
harpsichord [basso continuo]:
Robert Hill (American harpsichordist)
viola [viola I]:
須藤真琴 (classical violinist)
viola [viola II]:
Marco Genero (classical violist)
viola [viola III]:
Maria Scheid (classical violist)
violin [violin I]:
Christine Pichlmeier (violinist)
violin [violin II]:
Corinne Chapelle (violinist)
violin [violin III]:
Lucas Barr (violinist)
orchestra:
Cologne Chamber Orchestra (from 1999-03 until 1999-04)
conductor:
Helmut Müller‐Brühl (conductor) (from 1999-03 until 1999-04)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1999)
recorded at:
Deutschlandradio Studios in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 1999-03 until 1999-04)
recording of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: II. Adagio (catch-all for longer versions (i.e. not just the original one-measure cadence)) (from 1999-03 until 1999-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: II. Adagio (original 1-measure, ~15s Bach part)
0:55
11Brandenburg Concerto No. 3 BWV 1048 - Allegro
recording engineer:
Uwe Walter (classical engineer)
producer:
Ludwig Rink
cello [cello I]:
Gerhard Anders (classical cellist)
cello [cello II]:
Allan Bergius (boy soprano, classical cellist and conductor)
cello [cello III]:
Daniel Petrovich (classical cellist)
double bass [basso continuo]:
Thomas Falke
harpsichord [basso continuo]:
Robert Hill (American harpsichordist)
viola [viola I]:
須藤真琴 (classical violinist)
viola [viola II]:
Marco Genero (classical violist)
viola [viola III]:
Maria Scheid (classical violist)
violin [violin I]:
Christine Pichlmeier (violinist)
violin [violin II]:
Corinne Chapelle (violinist)
violin [violin III]:
Lucas Barr (violinist)
orchestra:
Cologne Chamber Orchestra (from 1999-03 until 1999-04)
conductor:
Helmut Müller‐Brühl (conductor) (from 1999-03 until 1999-04)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1999)
recorded at:
Deutschlandradio Studios in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 1999-03 until 1999-04)
recording of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: III. Allegro (from 1999-03 until 1999-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048, Hillborg version with new 2nd mvt)
4:47
12Partita No. 2 in C minor BWV 825 - Sarabande
piano:
Wolfgang Rübsam (organist)
recording of:
Partita no. 1 in B-flat major, BWV 825: IV. Sarabande
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Partita no. 1 in B-flat major, BWV 825
3:37
13Concerto in C minor for Violin & Oboe BWV 1060 - I. Allegro
engineer:
János Bohus (Hungarian sound engineer.) (in 1991-11)
producer:
Ibolya Tóth (in 1991-11)
oboe:
Emilia Csanky (oboist) (in 1991-11)
strings:
Budapesti Vonósok (Budapest Strings, Budapest String Orchestra; Budapest Strings) (in 1991-11)
violin:
Béla Bánfalvi (violinist, concert master of Budapest strings) (in 1991-11)
orchestra:
Budapest Strings (Budapest String Orchestra; Budapest Strings)
recorded at:
Unitarian Church in Budapest, Hungary (in 1991-11)
edit of:
Concerto in C minor for Violin and Oboe, BWV 1060: II. Adagio by Béla Bánfalvi (violinist, concert master of Budapest strings), Emilia Csanky (oboist), Budapesti Vonósok (Budapest Strings, Budapest String Orchestra; Budapest Strings)
recording of:
Concerto for Violin & Oboe in C minor, BWV 1060R: I. Allegro (reconstructed arrangement for violin & oboe of BWV 1060) (in 1991-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Concerto in C minor for Two Harpsichords, BWV 1060: I. Allegro
part of:
Concerto for Violin & Oboe in C minor, BWV 1060R (reconstructed arrangement of the concerto for harpsichord and strings)
5:04
14Concerto in C minor for Violin & Oboe BWV 1060 - II. Adagio
engineer:
János Bohus (Hungarian sound engineer.) (in 1991-11)
producer:
Ibolya Tóth (in 1991-11)
oboe:
