Complete Decca Recordings

~ Release by Jorge Bolet (see all versions of this release, 1 available)

Tracklist

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1▼CD: CHOPIN/GODOWSKY Transcriptions
#	Title	Artist	Rating	Length
1	Studies on Chopin's Études no. 1 in C (diatonic) after op. 10 no.1: 1st version piano: Jorge Bolet (Cuban‐born American virtuoso pianist and teacher, 1914–1990) recording of: Étude no. 1, op. 10 no. 1 (1st version) C major composer: Leopold Godowsky (pianist and composer) (from 1894 until 1914) is based on: Étude in C major, op. 10 no. 1: Allegro part of: Studies on Chopin’s Études	Leopold Godowsky		2:33
2	Studies on Chopin's Études no. 5 in D-flat after op. 10 no.3 (for left hand alone) piano: Jorge Bolet (Cuban‐born American virtuoso pianist and teacher, 1914–1990) recording of: Étude no. 5, op. 10 no. 3 D‐flat major (left hand) composer: Leopold Godowsky (pianist and composer) (from 1894 until 1914) is based on: Étude in E major, op. 10 no. 3: Lento ma non troppo part of: Studies on Chopin’s Études	Leopold Godowsky		6:02
3	Studies on Chopin's Études no. 7 in G-flat after op. 10 no. 5: 1st version (on black keys) piano: Jorge Bolet (Cuban‐born American virtuoso pianist and teacher, 1914–1990) recording of: Étude no. 14, op. 10 no. 7 (1st version) C major: “Toccata” composer: Leopold Godowsky (pianist and composer) (from 1894 until 1914) is based on: Étude in C major, op. 10 no. 7: Vivace part of: Studies on Chopin’s Études	Leopold Godowsky		2:09
4	Studies on Chopin's Études no. 12 in G-flat after op. 10 no. 5: 6th version (inversion for right hand, black keys) piano: Jorge Bolet (Cuban‐born American virtuoso pianist and teacher, 1914–1990) recording of: Étude no. 12, op. 10 no. 5 (6th version) G-flat major composer: Leopold Godowsky (pianist and composer) (from 1894 until 1914) is based on: Étude in G‐flat major, op. 10 no. 5 “Black Keys”: Vivace part of: Studies on Chopin’s Études	Leopold Godowsky		2:12
5	Studies on Chopin's Études no. 13 in E-flat minor after op. 10 no. 6 (for left hand alone) piano: Jorge Bolet (Cuban‐born American virtuoso pianist and teacher, 1914–1990) recording of: Étude no. 13, op. 10 no. 6 E-flat minor (left hand) composer: Leopold Godowsky (pianist and composer) (from 1894 until 1914) is based on: Étude in E‐flat minor, op. 10 no. 6: Andante, con molto espressione part of: Studies on Chopin’s Études	Leopold Godowsky		4:11
6	Studies on Chopin's Études no. 15 in G-flat after op. 10 no. 7: 2nd version (Nocturne) piano: Jorge Bolet (Cuban‐born American virtuoso pianist and teacher, 1914–1990) recording of: Étude no. 15, op. 10 no. 7 (2nd version) G‐flat major: “Nocturne” composer: Leopold Godowsky (pianist and composer) (from 1894 until 1914) is based on: Étude in C major, op. 10 no. 7: Vivace part of: Studies on Chopin’s Études	Leopold Godowsky		4:19
7	Studies on Chopin's Études no. 25 in A-flat after op. 25 no. 1: 3rd version piano: Jorge Bolet (Cuban‐born American virtuoso pianist and teacher, 1914–1990) recording of: Étude no. 25, op. 25 no. 1 (3rd version) A-flat major composer: Leopold Godowsky (pianist and composer) (from 1894 until 1914) is based on: Étude in A‐flat major, op. 25 no. 1 “Aeolian Harp”: Allegro sostenuto part of: Studies on Chopin’s Études	Leopold Godowsky		3:30
8	Studies on Chopin's Études no. 44 in F minor after KK IIb/3 (3 Nouvelles Études) no.1 (for left hand alone) piano: Jorge Bolet (Cuban‐born American virtuoso pianist and teacher, 1914–1990) recording of: Étude No. 44 - Méth. M-F No. 1 F minor (left hand) composer: Leopold Godowsky (pianist and composer) (from 1894 until 1914) is based on: Trois nouvelles études for Piano no. 1 in F minor, B. 130 no. 1: Andantino part of: Studies on Chopin’s Études	Leopold Godowsky		2:58
9	Waltz in D flat op. 64 no. 1 piano: Jorge Bolet (Cuban‐born American virtuoso pianist and teacher, 1914–1990) recording of: Waltz no. 6 in D‐flat major, op. 64 no. 1 “Minute Waltz” (arr. Godowsky) composer: Fryderyk Chopin (Frédéric Chopin, composer) piano arranger: Leopold Godowsky (pianist and composer) arrangement of: Waltz no. 6 in D‐flat major, op. 64 no. 1 “Minute Waltz”	Frédéric Chopin, arr. Leopold Godowsky		2:34
10	Waltz in A flat op. 64 no. 3 piano: Jorge Bolet (Cuban‐born American virtuoso pianist and teacher, 1914–1990) recording of: Waltz no. 8 in A‐flat major, op. 64 no. 3 (arr. Godowsky) composer: Fryderyk Chopin (Frédéric Chopin, composer) arranger: Leopold Godowsky (pianist and composer) arrangement of: Waltz no. 8 in A‐flat major, op. 64 no. 3	Frédéric Chopin, arr. Leopold Godowsky		3:30
11	Waltz in A flat op. 69 no. 1 piano: Jorge Bolet (Cuban‐born American virtuoso pianist and teacher, 1914–1990) recording of: Waltz no. 9 in A‐flat major, op. 69 no. 1 (arr. Godowsky) composer: Fryderyk Chopin (Frédéric Chopin, composer) piano arranger: Leopold Godowsky (pianist and composer) arrangement of: Waltz no. 9 in A‐flat major, op. 69 no. 1	Frédéric Chopin, arr. Leopold Godowsky		5:53
12	Waltz in F minor op. 70 no. 2 piano: Jorge Bolet (Cuban‐born American virtuoso pianist and teacher, 1914–1990) recording of: Waltz no. 12 in F minor, op. 70 no. 2 (arr. Godowsky) composer: Fryderyk Chopin (Frédéric Chopin, composer) piano arranger: Leopold Godowsky (pianist and composer) arrangement of: Waltz no. 12 in F minor, op. 70 no. 2	Frédéric Chopin, arr. Leopold Godowsky		3:54
13	Waltz in D flat op. 70 no. 3 piano: Jorge Bolet (Cuban‐born American virtuoso pianist and teacher, 1914–1990) recording of: Waltz no. 13 in D‐flat major, op. 70 no. 3 (arr. Godowsky) composer: Fryderyk Chopin (Frédéric Chopin, composer) piano arranger: Leopold Godowsky (pianist and composer) arrangement of: Waltz no. 13 in D‐flat major, op. 70 no. 3	Frédéric Chopin, arr. Leopold Godowsky		3:38
14	Concert-Paraphrase after Frédéric Chopin's Grande Valse brillante, op. 18 piano: Jorge Bolet (Cuban‐born American virtuoso pianist and teacher, 1914–1990) recording of: Waltz no. 1 in E‐flat major, op. 18 “Grande valse brillante” (arr. Godowsky) composer: Fryderyk Chopin (Frédéric Chopin, composer) piano arranger: Leopold Godowsky (pianist and composer) arrangement of: Waltz no. 1 in E‐flat major, op. 18 “Grande Valse brillante”	Leopold Godowsky		4:29

