The Studio Albums 1969 – 1978

~ Release by Chicago (see all versions of this release, 1 available)

Annotation

10 × CD, Compilation, Limited Edition, Box Set

Annotation last modified on 2018-03-08 19:21 UTC.

Tracklist

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1▼CD: Chicago Transit Authority
#TitleArtistRatingLength
1Introduction
engineer:
Fred Catero
producer:
James William Guercio
lead vocals:
Terry Kath (member of Chicago) (in 1969-01)
brass arranger:
James Pankow
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
recorded at and mixed at:
Columbia Studios in New York, New York, United States (in 1969-01)
recording of:
Introduction (in 1969-01)
lyricist and composer:
Terry Kath (member of Chicago)
Chicago Transit Authority6:35
2Does Anybody Really Know What Time It Is?
engineer:
Fred Catero
producer:
James William Guercio
lead vocals:
Robert Lamm (in 1969-01)
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
recorded at and mixed at:
Columbia Studios in New York, New York, United States (in 1969-01)
recording of:
Does Anybody Really Know What Time It Is? (in 1969-01)
lyricist and composer:
Robert Lamm (in 1969)
publisher:
Aurelius Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Lamminations Music and Spirit Music Publishing Ltd.
Chicago Transit Authority44:35
3Beginnings
engineer:
Fred Catero
producer:
James William Guercio
lead vocals:
Robert Lamm (in 1969-01)
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
recorded at and mixed at:
Columbia Studios in New York, New York, United States (in 1969-01)
recording of:
Beginnings (in 1969-01)
lyricist and composer:
Robert Lamm (in 1969)
publisher:
Aurelius Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Lamminations Music
Chicago Transit Authority47:51
4Questions 67 & 68
engineer:
Fred Catero
producer:
James William Guercio
lead vocals:
Peter Cetera (in 1969-01) and Robert Lamm (in 1969-01)
brass arranger:
Robert Lamm and James Pankow
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
recorded at and mixed at:
Columbia Studios in New York, New York, United States (in 1969-01)
recording of:
Questions 67 & 68 (in 1969-01)
lyricist and composer:
Robert Lamm
publisher:
Lamminations Music
Chicago Transit Authority4:59
5Listen
engineer:
Fred Catero
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
recorded at and mixed at:
Columbia Studios in New York, New York, United States (in 1969-01)
recording of:
Listen (in 1969-01)
composer:
Robert Lamm
Chicago Transit Authority3:21
6Poem 58
engineer:
Fred Catero
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
recorded at and mixed at:
Columbia Studios in New York, New York, United States (in 1969-01)
recording of:
Poem 58 (in 1969-01)
composer:
Robert Lamm
Chicago Transit Authority8:37
7Free Form Guitar
engineer:
Fred Catero
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
recorded at and mixed at:
Columbia Studios in New York, New York, United States (in 1969-01)
recording of:
Free Form Guitar (in 1969-01)
composer:
Terry Kath (member of Chicago)
Chicago Transit Authority6:50
8South California Purples
engineer:
Fred Catero
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
recorded at and mixed at:
Columbia Studios in New York, New York, United States (in 1969-01)
recording of:
South California Purples (in 1969-01)
lyricist and composer:
Robert Lamm
Chicago Transit Authority6:12
9I’m a Man
engineer:
Fred Catero
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
recorded at and mixed at:
Columbia Studios in New York, New York, United States (in 1969-01)
cover recording of:
I’m a Man (in 1969-01)
writer:
Jimmy Miller (producer for Rolling Stones/Nirvana etc) and Steve Winwood
composer:
Keith Emerson
publisher:
Island Music Ltd., Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Chicago Transit Authority7:43
10Prologue, August 29, 1968
engineer:
Fred Catero
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
recorded at and mixed at:
Columbia Studios in New York, New York, United States (in 1969-01)
recording of:
Prologue, August 29, 1968 (in 1969-01)
composer:
James William Guercio
Chicago Transit Authority0:58
11Someday (August 29, 1968)
engineer:
Fred Catero