Emilia Csanky (oboist) (in 1991-11)
strings:
Budapesti Vonósok (Budapest Strings, Budapest String Orchestra; Budapest Strings) (in 1991-11)
violin:
Béla Bánfalvi (violinist, concert master of Budapest strings) (in 1991-11)
recorded at:
Unitarian Church in Budapest, Hungary (in 1991-11)
recording of:
Concerto for Violin & Oboe in C minor, BWV 1060R: II. Adagio (reconstructed arrangement for violin & oboe of BWV 1060) (in 1991-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Concerto in C minor for Two Harpsichords, BWV 1060: II. Largo ovvero Adagio
is based on:
Concerto Pour Deux Clavecins, BWV 1060: II. Adagio (Arr. Pour Flutes) (Recorder consort arrangements)
part of:
Concerto for Violin & Oboe in C minor, BWV 1060R (reconstructed arrangement of the concerto for harpsichord and strings)
6:32
15Concerto in C minor for Violin & Oboe BWV 1060 - III. Allegro
engineer:
János Bohus (Hungarian sound engineer.) (in 1991-11)
producer:
Ibolya Tóth (in 1991-11)
oboe:
Emilia Csanky (oboist) (in 1991-11)
strings:
Budapesti Vonósok (Budapest Strings, Budapest String Orchestra; Budapest Strings) (in 1991-11)
violin:
Béla Bánfalvi (violinist, concert master of Budapest strings) (in 1991-11)
recorded at:
Unitarian Church in Budapest, Hungary (in 1991-11)
recording of:
Concerto for Violin & Oboe in C minor, BWV 1060R: III. Allegro (reconstructed arrangement for violin & oboe of BWV 1060) (in 1991-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Concerto in C minor for Two Harpsichords, BWV 1060: III. Allegro
part of:
Concerto for Violin & Oboe in C minor, BWV 1060R (reconstructed arrangement of the concerto for harpsichord and strings)
3:35
16Flute Sonata No. 2 BWV 1031 - II. Siciliano
flute:
Petri Alanko (flutist) (from 1995-12-27 until 1995-12-30)
harpsichord:
Anssi Mattila (from 1995-12-27 until 1995-12-30)
recording of:
Flute Sonata in E-flat major, BWV 1031: II. Siciliano (from 1995-12-27 until 1995-12-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Flute Sonata in E-flat major, BWV 1031
2:04
17Flute Sonata No. 2 BWV 1031 - III. Allegro
flute:
Petri Alanko (flutist) (from 1995-12-27 until 1995-12-30)
harpsichord:
Anssi Mattila (from 1995-12-27 until 1995-12-30)
recording of:
Flute Sonata in E-flat major, BWV 1031: III. Allegro (from 1995-12-27 until 1995-12-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Flute Sonata in E-flat major, BWV 1031: III. Allegro (catch-all for arrangements)
part of:
Flute Sonata in E-flat major, BWV 1031
4:24
18Cello Suite No. 5 BWV 1011 - Sarabande
engineer:
Vitaly Ivanov (engineer) (in 2000-01) and Farida Uzbekova (in 2000-01)
producer:
Vadim Ivanov (sound engineer)
cello:
Александр Рудин (Alexander Rudin, classical cellist and conductor) (in 2000-01)
recorded at:
Moscow Conservatory: The Small Hall in Moscow, Russia (in 2000-01)
recording of:
Suite für Violoncello solo no. 5 c-Moll, BWV 1011: IV. Sarabande (Suite for Cello Solo No. 5 in C minor, BWV 1011: IV. Sarabande) (in 2000-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Suite für Violoncello solo no. 5 c-Moll, BWV 1011 (Cello Suite No. 5 in C minor, BWV 1011)
2:50
19Ich ruf' zu Dir, Herr Jesu Christ BWV 639
organ:
Wolfgang Rübsam (organist) (from 1994-01-06 until 1994-01-08)
recorded at:
Duke University Chapel in Durham, North Carolina, United States (from 1994-01-06 until 1994-01-08)
recording of:
Ich ruf zu dir, Herr Jesu Christ, BWV 639 (from 1994-01-06 until 1994-01-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1713 until 1715)
part of:
Bach-Werke-Verzeichnis (third edition, 2022, BWV³) (number: BWV 639), Neumeister-Sammlung (Neumeister Collection) (number: 77), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV 639), Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 639) and Das Orgel-Büchlein (number: 41)