2▼CD: LISZT: Two Concert Studies, S. 145; Three Concert Studies, S. 144; Six Consolations, S. 172; Réminiscences de Don Juan — Mozart, S. 418
#	Title	Artist	Rating	Length
1	2 Konzertetüden S. 145: I. Waldesrauschen piano: Jorge Bolet (Cuban‐born American virtuoso pianist and teacher, 1914–1990) recording of: Zwei Konzertetüden, S. 145, Nr. 1: Waldesrauschen composer: Franz Liszt (Hungarian composer, pianist and conductor) (from 1862 until 1863) part of: Zwei Konzertetüden, S. 145	Franz Liszt		4:01
2	2 Konzertetüden S. 145: II. Gnomenreigen piano: Jorge Bolet (Cuban‐born American virtuoso pianist and teacher, 1914–1990) recording of: Zwei Konzertetüden, S. 145, Nr. 2: Gnomenreigen composer: Franz Liszt (Hungarian composer, pianist and conductor) (from 1862 until 1863) part of: Zwei Konzertetüden, S. 145	Franz Liszt		3:11
3	3 Études de concert S. 144: I. Il lamento piano: Jorge Bolet (Cuban‐born American virtuoso pianist and teacher, 1914–1990) recording of: Trois études de concert, S. 144: I. "Il lamento" in A-flat minor composer: Franz Liszt (Hungarian composer, pianist and conductor) part of: Trois études de concert, S. 144	Franz Liszt		10:24
4	3 Études de concert S. 144: II. La leggierezza piano: Jorge Bolet (Cuban‐born American virtuoso pianist and teacher, 1914–1990) recording of: Trois études de concert, S. 144: II. "La leggierezza" in F minor composer: Franz Liszt (Hungarian composer, pianist and conductor) part of: Trois études de concert, S. 144	Franz Liszt		5:00
5	3 Études de concert S. 144: III. Un sospiro piano: Jorge Bolet (Cuban‐born American virtuoso pianist and teacher, 1914–1990) recording of: Trois études de concert, S. 144: III. "Un sospiro" in D-flat major composer: Franz Liszt (Hungarian composer, pianist and conductor) part of: Trois études de concert, S. 144	Franz Liszt		5:35
6	Consolations S. 172 no. 1: Andante con moto piano: Jorge Bolet (Cuban‐born American virtuoso pianist and teacher, 1914–1990) recording of: Consolation in E major, S. 172 no. 1: Andante con moto composer: Franz Liszt (Hungarian composer, pianist and conductor) part of: Consolations, S. 172 revision of: Consolation in E major, S. 171a no. 1: Andante con moto (first, less common version)	Franz Liszt		1:28
7	Consolations S. 172 no. 2: Un poco più mosso piano: Jorge Bolet (Cuban‐born American virtuoso pianist and teacher, 1914–1990) recording of: Consolation in E major, S. 172 no. 2: Un poco più mosso composer: Franz Liszt (Hungarian composer, pianist and conductor) part of: Consolations, S. 172 revision of: Consolation in E major, S. 171a no. 2: Un poco più mosso (first, less common version)	Franz Liszt		3:20
8	Consolations S. 172 no. 3: Lento placido piano: Jorge Bolet (Cuban‐born American virtuoso pianist and teacher, 1914–1990) recording of: Consolation in D‐flat major, S. 172 no. 3: Lento placido composer: Franz Liszt (Hungarian composer, pianist and conductor) part of: Consolations, S. 172	Franz Liszt		3:48
9	Consolations S. 172 no. 4: Quasi adagio piano: Jorge Bolet (Cuban‐born American virtuoso pianist and teacher, 1914–1990) recording of: Consolation in D‐flat major, S. 172 no. 4: Quasi adagio composer: Franz Liszt (Hungarian composer, pianist and conductor) part of: Consolations, S. 172 revision of: Consolation in D‐flat major, S. 171a no. 4: Quasi adagio (first, less common version)	Franz Liszt		3:12
10	Consolations S. 172 no. 5: Andantino piano: Jorge Bolet (Cuban‐born American virtuoso pianist and teacher, 1914–1990) recording of: Consolation in E major, S. 172 no. 5: Andantino composer: Franz Liszt (Hungarian composer, pianist and conductor) part of: Consolations, S. 172 revision of: Consolation in E major, S. 171a no. 5: Andantino (first, less common version)	Franz Liszt		2:54
11	Consolations S. 172 no. 6: Allegretto sempre cantabile piano: Jorge Bolet (Cuban‐born American virtuoso pianist and teacher, 1914–1990) recording of: Consolation in E major, S. 172 no. 6: Allegretto sempre cantabile composer: Franz Liszt (Hungarian composer, pianist and conductor) part of: Consolations, S. 172 revision of: Consolation in E major, S. 171a no. 6: Allegretto (first, less common version)	Franz Liszt		3:25
12	Réminiscences de Don Juan S. 418 piano: Jorge Bolet (Cuban‐born American virtuoso pianist and teacher, 1914–1990) (in 1978-02, in 1978-12) phonographic copyright (℗) by: Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1979) recorded at: Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-12) recording of: Réminiscences de Don Juan, S. 418 (for piano solo) (in 1978-02) composer: Franz Liszt (Hungarian composer, pianist and conductor) (in 1841) dedicated to: King Christian VIII of Denmark part of: The Music of Liszt (number: S. 418) is based on: Don Giovanni: Atto I. No. 7 Duettino “Là ci darem la mano” (Don Giovanni, Zerlina) is based on: Il dissoluto punito, ossia il Don Giovanni, K. 527 recording of: Réminiscences de Don Juan, S. 418 (for piano solo) (in 1978-12) composer: Franz Liszt (Hungarian composer, pianist and conductor) (in 1841) dedicated to: King Christian VIII of Denmark part of: The Music of Liszt (number: S. 418) is based on: Don Giovanni: Atto I. No. 7 Duettino “Là ci darem la mano” (Don Giovanni, Zerlina) is based on: Il dissoluto punito, ossia il Don Giovanni, K. 527	Franz Liszt		19:01

