Baroque Treasures

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1▼CD
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1Orfeo: Toccata
orchestra:
Le Concert d’Astrée (ensemble founded in 2000 by Emmanuelle Haïm)
conductor:
Emmanuelle Haïm (conductor)
recording of:
L'Orfeo: Atto secondo. Sinfonia / Ecco pur ch'a voi ritorno (Orfeo)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
librettist:
Alessandro Striggio (The Younger, c. 1573-1630)
part of:
L’Orfeo: Atto secondo
recording of:
L’Orfeo: Toccata
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
L’Orfeo, SV 318
Claudio Monteverdi1:41
2Serses: Frondi tenere … Ombra mai fù
countertenor vocals:
David Daniels (American countertenor)
orchestra:
Orchestra of the Age of Enlightenment
conductor:
Sir Roger Norrington (conductor)
phonographic copyright (℗) by:
Virgin Classics Ltd. (not for release label use! for copyrights use) (in 1998)
recording of:
Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse)
composer:
George Frideric Handel (German‐British baroque composer) (from 1737-12-26 until 1738-01-09)
librettist:
[anonymous] (special purpose artist)
part of:
Serse, HWV 40: Atto I
George Frideric Handel3:07
3Canon and Gigue in D major: Canon
orchestra:
Taverner Players
conductor:
Andrew Parrott (conductor)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988)
recording of:
Canon and Gigue in D major, P. 37, T. 337: I. Canon (Canon and Gigue in D major, P. 37, T. 377: I. Canon)
composer:
Johann Pachelbel (composer)
part of:
Canon and Gigue in D major, P. 37, T. 337
Johann Pachelbel3:39
4Canon and Gigue in D major: Gigue
orchestra:
Taverner Players
conductor:
Andrew Parrott (conductor)
recording of:
Canon and Gigue in D major, P. 37, T. 337: II. Gigue
composer:
Johann Pachelbel (composer)
part of:
Canon and Gigue in D major, P. 37, T. 337
Johann Pachelbel1:25
5Gloria RV 589: Gloria in excelsis Deo
instruments:
Taverner Players
choir vocals:
Taverner Choir (in 1992-11) and Taverner Consort (in 1992-11)
orchestra:
Taverner Players (in 1992-11)
conductor:
Andrew Parrott (conductor) (in 1992-11)
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom (in 1992-11)
recording of:
Gloria in D major, RV 589: I. Gloria in excelsis Deo (in 1992-11)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Gloria in D major, RV 589
Antonio Vivaldi2:31
6Three parts upon a Ground Z731
orchestra:
Taverner Players
conductor:
Andrew Parrott (conductor)
performer:
Taverner Consort and Taverner Players
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988)
recording of:
Fantasia, 3 parts on a Ground for three recorders, Z. 731
composer:
Henry Purcell (Baroque composer)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 731)
Henry Purcell5:09
7A Suite of Theatre Music: II. Rondeau (Abdelazer, or The Moor's Revenge Z.570 no. 2)
orchestra:
Taverner Players
conductor:
Andrew Parrott (conductor)
performer:
Taverner Consort and Taverner Players
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988)
recording of:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
composer:
Henry Purcell (Baroque composer)
part of:
Incidental Music for Abdelazer, or, the Moor's Revenge, Z 570
Henry Purcell1:36
8Laetatus sum (Psalm 121) RV607
choir vocals:
Taverner Choir (in 1992-11)
orchestra:
Taverner Players (in 1992-11)
conductor:
Andrew Parrott (conductor) (in 1992-11)
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom (in 1992-11)
recording of:
Salmo 121: Laetatus sum, RV 607: Allegro (in 1992-11)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Ryom-Verzeichnis (number: RV 607)
Antonio Vivaldi3:37
9The Four Seasons – Concerto no. 1 in E major RV269, “Spring”: I. Allegro
producer:
Simon Woods (producer)
editor and balance engineer:
Tim Handley (engineer/editor/producer)
solo violin:
Chiara Banchini (violinist and conductor) (in 1990-03)
orchestra:
Taverner Players (in 1990-03)
conductor:
Andrew Parrott (conductor) (in 1990-03)
recorded at:
Hackney Church in Hackney, London (Greater London), England, United Kingdom (in 1990-03)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: I. Allegro (“The Four Seasons”: Concerto in E Major, op. 8 no. 1, RV. 269, “Spring”: 1. Allegro) (in 1990-03)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi3:23
10The Four Seasons – Concerto no. 1 in E major RV269, “Spring”: II. Largo e pianissimo
producer:
Simon Woods (producer)
editor and balance engineer:
Tim Handley (engineer/editor/producer)
solo violin:
Chiara Banchini (violinist and conductor) (in 1990-03)
orchestra:
Taverner Players (in 1990-03)
conductor:
Andrew Parrott (conductor) (in 1990-03)
recorded at:
Hackney Church in Hackney, London (Greater London), England, United Kingdom (in 1990-03)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: II. Largo (in 1990-03)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi2:36
11The Four Seasons – Concerto no. 1 in E major RV269, “Spring”: III. Danza pastorale (Allegro)
producer:
Simon Woods (producer)
editor and balance engineer:
Tim Handley (engineer/editor/producer)
solo violin:
Chiara Banchini (violinist and conductor) (in 1990-03)
orchestra:
Taverner Players (in 1990-03)
conductor:
Andrew Parrott (conductor) (in 1990-03)
recorded at:
Hackney Church in Hackney, London (Greater London), England, United Kingdom (in 1990-03)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: III. Allegro pastorale (in 1990-03)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi4:02
12Concerto in G minor for Flute and Strings op. 10 no. 2 RV439, “La notte”: I. Largo
flute:
Janet See
orchestra:
Taverner Players
conductor:
Andrew Parrott (conductor)
recording of:
Concerto in G minor, op. 10 no. 2, RV 439 “La notte”: I. Largo
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto in G minor, op. 10 no. 2, RV 439 “La notte”
Antonio Vivaldi1:33
13Concerto in G minor for Flute and Strings op. 10 no. 2 RV439, “La notte”: II. Presto (Fantasmi) ; III. Largo
flute:
Janet See
orchestra:
Taverner Players
conductor:
Andrew Parrott (conductor)
recording of:
Concerto in G minor, op. 10 no. 2, RV 439 “La notte”: II. Presto “Fantasmi”
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto in G minor, op. 10 no. 2, RV 439 “La notte”
recording of:
Concerto in G minor, op. 10 no. 2, RV 439 “La notte”: III. Largo
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto in G minor, op. 10 no. 2, RV 439 “La notte”
Antonio Vivaldi1:43
14Concerto in G minor for Flute and Strings op. 10 no. 2 RV439, “La notte”: IV. Presto
flute:
Janet See
orchestra:
Taverner Players
conductor:
Andrew Parrott (conductor)
recording of:
Concerto in G minor, op. 10 no. 2, RV 439 “La notte”: IV. Presto
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto in G minor, op. 10 no. 2, RV 439 “La notte”
Antonio Vivaldi1:00
15Concerto in G minor for Flute and Strings op. 10 no. 2 RV439, “La notte”: V. Largo (Il sonno)
flute:
Janet See
orchestra:
Taverner Players
conductor:
Andrew Parrott (conductor)
recording of:
Concerto in G minor, op. 10 no. 2, RV 439 “La notte”: V. Largo “Il sonno”
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto in G minor, op. 10 no. 2, RV 439 “La notte”
Antonio Vivaldi1:41
16Concerto in G minor for Flute and Strings op. 10 no. 2 RV439, “La notte”: VI. Allegro
flute:
Janet See
orchestra:
Taverner Players
conductor:
Andrew Parrott (conductor)
recording of:
Concerto in G minor, op. 10 no. 2, RV 439 “La notte”: VI. Allegro
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto in G minor, op. 10 no. 2, RV 439 “La notte”
Antonio Vivaldi2:16
17Cantata “Wir danken dir, Gott, wir danken dir” BWV 29: Sinfonia
orchestra:
Taverner Players (from 1987-04 until 1987-06)
conductor:
Andrew Parrott (conductor) (from 1987-04 until 1987-06)
performer:
Taverner Consort and Taverner Players
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1987-04 until 1987-06)
recording of:
Kantate, BWV 29 “Wir danken dir, Gott, wir danken dir”: I. Sinfonia (from 1987-04 until 1987-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir"
Johann Sebastian Bach3:40
18Cantata “Herz und Mund und Tat und Leben” BWV 147: Choral “Jesu bleibet meine Freude” (Jesu, joy of man’s desiring)
choir vocals:
Taverner Consort (in 1987)
orchestra:
Taverner Players (in 1987)
conductor:
Andrew Parrott (conductor) (in 1987)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring) (in 1987)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
lyricist:
Martin Janus (German Protestant minister, c. 1620–1682) (in 1665)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Classic 100: Piano (2025) (number: 15)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach2:17
19Orchestral Suite no. 3 in D Major, BWV 1068: Air
producer:
Simon Woods (producer)
editor:
Tim Handley (engineer/editor/producer) and Mary Hughes (editor, engineer)
cello:
Myron Lutzke (in 1992-04)
double bass:
Michael Willens (bass) (in 1992-04)
harpsichord:
John Gibbons (US harpsichordist and conductor) (in 1992-04)
oboe:
Stephen Hammer (oboist) (in 1992-04) and Marc Schachman (oboist) (in 1992-04)
percussion:
John Grimes (US percussionist) (in 1992-04)
trumpet:
Dennis Ferry (trumpeter) (in 1992-04), Jesse Levine (trumpet) (in 1992-04) and John Thiessen (trumpet) (in 1992-04)
viola:
David Miller (classical violist) (in 1992-04)
violin:
Elizabeth Blumenstock (violinist) (in 1992-04) and Anthony Martin (violist) (in 1992-04)
orchestra:
Boston Early Music Festival Orchestra
conductor:
Andrew Parrott (conductor) (in 1992-04)
balance engineer:
Mike Hatch (engineer/editor)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
recorded at:
Methuen Memorial Music Hall (Methuen Memorial Hall) in Methuen, Massachusetts, United States (in 1992-04)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string) (in 1992-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Johann Sebastian Bach4:07
20Orchestral Suite no. 2 in B minor, BWV 1067: Menuet
producer:
Simon Woods (producer)
editor:
Tim Handley (engineer/editor/producer) and Mary Hughes (editor, engineer)
cello:
Myron Lutzke (in 1992-04)
flute:
Christopher Krueger (flute and recorder player) (in 1992-04)
harpsichord:
John Gibbons (US harpsichordist and conductor) (in 1992-04)
viola:
David Miller (classical violist) (in 1992-04)
violin:
Elizabeth Blumenstock (violinist) (in 1992-04) and Anthony Martin (violist) (in 1992-04)
violone:
Michael Willens (bass) (in 1992-04)
orchestra:
Boston Early Music Festival Orchestra
conductor:
Andrew Parrott (conductor) (in 1992-04)
balance engineer:
Mike Hatch (engineer/editor)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
recorded at:
Methuen Memorial Music Hall (Methuen Memorial Hall) in Methuen, Massachusetts, United States (in 1992-04)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VI. Menuet (Orchestral Suite no. 2 in B minor, BWV 1067: VI. Menuet) (in 1992-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
Johann Sebastian Bach1:19
21Orchestral Suite no. 2 in B minor, BWV 1067: Badinerie
producer:
Simon Woods (producer)
editor:
Tim Handley (engineer/editor/producer) and Mary Hughes (editor, engineer)
cello:
Myron Lutzke (in 1992-04)
flute:
Christopher Krueger (flute and recorder player) (in 1992-04)
harpsichord:
John Gibbons (US harpsichordist and conductor) (in 1992-04)
viola:
David Miller (classical violist) (in 1992-04)
violin:
Elizabeth Blumenstock (violinist) (in 1992-04) and Anthony Martin (violist) (in 1992-04)
violone:
Michael Willens (bass) (in 1992-04)
orchestra:
Boston Early Music Festival Orchestra
conductor:
Andrew Parrott (conductor) (in 1992-04)
balance engineer:
Mike Hatch (engineer/editor)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
recorded at:
Methuen Memorial Music Hall (Methuen Memorial Hall) in Methuen, Massachusetts, United States (in 1992-04)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie (Orchestral Suite no. 2 in B minor, BWV 1067: VII. Badinerie) (in 1992-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
Johann Sebastian Bach1:27
22Brandenburg Concerto no. 2 in F major, BWV 1047: I. [Allegro]
oboe:
Paul Goodwin (conductor / oboist) (from 1988-07 until 1988-10)
recorder:
Marion Verbruggen (recorder player) (from 1988-07 until 1988-10)
trumpet:
David Staff (trumpet and cornetto player) (from 1988-07 until 1988-10)
violin:
John Holloway (violinist/conductor) (from 1988-07 until 1988-10)
orchestra:
Taverner Players (from 1988-07 until 1988-10)
conductor:
Andrew Parrott (conductor) (from 1988-07 until 1988-10)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1989)
recorded at:
Gateway Studio (Kingston, Surrey) in Kingston upon Hull, England, United Kingdom (from 1988-07 until 1988-10)
recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: I. (from 1988-07 until 1988-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)
Johann Sebastian Bach4:55
23Brandenburg Concerto no. 2 in F major, BWV 1047: II. Andante
oboe:
Paul Goodwin (conductor / oboist) (from 1988-07 until 1988-10)
recorder:
Marion Verbruggen (recorder player) (from 1988-07 until 1988-10)
trumpet:
David Staff (trumpet and cornetto player) (from 1988-07 until 1988-10)
violin:
John Holloway (violinist/conductor) (from 1988-07 until 1988-10)
orchestra:
Taverner Players (from 1988-07 until 1988-10)
conductor:
Andrew Parrott (conductor) (from 1988-07 until 1988-10)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1989)
recorded at:
Gateway Studio (Kingston, Surrey) in Kingston upon Hull, England, United Kingdom (from 1988-07 until 1988-10)
recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: II. Andante (Brandenburg Concerto No. 2 in F major, BWV 1047: II. Andante) (from 1988-07 until 1988-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)
Johann Sebastian Bach3:23
24Brandenburg Concerto no. 2 in F major, BWV 1047: III. Allegro assai
oboe:
Paul Goodwin (conductor / oboist) (from 1988-07 until 1988-10)
recorder:
Marion Verbruggen (recorder player) (from 1988-07 until 1988-10)
trumpet:
David Staff (trumpet and cornetto player) (from 1988-07 until 1988-10)
violin:
John Holloway (violinist/conductor) (from 1988-07 until 1988-10)
orchestra:
Taverner Players (from 1988-07 until 1988-10)
conductor:
