The Musical Story: Highlights aus Welterfolgen wie Buddy, Cats, Starlight Express, Phantom der Oper, Miss Saigon, A Chorus Line u. a.

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

3 standard jewel cases in a cardboard box,
on bottom: barcode / Art.-Nr. 940744 / PLU-Nr. 7792

Annotation last modified on 2021-06-08 06:13 UTC.

Tracklist

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1▼CD: 74321 30312 2/A
#	Title	Artist	Rating	Length
1	Miss Saigon: I Still Believe instruments: Harajuku vocals: Stephanie O’Hara cover recording of: I Still Believe (Miss Saigon) lyricist: Alain Boublil and Richard Maltby, Jr. (theatre director and producer, lyricist, and screenwriter) composer: Claude‐Michel Schönberg publisher: Alain Boublil Music Ltd., Alain Boublil Overseas Ltd. and Éditions Alain Boublil part of: Miss Saigon	Stephanie O'Hara		4:19
2	Porgy and Bess: Bess,You Is My Woman Now recording engineer: Lewis Layton (engineer) (from 1963-05-13 until 1963-05-17) producer: Richard Mohr (producer) orchestra: RCA Victor Orchestra (from 1963-05-13 until 1963-05-17) conductor: Skitch Henderson (from 1963-05-13 until 1963-05-17) phonographic copyright (℗) by: BMG Music (from 1963 to present) recorded at: Hotel St. George in Brooklyn Heights, New York, New York, United States (from 1963-05-13 until 1963-05-17) recording of: Porgy and Bess: Act II, Scene I. “Bess, You Is My Woman Now” (from 1963-05-13 until 1963-05-17) lyricist: Ira Gershwin and DuBose Heyward composer: George Gershwin (composer) (from 1934 until 1935) part of: Porgy and Bess: Act II, Scene I	William Warfield		5:04
3	Hello Dolly: Hello Dolly recorded in: New York, United States (on 1963-12-03) producer: Mickey Kapp banjo and guitar: Anthony Gottuso (Tony Gottuso, guitar) (on 1963-12-03) bass: Arvell Shaw (on 1963-12-03) clarinet: Joe Darensbourg (on 1963-12-03) double bass: Arvell Shaw drums (drum set): Danny Barcelona (on 1963-12-03) piano: Billy Kyle (on 1963-12-03) trombone: Trummy Young (on 1963-12-03) trumpet: Louis Armstrong lead vocals: Louis Armstrong (on 1963-12-03) vocals: Louis Armstrong phonographic copyright (℗) by: Verve Music Group (now known as Verve Label Group; not for release label use!) (in 2000) cover recording of: Hello, Dolly! (on 1963-12-03) lyricist and composer: Jerry Herman publisher: Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) and Jerryco Music Co. sub-publisher: Warner Chappel Music Belgium NV part of: Hello, Dolly! live recording of: Hello, Dolly! lyricist and composer: Jerry Herman publisher: Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) and Jerryco Music Co. sub-publisher: Warner Chappel Music Belgium NV part of: Hello, Dolly! live cover recording of: Hello, Dolly! lyricist and composer: Jerry Herman publisher: Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) and Jerryco Music Co. sub-publisher: Warner Chappel Music Belgium NV part of: Hello, Dolly! recording of: Hello, Dolly! lyricist and composer: Jerry Herman publisher: Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) and Jerryco Music Co. sub-publisher: Warner Chappel Music Belgium NV part of: Hello, Dolly!	Louis Armstrong	4	2:23
4	My Fair Lady: Medley orchestra: Boston Pops Orchestra conductor: Arthur Fiedler (conductor) arranger: Richard Hayman partial instrumental recording of: Get Me to the Church on Time (My Fair Lady) lyricist: Alan Jay Lerner composer: Frederick Loewe publisher: Warner Chappell Music Ltd. (no slash; used 1988–1996) part of: My Fair Lady (full musical) partial instrumental recording of: I Could Have Danced All Night (My Fair Lady) lyricist: Alan Jay Lerner composer: Frederick Loewe publisher: Chappell & Co Ltd., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner Chappell North America part of: My Fair Lady (full musical) partial instrumental recording of: I’ve Grown Accustomed to Her Face (My Fair Lady) lyricist: Alan Jay Lerner composer: Frederick Loewe (in 1956) publisher: Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) part of: My Fair Lady (full musical) partial instrumental recording of: On the Street Where You Live (My Fair Lady) lyricist: Alan Jay Lerner composer: Frederick Loewe publisher: Chappell & Co Ltd., Chappell Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996) part of: My Fair Lady (full musical) partial instrumental recording of: The Rain in Spain (My Fair Lady) lyricist: Alan Jay Lerner composer: Frederick Loewe publisher: Chappell & Co., Inc. (USA) and Warner Chappell Music Ltd. (no slash; used 1988–1996) part of: My Fair Lady (full musical) partial instrumental recording of: With a Little Bit of Luck (My Fair Lady) lyricist: Alan Jay Lerner composer: Frederick Loewe publisher: Chappell & Co Ltd. and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) part of: My Fair Lady (full musical) partial instrumental recording of: Wouldn’t It Be Loverly (My Fair Lady) lyricist: Alan Jay Lerner composer: Frederick Loewe publisher: Chappell & Co Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996) part of: My Fair Lady (full musical)	Arthur Fiedler & Boston Pops Orchestra		8:55
5	Buddy: That'll Be the Day producer: Norman Petty double bass: Larry Welborn (on 1957-02-25) drums (drum set): Jerry Allison (on 1957-02-25) guitar [lead guitar] and lead vocals: Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-02-25) guitar [rhythm guitar]: Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-02-25) and Niki Sullivan (on 1957-02-25) background vocals: June Clark (background vocals for The Crickets) (on 1957-02-25), Niki Sullivan (on 1957-02-25), Gary Tollett (on 1957-02-25) and Ramona Tollett (on 1957-02-25) spoken vocals [dialogue]: Wolfman Jack (US disc jockey) phonographic copyright (℗) by: Geffen Records (in 1957) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1957) recorded at: Norman Petty Studios in Clovis, New Mexico, United States (on 1957-02-25) recording of: That’ll Be the Day (on 1957-02-25) writer: Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) and Norman Petty publisher: MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Nor-Va-Jak Music, Inc, Peermusic (UK) Limited, Southern Music (publisher), Wren Music Co. and MPL Communications (not for release label use! Paul McCartney-related, London-based company) (in 1976)	Buddy Holly	4.6	2:26
6	Hair: Aquarius recording engineer: Mike Moran (American engineer, associated with RCA) (on 1968-05-06) producer: Andy Wiswell lead vocals: Ronnie Dyson (on 1968-05-06) phonographic copyright (℗) by: BMG Music (in 1988) recorded at: RCA Studio B (New York) in New York, New York, United States (on 1968-05-06) recording of: Aquarius (from “Hair”) (on 1968-05-06) lyricist: James Rado (US actor, playwright, director, writer & composer) and Gerome Ragni composer: Galt MacDermot (Canadian composer, pianist and writer of musical theatre) publisher: EMI United Partnership Ltd. and United Artist Music Publishing part of: Hair (1967 musical)	Galt MacDermot		2:53
7	Grand Hotel: I Want to Go to Hollywood vocals: Jane Krakowski recording of: I Want to Go to Hollywood (Grand Hotel) lyricist and composer: Maury Yeston part of: Grand Hotel	Jane Krakowski		3:31
8	Evita: Oh What a Circus / Requiem vocals: David Essex and Elaine Paige conductor: Anthony Bowles recording of: Oh, What a Circus (Evita) lyricist: Tim Rice composer: Andrew Lloyd Webber (English composer and impresario of musical theatre) publisher: Evita Music and Evita Music Ltd. part of: Evita (Andrew Lloyd Webber musical) recording of: Requiem for Evita (Evita) lyricist: Tim Rice composer: Andrew Lloyd Webber (English composer and impresario of musical theatre) part of: Evita (Andrew Lloyd Webber musical)	David Essex & Elaine Paige		6:45