3▼CD: BRAHMS: Variations on a theme by Handel, op. 24; REGER: Variations and Fugue on a Theme by Telemann, op. 134
#	Title	Artist	Rating	Length
1	Variations & Fugue on a Theme by Handel op. 24: Aria piano: Jorge Bolet (Cuban‐born American virtuoso pianist and teacher, 1914–1990) recording of: Variations and Fugue on a Theme by Handel, op. 24: Aria composer: Johannes Brahms (German composer) (in 1861) part of: Variations and Fugue on a Theme by Handel, op. 24	Johannes Brahms		1:02
2	Variations & Fugue on a Theme by Handel op. 24: Var. 1 piano: Jorge Bolet (Cuban‐born American virtuoso pianist and teacher, 1914–1990) recording of: Variations and Fugue on a Theme by Handel, op. 24: Variation I composer: Johannes Brahms (German composer) (in 1861) part of: Variations and Fugue on a Theme by Handel, op. 24	Johannes Brahms		0:53
3	Variations & Fugue on a Theme by Handel op. 24: Var. 2: Animato piano: Jorge Bolet (Cuban‐born American virtuoso pianist and teacher, 1914–1990) recording of: Variations and Fugue on a Theme by Handel, op. 24: Variation II composer: Johannes Brahms (German composer) (in 1861) part of: Variations and Fugue on a Theme by Handel, op. 24	Johannes Brahms		0:43
4	Variations & Fugue on a Theme by Handel op. 24: Var. 3: Dolce piano: Jorge Bolet (Cuban‐born American virtuoso pianist and teacher, 1914–1990) recording of: Variations and Fugue on a Theme by Handel, op. 24: Variation III composer: Johannes Brahms (German composer) (in 1861) part of: Variations and Fugue on a Theme by Handel, op. 24	Johannes Brahms		0:50
5	Variations & Fugue on a Theme by Handel op. 24: Var. 4: Risoluto piano: Jorge Bolet (Cuban‐born American virtuoso pianist and teacher, 1914–1990) recording of: Variations and Fugue on a Theme by Handel, op. 24: Variation IV: Risoluto composer: Johannes Brahms (German composer) (in 1861) part of: Variations and Fugue on a Theme by Handel, op. 24	Johannes Brahms		0:53
6	Variations & Fugue on a Theme by Handel op. 24: Var. 5: Espressivo piano: Jorge Bolet (Cuban‐born American virtuoso pianist and teacher, 1914–1990) recording of: Variations and Fugue on a Theme by Handel, op. 24: Variation V: Espressivo composer: Johannes Brahms (German composer) (in 1861) part of: Variations and Fugue on a Theme by Handel, op. 24	Johannes Brahms		1:08
7	Variations & Fugue on a Theme by Handel op. 24: Var. 6 piano: Jorge Bolet (Cuban‐born American virtuoso pianist and teacher, 1914–1990) recording of: Variations and Fugue on a Theme by Handel, op. 24: Variation VI composer: Johannes Brahms (German composer) (in 1861) part of: Variations and Fugue on a Theme by Handel, op. 24	Johannes Brahms		1:01
8	Variations & Fugue on a Theme by Handel op. 24: Var. 7: Con vivacità piano: Jorge Bolet (Cuban‐born American virtuoso pianist and teacher, 1914–1990) recording of: Variations and Fugue on a Theme by Handel, op. 24: Variation VII: Con vivacità composer: Johannes Brahms (German composer) (in 1861) part of: Variations and Fugue on a Theme by Handel, op. 24	Johannes Brahms		0:36
9	Variations & Fugue on a Theme by Handel op. 24: Var. 8 piano: Jorge Bolet (Cuban‐born American virtuoso pianist and teacher, 1914–1990) recording of: Variations and Fugue on a Theme by Handel, op. 24: Variation VIII composer: Johannes Brahms (German composer) (in 1861) part of: Variations and Fugue on a Theme by Handel, op. 24	Johannes Brahms		0:36
10	Variations & Fugue on a Theme by Handel op. 24: Var. 9: Poco sostenuto piano: Jorge Bolet (Cuban‐born American virtuoso pianist and teacher, 1914–1990) recording of: Variations and Fugue on a Theme by Handel, op. 24: Variation IX: Poco sostenuto composer: Johannes Brahms (German composer) (in 1861) part of: Variations and Fugue on a Theme by Handel, op. 24	Johannes Brahms		1:25
11	Variations & Fugue on a Theme by Handel op. 24: Var. 10: Energico piano: Jorge Bolet (Cuban‐born American virtuoso pianist and teacher, 1914–1990) recording of: Variations and Fugue on a Theme by Handel, op. 24: Variation X composer: Johannes Brahms (German composer) (in 1861) part of: Variations and Fugue on a Theme by Handel, op. 24	Johannes Brahms		0:38
12	Variations & Fugue on a Theme by Handel op. 24: Var. 11: Dolce piano: Jorge Bolet (Cuban‐born American virtuoso pianist and teacher, 1914–1990) recording of: Variations and Fugue on a Theme by Handel, op. 24: Variation XI composer: Johannes Brahms (German composer) (in 1861) part of: Variations and Fugue on a Theme by Handel, op. 24	Johannes Brahms		0:58
13	Variations & Fugue on a Theme by Handel op. 24: Var. 12: Soave piano: Jorge Bolet (Cuban‐born American virtuoso pianist and teacher, 1914–1990) recording of: Variations and Fugue on a Theme by Handel, op. 24: Variation XII composer: Johannes Brahms (German composer) (in 1861) part of: Variations and Fugue on a Theme by Handel, op. 24	Johannes Brahms		0:56
14	Variations & Fugue on a Theme by Handel op. 24: Var. 13: Largamente, ma non più piano: Jorge Bolet (Cuban‐born American virtuoso pianist and teacher, 1914–1990) recording of: Variations and Fugue on a Theme by Handel, op. 24: Variation XIII: Largamente, ma non più composer: Johannes Brahms (German composer) (in 1861) part of: Variations and Fugue on a Theme by Handel, op. 24	Johannes Brahms		1:36
15	Variations & Fugue on a Theme by Handel op. 24: Var. 14: Sciolto piano: Jorge Bolet (Cuban‐born American virtuoso pianist and teacher, 1914–1990) recording of: Variations and Fugue on a Theme by Handel, op. 24: Variation XIV composer: Johannes Brahms (German composer) (in 1861) part of: Variations and Fugue on a Theme by Handel, op. 24	Johannes Brahms		0:40
16	Variations & Fugue on a Theme by Handel op. 24: Var. 15 piano: Jorge Bolet (Cuban‐born American virtuoso pianist and teacher, 1914–1990) recording of: Variations and Fugue on a Theme by Handel, op. 24: Variation XV composer: Johannes Brahms (German composer) (in 1861) part of: Variations and Fugue on a Theme by Handel, op. 24	Johannes Brahms		0:45
17	Variations & Fugue on a Theme by Handel op. 24: Var. 16: Ma marcato piano: Jorge Bolet (Cuban‐born American virtuoso pianist and teacher, 1914–1990) recording of: Variations and Fugue on a Theme by Handel, op. 24: Variation XVI composer: Johannes Brahms (German composer) (in 1861) part of: Variations and Fugue on a Theme by Handel, op. 24	Johannes Brahms		0:37
18	Variations & Fugue on a Theme by Handel op. 24: Var. 17: Più mosso piano: Jorge Bolet (Cuban‐born American virtuoso pianist and teacher, 1914–1990) recording of: Variations and Fugue on a Theme by Handel, op. 24: Variation XVII: Più mosso composer: Johannes Brahms (German composer) (in 1861) part of: Variations and Fugue on a Theme by Handel, op. 24	Johannes Brahms		0:33
