Vestal Spacy Ritual

~ Release by Masonna (see all versions of this release, 2 available)

Tracklist

1▼CD
#TitleRatingLength
1[untitled]
recording engineer and editor:
Maso Yamazaki (Japanese noise musician Maso Yamazaki) (in 1998)
analog synthesizer [Spectral Audio analog synthesizer], effects [60s fuzz], effects [Arion Digital Delay], effects [Color Sound pedals], effects [DOD pedals], effects [Evans Super Echo], effects [expj ring modulater], effects [Sherman Filterbank], effects [Space Echo RE-201] and electronic instruments [microphone]:
Maso Yamazaki (Japanese noise musician Maso Yamazaki) (in 1998)
phonographic copyright (℗) by:
Alchemy Records (Japanese noise/progressive/psychedelic rock label) (in 1998)
recorded at and edited at:
Acty Hanazono (Masonna’s home studio) in Osaka (Osaka City), Osaka (Osaka Prefecture), Japan (in 1998)
0:36
2[untitled]
recording engineer and editor:
Maso Yamazaki (Japanese noise musician Maso Yamazaki) (in 1998)
analog synthesizer [Spectral Audio analog synthesizer], effects [60s fuzz], effects [Arion Digital Delay], effects [Color Sound pedals], effects [DOD pedals], effects [Evans Super Echo], effects [expj ring modulater], effects [Sherman Filterbank], effects [Space Echo RE-201] and electronic instruments [microphone]:
Maso Yamazaki (Japanese noise musician Maso Yamazaki) (in 1998)
phonographic copyright (℗) by:
Alchemy Records (Japanese noise/progressive/psychedelic rock label) (in 1998)
recorded at and edited at:
Acty Hanazono (Masonna’s home studio) in Osaka (Osaka City), Osaka (Osaka Prefecture), Japan (in 1998)
3:32
3[untitled]
recording engineer and editor:
Maso Yamazaki (Japanese noise musician Maso Yamazaki) (in 1998)
analog synthesizer [Spectral Audio analog synthesizer], effects [60s fuzz], effects [Arion Digital Delay], effects [Color Sound pedals], effects [DOD pedals], effects [Evans Super Echo], effects [expj ring modulater], effects [Sherman Filterbank], effects [Space Echo RE-201] and electronic instruments [microphone]:
Maso Yamazaki (Japanese noise musician Maso Yamazaki) (in 1998)
phonographic copyright (℗) by:
Alchemy Records (Japanese noise/progressive/psychedelic rock label) (in 1998)
recorded at and edited at:
Acty Hanazono (Masonna’s home studio) in Osaka (Osaka City), Osaka (Osaka Prefecture), Japan (in 1998)
0:27
4[untitled]
recording engineer and editor:
Maso Yamazaki (Japanese noise musician Maso Yamazaki) (in 1998)
analog synthesizer [Spectral Audio analog synthesizer], effects [60s fuzz], effects [Arion Digital Delay], effects [Color Sound pedals], effects [DOD pedals], effects [Evans Super Echo], effects [expj ring modulater], effects [Sherman Filterbank], effects [Space Echo RE-201] and electronic instruments [microphone]:
Maso Yamazaki (Japanese noise musician Maso Yamazaki) (in 1998)
phonographic copyright (℗) by:
Alchemy Records (Japanese noise/progressive/psychedelic rock label) (in 1998)
recorded at and edited at:
Acty Hanazono (Masonna’s home studio) in Osaka (Osaka City), Osaka (Osaka Prefecture), Japan (in 1998)
2:12
5[untitled]
recording engineer and editor:
Maso Yamazaki (Japanese noise musician Maso Yamazaki) (in 1998)
analog synthesizer [Spectral Audio analog synthesizer], effects [60s fuzz], effects [Arion Digital Delay], effects [Color Sound pedals], effects [DOD pedals], effects [Evans Super Echo], effects [expj ring modulater], effects [Sherman Filterbank], effects [Space Echo RE-201] and electronic instruments [microphone]:
Maso Yamazaki (Japanese noise musician Maso Yamazaki) (in 1998)
phonographic copyright (℗) by:
Alchemy Records (Japanese noise/progressive/psychedelic rock label) (in 1998)
recorded at and edited at:
Acty Hanazono (Masonna’s home studio) in Osaka (Osaka City), Osaka (Osaka Prefecture), Japan (in 1998)
1:58
6[untitled]
recording engineer and editor:
Maso Yamazaki (Japanese noise musician Maso Yamazaki) (in 1998)
analog synthesizer [Spectral Audio analog synthesizer], effects [60s fuzz], effects [Arion Digital Delay], effects [Color Sound pedals], effects [DOD pedals], effects [Evans Super Echo], effects [expj ring modulater], effects [Sherman Filterbank], effects [Space Echo RE-201] and electronic instruments [microphone]:
Maso Yamazaki (Japanese noise musician Maso Yamazaki) (in 1998)
phonographic copyright (℗) by:
Alchemy Records (Japanese noise/progressive/psychedelic rock label) (in 1998)
recorded at and edited at:
Acty Hanazono (Masonna’s home studio) in Osaka (Osaka City), Osaka (Osaka Prefecture), Japan (in 1998)
2:41
7[untitled]
recording engineer and editor:
Maso Yamazaki (Japanese noise musician Maso Yamazaki) (in 1998)
analog synthesizer [Spectral Audio analog synthesizer], effects [60s fuzz], effects [Arion Digital Delay], effects [Color Sound pedals], effects [DOD pedals], effects [Evans Super Echo], effects [expj ring modulater], effects [Sherman Filterbank], effects [Space Echo RE-201] and electronic instruments [microphone]:
Maso Yamazaki (Japanese noise musician Maso Yamazaki) (in 1998)
phonographic copyright (℗) by:
Alchemy Records (Japanese noise/progressive/psychedelic rock label) (in 1998)
recorded at and edited at:
Acty Hanazono (Masonna’s home studio) in Osaka (Osaka City), Osaka (Osaka Prefecture), Japan (in 1998)
2:13
8[untitled]
recording engineer and editor:
Maso Yamazaki (Japanese noise musician Maso Yamazaki) (in 1998)
analog synthesizer [Spectral Audio analog synthesizer], effects [60s fuzz], effects [Arion Digital Delay], effects [Color Sound pedals], effects [DOD pedals], effects [Evans Super Echo], effects [expj ring modulater], effects [Sherman Filterbank], effects [Space Echo RE-201] and electronic instruments [microphone]:
Maso Yamazaki (Japanese noise musician Maso Yamazaki) (in 1998)
phonographic copyright (℗) by:
Alchemy Records (Japanese noise/progressive/psychedelic rock label) (in 1998)
recorded at and edited at:
Acty Hanazono (Masonna’s home studio) in Osaka (Osaka City), Osaka (Osaka Prefecture), Japan (in 1998)
1:35
9[untitled]
recording engineer and editor:
Maso Yamazaki (Japanese noise musician Maso Yamazaki) (in 1998)
analog synthesizer [Spectral Audio analog synthesizer], effects [60s fuzz], effects [Arion Digital Delay], effects [Color Sound pedals], effects [DOD pedals], effects [Evans Super Echo], effects [expj ring modulater], effects [Sherman Filterbank], effects [Space Echo RE-201] and electronic instruments [microphone]:
Maso Yamazaki (Japanese noise musician Maso Yamazaki) (in 1998)
phonographic copyright (℗) by:
Alchemy Records (Japanese noise/progressive/psychedelic rock label) (in 1998)
recorded at and edited at:
Acty Hanazono (Masonna’s home studio) in Osaka (Osaka City), Osaka (Osaka Prefecture), Japan (in 1998)
1:50
10[untitled]
recording engineer and editor:
Maso Yamazaki (Japanese noise musician Maso Yamazaki) (in 1998)
analog synthesizer [Spectral Audio analog synthesizer], effects [60s fuzz], effects [Arion Digital Delay], effects [Color Sound pedals], effects [DOD pedals], effects [Evans Super Echo], effects [expj ring modulater], effects [Sherman Filterbank], effects [Space Echo RE-201] and electronic instruments [microphone]:
Maso Yamazaki (Japanese noise musician Maso Yamazaki) (in 1998)
phonographic copyright (℗) by:
Alchemy Records (Japanese noise/progressive/psychedelic rock label) (in 1998)
recorded at and edited at:
Acty Hanazono (Masonna’s home studio) in Osaka (Osaka City), Osaka (Osaka Prefecture), Japan (in 1998)
3:04
11[untitled]
recording engineer and editor:
Maso Yamazaki (Japanese noise musician Maso Yamazaki) (in 1998)