9	Evita: Don't Cry for Me Argentina producer: Andrew Lloyd Webber (English composer and impresario of musical theatre) and Tim Rice vocals: Julie Covington (in 1976) part of: TV Cream: Real 100 Best Singles Ever (number: 56) recording of: Don’t Cry for Me Argentina (Evita) (in 1976) lyricist: Tim Rice composer: Andrew Lloyd Webber (English composer and impresario of musical theatre) publisher: Evita Music, Evita Music Ltd., Leeds Music (MCA), Universal Music Corp. (USA, affiliated with ASCAP) and Universal Music Publishing (UK subsidiary of Universal Music Publishing Group) part of: Evita (Andrew Lloyd Webber musical)	Julie Covington	3	5:25
10	Phantom of the Oper: Wishing You Were Somehow Here Again vocals: Shirley Bassey (Welsh singer) cover recording of: Wishing You Were Somehow Here Again additional lyricist: Richard Stilgoe lyricist: Charles Hart (British lyricist) composer: Andrew Lloyd Webber (English composer and impresario of musical theatre) publisher: The Really Useful Group Ltd (not for release label use!) part of: The Phantom of the Opera (Andrew Lloyd Webber musical) part of: The Phantom of the Opera (2004 film soundtrack)	Shirley Bassey		3:23
11	Porgy and Bess: I Got Plenty o' Nuttin' recording engineer: Lewis Layton (engineer) (from 1963-05-13 until 1963-05-17) producer: Richard Mohr (producer) orchestra: RCA Victor Orchestra (from 1963-05-13 until 1963-05-17) conductor: Skitch Henderson (from 1963-05-13 until 1963-05-17) phonographic copyright (℗) by: BMG Music (from 1963 to present) recorded at: Hotel St. George in Brooklyn Heights, New York, New York, United States (from 1963-05-13 until 1963-05-17) recording of: Porgy and Bess: Act II, Scene I. “Oh, I got plenty o’nuttin’” (from 1963-05-13 until 1963-05-17) lyricist: Ira Gershwin and DuBose Heyward composer: George Gershwin (composer) (from 1934 until 1935) part of: Porgy and Bess: Act II, Scene I	Leontyne Price, William Warfield, John W. Bubbles, McHenry Boatwright, RCA Victor Orchestra & Chorus		2:49
12	Paint Your Wagon: Wand'rin' Star vocals: James Barton (US actor) orchestra: Paint Your Wagon Orchestra ([theatre], Special Purpose Artist - Do not add releases here, if possible.) conductor: Franz Allers (European-American conductor) recording of: Wand’rin’ Star (Paint Your Wagon) (in 1951) lyricist: Alan Jay Lerner composer: Frederick Loewe publisher: Warner Chappell Music Ltd. (no slash; used 1988–1996) part of: Paint Your Wagon (full musical)	James Barton, Chorus		2:32
13	Oliver: It's a Fine Life vocals: Georgia Brown (British singer and actress) and Alice Playten recording of: It’s a Fine Life (Oliver!) lyricist and composer: Lionel Bart publisher: TRO-Hollis, Inc. part of: Oliver! (Lionel Bart musical)	Georgia Brown, Alice Playten		3:32
14	Hair: Easy to Be Hard recording engineer: Mike Moran (American engineer, associated with RCA) (on 1968-05-06) producer: Andy Wiswell lead vocals: Lynn Kellogg (on 1968-05-06) phonographic copyright (℗) by: BMG Music (in 1988) recorded at: RCA Studio B (New York) in New York, New York, United States (on 1968-05-06) recording of: Easy to Be Hard (on 1968-05-06) lyricist: James Rado (US actor, playwright, director, writer & composer) and Gerome Ragni composer: Galt MacDermot (Canadian composer, pianist and writer of musical theatre) part of: Hair (1967 musical)	Lynn Kellogg		2:35
15	Phantom Der Oper: All I Ask of You vocals: Shirley Bassey (Welsh singer) cover recording of: All I Ask of You (The Phantom of the Opera) (in 1993) additional lyricist: Richard Stilgoe lyricist: Charles Hart (British lyricist) composer: Andrew Lloyd Webber (English composer and impresario of musical theatre) publisher: Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) and The Really Useful Group PLC (not for release label use!) (in 1986) sub-publisher: Colgems-EMI Music Inc. (ended) part of: The Phantom of the Opera (Andrew Lloyd Webber musical) part of: The Phantom of the Opera (2004 film soundtrack)	Shirley Bassey		4:04