19	Variations & Fugue on a Theme by Handel op. 24: Var. 18: Grazioso piano: Jorge Bolet (Cuban‐born American virtuoso pianist and teacher, 1914–1990) recording of: Variations and Fugue on a Theme by Handel, op. 24: Variation XVIII composer: Johannes Brahms (German composer) (in 1861) part of: Variations and Fugue on a Theme by Handel, op. 24	Johannes Brahms		0:50
20	Variations & Fugue on a Theme by Handel op. 24: Var. 19: Leggiero und vivace piano: Jorge Bolet (Cuban‐born American virtuoso pianist and teacher, 1914–1990) recording of: Variations and Fugue on a Theme by Handel, op. 24: Variation XIX: Leggiero e vivace composer: Johannes Brahms (German composer) (in 1861) part of: Variations and Fugue on a Theme by Handel, op. 24	Johannes Brahms		1:11
21	Variations & Fugue on a Theme by Handel op. 24: Var. 20: Legato piano: Jorge Bolet (Cuban‐born American virtuoso pianist and teacher, 1914–1990) recording of: Variations and Fugue on a Theme by Handel, op. 24: Variation XX composer: Johannes Brahms (German composer) (in 1861) part of: Variations and Fugue on a Theme by Handel, op. 24	Johannes Brahms		1:18
22	Variations & Fugue on a Theme by Handel op. 24: Var. 21: Dolce piano: Jorge Bolet (Cuban‐born American virtuoso pianist and teacher, 1914–1990) recording of: Variations and Fugue on a Theme by Handel, op. 24: Variation XXI composer: Johannes Brahms (German composer) (in 1861) part of: Variations and Fugue on a Theme by Handel, op. 24	Johannes Brahms		0:48
23	Variations & Fugue on a Theme by Handel op. 24: Var. 22 piano: Jorge Bolet (Cuban‐born American virtuoso pianist and teacher, 1914–1990) recording of: Variations and Fugue on a Theme by Handel, op. 24: Variation XXII composer: Johannes Brahms (German composer) (in 1861) part of: Variations and Fugue on a Theme by Handel, op. 24	Johannes Brahms		1:03
24	Variations & Fugue on a Theme by Handel op. 24: Var. 23: Vivace e staccato piano: Jorge Bolet (Cuban‐born American virtuoso pianist and teacher, 1914–1990) recording of: Variations and Fugue on a Theme by Handel, op. 24: Variation XXIII composer: Johannes Brahms (German composer) (in 1861) part of: Variations and Fugue on a Theme by Handel, op. 24	Johannes Brahms		0:36
25	Variations & Fugue on a Theme by Handel op. 24: Var. 24 piano: Jorge Bolet (Cuban‐born American virtuoso pianist and teacher, 1914–1990) recording of: Variations and Fugue on a Theme by Handel, op. 24: Variation XXIV composer: Johannes Brahms (German composer) (in 1861) part of: Variations and Fugue on a Theme by Handel, op. 24	Johannes Brahms		0:36
26	Variations & Fugue on a Theme by Handel op. 24: Var. 25 piano: Jorge Bolet (Cuban‐born American virtuoso pianist and teacher, 1914–1990) recording of: Variations and Fugue on a Theme by Handel, op. 24: Variation XXV composer: Johannes Brahms (German composer) (in 1861) part of: Variations and Fugue on a Theme by Handel, op. 24	Johannes Brahms		0:41
27	Variations & Fugue on a Theme by Handel op. 24: Fuga piano: Jorge Bolet (Cuban‐born American virtuoso pianist and teacher, 1914–1990) recording of: Variations and Fugue on a Theme by Handel, op. 24: Fuga composer: Johannes Brahms (German composer) (in 1861) part of: Variations and Fugue on a Theme by Handel, op. 24	Johannes Brahms		5:11
28	Variations & Fugue on a Theme by Telemann op. 134: Thema: Tempo di minuetto piano: Jorge Bolet (Cuban‐born American virtuoso pianist and teacher, 1914–1990) recording of: Variationen und Fuge über ein Thema von Georg Philipp Telemann, op. 134: I. Thema: Tempo di menuetto composer: Max Reger (German composer) (in 1914) part of: Variationen und Fuge über ein Thema von Georg Philipp Telemann, op. 134	Max Reger		1:44
29	Variations & Fugue on a Theme by Telemann op. 134: Var. 1: L’istesso tempo piano: Jorge Bolet (Cuban‐born American virtuoso pianist and teacher, 1914–1990) recording of: Variationen und Fuge über ein Thema von Georg Philipp Telemann, op. 134: II. L'istesso Tempo composer: Max Reger (German composer) (in 1914) part of: Variationen und Fuge über ein Thema von Georg Philipp Telemann, op. 134	Max Reger		0:48
30	Variations & Fugue on a Theme by Telemann op. 134: Var. 2 piano: Jorge Bolet (Cuban‐born American virtuoso pianist and teacher, 1914–1990) recording of: Variationen und Fuge über ein Thema von Georg Philipp Telemann, op. 134: III. L'istesso Tempo composer: Max Reger (German composer) (in 1914) part of: Variationen und Fuge über ein Thema von Georg Philipp Telemann, op. 134	Max Reger		0:54
31	Variations & Fugue on a Theme by Telemann op. 134: Var. 3 piano: Jorge Bolet (Cuban‐born American virtuoso pianist and teacher, 1914–1990) recording of: Variationen und Fuge über ein Thema von Georg Philipp Telemann, op. 134: IV. L'istesso Tempo composer: Max Reger (German composer) (in 1914) part of: Variationen und Fuge über ein Thema von Georg Philipp Telemann, op. 134	Max Reger		0:46
32	Variations & Fugue on a Theme by Telemann op. 134: Var. 4 piano: Jorge Bolet (Cuban‐born American virtuoso pianist and teacher, 1914–1990) recording of: Variationen und Fuge über ein Thema von Georg Philipp Telemann, op. 134: V. L'istesso Tempo composer: Max Reger (German composer) (in 1914) part of: Variationen und Fuge über ein Thema von Georg Philipp Telemann, op. 134	Max Reger		0:43
33	Variations & Fugue on a Theme by Telemann op. 134: Var. 5: Non troppo vivace piano: Jorge Bolet (Cuban‐born American virtuoso pianist and teacher, 1914–1990) recording of: Variationen und Fuge über ein Thema von Georg Philipp Telemann, op. 134: VI. Non troppo vivace composer: Max Reger (German composer) (in 1914) part of: Variationen und Fuge über ein Thema von Georg Philipp Telemann, op. 134	Max Reger		0:49
34	Variations & Fugue on a Theme by Telemann op. 134: Var. 6 piano: Jorge Bolet (Cuban‐born American virtuoso pianist and teacher, 1914–1990) recording of: Variationen und Fuge über ein Thema von Georg Philipp Telemann, op. 134: VII. Non troppo vivace composer: Max Reger (German composer) (in 1914) part of: Variationen und Fuge über ein Thema von Georg Philipp Telemann, op. 134	Max Reger		0:50
35	Variations & Fugue on a Theme by Telemann op. 134: Var. 7: Quasi tempo primo piano: Jorge Bolet (Cuban‐born American virtuoso pianist and teacher, 1914–1990) recording of: Variationen und Fuge über ein Thema von Georg Philipp Telemann, op. 134: VIII. Quasi tempo primo composer: Max Reger (German composer) (in 1914) part of: Variationen und Fuge über ein Thema von Georg Philipp Telemann, op. 134	Max Reger		0:53
36	Variations & Fugue on a Theme by Telemann op. 134: Var. 8: Tempo primo piano: Jorge Bolet (Cuban‐born American virtuoso pianist and teacher, 1914–1990) recording of: Variationen und Fuge über ein Thema von Georg Philipp Telemann, op. 134: IX. Tempo primo composer: Max Reger (German composer) (in 1914) part of: Variationen und Fuge über ein Thema von Georg Philipp Telemann, op. 134	Max Reger		0:37