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
recorded at and mixed at:
Columbia Studios in New York, New York, United States (in 1969-01)
recording of:
Someday (August 29, 1968) (in 1969-01)
composer:
Robert Lamm and James Pankow
Chicago Transit Authority4:14
12Liberation
engineer:
Fred Catero
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
recorded at and mixed at:
Columbia Studios in New York, New York, United States (in 1969-01)
recording of:
Liberation (in 1969-01)
composer:
James Pankow
Chicago Transit Authority14:39
2▼CD: Chicago
#TitleRatingLength
1Movin’ In
engineer:
Chris Hinshaw, Don Puluse and Brian Ross-Myring
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
recording of:
Movin’ In (in 1969-08)
lyricist and composer:
James Pankow
4:06
2The Road
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
recording of:
The Road (in 1969-08)
lyricist and composer:
Terry Kath (member of Chicago)
3:10
3Poem for the People
engineer:
Chris Hinshaw, Don Puluse and Brian Ross-Myring
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
recording of:
Poem for the People (in 1969-08)
lyricist and composer:
Robert Lamm
5:36
4In the Country
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
recording of:
In the Country (in 1969-08)
lyricist and composer:
Terry Kath (member of Chicago)
6:35
5Wake Up Sunshine
engineer:
Chris Hinshaw, Don Puluse and Brian Ross-Myring
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
recording of:
Wake Up Sunshine (in 1969-08)
lyricist and composer:
Robert Lamm
2:33
6Make Me Smile
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
part of:
Billboard Year-End Hot 100 singles of 1970 (number: 59)
recording of:
Make Me Smile (in 1969-08)
lyricist and composer:
James Pankow (in 1969)
publisher:
Aurelius Music, Big Elk Music, IQ Music Ltd. and Moose Music
part of:
Ballet for a Girl in Buchannon
3:16
7So Much to Say, So Much to Give
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
recording of:
So Much to Say, So Much to Give (in 1969-08)
lyricist and composer:
James Pankow
part of:
Ballet for a Girl in Buchannon
1:12
8Anxiety’s Moment
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
recording of:
Anxiety’s Moment (in 1969-08)
composer:
James Pankow
part of:
Ballet for a Girl in Buchannon
1:01
9West Virginia Fantasies
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
recording of:
West Virginia Fantasies (in 1969-08)
composer:
James Pankow
part of:
Ballet for a Girl in Buchannon
1:34
10Colour My World
engineer:
Chris Hinshaw, Don Puluse and Brian Ross-Myring
producer:
James William Guercio
solo flute:
Walter Parazaider (in 1969-08)
lead vocals:
Terry Kath (member of Chicago) (in 1969-08)
phonographic copyright (℗) by:
Warner Strategic Marketing Inc. (in 1970) and Rhino Entertainment Company (not for release label use!) (in 2002)
recording of:
Colour My World (Chicago song) (in 1969-08)
lyricist:
James Pankow
composer:
James Pankow (in 1969)
publisher:
Aurelius Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), IQ Music Ltd., Moose Music, Spirit Music Publishing Ltd. and Spirit Two Music Inc.
part of:
Ballet for a Girl in Buchannon
23:01
11To Be Free
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
recording of:
To Be Free (in 1969-08)
composer:
James Pankow
part of:
Ballet for a Girl in Buchannon
1:15
12Now More Than Ever
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
recording of:
Now More Than Ever (in 1969-08)
lyricist and composer:
James Pankow
part of:
Ballet for a Girl in Buchannon
1:26
13Fancy Colours
engineer:
Chris Hinshaw, Don Puluse and Brian Ross-Myring
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
recording of:
Fancy Colours (in 1969-08)
lyricist and composer:
Robert Lamm
5:10
1425 or 6 to 4
engineer:
Chris Hinshaw, Don Puluse and Brian Ross-Myring
producer:
James William Guercio
lead vocals:
Peter Cetera (in 1969-08)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1970), Warner Strategic Marketing Inc. (in 1970) and Rhino Entertainment Company (not for release label use!) (in 2002)
part of:
Billboard Year-End Hot 100 singles of 1970 (number: 61)
recording of:
25 or 6 to 4 (in 1969-08)
lyricist and composer:
Robert Lamm (in 1969)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Island Music Ltd., Spirit Music Publishing Ltd., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Aurelius Music (in 1986) and Lamminations Music (in 1986)
4:58
15Prelude
producer:
James William Guercio
orchestrator:
Peter Matz
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
recording of:
Prelude (in 1969-08)
composer:
Terry Kath (member of Chicago) and Peter Matz
part of:
Memories of Love (4‐part suite)
1:10
16A.M. Mourning
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
recording of:
A.M. Mourning (in 1969-08)
composer:
Terry Kath (member of Chicago) and Peter Matz
part of:
Memories of Love (4‐part suite)
2:05
17P.M. Mourning
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
recording of:
P.M. Mourning (in 1969-08)
composer:
Terry Kath (member of Chicago) and Peter Matz
part of:
Memories of Love (4‐part suite)
1:58
18Memories of Love
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
recording of:
Memories of Love (in 1969-08)
lyricist and composer:
Terry Kath (member of Chicago)
part of:
Memories of Love (4‐part suite)
3:59
19It Better End Soon (1st Movement)
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
recording of:
It Better End Soon (1st Movement) (in 1969-08)
lyricist and composer:
Robert Lamm
part of:
It Better End Soon
2:33
20It Better End Soon (2nd Movement)
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
recording of:
It Better End Soon (2nd Movement) (in 1969-08)
composer:
Robert Lamm and Walter Parazaider
part of:
It Better End Soon
3:41
21It Better End Soon (3rd Movement)
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
recording of:
It Better End Soon (3rd Movement) (in 1969-08)
writer:
Terry Kath (member of Chicago) and Robert Lamm
part of:
It Better End Soon
3:19
22It Better End Soon (4th Movement)
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
recording of:
It Better End Soon (4th Movement) (in 1969-08)
lyricist and composer:
Robert Lamm
part of:
It Better End Soon
0:55
23Where Do We Go From Here
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
recording of:
Where Do We Go From Here (in 1969-08)
lyricist and composer:
Peter Cetera
publisher:
Aurelius Music
2:54
24Make Me Smile (single version)
producer:
James William Guercio
lead vocals:
Terry Kath (member of Chicago) (in 1969-08)
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
recording of:
Make Me Smile (in 1969-08)
lyricist and composer:
James Pankow (in 1969)
publisher:
Aurelius Music, Big Elk Music, IQ Music Ltd. and Moose Music
part of:
Ballet for a Girl in Buchannon
3:01
2525 or 6 to 4 (single version)
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
recording of:
25 or 6 to 4 (in 1969-08)
lyricist and composer:
Robert Lamm (in 1969)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Island Music Ltd., Spirit Music Publishing Ltd., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Aurelius Music (in 1986) and Lamminations Music (in 1986)
2:53
3▼CD: Chicago III
#TitleRatingLength
1Sing a Mean Tune Kid
recording engineer:
Willie Greer (in 1970-11) and Lou Waxman (in 1970-11)
engineer:
Donald Puluse and Sy Mitchell
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
recorded at and mixed at:
Columbia Studios in New York, New York, United States (in 1970-11)
recording of:
Sing a Mean Tune Kid (in 1970-11)
writer:
Robert Lamm
9:16
2Loneliness Is Just a Word
recording engineer:
Willie Greer (in 1970-11) and Lou Waxman (in 1970-11)
engineer:
Donald Puluse and Sy Mitchell
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
recorded at and mixed at:
Columbia Studios in New York, New York, United States (in 1970-11)
recording of:
Loneliness Is Just a Word (in 1970-11)
writer:
Robert Lamm
2:38
3What Else Can I Say
recording engineer:
Willie Greer (in 1970-11) and Lou Waxman (in 1970-11)
engineer:
Donald Puluse and Sy Mitchell
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
recorded at and mixed at:
Columbia Studios in New York, New York, United States (in 1970-11)
recording of:
What Else Can I Say (in 1970-11)
writer:
Peter Cetera
3:15
4I Don’t Want Your Money
recording engineer:
Willie Greer (in 1970-11) and Lou Waxman (in 1970-11)
engineer:
Donald Puluse and Sy Mitchell
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
recorded at and mixed at:
Columbia Studios in New York, New York, United States (in 1970-11)
recording of:
I Don’t Want Your Money (in 1970-11)
lyricist:
Robert Lamm
composer:
Terry Kath (member of Chicago)
4:47
5Flight 602
recording engineer:
Willie Greer (in 1970-11) and Lou Waxman (in 1970-11)
engineer:
Donald Puluse and Sy Mitchell
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
recorded at and mixed at:
Columbia Studios in New York, New York, United States (in 1970-11)
recording of:
Flight 602 (in 1970-11)
writer:
Robert Lamm
part of:
Travel Suite
2:45
6Motorboat to Mars
recording engineer:
Willie Greer (in 1970-11) and Lou Waxman (in 1970-11)
engineer:
Donald Puluse and Sy Mitchell
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
recorded at and mixed at:
Columbia Studios in New York, New York, United States (in 1970-11)
recording of:
Motorboat to Mars (in 1970-11)
composer:
Danny Seraphine
part of:
Travel Suite
1:30
7Free
recording engineer:
Willie Greer (in 1970-11) and Lou Waxman (in 1970-11)
engineer:
Donald Puluse and Sy Mitchell
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
recorded at and mixed at:
Columbia Studios in New York, New York, United States (in 1970-11)
recording of:
Free (in 1970-11)
lyricist and composer:
Robert Lamm
publisher:
J.W. Guercio Aurelia Music (Aurelia Music Division), Lamminations Music, Primary Wave Lamm, Spirit Catalogue Holdings, Spirit Two Music Inc., フジパシフィックミュージック (Fujipacific Music, Inc.) and フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division)
part of:
Travel Suite
2:16
8Free Country
recording engineer:
Willie Greer (in 1970-11) and Lou Waxman (in 1970-11)
engineer:
Donald Puluse and Sy Mitchell
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
recorded at and mixed at:
Columbia Studios in New York, New York, United States (in 1970-11)
recording of:
Free Country (in 1970-11)
composer:
Terry Kath (member of Chicago), Robert Lamm and Walter Parazaider
part of:
Travel Suite
5:47
9At the Sunrise
recording engineer:
Willie Greer (in 1970-11) and Lou Waxman (in 1970-11)
engineer:
Donald Puluse and Sy Mitchell
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
recorded at and mixed at:
Columbia Studios in New York, New York, United States (in 1970-11)
recording of:
At the Sunrise (in 1970-11)
writer:
Robert Lamm
part of:
Travel Suite
2:48
10Happy ’Cause I’m Going Home
recording engineer:
Willie Greer (in 1970-11) and Lou Waxman (in 1970-11)
engineer:
Donald Puluse and Sy Mitchell
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
recorded at and mixed at:
Columbia Studios in New York, New York, United States (in 1970-11)
recording of:
Happy Cause I'm Going Home (in 1970-11)
writer:
Robert Lamm
7:29
11Mother
recording engineer:
Willie Greer (in 1970-11) and Lou Waxman (in 1970-11)
engineer:
Donald Puluse and Sy Mitchell
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
recorded at and mixed at:
Columbia Studios in New York, New York, United States (in 1970-11)
recording of:
Mother (in 1970-11)
writer:
Robert Lamm
4:30
12Lowdown
recording engineer:
Willie Greer (in 1970-11) and Lou Waxman (in 1970-11)
engineer:
Donald Puluse and Sy Mitchell
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
recorded at and mixed at:
Columbia Studios in New York, New York, United States (in 1970-11)
recording of:
Lowdown (in 1970-11)
lyricist:
Peter Cetera and Danny Seraphine
composer:
Peter Cetera
publisher:
Balloon Head Music, J.W. Guercio Aurelia Music (Aurelia Music Division), Spirit Two Music Crescendo and Universal Music–MGB Songs
3:37
13A Hard Risin’ Morning Without Breakfast
recording engineer:
Willie Greer (in 1970-11) and Lou Waxman (in 1970-11)
engineer:
Donald Puluse and Sy Mitchell
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
recorded at and mixed at:
Columbia Studios in New York, New York, United States (in 1970-11)
recording of:
A Hard Risin' Morning Without Breakfast (in 1970-11)
writer:
Terry Kath (member of Chicago)
part of:
An Hour in the Shower
1:52
14Off to Work
recording engineer:
Willie Greer (in 1970-11) and Lou Waxman (in 1970-11)
engineer:
Donald Puluse and Sy Mitchell
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
recorded at and mixed at:
Columbia Studios in New York, New York, United States (in 1970-11)
recording of:
Off to Work (in 1970-11)
writer:
Terry Kath (member of Chicago)
part of:
An Hour in the Shower
0:46
15Fallin’ Out
recording engineer:
Willie Greer (in 1970-11) and Lou Waxman (in 1970-11)
engineer:
Donald Puluse and Sy Mitchell
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
recorded at and mixed at:
Columbia Studios in New York, New York, United States (in 1970-11)
recording of:
Fallin’ Out (in 1970-11)
composer:
Terry Kath (member of Chicago) and Denny Lile
publisher:
Shake Russell Music
part of:
An Hour in the Shower
0:53
16Dreamin’ Home
recording engineer:
Willie Greer (in 1970-11) and Lou Waxman (in 1970-11)
engineer:
Donald Puluse and Sy Mitchell
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
recorded at and mixed at:
Columbia Studios in New York, New York, United States (in 1970-11)
recording of:
Dreamin’ Home (in 1970-11)
writer:
Terry Kath (member of Chicago)
part of:
An Hour in the Shower
0:49
17Morning Blues Again
recording engineer:
Willie Greer (in 1970-11) and Lou Waxman (in 1970-11)
engineer:
Donald Puluse and Sy Mitchell
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
recorded at and mixed at:
Columbia Studios in New York, New York, United States (in 1970-11)
recording of:
Morning Blues Again (in 1970-11)
writer:
Terry Kath (member of Chicago)
part of:
An Hour in the Shower
1:10
18When All the Laughter Dies in Sorrow
recording engineer:
Willie Greer (in 1970-11) and Lou Waxman (in 1970-11)
engineer:
Donald Puluse and Sy Mitchell
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
recorded at and mixed at:
Columbia Studios in New York, New York, United States (in 1970-11)
recording of:
When All the Laughter Dies in Sorrow (in 1970-11)
writer:
Kendrew Lascelles
part of:
Elegy (Chicago)
1:05
19Canon
recording engineer:
Willie Greer (in 1970-11) and Lou Waxman (in 1970-11)
engineer:
Donald Puluse and Sy Mitchell
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
recorded at and mixed at:
Columbia Studios in New York, New York, United States (in 1970-11)
recording of:
Canon (in 1970-11)
composer:
James Pankow
part of:
Elegy (Chicago)
1:05
20Once Upon a Time…
recording engineer:
Willie Greer (in 1970-11) and Lou Waxman (in 1970-11)
engineer:
Donald Puluse and Sy Mitchell
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
recorded at and mixed at:
Columbia Studios in New York, New York, United States (in 1970-11)
recording of:
Once Upon a Time… (in 1970-11)
composer:
James Pankow
part of:
Elegy (Chicago)
2:35
21Progress?
recording engineer:
Willie Greer (in 1970-11) and Lou Waxman (in 1970-11)
engineer:
Donald Puluse and Sy Mitchell
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
recorded at and mixed at:
Columbia Studios in New York, New York, United States (in 1970-11)
recording of:
Progress? (in 1970-11)
composer:
James William Guercio and James Pankow
part of:
Elegy (Chicago)
2:35
22The Approaching Storm
recording engineer:
Willie Greer (in 1970-11) and Lou Waxman (in 1970-11)
engineer:
Donald Puluse and Sy Mitchell
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
recorded at and mixed at:
Columbia Studios in New York, New York, United States (in 1970-11)
recording of:
The Approaching Storm (in 1970-11)
composer:
James Pankow
part of:
Elegy (Chicago)
6:26
23Man vs. Man: The End
recording engineer:
Willie Greer (in 1970-11) and Lou Waxman (in 1970-11)
engineer:
Donald Puluse and Sy Mitchell
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
recorded at and mixed at:
Columbia Studios in New York, New York, United States (in 1970-11)
recording of:
Man vs. Man: The End (in 1970-11)
composer:
James Pankow
part of:
Elegy (Chicago)
1:34
4▼CD: Chicago V
#TitleRatingLength
1A Hit by Varèse
engineer:
Wayne Tarnowski
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
recorded at and mixed at:
Columbia Studios in New York, New York, United States (from 1971-09-20 until 1971-09-29)
recording of:
A Hit by Varèse (from 1971-09-20 until 1971-09-29)
lyricist and composer:
Robert Lamm
4:56
2All Is Well