16	Cats: Magical Mr. Mephistoffolees performer: The New Musical Congregation, London (1990s "fake" artist, currently identified as "Musical Mania" by Google sound search) recording of: Mr. Mistoffelees composer: Andrew Lloyd Webber (English composer and impresario of musical theatre) publisher: Faber Music, Faber Music Ltd. and The Really Useful Music Co. Ltd. (not for release label use!) part of: Cats (Andrew Lloyd Webber musical)	The New Musical Congregation, London		3:26

2▼CD: 74321 30312 2/B
#	Title	Artist	Rating	Length
1	Buddy: Peggy Sue recording of: Peggy Sue writer: Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) and Norman Petty publisher: Copyright Control (not for release label use! this is only for copyrights and publishing relationships), McCartney Music, Melody Lane Publications Inc., MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), MPL Musik Verlags GmbH, Peermusic (UK) Limited, Southern Music (publisher) and Wren Music Co.	Buddy Holly		2:30
2	Hair: I Got Life recording engineer: Mike Moran (American engineer, associated with RCA) (on 1968-05-06) producer: Andy Wiswell lead vocals: James Rado (US actor, playwright, director, writer & composer) (on 1968-05-06) phonographic copyright (℗) by: BMG Music (in 1988) recorded at: RCA Studio B (New York) in New York, New York, United States (on 1968-05-06) recording of: I Got Life (from “Hair”) (on 1968-05-06) lyricist: James Rado (US actor, playwright, director, writer & composer) and Gerome Ragni composer: Galt MacDermot (Canadian composer, pianist and writer of musical theatre) part of: Hair (1967 musical)	Lynn Kellogg		3:04
3	Fiddler on the Roof: If I Were a Rich Man recording engineer: Ernie Oelrich lead vocals [Tevye]: Zero Mostel (actor) (on 1964-09-27) conductor: Milton Greene (orchestrator, musical director, conductor, arranger) (on 1964-09-27) vocals arranger: Milton Greene (orchestrator, musical director, conductor, arranger) orchestrator: Don Walker (orchestrator) recorded at: Webster Hall in East Village, New York, New York, United States (on 1964-09-27) recording of: If I Were a Rich Man (Fiddler on the Roof) (on 1964-09-27) lyricist: Sheldon Harnick composer: Jerry Bock publisher: Chappell & Co. and Sunbeam Music Corp. part of: Fiddler on the Roof	Zero Mostel		4:54
4	42nd Street: Get Into Your Dance recording engineer: Paul Goodman (engineer) producer: Thomas Z. Shepard vocals: Danny Carroll (Broadway musical performer), Carole Cook, Jeri Kansas, Ginny King, Karen Prunczik and Wanda Richert vocals arranger: John Lesko phonographic copyright (℗) by: RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1980) recorded at: RCA Studio A (New York) in New York, New York, United States (on 1980-11-16) recording of: Go Into Your Dance lyricist: Al Dubin composer: Harry Warren (US composer and lyricist) part of: 42nd Street (full musical)	Danny Carroll		3:18
5	Ain't Misbehavin': The Jitterbug Waltz (1942) recording engineer: Paul Goodman (engineer) producer: Thomas Z. Shepard arranger and orchestrator: Luther Henderson recording of: Jitterbug Waltz composer: Fats Waller publisher: Anne-Rachel Music Corp.	Nell Carter, André DeShields, Armelia McQueen, Ken Page & Charlaine Woodard		5:49
6	West Side Story: Something's Coming sound engineer and mixer: Roger Roche (French engineer) mezzo-soprano vocals: Julia Migenes (mezzo-soprano) (from 1989-02-17 until 1989-02-18) conductor: Bruno Fontaine (French pianist/conductor/composer) (from 1989-02-17 until 1989-02-18) recorded at: L’Olympia in Paris, Île-de-France, France (from 1989-02-17 until 1989-02-18) live recording of: West Side Story: Something’s Coming (Tony) (from 1989-02-17 until 1989-02-18) lyricist: Stephen Sondheim composer: Leonard Bernstein (American conductor, composer, pianist) publisher: Chappell & Co., Inc. (USA), Chappell Music (UK) and G. Schirmer Inc. part of: West Side Story	Julia Migenes		2:35