Andrew Parrott (conductor) (from 1988-07 until 1988-10)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1989)
recorded at:
Gateway Studio (Kingston, Surrey) in Kingston upon Hull, England, United Kingdom (from 1988-07 until 1988-10)
recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: III. Allegro assai (from 1988-07 until 1988-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)
Johann Sebastian Bach2:52
25Solomon HWV 67: Sinfonia: Act 3, The Arrival of the Queen of Sheba
orchestra:
Taverner Players
conductor:
Andrew Parrott (conductor)
performer:
Taverner Consort and Taverner Players
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988)
recording of:
Solomon, HWV 67: Act III. Sinfonia “The Arrival of the Queen of Sheba”
composer:
George Frideric Handel (German‐British baroque composer) (in 1748)
publisher:
Hallische Händel‐Ausgabe der Georg‐Friedrich‐Händel‐Gesellschaft and Public Domain (refers to works that are in the public domain)
part of:
Solomon, HWV 67: Act III
George Frideric Handel2:50
26Messiah, HWV 56: Overture (Grave – Allegro moderato)
orchestra:
Taverner Players (in 1988-04)
conductor:
Andrew Parrott (conductor) (in 1988-04)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1988-04)
recording of:
Messiah, HWV 56: Part I, no. 1. Symphony
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel3:37
27Messiah, HWV 56: Hallelujah
choir vocals:
Taverner Choir (in 1988-04)
orchestra:
Taverner Players (in 1988-04)
conductor:
Andrew Parrott (conductor) (in 1988-04)
performer:
The Taverner Choir, Consort & Players (in 1988-04)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1988-04)
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus: “Hallelujah” (in 1988-04)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
librettist:
Charles Jennens
part of:
Messiah, HWV 56: Part II
George Frideric Handel3:57
2▼CD
#TitleArtistRatingLength
1The Four Seasons – Concerto no. 2 in G minor RV315, “Summer”: I. Allegro non molto
producer:
Simon Woods (producer)
editor and balance engineer:
Tim Handley (engineer/editor/producer)
solo violin:
Alison Bury (violinist) (in 1990-03)
orchestra:
Taverner Players (in 1990-03)
conductor:
Andrew Parrott (conductor) (in 1990-03)
recorded at:
Hackney Church in Hackney, London (Greater London), England, United Kingdom (in 1990-03)
recording of:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate”: I. Allegro non molto (in 1990-03)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate” (Concerto in G minor, op. 8 no. 2, RV 315 “Summer”)
Antonio Vivaldi5:04
2The Four Seasons – Concerto no. 2 in G minor RV315, “Summer”: II. Adagio
producer:
Simon Woods (producer)
editor and balance engineer:
Tim Handley (engineer/editor/producer)
solo violin:
Alison Bury (violinist) (in 1990-03)
orchestra:
Taverner Players (in 1990-03)
conductor:
Andrew Parrott (conductor) (in 1990-03)
recorded at:
Hackney Church in Hackney, London (Greater London), England, United Kingdom (in 1990-03)
recording of:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate”: II. Adagio e piano – Presto e forte (in 1990-03)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate” (Concerto in G minor, op. 8 no. 2, RV 315 “Summer”)
Antonio Vivaldi2:12
3The Four Seasons – Concerto no. 2 in G minor RV315, “Summer”: III. Presto (Tempo impetuso d'Estate)
producer:
Simon Woods (producer)
editor and balance engineer:
Tim Handley (engineer/editor/producer)
solo violin:
Alison Bury (violinist) (in 1990-03)
orchestra:
Taverner Players (in 1990-03)
conductor:
Andrew Parrott (conductor) (in 1990-03)
recorded at:
Hackney Church in Hackney, London (Greater London), England, United Kingdom (in 1990-03)
recording of:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate”: III. Presto (in 1990-03)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate” (Concerto in G minor, op. 8 no. 2, RV 315 “Summer”)
Antonio Vivaldi2:58
4Dixit Dominus: Dixit Dominus Domino meo
choir vocals:
Taverner Choir
orchestra:
Taverner Players
conductor:
Andrew Parrott (conductor)
recording of:
Dixit Dominus in G minor, HWV 232: I. Chorus "Dixit Dominus"
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Dixit Dominus in G minor, HWV 232
George Frideric Handel5:23
5Sacrae symphoniae: Sonata pian e forte alla quarta bassa, a 8
producer:
Simon Woods (producer)
instruments and orchestra:
Taverner Players (in 1990-11)
conductor:
Andrew Parrott (conductor) (in 1990-11)
balance engineer:
Mike Hatch (engineer/editor) (in 1990-11)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1991)
recorded at:
Hackney Church in Hackney, London (Greater London), England, United Kingdom (in 1990-11)
recording of:
Sonata pian' e forte à 8, Ch. 175 (Sacrae symphoniae, Liber 1) (in 1990-11)