engineer:
Wayne Tarnowski
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
recorded at and mixed at:
Columbia Studios in New York, New York, United States (from 1971-09-20 until 1971-09-29)
recording of:
All Is Well (from 1971-09-20 until 1971-09-29)
lyricist and composer:
Robert Lamm
3:52
3Now That You’ve Gone
engineer:
Wayne Tarnowski
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
recorded at and mixed at:
Columbia Studios in New York, New York, United States (from 1971-09-20 until 1971-09-29)
recording of:
Now That You’ve Gone (from 1971-09-20 until 1971-09-29)
lyricist and composer:
James Pankow
publisher:
Big Elk Music
5:05
4Dialogue, Part I
engineer:
Wayne Tarnowski
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
recorded at and mixed at:
Columbia Studios in New York, New York, United States (from 1971-09-20 until 1971-09-29)
partial recording of:
Dialogue (from 1971-09-20 until 1971-09-29)
lyricist and composer:
Robert Lamm
publisher:
Big Elk Music and Lamminations Music
2:57
5Dialogue, Part II
engineer:
Wayne Tarnowski
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
recorded at and mixed at:
Columbia Studios in New York, New York, United States (from 1971-09-20 until 1971-09-29)
partial recording of:
Dialogue (from 1971-09-20 until 1971-09-29)
lyricist and composer:
Robert Lamm
publisher:
Big Elk Music and Lamminations Music
recording of:
Dialogue
lyricist and composer:
Robert Lamm
publisher:
Big Elk Music and Lamminations Music
34:13
6While the City Sleeps
engineer:
Wayne Tarnowski
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
recorded at and mixed at:
Columbia Studios in New York, New York, United States (from 1971-09-20 until 1971-09-29)
recording of:
While the City Sleeps (from 1971-09-20 until 1971-09-29)
lyricist and composer:
Robert Lamm
3:56
7Saturday in the Park
engineer:
Wayne Tarnowski
producer:
James William Guercio
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1972) and Rhino Entertainment Company (not for release label use!) (in 2002)
recorded at and mixed at:
Columbia Studios in New York, New York, United States (from 1971-09-20 until 1971-09-29)
part of:
Paste: The 25 Greatest Yacht Rock Songs of All Time (number: 9)
recording of:
Saturday in the Park (from 1971-09-20 until 1971-09-29)
lyricist and composer:
Robert Lamm (in 1971)
publisher:
Big Elk Music, Lamminations Music, Spirit Music Publishing Ltd. and Warner Chappell North America Ltd.
44:01
8State of the Union
engineer:
Wayne Tarnowski
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
recorded at and mixed at:
Columbia Studios in New York, New York, United States (from 1971-09-20 until 1971-09-29)
recording of:
State of the Union (from 1971-09-20 until 1971-09-29)
lyricist and composer:
Robert Lamm
6:15
9Goodbye
engineer:
Wayne Tarnowski
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
recorded at and mixed at:
Columbia Studios in New York, New York, United States (from 1971-09-20 until 1971-09-29)
recording of:
Goodbye (from 1971-09-20 until 1971-09-29)
lyricist and composer:
Robert Lamm
6:05
10Alma Mater
engineer:
Wayne Tarnowski
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
recorded at and mixed at:
Columbia Studios in New York, New York, United States (from 1971-09-20 until 1971-09-29)
recording of:
Alma Mater (from 1971-09-20 until 1971-09-29)
lyricist and composer:
Terry Kath (member of Chicago)
publisher:
Big Elk Music
4:01
11A Song for Richard and His Friends (studio version, without vocals)
engineer:
Wayne Tarnowski
producer:
James William Guercio
mixer:
David Donnelly and Jeff Magid
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
recorded at:
Columbia Studios in New York, New York, United States (on 1971-09-23)
mixed at:
DNA Mastering (Studio City) in Studio City, Los Angeles, California, United States
instrumental recording of:
A Song for Richard and His Friends (on 1971-09-23)
lyricist and composer:
Robert Lamm
8:14
12Mississippi Delta City Blues (first recorded version, with scratch vocal)
producer:
James William Guercio
mixer:
David Donnelly and Jeff Magid
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
mixed at:
DNA Mastering (Studio City) in Studio City, Los Angeles, California, United States