2:34
20St. Matthew Passion BWV 244 - O Haupt voll Blut und Wunden
engineer:
Gábor Mocsáry (in 1993-02)
producer:
Tamás Benedek (in 1993-02)
choir vocals:
Hungarian Festival Chorus (from 1993-02-06 until 1993-02-14)
orchestra:
Hungarian State Symphony Orchestra (Hungarian National Philharmonic) (from 1993-02-06 until 1993-02-14)
conductor:
Géza Oberfrank (conductor) (from 1993-02-06 until 1993-02-14)
recorded at:
Instituto Italiano di Cultura (Italian Institute of Culture) in Budapest, Hungary (from 1993-02-06 until 1993-02-14)
recording of:
Matthäus-Passion, BWV 244: Teil II, LIV. Choral "O Haupt voll Blut und Wunden" (from 1993-02-06 until 1993-02-14)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 162)
part of:
Matthäus-Passion, BWV 244: Teil II
2:30
2▼CD: The Genius of Bach CD2
#TitleRatingLength
1Toccata and Fugue in D minor BWV 565
producer:
Teije van Geest (engineer/producer) (in 1988-08)
organ:
Wolfgang Rübsam (organist) (in 1988-08)
recorded at:
Oberlin Conservatory of Music Warner Hall (in 1988-08)
edit of:
Toccata and Fugue in D minor, BWV 565 by Wolfgang Rübsam (organist)
recording of:
Toccata und Fuge d-Moll, BWV 565: I. Toccata (in 1988-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Classic 100: Piano (2025) (number: 30)
part of:
Toccata und Fuge d-Moll, BWV 565
3:02
2Orchestral Suite No. 3 in D major BWV 1067 - Air
engineer:
Jozef Hanak (engineer) (in 1986-03) and Ladislav Krajkovic (engineer) (in 1986-03)
producer:
Leoš Komárek (in 1986-03)
orchestra:
Capella Istropolitana (in 1986-03)
conductor:
Richard Edlinger (conductor and composer) (in 1986-03)
phonographic copyright (℗) by:
Pacific Music Co., Ltd. (in 1987)
recorded at:
Concert Hall of the Slovak Philharmonic in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (in 1986-03)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string) (in 1986-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
6:00
3Brandenburg Concerto No. 2 BWV 1047 - Allegro
conductor:
Andrés Gabetta (violinist)
performer:
Swiss Baroque Soloists
recorded at:
Temple Saint-Jean de Mulhouse in Mulhouse, Haut-Rhin, Grand Est (Great East), France
recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: I. (from 2005-04-25 until 2005-05-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)
4:51
4Brandenburg Concerto No. 2 BWV 1047 - Andante
conductor:
Andrés Gabetta (violinist)
performer:
Swiss Baroque Soloists
recorded at:
Temple Saint-Jean de Mulhouse in Mulhouse, Haut-Rhin, Grand Est (Great East), France
recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: II. Andante (Brandenburg Concerto No. 2 in F major, BWV 1047: II. Andante) (from 2005-04-25 until 2005-05-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)
3:29
5Brandenburg Concerto No. 2 BWV 1047 - Allegro assai
conductor:
Andrés Gabetta (violinist)
performer:
Swiss Baroque Soloists
recorded at:
Temple Saint-Jean de Mulhouse in Mulhouse, Haut-Rhin, Grand Est (Great East), France
recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: III. Allegro assai (from 2005-04-25 until 2005-05-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)
2:41
6Goldberg Variations BWV 988 - Aria
engineer:
János Bohus (Hungarian sound engineer.)
producer:
Ibolya Tóth
editor:
Mária Falvay (editor/engineer) and Veronika Vincze (engineer)
fortepiano:
Jenő Jandó (pianist) (from 2003-02-10 until 2003-02-13)
recorded at:
Phoenix Studios in Budapest, Hungary (from 2003-02-10 until 2003-02-13)
recording of:
Goldberg-Variationen, BWV 988: Aria (FIRST movement) (from 2003-02-10 until 2003-02-13)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 26)
part of:
Goldberg-Variationen, BWV 988 (Goldberg Variations, BWV 988)
3:59
7Goldberg Variations BWV 988 - Variation 1
engineer:
János Bohus (Hungarian sound engineer.)