7	Candide: Make Our Garden Grow sound engineer and mixer: Roger Roche (French engineer) mezzo-soprano vocals: Julia Migenes (mezzo-soprano) (from 1989-02-17 until 1989-02-18) conductor: Bruno Fontaine (French pianist/conductor/composer) (from 1989-02-17 until 1989-02-18) recorded at: L’Olympia in Paris, Île-de-France, France (from 1989-02-17 until 1989-02-18) live recording of: Candide: Act II. Make Our Garden Grow (from 1989-02-17 until 1989-02-18) lyricist: Richard Wilbur composer: Leonard Bernstein (American conductor, composer, pianist) part of: Candide	Julia Migenes		4:22
8	Miss Saigon: Last Night of the World vocals: Starlight Musical Express cover recording of: Last Night of the World (Miss Saigon) lyricist: Alain Boublil and Richard Maltby, Jr. (theatre director and producer, lyricist, and screenwriter) composer: Claude‐Michel Schönberg publisher: Alain Boublil Music Ltd. part of: Miss Saigon	The New Musical Congregation, London		4:31
9	Starlight Express: Starlight Express vocals: Shirley Bassey (Welsh singer) phonographic copyright (℗) by: EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993) cover recording of: Starlight Express lyricist: Richard Stilgoe composer: Andrew Lloyd Webber (English composer and impresario of musical theatre) publisher: Ed. Really Useful Group Germany, Polygram Songs MV GmbH and The Really Useful Music Co. Ltd. (not for release label use!) part of: Starlight Express (Andrew Lloyd Webber musical) recording of: Starlight Express lyricist: Richard Stilgoe composer: Andrew Lloyd Webber (English composer and impresario of musical theatre) publisher: Ed. Really Useful Group Germany, Polygram Songs MV GmbH and The Really Useful Music Co. Ltd. (not for release label use!) part of: Starlight Express (Andrew Lloyd Webber musical)	Shirley Bassey		3:02
10	Porgy and Bess: Summertime sound engineer and mixer: Roger Roche (French engineer) mezzo-soprano vocals: Julia Migenes (mezzo-soprano) (from 1989-02-17 until 1989-02-18) conductor: Bruno Fontaine (French pianist/conductor/composer) (from 1989-02-17 until 1989-02-18) recorded at: L’Olympia in Paris, Île-de-France, France (from 1989-02-17 until 1989-02-18) live recording of: Summertime (American songbook standard from 1935 opera Porgy and Bess) (from 1989-02-17 until 1989-02-18) lyricist: Ira Gershwin (in 1934), Dorothy Heyward (playwright) (in 1934) and DuBose Heyward (in 1934) composer: George Gershwin (composer) (in 1934) publisher: Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (from 1935 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present) version of: Porgy and Bess: Act I, Scene I. “Summertime” (Clara)	Julia Migenes		2:48
11	Evita: Another Suitcase in Another Hall recording engineer: David Hamilton Smith (engineer) assistant engineer: Jeremy Gee and Anton Matthews producer: Andrew Lloyd Webber (English composer and impresario of musical theatre) and Tim Rice lead vocals [Che]: C.T. Wilkinson lead vocals [Eva]: Julie Covington lead vocals [Mistress]: Barbara Dickson phonographic copyright (℗) by: MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1976) recorded at: Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom (from 1976-04 until 1976-09) recording of: Another Suitcase in Another Hall (Evita) lyricist: Tim Rice composer: Andrew Lloyd Webber (English composer and impresario of musical theatre) publisher: Evita Music and Evita Music Ltd. part of: Evita (Andrew Lloyd Webber musical)	Julie Covington		3:11