37	Variations & Fugue on a Theme by Telemann op. 134: Var. 9: Non troppo vivace piano: Jorge Bolet (Cuban‐born American virtuoso pianist and teacher, 1914–1990) recording of: Variationen und Fuge über ein Thema von Georg Philipp Telemann, op. 134: X. Non troppo vivace composer: Max Reger (German composer) (in 1914) part of: Variationen und Fuge über ein Thema von Georg Philipp Telemann, op. 134	Max Reger		1:01
38	Variations & Fugue on a Theme by Telemann op. 134: Var. 10: Quasi adagio piano: Jorge Bolet (Cuban‐born American virtuoso pianist and teacher, 1914–1990) recording of: Variationen und Fuge über ein Thema von Georg Philipp Telemann, op. 134: XI. Quasi adagio composer: Max Reger (German composer) (in 1914) part of: Variationen und Fuge über ein Thema von Georg Philipp Telemann, op. 134	Max Reger		1:28
39	Variations & Fugue on a Theme by Telemann op. 134: Var. 11 piano: Jorge Bolet (Cuban‐born American virtuoso pianist and teacher, 1914–1990) recording of: Variationen und Fuge über ein Thema von Georg Philipp Telemann, op. 134: XII. Quasi adagio composer: Max Reger (German composer) (in 1914) part of: Variationen und Fuge über ein Thema von Georg Philipp Telemann, op. 134	Max Reger		1:38
40	Variations & Fugue on a Theme by Telemann op. 134: Var. 12: Poco vivace piano: Jorge Bolet (Cuban‐born American virtuoso pianist and teacher, 1914–1990) recording of: Variationen und Fuge über ein Thema von Georg Philipp Telemann, op. 134: XIII. Poco vivace composer: Max Reger (German composer) (in 1914) part of: Variationen und Fuge über ein Thema von Georg Philipp Telemann, op. 134	Max Reger		0:47
41	Variations & Fugue on a Theme by Telemann op. 134: Var. 13: Tempo primo piano: Jorge Bolet (Cuban‐born American virtuoso pianist and teacher, 1914–1990) recording of: Variationen und Fuge über ein Thema von Georg Philipp Telemann, op. 134: XIV. Tempo primo composer: Max Reger (German composer) (in 1914) part of: Variationen und Fuge über ein Thema von Georg Philipp Telemann, op. 134	Max Reger		0:37
42	Variations & Fugue on a Theme by Telemann op. 134: Var. 14: Meno vivace piano: Jorge Bolet (Cuban‐born American virtuoso pianist and teacher, 1914–1990) recording of: Variationen und Fuge über ein Thema von Georg Philipp Telemann, op. 134: XV. Meno vivace composer: Max Reger (German composer) (in 1914) part of: Variationen und Fuge über ein Thema von Georg Philipp Telemann, op. 134	Max Reger		1:01
43	Variations & Fugue on a Theme by Telemann op. 134: Var. 15: Andante piano: Jorge Bolet (Cuban‐born American virtuoso pianist and teacher, 1914–1990) recording of: Variationen und Fuge über ein Thema von Georg Philipp Telemann, op. 134: XVI. Andante composer: Max Reger (German composer) (in 1914) part of: Variationen und Fuge über ein Thema von Georg Philipp Telemann, op. 134	Max Reger		1:33
44	Variations & Fugue on a Theme by Telemann op. 134: Var. 16: Adagio piano: Jorge Bolet (Cuban‐born American virtuoso pianist and teacher, 1914–1990) recording of: Variationen und Fuge über ein Thema von Georg Philipp Telemann, op. 134: XVII. Adagio composer: Max Reger (German composer) (in 1914) part of: Variationen und Fuge über ein Thema von Georg Philipp Telemann, op. 134	Max Reger		1:38
45	Variations & Fugue on a Theme by Telemann op. 134: Var. 17: Poco andante piano: Jorge Bolet (Cuban‐born American virtuoso pianist and teacher, 1914–1990) recording of: Variationen und Fuge über ein Thema von Georg Philipp Telemann, op. 134: XVIII. Poco Andante composer: Max Reger (German composer) (in 1914) part of: Variationen und Fuge über ein Thema von Georg Philipp Telemann, op. 134	Max Reger		1:29
46	Variations & Fugue on a Theme by Telemann op. 134: Var. 18: Tempo primo piano: Jorge Bolet (Cuban‐born American virtuoso pianist and teacher, 1914–1990) recording of: Variationen und Fuge über ein Thema von Georg Philipp Telemann, op. 134: XIX. Tempo primo composer: Max Reger (German composer) (in 1914) part of: Variationen und Fuge über ein Thema von Georg Philipp Telemann, op. 134	Max Reger		0:45
47	Variations & Fugue on a Theme by Telemann op. 134: Var. 19: Poco vivace piano: Jorge Bolet (Cuban‐born American virtuoso pianist and teacher, 1914–1990) recording of: Variationen und Fuge über ein Thema von Georg Philipp Telemann, op. 134: XX. Poco vivace composer: Max Reger (German composer) (in 1914) part of: Variationen und Fuge über ein Thema von Georg Philipp Telemann, op. 134	Max Reger		0:52
48	Variations & Fugue on a Theme by Telemann op. 134: Var. 20 piano: Jorge Bolet (Cuban‐born American virtuoso pianist and teacher, 1914–1990) recording of: Variationen und Fuge über ein Thema von Georg Philipp Telemann, op. 134: XXI. Poco vivace composer: Max Reger (German composer) (in 1914) part of: Variationen und Fuge über ein Thema von Georg Philipp Telemann, op. 134	Max Reger		1:00
49	Variations & Fugue on a Theme by Telemann op. 134: Var. 21: Vivace piano: Jorge Bolet (Cuban‐born American virtuoso pianist and teacher, 1914–1990) recording of: Variationen und Fuge über ein Thema von Georg Philipp Telemann, op. 134: XXII. Vivace composer: Max Reger (German composer) (in 1914) part of: Variationen und Fuge über ein Thema von Georg Philipp Telemann, op. 134	Max Reger		0:47
50	Variations & Fugue on a Theme by Telemann op. 134: Var. 22 piano: Jorge Bolet (Cuban‐born American virtuoso pianist and teacher, 1914–1990) recording of: Variationen und Fuge über ein Thema von Georg Philipp Telemann, op. 134: XXIII. Vivace composer: Max Reger (German composer) (in 1914) part of: Variationen und Fuge über ein Thema von Georg Philipp Telemann, op. 134	Max Reger		1:02
51	Variations & Fugue on a Theme by Telemann op. 134: Var. 23: Poco andante – Molto adagio piano: Jorge Bolet (Cuban‐born American virtuoso pianist and teacher, 1914–1990) recording of: Variationen und Fuge über ein Thema von Georg Philipp Telemann, op. 134: XXIV. Poco Andante - Molto Adagio (Überleitung) composer: Max Reger (German composer) (in 1914) medley of: Variationen und Fuge über ein Thema von Georg Philipp Telemann, op. 134: XXV. Fuge: Vivace con spirito part of: Variationen und Fuge über ein Thema von Georg Philipp Telemann, op. 134	Max Reger		2:24
52	Variations & Fugue on a Theme by Telemann op. 134: Fugue: Vivace con spirito piano: Jorge Bolet (Cuban‐born American virtuoso pianist and teacher, 1914–1990) recording of: Variationen und Fuge über ein Thema von Georg Philipp Telemann, op. 134: XXV. Fuge: Vivace con spirito composer: Max Reger (German composer) (in 1914) part of: Variationen und Fuge über ein Thema von Georg Philipp Telemann, op. 134	Max Reger		5:13