composer:
Giovanni Gabrieli (composer)
part of:
Giovanni Gabrieli: A Thematic Catalogue of his Music with a Guide to the Source Materials and Translations of his Vocal Texts (Charteris [Ch.]) (number: Ch. 175)
part of:
Sacrae symphoniae, Liber 1
Giovanni Gabrieli5:15
6Harp Concerto in B flat major op. 4 no. 6: I. Andante – Allegro
harp:
Andrew Lawrence‐King (Early music harpist and conductor) (in 1988)
orchestra:
Taverner Consort (in 1988) and Taverner Players (in 1988)
conductor:
Andrew Parrott (conductor) (in 1988)
performer:
Taverner Consort and Taverner Players
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988)
recording of:
Harp Concerto in B‐flat major, op. 4 no. 6, HWV 294: I. Andante – Allegro (original version, for harp)
composer:
George Frideric Handel (German‐British baroque composer) (in 1736)
part of:
Harp Concerto in B‐flat major, op. 4 no. 6, HWV 294
George Frideric Handel6:05
7Harp Concerto in B flat major op. 4 no. 6: II. Larghetto
harp:
Andrew Lawrence‐King (Early music harpist and conductor)
orchestra:
Taverner Players
conductor:
Andrew Parrott (conductor)
performer:
Taverner Consort and Taverner Players
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988)
recording of:
Harp Concerto in B‐flat major, op. 4 no. 6, HWV 294: II. Larghetto (original version, for harp)
composer:
George Frideric Handel (German‐British baroque composer) (in 1736)
part of:
Harp Concerto in B‐flat major, op. 4 no. 6, HWV 294
George Frideric Handel5:02
8Harp Concerto in B flat major op. 4 no. 6: III. Allegro moderato
harp:
Andrew Lawrence‐King (Early music harpist and conductor)
orchestra:
Taverner Players
conductor:
Andrew Parrott (conductor)
performer:
Taverner Consort and Taverner Players
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988)
recording of:
Harp Concerto in B‐flat major, op. 4 no. 6, HWV 294: III. Allegro moderato (original version, for harp)
composer:
George Frideric Handel (German‐British baroque composer) (in 1736)
part of:
Harp Concerto in B‐flat major, op. 4 no. 6, HWV 294
George Frideric Handel2:51
9Miserere a 9
choir vocals:
Taverner Choir and Taverner Consort
other vocals:
Taverner Consort
conductor:
Andrew Parrott (conductor)
recording of:
Miserere mei, Deus
composer:
Gregorio Allegri (composer)
quotes lyrics from:
Miserere mei (words from Psalm 51)
Gregorio Allegri13:24
10Funeral Sentences for the death of Queen Mary: March
instruments:
Taverner Players
choir vocals:
Taverner Choir
other vocals:
Taverner Consort
vocals:
The Taverner Choir, Consort & Players
orchestra:
The Taverner Choir, Consort & Players and Taverner Players
conductor:
Andrew Parrott (conductor)
recording of:
Funeral Music on the Death of Queen Mary: I. March, Z. 860
composer:
Henry Purcell (Baroque composer)
part of:
Music for the Funeral of Queen Mary, Z. 860
recording of:
Music for the Funeral of Queen Mary, Z. 860
composer:
Henry Purcell (Baroque composer) (in 1695)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 860)
arrangement of:
Funeral of Queen Mary
Henry Purcell1:42
11Funeral Sentences for the death of Queen Mary: Thou know'st Lord
choir vocals:
Taverner Choir
other vocals:
Taverner Consort
vocals:
The Taverner Choir, Consort & Players
orchestra:
The Taverner Choir, Consort & Players and Taverner Players
conductor:
Andrew Parrott (conductor)
recording of:
Funeral Music on the Death of Queen Mary: VI. Anthem, Z. 58c "Thou knowest, Lord" (2nd setting for 4 trumpets)
composer:
Henry Purcell (Baroque composer) (in 1687)
part of:
Music for the Funeral of Queen Mary, Z. 860
Henry Purcell2:11
12Funeral Sentences for the death of Queen Mary: Canzona
choir vocals:
Taverner Choir
other vocals:
Taverner Consort
vocals:
The Taverner Choir, Consort & Players
orchestra:
The Taverner Choir, Consort & Players and Taverner Players
conductor:
Andrew Parrott (conductor)
recording of:
Funeral Music on the Death of Queen Mary: III. Canzona, Z. 860
composer:
Henry Purcell (Baroque composer)
part of:
Music for the Funeral of Queen Mary, Z. 860
Henry Purcell2:11
13L'Incoronazione di Poppea: “Pur ti miro”
mezzo-soprano vocals:
Della Jones (mezzo-soprano) (in 1988-07)
soprano vocals:
Arleen Augér (soprano) (in 1988-07)
orchestra:
City of London Baroque Sinfonia (chamber orchestra) (in 1988-07)
conductor:
Richard Hickox (conductor) (in 1988-07)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1990) and Virgin Classics Ltd. (not for release label use! for copyrights use) (in 1990)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (in 1988-07)
recording of:
L’incoronazione di Poppea: Atto III. “Pur ti miro” (Poppea, Nerone) (in 1988-07)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
L'Incoronazione di Poppea: Atto III.