recording of:
Mississippi Delta City Blues (on 1972-05-10)
lyricist and composer:
Terry Kath (member of Chicago)
5:28
13Dialogue, Parts I & II (single version)
engineer:
Wayne Tarnowski
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
recorded at and mixed at:
Columbia Studios in New York, New York, United States (from 1971-09-20 until 1971-09-29)
recording of:
Dialogue (from 1971-09-20 until 1971-09-29)
lyricist and composer:
Robert Lamm
publisher:
Big Elk Music and Lamminations Music
5:00
5▼CD: Chicago VI
#TitleArtistRatingLength
1Critics’ Choice
assistant recording engineer:
Jeff Guercio (in 1973-02)
recording engineer:
Wayne Tarnowski (in 1973-02)
producer:
James William Guercio
assistant mixer:
Richard Blakin (in 1973-02)
mixer:
Phil Ramone (in 1973-02)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1973), Rhino Entertainment Company (not for release label use!) (in 2002) and Warner Strategic Marketing Belgium (for copyrights use only) (in 2004)
recorded at and mixed at:
Caribou Ranch Recording Studio in Nederland, Colorado, United States (in 1973-02)
recording of:
Critics’ Choice (in 1973-02)
writer:
Robert Lamm
publisher:
Big Elk Music (in 1973)
Chicago2:49
2Just You ’n’ Me
assistant recording engineer:
Jeff Guercio (in 1973-02)
recording engineer:
Wayne Tarnowski (in 1973-02)
producer:
James William Guercio
assistant mixer:
Richard Blakin (in 1973-02)
mixer:
Phil Ramone (in 1973-02)
lead vocals:
Peter Cetera (in 1973-02)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1973), Rhino Entertainment Company (not for release label use!) (in 1973, in 2002) and Warner Strategic Marketing Belgium (for copyrights use only) (in 2004)
recorded at and mixed at:
Caribou Ranch Recording Studio in Nederland, Colorado, United States (in 1973-02)
recording of:
Just You ’n’ Me (in 1973-02)
lyricist:
James Pankow
composer:
James Pankow (in 1973)
publisher:
Moose Music and Big Elk Music (in 1973)
Chicago3:45
3Darlin’ Dear
assistant recording engineer:
Jeff Guercio (in 1973-02)
recording engineer:
Wayne Tarnowski (in 1973-02)
producer:
James William Guercio
assistant mixer:
Richard Blakin (in 1973-02)
mixer:
Phil Ramone (in 1973-02)
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002) and Warner Strategic Marketing Belgium (for copyrights use only) (in 2004)
recorded at and mixed at:
Caribou Ranch Recording Studio in Nederland, Colorado, United States (in 1973-02)
recording of:
Darlin’ Dear (in 1973-02)
writer:
Robert Lamm
publisher:
Big Elk Music (in 1973)
Chicago3:00
4Jenny
assistant recording engineer:
Jeff Guercio (in 1973-02)
recording engineer:
Wayne Tarnowski (in 1973-02)
producer:
James William Guercio
assistant mixer:
Richard Blakin (in 1973-02)
mixer:
Phil Ramone (in 1973-02)
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002) and Warner Strategic Marketing Belgium (for copyrights use only) (in 2004)
recorded at and mixed at:
Caribou Ranch Recording Studio in Nederland, Colorado, United States (in 1973-02)
recording of:
Jenny (in 1973-02)
writer:
Terry Kath (member of Chicago)
publisher:
Big Elk Music (in 1973)
Chicago3:33
5What’s This World Comin’ To
assistant recording engineer:
Jeff Guercio (in 1973-02)
recording engineer:
Wayne Tarnowski (in 1973-02)
producer:
James William Guercio
assistant mixer:
Richard Blakin (in 1973-02)
mixer:
Phil Ramone (in 1973-02)
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002) and Warner Strategic Marketing Belgium (for copyrights use only) (in 2004)
recorded at and mixed at:
Caribou Ranch Recording Studio in Nederland, Colorado, United States (in 1973-02)
recording of:
What’s This World Comin’ To (in 1973-02)
writer:
James Pankow
publisher:
Big Elk Music (in 1973)
Chicago5:00
6Something in This City Changes People
assistant recording engineer:
Jeff Guercio (in 1973-02)
recording engineer:
Wayne Tarnowski (in 1973-02)
producer:
James William Guercio
assistant mixer:
Richard Blakin (in 1973-02)
mixer:
Phil Ramone (in 1973-02)
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002) and Warner Strategic Marketing Belgium (for copyrights use only) (in 2004)
recorded at and mixed at:
Caribou Ranch Recording Studio in Nederland, Colorado, United States (in 1973-02)
