Messe g-Moll BWV 235 / Messe G-Dur BWV 236

~ Release by Johann Sebastian Bach; Helmuth Rilling, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Stuttgarter Kammerorchester (see all versions of this release, 1 available)

Annotation

Rilling/Gächinger Kantorei recorded BWV 236 seven years later at the same place and with almost identical timing, this time accompanied by "their" Bach-Collegium ensemble and with different soloists.

Annotation last modified on 2021-02-02 07:20 UTC.

Tracklist

1▼CD
#TitleArtistRatingLength
1Messe g-Moll, BWV 235: 1. Kyrie eleison
engineer:
Teije van Geest (engineer/producer)
producer and editor:
Richard Hauck (engineer/producer)
choir vocals:
Gächinger Kantorei Stuttgart (in 1992-09)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1992-09)
conductor:
Helmuth Rilling (conductor) (in 1992-09)
recorded at:
Stadthalle Leonberg in Leonberg, Baden-Württemberg, Germany (in 1992-09)
recording of:
Messe g-Moll, BWV 235: I. Coro "Kyrie eleison" (in 1992-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben"
part of:
Messe g-Moll, BWV 235
Johann Sebastian Bach6:53
2Messe g-Moll, BWV 235: 2. Gloria in excelsis Deo
engineer:
Teije van Geest (engineer/producer)
producer and editor:
Richard Hauck (engineer/producer)
choir vocals:
Gächinger Kantorei Stuttgart (in 1992-09)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1992-09)
conductor:
Helmuth Rilling (conductor) (in 1992-09)
recorded at:
Stadthalle Leonberg in Leonberg, Baden-Württemberg, Germany (in 1992-09)
recording of:
Messe g-Moll, BWV 235: II. Coro "Gloria in excelsis Deo" (in 1992-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 72 "Alles nur nach Gottes Willen"
part of:
Messe g-Moll, BWV 235
Johann Sebastian Bach3:12
3Messe g-Moll, BWV 235: 3. Gratias agimus tibi
engineer:
Teije van Geest (engineer/producer)
producer and editor:
Richard Hauck (engineer/producer)
bass vocals:
Thomas Quasthoff (bass-baritone) (in 1992-09)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1992-09)
conductor:
Helmuth Rilling (conductor) (in 1992-09)
recorded at:
Stadthalle Leonberg in Leonberg, Baden-Württemberg, Germany (in 1992-09)
recording of:
Messe g-Moll, BWV 235: III. Aria (Bass) "Gratias agimus tibi" (in 1992-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 187 "Es wartet alles auf dich": IV. Aria (Bass) "Darum sollt ihr nicht sorgen"
part of:
Messe g-Moll, BWV 235
Johann Sebastian Bach3:36
4Messe g-Moll, BWV 235: 4. Domine fili unigenite
engineer:
Teije van Geest (engineer/producer)
producer and editor:
Richard Hauck (engineer/producer)
alto vocals:
Ingeborg Danz (mezzo soprano) (in 1992-09)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1992-09)
conductor:
Helmuth Rilling (conductor) (in 1992-09)
recorded at:
Stadthalle Leonberg in Leonberg, Baden-Württemberg, Germany (in 1992-09)
recording of:
Messe g-Moll, BWV 235: IV. Aria (Alto) "Domine Fili unigenite" (in 1992-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 187 "Es wartet alles auf dich": III. Aria (Alt) "Du Herr, du krönst allein"
part of:
Messe g-Moll, BWV 235
Johann Sebastian Bach5:15
5Messe g-Moll, BWV 235: 5. Qui tollis peccata mundi
engineer:
Teije van Geest (engineer/producer)
producer and editor:
Richard Hauck (engineer/producer)
tenor vocals:
Christoph Prégardien (tenor) (in 1992-09)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1992-09)
conductor:
Helmuth Rilling (conductor) (in 1992-09)
recorded at:
Stadthalle Leonberg in Leonberg, Baden-Württemberg, Germany (in 1992-09)
recording of:
Messe g-Moll, BWV 235: V. Aria (Tenor) "Qui tollis peccata mundi" (in 1992-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 187 "Es wartet alles auf dich": V. Aria (Sopran) "Gott versorget alles Leben"
part of:
Messe g-Moll, BWV 235
Johann Sebastian Bach3:45
6Messe g-Moll, BWV 235: 6. Cum Sancto Spiritu
engineer:
Teije van Geest (engineer/producer)
producer and editor:
Richard Hauck (engineer/producer)
choir vocals:
Gächinger Kantorei Stuttgart (in 1992-09)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1992-09)