Claudio Monteverdi5:43
14Orchestral Suite no. 3 in D major, BWV 1068: Gavottes I & II
producer:
Simon Woods (producer)
editor:
Tim Handley (engineer/editor/producer) and Mary Hughes (editor, engineer)
cello:
Myron Lutzke (in 1992-04)
double bass:
Michael Willens (bass) (in 1992-04)
harpsichord:
John Gibbons (US harpsichordist and conductor) (in 1992-04)
oboe:
Stephen Hammer (oboist) (in 1992-04) and Marc Schachman (oboist) (in 1992-04)
percussion:
John Grimes (US percussionist) (in 1992-04)
trumpet:
Dennis Ferry (trumpeter) (in 1992-04), Jesse Levine (trumpet) (in 1992-04) and John Thiessen (trumpet) (in 1992-04)
viola:
David Miller (classical violist) (in 1992-04)
violin:
Elizabeth Blumenstock (violinist) (in 1992-04) and Anthony Martin (violist) (in 1992-04)
orchestra:
Boston Early Music Festival Orchestra
conductor:
Andrew Parrott (conductor) (in 1992-04)
balance engineer:
Mike Hatch (engineer/editor)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
recorded at:
Methuen Memorial Music Hall (Methuen Memorial Hall) in Methuen, Massachusetts, United States (in 1992-04)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: III. Gavotte I & II (in 1992-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Johann Sebastian Bach4:06
15Orchestral Suite no. 3 in D major, BWV 1068: Bourrée
producer:
Simon Woods (producer)
editor:
Tim Handley (engineer/editor/producer) and Mary Hughes (editor, engineer)
cello:
Myron Lutzke (in 1992-04)
double bass:
Michael Willens (bass) (in 1992-04)
harpsichord:
John Gibbons (US harpsichordist and conductor) (in 1992-04)
oboe:
Stephen Hammer (oboist) (in 1992-04) and Marc Schachman (oboist) (in 1992-04)
percussion:
John Grimes (US percussionist) (in 1992-04)
trumpet:
Dennis Ferry (trumpeter) (in 1992-04), Jesse Levine (trumpet) (in 1992-04) and John Thiessen (trumpet) (in 1992-04)
viola:
David Miller (classical violist) (in 1992-04)
violin:
Elizabeth Blumenstock (violinist) (in 1992-04) and Anthony Martin (violist) (in 1992-04)
orchestra:
Boston Early Music Festival Orchestra
conductor:
Andrew Parrott (conductor) (in 1992-04)
balance engineer:
Mike Hatch (engineer/editor)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
recorded at:
Methuen Memorial Music Hall (Methuen Memorial Hall) in Methuen, Massachusetts, United States (in 1992-04)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: IV. Bourrée (in 1992-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Johann Sebastian Bach1:11
16Orchestral Suite no. 3 in D major, BWV 1068: Gigue
producer:
Simon Woods (producer)
editor:
Tim Handley (engineer/editor/producer) and Mary Hughes (editor, engineer)
cello:
Myron Lutzke (in 1992-04)
double bass:
Michael Willens (bass) (in 1992-04)
harpsichord:
John Gibbons (US harpsichordist and conductor) (in 1992-04)
oboe:
Stephen Hammer (oboist) (in 1992-04) and Marc Schachman (oboist) (in 1992-04)
percussion:
John Grimes (US percussionist) (in 1992-04)
trumpet:
Dennis Ferry (trumpeter) (in 1992-04), Jesse Levine (trumpet) (in 1992-04) and John Thiessen (trumpet) (in 1992-04)
viola:
David Miller (classical violist) (in 1992-04)
violin:
Elizabeth Blumenstock (violinist) (in 1992-04) and Anthony Martin (violist) (in 1992-04)
orchestra:
Boston Early Music Festival Orchestra
conductor:
Andrew Parrott (conductor) (in 1992-04)
balance engineer:
Mike Hatch (engineer/editor)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
recorded at:
Methuen Memorial Music Hall (Methuen Memorial Hall) in Methuen, Massachusetts, United States (in 1992-04)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: V. Gigue (in 1992-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Johann Sebastian Bach2:31
17Water Music Suite no. 2 in D major: Overture – Hornpipe
orchestra:
London Classical Players
conductor:
Sir Roger Norrington (conductor)
recording of:
Water Music, Suite no. 2 in D major, HWV 349: 12. Alla hornpipe
composer:
George Frideric Handel (German‐British baroque composer) (in 1717)
part of:
Water Music Suite no. 2 in D major, HWV 349
George Frideric Handel5:18
3▼CD
#TitleArtistRatingLength
1Marche de Triomphe
orchestra:
La Simphonie du Marais (French Baroque ensemble)