recording of:
Something in This City Changes People (in 1973-02)
writer:
Robert Lamm
publisher:
Big Elk Music (in 1973)
Chicago3:42
7Hollywood
assistant recording engineer:
Jeff Guercio (in 1973-02)
recording engineer:
Wayne Tarnowski (in 1973-02)
producer:
James William Guercio
assistant mixer:
Richard Blakin (in 1973-02)
mixer:
Phil Ramone (in 1973-02)
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002) and Warner Strategic Marketing Belgium (for copyrights use only) (in 2004)
recorded at and mixed at:
Caribou Ranch Recording Studio in Nederland, Colorado, United States (in 1973-02)
recording of:
Hollywood (in 1973-02)
writer:
Robert Lamm
publisher:
Big Elk Music (in 1973)
Chicago3:54
8In Terms of Two
assistant recording engineer:
Jeff Guercio (in 1973-02)
recording engineer:
Wayne Tarnowski (in 1973-02)
producer:
James William Guercio
assistant mixer:
Richard Blakin (in 1973-02)
mixer:
Phil Ramone (in 1973-02)
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002) and Warner Strategic Marketing Belgium (for copyrights use only) (in 2004)
recorded at and mixed at:
Caribou Ranch Recording Studio in Nederland, Colorado, United States (in 1973-02)
recording of:
In Terms of Two (in 1973-02)
writer:
Peter Cetera
publisher:
Big Elk Music (in 1973)
Chicago3:31
9Rediscovery
assistant recording engineer:
Jeff Guercio (in 1973-02)
recording engineer:
Wayne Tarnowski (in 1973-02)
producer:
James William Guercio
assistant mixer:
Richard Blakin (in 1973-02)
mixer:
Phil Ramone (in 1973-02)
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002) and Warner Strategic Marketing Belgium (for copyrights use only) (in 2004)
recorded at and mixed at:
Caribou Ranch Recording Studio in Nederland, Colorado, United States (in 1973-02)
recording of:
Rediscovery (in 1973-02)
writer:
Robert Lamm
publisher:
Big Elk Music (in 1973)
Chicago4:50
10Feelin’ Stronger Every Day
assistant recording engineer:
Jeff Guercio (in 1973-02)
recording engineer:
Wayne Tarnowski (in 1973-02)
producer:
James William Guercio
assistant mixer:
Richard Blakin (in 1973-02)
mixer:
Phil Ramone (in 1973-02)
lead vocals:
Peter Cetera
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1973), Warner Strategic Marketing Inc. (in 1973), Rhino Entertainment Company (not for release label use!) (in 2002) and Warner Strategic Marketing Belgium (for copyrights use only) (in 2004)
recorded at and mixed at:
Caribou Ranch Recording Studio in Nederland, Colorado, United States (in 1973-02)
recording of:
Feelin’ Stronger Every Day (in 1973-02)
writer:
Peter Cetera (in 1973) and James Pankow (in 1973)
publisher:
BMG Songs, Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Don Williams Music Group, Moose Music, Universal Music Publishing MGB Ltd. and Big Elk Music (in 1973)
Chicago4:21
11Beyond All Our Sorrows (Terry Kath demo)
mixer:
David Donnelly and Jeff Magid
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002) and Warner Strategic Marketing Belgium (for copyrights use only) (in 2004)
mixed at:
DNA Mastering (Studio City) in Studio City, Los Angeles, California, United States
recording of:
Beyond All Our Sorrows (in 1973-05)
writer:
Terry Kath (member of Chicago)
Chicago7:02
12Tired of Being Alone
mixer:
David Donnelly and Jeff Magid
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002) and Warner Strategic Marketing Belgium (for copyrights use only) (in 2004)
mixed at:
DNA Mastering (Studio City) in Studio City, Los Angeles, California, United States
recording of:
Tired of Being Alone (on 1973-06-27)
lyricist and composer:
Al Green (US soul singer, songwriter, pastor and record producer)
publisher:
Burlington Music Ltd., Irving Music, Inc. and Universal Music Publishing Group
Chicago with Al Green4:07
6▶CD: Chicago VII
7▶CD: Chicago VIII
8▶CD: Chicago X
9▶CD: Chicago XI
10▶CD: Hot Streets

Credits

Release

manufactured in:Europe
copyrighted (©) by:Rhino Entertainment Company (not for release label use!) (in 2002, in 2012)
phonographic copyright (℗) by:Rhino Entertainment Company (not for release label use!) (in 2012)
marketed by:Rhino Entertainment Company (not for release label use!)
Discogs:https://www.discogs.com/release/8047259 [info]