12	Hair: Hair recording engineer: Mike Moran (American engineer, associated with RCA) (on 1968-05-06) producer: Andy Wiswell lead vocals: James Rado (US actor, playwright, director, writer & composer) (on 1968-05-06) and Gerome Ragni (on 1968-05-06) phonographic copyright (℗) by: BMG Music (in 1988) recorded at: RCA Studio B (New York) in New York, New York, United States (on 1968-05-06) recording of: Hair (from “Hair”) (on 1968-05-06) lyricist: James Rado (US actor, playwright, director, writer & composer) and Gerome Ragni composer: Galt MacDermot (Canadian composer, pianist and writer of musical theatre) part of: Hair (1967 musical)	Shelley Plimpton		2:57
13	Phantom der Oper: Das Phantom der Oper producer: Tony O’Melley (songwriter, keyboardist, producer) and Thorsten Schotten vocals: Kristina Bach	Kristina Bach		4:18
14	Hello Dolly: It Takes a Woman recording engineer: Ernie Oelrich (on 1964-01-19) phonographic copyright (℗) by: BMG (the former Bertelsmann Music Group, defunct since 2004-08-05; for releases dated 2008 and later, see annotation) (in 1989) recorded at: Webster Hall in East Village, New York, New York, United States (on 1964-01-19) recording of: It Takes a Woman (on 1964-01-19) lyricist and composer: Jerry Herman part of: Hello, Dolly!	David Burns & Company		2:33
15	Miss Saigon: I'd Give My Life for You recording of: I’d Give My Life for You (Miss Saigon) lyricist: Alain Boublil and Richard Maltby, Jr. (theatre director and producer, lyricist, and screenwriter) composer: Claude‐Michel Schönberg publisher: Alain Boublil Music Ltd. part of: Miss Saigon	The New Musical Congregation, London		5:02
16	Song and Dance: Ein Spaziergang durch New York: I Love New York / Ich sterb' nicht dran (III)	Angelika Milster		6:02
17	Latin Quarter: C'est si bon trumpet: Louis Armstrong vocals: Louis Armstrong orchestra: Sy Oliver Orchestra recording of: C’est si bon (It's So Good, English version) lyricist: André Hornez (in 1947) composer: Henri Betti (songwriter and pianist) (in 1947) translator: Jerry Seelen (screenwriter, lyricist. songwriter) (in 1949) publisher: Éditions Beuscher Arpège translated version of: C’est si bon (original French version)	Louis Armstrong		3:03

3▼CD: 74321 30312 2/C
#	Title	Artist	Rating	Length
1	Cats: Memory tenor vocals: José Carreras (Spanish tenor) orchestra: Robert Farnon & His Orchestra cover recording of: Memory (Cats) lyricist: T. S. Eliot and Trevor Nunn additional writer: Trevor Nunn composer: Andrew Lloyd Webber (English composer and impresario of musical theatre) publisher: Bike Music, Downtown DMP Songs, Faber Music, Faber Music Ltd., The Really Useful Music Co. Ltd. (not for release label use!) and Universal Music Publishing (use ONLY if no country‐specific information is available) sub-publisher: フジパシフィックミュージック (Fujipacific Music, Inc.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) part of: Cats (Andrew Lloyd Webber musical)	José Carreras		4:19
2	A Little Night Music: Send in the Clowns lead vocals: Glynis Johns recording of: Send In the Clowns (A Little Night Music) lyricist and composer: Stephen Sondheim publisher: Chappell Music Ltd., Fiddleback Music Publishing Co., Inc., Revelation Music Publishing Corp., Rilting Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) and Warner/Chappell North America sub-publisher: ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) part of: A Little Night Music (musical)	Gillian Scalici		3:27
3	Phantom der Oper: The Music of the Night piano: Richard Clayderman instrumental recording of: The Music of the Night (The Phantom of the Opera) additional lyricist: Richard Stilgoe lyricist: Charles Hart (British lyricist) composer: Andrew Lloyd Webber (English composer and impresario of musical theatre) publisher: The Really Useful Group Ltd (not for release label use!) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) part of: The Phantom of the Opera (Andrew Lloyd Webber musical) part of: The Phantom of the Opera (2004 film soundtrack)	Richard Clayderman		5:27