conductor:
Hugo Reyne
recording of:
Marche de Triomphe
composer:
André Danican Philidor
André Danican Philidor2:16
2La Marche des Mousquetaires
orchestra:
La Simphonie du Marais (French Baroque ensemble)
conductor:
Hugo Reyne
recording of:
La Marche des Mousquetaires
composer:
André Danican Philidor
André Danican Philidor1:27
3Symphonies pour le Festin Royal du Comte d'Artois, Suite in G minor: Contredanse
orchestra:
La Simphonie du Marais (French Baroque ensemble)
conductor:
Hugo Reyne
recording of:
Symphonies pour le Festin Royal du Comte d'Artois: Suite in G minor: VII. Contredanse
composer:
François Francœur
part of:
Symphonies pour le Festin Royal du Comte d'Artois: Suite in G minor
François Francœur3:13
4Quatrième Concert de simphonies in A major op. 4 no. 2: Chaconne
orchestra:
Concerto Köln
partial recording of:
Quatrième Concert de simphonies in A major, op. 4 no. 2
composer:
Antoine Dauvergne
Antoine Dauvergne5:07
5Te Deum H.146: Prélude
orchestra and performer:
Les Arts Florissants (French baroque ensemble)
conductor:
William Christie (harpsichordist and conductor)
recorded at:
Salle des Concerts de la Cité de la Musique in Paris, Île-de-France, France (from 2004-09-14 until 2004-09-15)
recording of:
Te Deum, H. 146: Prélude
composer:
Marc‐Antoine Charpentier (composer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
part of:
Te Deum, H. 146
Marc‐Antoine Charpentier1:38
6Messe propre pour les couvents de réligieux et réligieuses : Offertoire sur les grands jeux
organ:
Jean‐Patrice Brosse
recording of:
Messe pour les Couvents: III. Offertoire sur les Grands Jeux
composer:
François Couperin (French composer of the Baroque era) (in 1690)
part of:
Messe pour les Couvents (for organ)
François Couperin5:02
7Regina coeli H32
other vocals:
Les Demoiselles de Saint-Cyr
performer:
Emmanuel Mandrin (organist)
recording of:
Regina coeli, H. 32
composer:
Marc‐Antoine Charpentier (composer)
part of:
Les œuvres de Marc-Antoine Charpentier: Catalogue Raisonné (number: 32)
Marc‐Antoine Charpentier2:42
8Panis Angelicus, C.131
engineer:
Michel Pierre (audio engineer)
producer and editor:
Étienne Collard
instruments:
Il Seminario Musicale (French baroque music ensemble) (from 1999-02-09 until 1999-02-12)
alto vocals:
Gérard Lesne (countertenor) (from 1999-02-09 until 1999-02-12)
bass vocals:
Josep-Miquel Ramon i Monzó (from 1999-02-09 until 1999-02-12)
tenor vocals:
Mark Padmore (British tenor) (from 1999-02-09 until 1999-02-12)
orchestra:
Il Seminario Musicale (French baroque music ensemble)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (from 1999-02-09 until 1999-02-12)
recording of:
Panis Angelicus, C. 131 (from 1999-02-09 until 1999-02-12)
composer:
Louis‐Nicolas Clérambault
Louis‐Nicolas Clérambault3:33
9Requiem: Introit
choir vocals:
La Grande Écurie et la Chambre du Roy and Les Pages de la Chapelle de Versailles
chorus master:
Jean‐Claude Malgoire (conductor and oboist)
recording of:
Requiem: Introit
composer:
André Campra (French composer)
part of:
Messe de Requiem: Requiem
André Campra3:13
10Les Grandes Motets: Tunc repletum est gaudio nostrum
engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (from 1993-04-13 until 1993-04-18)
producer:
Dominique Daigremont
orchestra:
Le Concert Spirituel (French baroque ensemble) (from 1993-04-13 until 1993-04-18)
conductor:
Hervé Niquet (conductor) (from 1993-04-13 until 1993-04-18)
recorded at:
Collégiale Saint-Martin de Champeaux in Champeaux, Seine-et-Marne, Île-de-France, France (from 1993-04-13 until 1993-04-18)
recording of:
In convertendo: Gai "Tunc repletum est gaudio os nostrum"
composer:
Jean‐Philippe Rameau (French composer of the Baroque era)
part of:
In convertendo
Jean‐Philippe Rameau3:10
11Suite in C minor: La Plainte, ou Tombeau de Mesdemoiselles de Visée, filles de l'auteur
recording engineer:
Eric Ribouchon (engineer)
producer and editor:
Alain Duchemin
theorbo:
Pascal Monteilhet (lutenist) (from 1992-02-12 until 1992-02-14)
phonographic copyright (℗) by:
Fnac Music Production (in 1993)
recorded at:
Temple protestant de la rue Pierre Nicole (Temple Saint‐Marcel) in Paris, Île-de-France, France (from 1992-02-12 until 1992-02-14)