producer:
Ibolya Tóth
editor:
Mária Falvay (editor/engineer) and Veronika Vincze (engineer)
fortepiano:
Jenő Jandó (pianist) (from 2003-02-10 until 2003-02-13)
recorded at:
Phoenix Studios in Budapest, Hungary (from 2003-02-10 until 2003-02-13)
recording of:
Goldberg-Variationen, BWV 988: Variatio 1. a 1 Clav. (from 2003-02-10 until 2003-02-13)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 26)
part of:
Goldberg-Variationen, BWV 988 (Goldberg Variations, BWV 988)
1:43
8Partita No. 3 for Solo Violin BW 1006 - Gavotte en rondeau
violin:
Jaap Schröder (Dutch violinist and conductor)
recorded at:
St. Niklaus (Oltingen) in Oltingen, Basel-Landschaft (Basel-Land), Switzerland
recording of:
Violin Partita no. 3 in E major, BWV 1006.1/1006: III. Gavotte en rondeau (from 1984 until 1985)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1720)
part of:
Violin Partita No. 3 in E major, BWV 1006.1/1006
3:14
9Harpsichord Concerto No. 2 BWV 1056 - Allegro
sound engineer:
Bodo Heinemann (engineer) (in 1998-08)
producer:
Uwe Walter (classical engineer) (in 1998-08)
editor:
Christoph Herr (engineer) (in 1998-08) and Uwe Walter (classical engineer) (in 1998-08)
harpsichord:
Harald Hoeren (harpsichordist) (in 1998-08)
orchestra:
Kölner Kammerorchester (Cologne Chamber Orchestra) (in 1998-08)
conductor:
Helmut Müller‐Brühl (conductor) (in 1998-08)
recorded at:
Deutschlandradio Studios in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1998-08)
recording of:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056: I. Allegro (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056
3:00
10Harpsichord Concerto No. 2 BWV 1056 - Largo
sound engineer:
Bodo Heinemann (engineer) (in 1998-08)
producer:
Uwe Walter (classical engineer) (in 1998-08)
editor:
Christoph Herr (engineer) (in 1998-08) and Uwe Walter (classical engineer) (in 1998-08)
harpsichord:
Harald Hoeren (harpsichordist) (in 1998-08)
orchestra:
Kölner Kammerorchester (Cologne Chamber Orchestra) (in 1998-08)
conductor:
Helmut Müller‐Brühl (conductor) (in 1998-08)
recorded at:
Deutschlandradio Studios in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1998-08)
recording of:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056: II. Largo (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056
2:52
11Harpsichord Concerto No. 2 BWV 1056 - Presto
sound engineer:
Bodo Heinemann (engineer) (in 1998-08)
producer:
Uwe Walter (classical engineer) (in 1998-08)
editor:
Christoph Herr (engineer) (in 1998-08) and Uwe Walter (classical engineer) (in 1998-08)
harpsichord:
Harald Hoeren (harpsichordist) (in 1998-08)
orchestra:
Kölner Kammerorchester (Cologne Chamber Orchestra) (in 1998-08)
conductor:
Helmut Müller‐Brühl (conductor) (in 1998-08)
recorded at:
Deutschlandradio Studios in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1998-08)
recording of:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056: III. Presto (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056
3:28
12Sheep May Safely Graze
organ:
Bertalan Hock (organist)
pipe organ:
Bertalan Hock (organist) (in 1992-12)
recorded at:
Mátyás-Templom in Budapest, Hungary (from 1992-12-15 until 1992-12-18)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IX. “Schafe können sicher weiden” (catch-all for arrangements)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IX. Aria (Sopran II) “Schafe können sicher weiden”
5:17
13Violin Concerto No. 1 BWV 1041 - Allegro
violin:
Kolja Blacher (violinist)
orchestra:
Kölner Kammerorchester (Cologne Chamber Orchestra)
conductor:
Helmut Müller‐Brühl (conductor)
recording of:
Violin Concerto in A minor, BWV 1041: I. Allegro
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Violin Concerto in A minor, BWV 1041
3:21
14Violin Concerto No. 1 BWV 1041 - Andante
violin:
Kolja Blacher (violinist)
conductor:
Helmut Müller‐Brühl (conductor)
performer:
Kölner Kammerorchester (Cologne Chamber Orchestra)
recording of:
Violin Concerto in A minor, BWV 1041: II. Andante
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Violin Concerto in A minor, BWV 1041
5:33