4▼CD: LISZT: Schubert Lieder Transcriptions
#	Title	Artist	Rating	Length
1	Die Forelle S. 564 piano: Jorge Bolet (Cuban‐born American virtuoso pianist and teacher, 1914–1990) (in 1981-11) phonographic copyright (℗) by: Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1983) recorded at: Kingsway Hall in London (Greater London), England, United Kingdom (in 1981-11) recording of: Die Forelle, S. 564 (for piano, Liszt - second version) (in 1981-11) composer: Franz Schubert (composer) additional piano arranger: Franz Liszt (Hungarian composer, pianist and conductor) (in 1846) piano arranger: Franz Liszt (Hungarian composer, pianist and conductor) (in 1844) publisher: Diabelli & Co (in 1846) part of: The Music of Liszt (number: S. 564) arrangement of: Die Forelle, D. 550 (The Trout, D. 550) revision of: Die Forelle, S. 563 no. 6 (for solo piano, Liszt)	Franz Liszt		3:56
2	Der Müller und der Bach S. 565/2 piano: Jorge Bolet (Cuban‐born American virtuoso pianist and teacher, 1914–1990) (in 1981-11) phonographic copyright (℗) by: Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1983) recorded at: Kingsway Hall in London (Greater London), England, United Kingdom (in 1981-11) recording of: Der Müller und der Bach, S. 565 no. 2 (for solo piano, Liszt) (in 1981-11) composer: Franz Schubert (composer) arranger: Franz Liszt (Hungarian composer, pianist and conductor) arrangement of: Die schöne Müllerin, D. 795: Nr. 19. Der Müller und der Bach part of: Six mélodies favorites de La Belle Meunière, S. 565	Franz Liszt		6:05
3	Wohin? S. 565/5 piano: Jorge Bolet (Cuban‐born American virtuoso pianist and teacher, 1914–1990) (in 1981-11) phonographic copyright (℗) by: Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1983) recorded at: Kingsway Hall in London (Greater London), England, United Kingdom (in 1981-11) recording of: Wohin?, S. 565 no. 5 (for solo piano, Liszt) (in 1981-11) composer: Franz Schubert (composer) arranger: Franz Liszt (Hungarian composer, pianist and conductor) arrangement of: Die schöne Müllerin, D. 795: Nr. 2. Wohin? part of: Six mélodies favorites de La Belle Meunière, S. 565	Franz Liszt		2:58
4	Lebe wohl! S. 563/1 piano: Jorge Bolet (Cuban‐born American virtuoso pianist and teacher, 1914–1990) (in 1981-11) phonographic copyright (℗) by: Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1983) recorded at: Kingsway Hall in London (Greater London), England, United Kingdom (in 1981-11) recording of: Lebe Wohl!, S. 563 no. 1 (for solo piano, Liszt) (in 1981-11) composer: August Heinrich von Weyrauch piano arranger: Franz Liszt (Hungarian composer, pianist and conductor) (in 1844) arrangement of: Nach Osten! part of: Sechs Melodien von Franz Schubert, S. 563	Franz Liszt		4:40
5	Das Wandern S. 565/1 piano: Jorge Bolet (Cuban‐born American virtuoso pianist and teacher, 1914–1990) (in 1981-11) phonographic copyright (℗) by: Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1983) recorded at: Kingsway Hall in London (Greater London), England, United Kingdom (in 1981-11) recording of: Das Wandern, S. 565 no. 1 (for solo piano, Liszt) (in 1981-11) composer: Franz Schubert (composer) piano arranger: Franz Liszt (Hungarian composer, pianist and conductor) (in 1846) arrangement of: Die schöne Müllerin, D. 795: Nr. 1. Das Wandern part of: Six mélodies favorites de La Belle Meunière, S. 565	Franz Liszt		1:52
6	Der Lindenbaum S. 561/7 piano: Jorge Bolet (Cuban‐born American virtuoso pianist and teacher, 1914–1990) (in 1981-11) phonographic copyright (℗) by: Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1983) recorded at: Kingsway Hall in London (Greater London), England, United Kingdom (in 1981-11) recording of: Winterreise, S. 561: Nr. 7. Der Lindenbaum (for solo piano, Liszt) (in 1981-11) composer: Franz Schubert (composer) (in 1827) piano arranger: Franz Liszt (Hungarian composer, pianist and conductor) (in 1839) arrangement of: Winterreise, op. 89, D. 911: V. Der Lindenbaum part of: Winterreise, S. 561 (for solo piano, Liszt)	Franz Liszt		5:09
7	Ständchen von Shakespeare (La Sérénade de Shakespeare): "Horch, horch die Lerch" S. 558/9 piano: Jorge Bolet (Cuban‐born American virtuoso pianist and teacher, 1914–1990) (in 1981-11) phonographic copyright (℗) by: Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1983) recorded at: Kingsway Hall in London (Greater London), England, United Kingdom (in 1981-11) recording of: Ständchen von Shakespeare, S. 558 Nr. 9 (for piano solo, Liszt) (in 1981-11) composer: Franz Schubert (composer) (in 1826) piano arranger: Franz Liszt (Hungarian composer, pianist and conductor) (from 1837 until 1838) arrangement of: Ständchen ("Horch, horch, die Lerche"), D. 889 part of: 12 Lieder von Franz Schubert, S. 558	Franz Liszt		3:26
8	Auf dem Wasser zu singen (Barcarolle) S. 558/2 piano: Jorge Bolet (Cuban‐born American virtuoso pianist and teacher, 1914–1990) (in 1981-11) phonographic copyright (℗) by: Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1983) recorded at: Kingsway Hall in London (Greater London), England, United Kingdom (in 1981-11) recording of: Auf dem Wasser zu singen, S. 558 Nr. 2 (for piano solo, Liszt) (in 1981-11) composer: Franz Schubert (composer) piano arranger: Franz Liszt (Hungarian composer, pianist and conductor) (from 1837 until 1838) arrangement of: Auf dem Wasser zu singen, D. 774 part of: 12 Lieder von Franz Schubert, S. 558	Franz Liszt		5:09
9	Die Post S. 561/4 piano: Jorge Bolet (Cuban‐born American virtuoso pianist and teacher, 1914–1990) (in 1981-11) phonographic copyright (℗) by: Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1983) recorded at: Kingsway Hall in London (Greater London), England, United Kingdom (in 1981-11) recording of: Winterreise, S. 561: Nr. 4. Die Post (for solo piano, Liszt) (in 1981-11) composer: Franz Schubert (composer) (in 1827) piano arranger: Franz Liszt (Hungarian composer, pianist and conductor) (in 1839) arrangement of: Winterreise, op. 89, D. 911: XIII. Die Post part of: Winterreise, S. 561 (for solo piano, Liszt)	Franz Liszt		2:55
10	Aufenthalt S. 560/3 piano: Jorge Bolet (Cuban‐born American virtuoso pianist and teacher, 1914–1990) (in 1981-11) phonographic copyright (℗) by: Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1983) recorded at: Kingsway Hall in London (Greater London), England, United Kingdom (in 1981-11) recording of: Schwanengesang, S. 560: No. 3. Aufenthalt (for solo piano, Liszt) (in 1981-11) composer: Franz Schubert (composer) piano arranger: Franz Liszt (Hungarian composer, pianist and conductor) (from 1838 until 1839) arrangement of: Schwanengesang, D. 957: V. Aufenthalt part of: Schwanengesang, S. 560 (for solo piano, Liszt)	Franz Liszt		3:40
11	Lob der Tränen S. 557 piano: Jorge Bolet (Cuban‐born American virtuoso pianist and teacher, 1914–1990) (in 1981-11) phonographic copyright (℗) by: Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1983) recorded at: Kingsway Hall in London (Greater London), England, United Kingdom (in 1981-11) recording of: Lob der Tränen, S. 557 (in 1981-11) composer: Franz Schubert (composer) piano arranger: Franz Liszt (Hungarian composer, pianist and conductor) (in 1837) part of: The Music of Liszt (number: S. 557) version of: Lob der Tränen, D. 711	Franz Liszt		5:37
12	Erlkönig S. 558/4 piano: Jorge Bolet (Cuban‐born American virtuoso pianist and teacher, 1914–1990) (in 1981-11) phonographic copyright (℗) by: Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1983) recorded at: Kingsway Hall in London (Greater London), England, United Kingdom (in 1981-11) recording of: Erlkönig, S. 558 Nr. 4 (for piano solo, Liszt) (in 1981-11) composer: Franz Schubert (composer) piano arranger: Franz Liszt (Hungarian composer, pianist and conductor) (from 1837 until 1838) arrangement of: Erlkönig, D. 328 part of: 12 Lieder von Franz Schubert, S. 558	Franz Liszt		5:09