analog synthesizer [Spectral Audio analog synthesizer], effects [60s fuzz], effects [Arion Digital Delay], effects [Color Sound pedals], effects [DOD pedals], effects [Evans Super Echo], effects [expj ring modulater], effects [Sherman Filterbank], effects [Space Echo RE-201] and electronic instruments [microphone]:
Maso Yamazaki (Japanese noise musician Maso Yamazaki) (in 1998)
phonographic copyright (℗) by:
Alchemy Records (Japanese noise/progressive/psychedelic rock label) (in 1998)
recorded at and edited at:
Acty Hanazono (Masonna’s home studio) in Osaka (Osaka City), Osaka (Osaka Prefecture), Japan (in 1998)
2:14
12[untitled]
recording engineer and editor:
Maso Yamazaki (Japanese noise musician Maso Yamazaki) (in 1998)
analog synthesizer [Spectral Audio analog synthesizer], effects [60s fuzz], effects [Arion Digital Delay], effects [Color Sound pedals], effects [DOD pedals], effects [Evans Super Echo], effects [expj ring modulater], effects [Sherman Filterbank], effects [Space Echo RE-201] and electronic instruments [microphone]:
Maso Yamazaki (Japanese noise musician Maso Yamazaki) (in 1998)
phonographic copyright (℗) by:
Alchemy Records (Japanese noise/progressive/psychedelic rock label) (in 1998)
recorded at and edited at:
Acty Hanazono (Masonna’s home studio) in Osaka (Osaka City), Osaka (Osaka Prefecture), Japan (in 1998)
2:40
13[untitled]
recording engineer and editor:
Maso Yamazaki (Japanese noise musician Maso Yamazaki) (in 1998)
analog synthesizer [Spectral Audio analog synthesizer], effects [60s fuzz], effects [Arion Digital Delay], effects [Color Sound pedals], effects [DOD pedals], effects [Evans Super Echo], effects [expj ring modulater], effects [Sherman Filterbank], effects [Space Echo RE-201] and electronic instruments [microphone]:
Maso Yamazaki (Japanese noise musician Maso Yamazaki) (in 1998)
phonographic copyright (℗) by:
Alchemy Records (Japanese noise/progressive/psychedelic rock label) (in 1998)
recorded at and edited at:
Acty Hanazono (Masonna’s home studio) in Osaka (Osaka City), Osaka (Osaka Prefecture), Japan (in 1998)
2:42
14[untitled]
recording engineer and editor:
Maso Yamazaki (Japanese noise musician Maso Yamazaki) (in 1998)
analog synthesizer [Spectral Audio analog synthesizer], effects [60s fuzz], effects [Arion Digital Delay], effects [Color Sound pedals], effects [DOD pedals], effects [Evans Super Echo], effects [expj ring modulater], effects [Sherman Filterbank], effects [Space Echo RE-201] and electronic instruments [microphone]:
Maso Yamazaki (Japanese noise musician Maso Yamazaki) (in 1998)
phonographic copyright (℗) by:
Alchemy Records (Japanese noise/progressive/psychedelic rock label) (in 1998)
recorded at and edited at:
Acty Hanazono (Masonna’s home studio) in Osaka (Osaka City), Osaka (Osaka Prefecture), Japan (in 1998)
2:35
15[untitled]
recording engineer and editor:
Maso Yamazaki (Japanese noise musician Maso Yamazaki) (in 1998)
analog synthesizer [Spectral Audio analog synthesizer], effects [60s fuzz], effects [Arion Digital Delay], effects [Color Sound pedals], effects [DOD pedals], effects [Evans Super Echo], effects [expj ring modulater], effects [Sherman Filterbank], effects [Space Echo RE-201] and electronic instruments [microphone]:
Maso Yamazaki (Japanese noise musician Maso Yamazaki) (in 1998)
phonographic copyright (℗) by:
Alchemy Records (Japanese noise/progressive/psychedelic rock label) (in 1998)
recorded at and edited at:
Acty Hanazono (Masonna’s home studio) in Osaka (Osaka City), Osaka (Osaka Prefecture), Japan (in 1998)
0:57

Credits

Release

mastering:Tetsuya Kotani (Japanese engineer) (in 1998-11)
copyrighted (©) by:Masonna (Japanese noise musician)
design:Masahiko Ohno
artwork:Masahiko Ohno (task: electronic collage)
mastered at:Omega Sound in Osaka (Osaka Prefecture), Japan (in 1998-11)
part of:Good Alchemy Series (number: Volume 5, Part 1) (order: 18)
Discogs:https://www.discogs.com/release/593449 [info]