conductor:
Helmuth Rilling (conductor) (in 1992-09)
recorded at:
Stadthalle Leonberg in Leonberg, Baden-Württemberg, Germany (in 1992-09)
recording of:
Messe g-Moll, BWV 235: VI. Coro "Cum sancto spiritu" (in 1992-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 187 "Es wartet alles auf dich"
part of:
Messe g-Moll, BWV 235
Johann Sebastian Bach4:36
7Messe G-Dur, BWV 236: 1. Kyrie eleison
engineer:
Teije van Geest (engineer/producer)
producer and editor:
Richard Hauck (engineer/producer)
choir vocals:
Gächinger Kantorei Stuttgart (in 1992-01)
orchestra:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1992-01)
conductor:
Helmuth Rilling (conductor) (in 1992-01)
recorded at:
Stadthalle Leonberg in Leonberg, Baden-Württemberg, Germany (in 1992-01)
recording of:
Messe G-Dur, BWV 236: I. Coro "Kyrie eleison" (in 1992-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Messe G-Dur, BWV 236
Johann Sebastian Bach3:15
8Messe G-Dur, BWV 236: 2. Gloria in excelsis Deo
engineer:
Teije van Geest (engineer/producer)
producer and editor:
Richard Hauck (engineer/producer)
choir vocals:
Gächinger Kantorei Stuttgart (in 1992-01)
orchestra:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1992-01)
conductor:
Helmuth Rilling (conductor) (in 1992-01)
recorded at:
Stadthalle Leonberg in Leonberg, Baden-Württemberg, Germany (in 1992-01)
recording of:
Messe G-Dur, BWV 236: II. Coro "Gloria in excelsis Deo" (in 1992-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Messe G-Dur, BWV 236
Johann Sebastian Bach4:41
9Messe G-Dur, BWV 236: 3. Gratias agimus tibi
engineer:
Teije van Geest (engineer/producer)
producer and editor:
Richard Hauck (engineer/producer)
bass vocals:
Michel Brodard (bass-baritone) (in 1992-01)
orchestra:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1992-01)
conductor:
Helmuth Rilling (conductor) (in 1992-01)
recorded at:
Stadthalle Leonberg in Leonberg, Baden-Württemberg, Germany (in 1992-01)
recording of:
Messe G-Dur, BWV 236: III. Aria (Bass) "Gratias agimus tibi" (in 1992-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Messe G-Dur, BWV 236
Johann Sebastian Bach4:45
10Messe G-Dur, BWV 236: 4. Domine Deus
engineer:
Teije van Geest (engineer/producer)
producer and editor:
Richard Hauck (engineer/producer)
alto vocals:
Ingeborg Danz (mezzo soprano) (in 1992-01)
soprano vocals:
Ruth Ziesak (soprano) (in 1992-01)
orchestra:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1992-01)
conductor:
Helmuth Rilling (conductor) (in 1992-01)
recorded at:
Stadthalle Leonberg in Leonberg, Baden-Württemberg, Germany (in 1992-01)
recording of:
Messe G-Dur, BWV 236: IV. Duet (Soprano, Alto) "Domine Deus" (in 1992-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Messe G-Dur, BWV 236
Johann Sebastian Bach4:03
11Messe G-Dur, BWV 236: 5. Quoniam tu solus sanctus
engineer:
Teije van Geest (engineer/producer)
producer and editor:
Richard Hauck (engineer/producer)
tenor vocals:
Christoph Prégardien (tenor) (in 1992-01)
orchestra:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1992-01)
conductor:
Helmuth Rilling (conductor) (in 1992-01)
recorded at:
Stadthalle Leonberg in Leonberg, Baden-Württemberg, Germany (in 1992-01)
recording of:
Messe G-Dur, BWV 236: V. Aria (Tenor) "Quoniam tu solus sanctus" (in 1992-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Messe G-Dur, BWV 236
Johann Sebastian Bach4:16
12Messe G-Dur, BWV 236: 6. Cum Sancto Spiritu
engineer:
Teije van Geest (engineer/producer)
producer and editor:
Richard Hauck (engineer/producer)
choir vocals:
Gächinger Kantorei Stuttgart (in 1992-01)
orchestra:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1992-01)
conductor:
Helmuth Rilling (conductor) (in 1992-01)
recorded at:
Stadthalle Leonberg in Leonberg, Baden-Württemberg, Germany (in 1992-01)
recording of:
Messe G-Dur, BWV 236: VI. Coro "Cum sancto spiritu" (in 1992-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 17 "Wer Dank opfert, der preiset mich": Teil I, I. Coro "Wer Dank opfert, der preiset mich"
part of:
Messe G-Dur, BWV 236
Johann Sebastian Bach3:50