5▼CD: LISZT: Hungarian Rhapsody no. 12; Liebestraum no. 3; Mephisto Waltz no. 1; Funérailles (Harmonies poétiques et religieuses no. 7); Paraphrase de concert sur Rigoletto; La campanella
#	Title	Artist	Rating	Length
1	Hungarian Rhapsody no. 12 S. 244/12 piano: Jorge Bolet (Cuban‐born American virtuoso pianist and teacher, 1914–1990) (in 1982-02) phonographic copyright (℗) by: Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1983) recorded at: Kingsway Hall in London (Greater London), England, United Kingdom (in 1982-02) recording of: 19 Hungarian Rhapsodies, S. 244 / R. 106: No. 12 in C‐sharp minor, S. 244 no. 12 (in 1982-02) composer: Franz Liszt (Hungarian composer, pianist and conductor) part of: 19 Hungarian Rhapsodies, S. 244 / R. 106	Franz Liszt		10:29
2	Liebestraum no. 3 in A-flat S. 541/3 piano: Jorge Bolet (Cuban‐born American virtuoso pianist and teacher, 1914–1990)	Franz Liszt		4:53
3	Mephisto Waltz no. 1 S. 514 piano: Jorge Bolet (Cuban‐born American virtuoso pianist and teacher, 1914–1990)	Franz Liszt		11:32
4	Harmonies poétiques et religieuses: No. 7 Funérailles S. 173/7 piano: Jorge Bolet (Cuban‐born American virtuoso pianist and teacher, 1914–1990)	Franz Liszt		11:19
5	Paraphrase de concert sur Rigoletto S. 434 recorded in: New York, New York, United States (on 1970-10-03) piano: Jorge Bolet (Cuban‐born American virtuoso pianist and teacher, 1914–1990) (on 1970-10-03, in 1982-02) phonographic copyright (℗) by: Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1983) recorded at: Kingsway Hall in London (Greater London), England, United Kingdom (in 1982-02) recording of: Konzert-Paraphrase über Verdis "Rigoletto", S. 434 (on 1970-10-03) composer: Franz Liszt (Hungarian composer, pianist and conductor) part of: The Music of Liszt (number: S. 434) is based on: Rigoletto: Atto III. N°12 Quartetto "Bella figlia dell'amore" (Duca, Maddalena, Gilda, Rigoletto) recording of: Konzert-Paraphrase über Verdis "Rigoletto", S. 434 (in 1982-02) composer: Franz Liszt (Hungarian composer, pianist and conductor) part of: The Music of Liszt (number: S. 434) is based on: Rigoletto: Atto III. N°12 Quartetto "Bella figlia dell'amore" (Duca, Maddalena, Gilda, Rigoletto)	Franz Liszt		7:03
6	La campanella S. 141/3 producer: Peter Wadland (producer) (from 1982-09 to present) piano: Jorge Bolet (Cuban‐born American virtuoso pianist and teacher, 1914–1990) (from 1982-09 to present, in 1982-09) balance engineer: John Dunkerley (engineer) (from 1982-09 to present) phonographic copyright (℗) by: Decca Music Group Ltd. (not for release label use, for ℗ & © rights holder use only) (in 1983) and The Decca Record Company Limited (not a release label; for copyrights use only) (in 1983) recorded at: Kingsway Hall in London (Greater London), England, United Kingdom (from 1982-09 to present, in 1982-09) recording of: Études d’exécution transcendante d’après Paganini, S. 140: no. 3 in A-flat minor “La campanella” (in 1982-09) composer: Franz Liszt (Hungarian composer, pianist and conductor) (from 1838 until 1840) is based on: Violin Concerto no. 2 in B minor, op. 7, MS 48: III. Rondo a la clochette, “La campanella” part of: Études d’exécution transcendante d’après Paganini, S. 140 recording of: Grandes études de Paganini, S. 141: No. 3. La campanella in G‐sharp minor (in 1982-09) composer: Franz Liszt (Hungarian composer, pianist and conductor) part of: Grandes études de Paganini, S. 141 revision of: Études d’exécution transcendante d’après Paganini, S. 140: no. 3 in A-flat minor “La campanella”	Franz Liszt		5:12