15Violin Concerto No. 1 BWV 1041 - Allegro assai
violin:
Kolja Blacher (violinist)
conductor:
Helmut Müller‐Brühl (conductor)
performer:
Kölner Kammerorchester (Cologne Chamber Orchestra)
recording of:
Violin Concerto in A minor, BWV 1041: III. Allegro assai
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Violin Concerto in A minor, BWV 1041
3:35
16Christmas Oratio BWV 248 - Shepherd's Music
engineer:
Gábor Mocsáry (from 1992-06-15 until 1992-06-30)
producer:
Tamás Benedek (from 1992-06-15 until 1992-06-30)
orchestra:
Failoni Kamarazenekar (Failoni Chamber Orchestra) (from 1992-06-15 until 1992-06-30)
conductor:
Géza Oberfrank (conductor) (from 1992-06-15 until 1992-06-30)
recorded at:
Festetich Castle (Budapest) in Budapest, Hungary (from 1992-06-15 until 1992-06-30)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, X. Sinfonia (from 1992-06-15 until 1992-06-30)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
5:59
17The Well-Tempered Clavier BWV 846 - Prelude No. 1
piano:
Jenő Jandó (pianist)
recording of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Prelude
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1722)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 29)
part of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846
revision of:
Prelude and Fugue no. 1 in C major, BWV 846.1/846a: I. Prelude (early version)
2:20
18Ave Maria (arr. Charles Gounod)
soprano vocals:
Ingrid Kertesi (soprano)
orchestra:
Budabest Camerata
conductor:
Kovács László (conductor)
recording of:
Ave Maria (Bach/Gounod)
lyricist:
[anonymous] (special purpose artist)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) and Charles Gounod (French composer) (in 1853)
is based on:
Méditation sur le Premier Prélude de Piano de S. Bach
is based on:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Prelude
52:46
19Orchestral Suite No. 2 BWV 1067 - Polonaise Dobule
engineer:
Bodo Heinemann (engineer)
producer:
Uwe Walter (classical engineer)
editor:
Christoph Herr (engineer) and Uwe Walter (classical engineer)
flute:
Karl Kaiser (flautist) (from 1988-02 until 1988-08)
orchestra:
Kölner Kammerorchester (Cologne Chamber Orchestra) (from 1988-02 until 1988-08)
conductor:
Helmut Müller‐Brühl (conductor) (from 1988-02 until 1988-08)
recorded at:
Deutschlandradio Studios in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 1988-02 until 1988-08)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: V. Polonaise & Double (Orchestral Suite no. 2 in B minor, BWV 1067: V. Polonaise & Double) (from 1988-02 until 1988-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
2:57
20Orchestral Suite No. 2 BWV 1067 - Menuet
engineer:
Bodo Heinemann (engineer)
producer:
Uwe Walter (classical engineer)
editor:
Christoph Herr (engineer) and Uwe Walter (classical engineer)
flute:
Karl Kaiser (flautist) (from 1988-02 until 1988-08)
orchestra:
Kölner Kammerorchester (Cologne Chamber Orchestra) (from 1988-02 until 1988-08)
conductor:
Helmut Müller‐Brühl (conductor) (from 1988-02 until 1988-08)
recorded at:
Deutschlandradio Studios in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 1988-02 until 1988-08)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VI. Menuet (Orchestral Suite no. 2 in B minor, BWV 1067: VI. Menuet) (from 1988-02 until 1988-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
1:20
21Orchestral Suite No. 2 BWV 1067- Badineri
engineer:
Bodo Heinemann (engineer)
producer:
Uwe Walter (classical engineer)
editor:
Christoph Herr (engineer) and Uwe Walter (classical engineer)
flute:
Karl Kaiser (flautist) (from 1988-02 until 1988-08)
orchestra:
Kölner Kammerorchester (Cologne Chamber Orchestra) (from 1988-02 until 1988-08)
conductor:
Helmut Müller‐Brühl (conductor) (from 1988-02 until 1988-08)
recorded at:
Deutschlandradio Studios in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 1988-02 until 1988-08)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie (Orchestral Suite no. 2 in B minor, BWV 1067: VII. Badinerie) (from 1988-02 until 1988-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
1:22