recording of:
La plainte ou Tombeau des Mesdemoiselles de Visée (Saizenay, p. 98)
composer:
Robert de Visée (Baroque composer)
part of:
Suite in C minor
Robert de Visée4:13
12Plainte sur la mort de Monsieur Lambert
executive producer:
Alain Lanceron
producer:
Michel Bernard (engineer / producer)
editor:
Étienne Collard
instruments:
Il Seminario Musicale (French baroque music ensemble) (from 1997-04-01 until 1997-04-04)
alto vocals:
Gérard Lesne (countertenor) (from 1997-04-01 until 1997-04-04)
countertenor vocals:
Gérard Lesne (countertenor)
orchestra:
Il Seminario Musicale (French baroque music ensemble)
balance engineer:
Michel Pierre (audio engineer)
recorded at:
Église luthérienne de Bon Secours in Paris, Île-de-France, France (from 1997-04-01 until 1997-04-04)
recording of:
Plainte sur la mort de Monsieur Lambert (from 1997-04-01 until 1997-04-04)
composer:
Jean Lacquemant (DuBuisson) and Du Buisson (composer, died ca. 1710) (in 1696)
Jean Lacquemant, dit Dubuisson5:20
13Troisième Concert: III. Tambourins I et II
orchestra:
Trio Sonnerie
recording of:
Les Indes Galantes, Suites d’orchestre: Troisième Concert: III. Tambourins (à deux clavecins): Tambourin I
composer:
Jean‐Philippe Rameau (French composer of the Baroque era)
part of:
Les Indes Galantes, Suites d’orchestre: Troisième Concert: III. Tambourins (à deux clavecins)
recording of:
Les Indes Galantes, Suites d’orchestre: Troisième Concert: III. Tambourins (à deux clavecins): Tambourin II
composer:
Jean‐Philippe Rameau (French composer of the Baroque era)
part of:
Les Indes Galantes, Suites d’orchestre: Troisième Concert: III. Tambourins (à deux clavecins)
Jean‐Philippe Rameau2:16
14Suite in G minor: Plainte (lentement)
bass viol and viola da gamba:
Jérôme Hantaï (viola da gamba and fortepiano player) (from 1996-04-16 until 1996-04-19) and Alix Verzier (cellist) (from 1996-04-16 until 1996-04-19)
harpsichord:
Pierre Hantaï (Harpsichordist and organist) (from 1996-04-16 until 1996-04-19)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-04-16 until 1996-04-19)
recording of:
Pièces de viole, Livre III: 86. Plainte (from 1996-04-16 until 1996-04-19)
composer:
Marin Marais (French composer)
part of:
Pièces de viole, Livre III
Marin Marais3:22
15Le Canal de Versailles: Ouverture
orchestra:
La Simphonie du Marais (French Baroque ensemble)
conductor:
Hugo Reyne
recording of:
Le Canal de Versailles: Ouverture
composer:
André Danican Philidor (in 1687)
part of:
Le Canal de Versailles
André Danican Philidor1:38
16Isis: Air des trembleurs “L'hiver qui nous tourmente s'obstine à nous geler”
bass vocals:
Bernard Deletré (bass-baritone)
soprano vocals:
Isabelle Desrochers (soprano)
orchestra:
La Simphonie du Marais (French Baroque ensemble)
conductor:
Hugo Reyne
recording of:
Isis, acte IV, sc.1: L'hyver qui nous tourmente
composer:
Jean‐Baptiste Lully (composer) (in 1677)
part of:
Isis, LWV 54
Jean‐Baptiste Lully1:53
17Les Indes Galantes: Air de Zima “Régnez, plaisirs et jeux”
soprano vocals:
Patricia Petibon (soprano)
orchestra:
Les Folies Françoises
conductor:
Patrick Cohën-Akenine
partial recording of:
Les Indes galantes: Acte IV "Les Sauvages"
composer:
Jean‐Philippe Rameau (French composer of the Baroque era)
librettist:
Louis Fuzelier
part of:
Les Indes galantes
Jean‐Philippe Rameau3:16
18Les Indes Galantes: Chaconne
soprano vocals:
Patricia Petibon (soprano)
orchestra:
Les Folies Françoises
conductor:
Patrick Cohën-Akenine
partial recording of:
Les Indes galantes: Acte IV "Les Sauvages"
composer:
Jean‐Philippe Rameau (French composer of the Baroque era)
librettist:
Louis Fuzelier
part of:
Les Indes galantes
Jean‐Philippe Rameau5:37
19Symphonies pour les soupers du Roi: Caprice ou Caprice de Villers-Cotterêts
trumpet:
Maurice André (French trumpeter), Thierry Caens (trumpeter), Jean-Pierre Leroy, Bernard Soustrot (trumpeter) and Guy Touvron (trumpet player)
orchestra:
Ensemble orchestral de Paris
conductor:
Jean‐Pierre Wallez (violinist/conductor)
Michel‐Richard de Lalande16:10

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ASIN:FR: B008R9QAZU [info]