6▶CD: LISZT: Sonata in B minor; Valse impromptu; Liebesträume Nos. 1 & 2; Grand Galop chromatique

7▶CD: LISZT: Années de pèlerinage: Italie

8▶CD: RACHMANINOFF: Piano Concerto no. 3

9▶CD: LISZT: Années de pèlerinage: Suisse

10▶CD: LISZT: Années de pèlerinage: Venezia e Napoli; Les Jeux d’eau à la Villa d’Este; Bénédiction de Dieu dans la solitude; Ballade No.2

11▶CD: LISZT: Totentanz; Malédiction; Hungarian Fantasia; SCHUBERT/LISZT: Wanderer Fantasie

12▶CD: LISZT: Transcendental Studies S139

13▶CD: Piano Encores – Mendelssohn, Chopin, Debussy, Schubert/Godowsky, Albéniz/Godowsky, Godowsky, R. Strauss/Godowsky, Bizet/Godowsky, Moszkowski, Schlözer

14▶CD: GRIEG: Piano Concerto; SCHUMANN: Piano Concerto [RSO Berlin/Riccardo Chailly]

15▶CD: SCHUMANN: Carnaval, Op. 9; Fantasie in C, Op. 17

16▶CD: RACHMANINOFF: Variations on a Theme of Chopin, op. 22; Preludes, Opp. 3/2, 32/7, 32/12, 23/5, 23/10; Mélodie, op. 3 No. 3; KREISLER/RACHMANINOFF: Liebesleid, Liebesfreud

17▶CD: FRANCK: Symphony in D minor; Variations symphoniques [Concertgebouworkest/Riccardo Chailly]

18▶CD: CHOPIN: Ballades Nos. 1–4; Barcarolle, Op. 60; Fantasie, Op. 49

19▶CD: RACHMANINOFF: Piano Concerto No. 2; TCHAIKOVSKY: Piano Concerto No. 1 [Orchestre symphonique de Montréal/Charles Dutoit]

20▶CD: CHOPIN: 24 Préludes, Op. 28; Nocturnes, Opp. 27/1, 55/1, 27/2, 62/2

21▶CD: FRANCK: Prélude, Choral et Fugue; Prélude, Aria et Final

22▶CD: DEBUSSY: Préludes from Books I & II

23▶CD: SCHUBERT: Piano Sonata in A major, D.959; Piano Sonata in A minor, D.784

24▶CD: MENDELSSOHN: Prelude & Fugue, Op. 35/1; FRANCK: Prélude, Choral et Fugue; LISZT: Réminiscences de Norma S.394

25▶CD: CHOPIN: Piano Concertos Nos. 1 & 2 [Orchestre symphonique de Montréal/Charles Dutoit]

26▶CD: CHOPIN: Nocturnes – Opp. 9/1, 9/3, 15/1, 32/1, 32/2, 55/2, 72/1; Berceuse

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Discogs:	https://www.discogs.com/release/32607675 [info]

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includes:	"Chopin" Variations, 5 Preludes, Melodie, Liebeslied, Liebesfreud by Rachmaninov (Sergei Rachmaninoff, Russian composer); Jorge Bolet (Cuban‐born American virtuoso pianist and teacher, 1914–1990)

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