4	The Wizard of Oz: Over the Rainbow vocals: Caterina Valente (French-born Italian multilingual singer, guitarist, dancer, and actress) (in 1958) orchestra: Kurt Edelhagen & His Orchestra (in 1958) recording of: Over the Rainbow (The Wizard of Oz) (in 1958) lyricist: Yip Harburg (in 1938) composer: Harold Arlen (in 1938) premiered by: Judy Garland (in 1939) publisher: EMI Feist Catalog Inc., EMI Music (do not use as release label! this is a music publisher), EMI Partnership Ltd., EMI United Partnership Ltd., J. Albert & Son Pty. Ltd., Leo Feist Music, Robbins Music Corp. Ltd., United Partnership Ltd. and Warner/Chappell (Warner/Chappell Music, Inc.) sub-publisher: 香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S E Asia) Ltd., Taiwan Branch), フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (until 2014-12-31), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (from 2015-01-01 to present) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present) part of: The 12th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1939 winner) part of: The Wizard of Oz (1942 Arlen/Harburg musical) part of: The Wizard of Oz (1939 film soundtrack)	Caterina Valente		2:50
5	Starlight Express: Er allein	Angelika Milster		4:13
6	West Side Story: Tonight tenor vocals: José Carreras (Spanish tenor) orchestra: Robert Farnon & His Orchestra conductor: Robert Farnon (composer, conductor, trumpet player) arranger: Robert Farnon (composer, conductor, trumpet player) recording of: West Side Story: Tonight (Maria, Tony) lyricist: Stephen Sondheim (in 1956) composer: Leonard Bernstein (American conductor, composer, pianist) (in 1956) publisher: Campbell Connelly & Co. Ltd., Chappell & Co., Inc. (USA) and The Leonard Bernstein Music Publishing Co., LLC part of: West Side Story	José Carreras		2:34
7	A Chorus Line: What I Did for Love	Gillian Scalici		3:58
8	Jesus Christ Superstar: I Don't Know How to Love Him instrumental recording of: I Don’t Know How to Love Him lyricist: Tim Rice composer: Andrew Lloyd Webber (English composer and impresario of musical theatre) publisher: Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Leeds Music (MCA), Leeds Music Ltd., MCA Music Ltd., Universal/MCA Music (music publisher; do not use as release label!) and Universal/MCA Music Ltd. (not for release label use!) part of: Jesus Christ Superstar (Andrew Lloyd Webber musical)	Richard Clayderman		4:03
9	Les Misérables: Mein Herz ruft nach dir	Martina Dorak, Felix Martin & Jane Comerford		2:29
10	Chess: Ich kann ihn versteh'n	Angelika Milster & Dagmar Hellberg		4:16
11	Cabaret: Cabaret	Liza Minnelli		4:27
12	La cage aux folles: Ich bin was ich bin	Helmut Baumann und das Orchester des Theater des Westens		2:43
13	Can Can: Ganz Paris träumt von der Liebe vocals: Caterina Valente (French-born Italian multilingual singer, guitarist, dancer, and actress) orchestra: Orchester Mike Firestone (in 1954) phonographic copyright (℗) by: [unknown] (special purpose label - DO NOT USE!) (in 1955) recording of: Ganz Paris träumt von der Liebe (in 1954) lyricist and composer: Cole Porter (composer) arranger: Heinz Gietz translator: Kurt Feltz publisher: Chappell & Co. GmbH & Co. KG translated version of: I Love Paris (Can-Can [Pistache, Company])	Caterina Valente		2:51
14	Show Boat: Ol' Man River bass vocals: Simon Estes (bass-baritone) orchestra: Münchner Rundfunkorchester (The Munich Radio Orchestra) conductor: Willie Anthony Waters recording of: Ol’ Man River (Show Boat) lyricist: Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1927) composer: Jerome Kern (in 1927) publisher: PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) and T.B. Harms Co. (on 1927-11-30) part of: Show Boat (1951 film) part of: Show Boat: Act I	Simon Estes		4:14
15	The Man of La Mancha: The Impossible Dream orchestra: Robert Farnon & His Orchestra conductor: Robert Farnon (composer, conductor, trumpet player)	José Carreras		3:49
16	Les Misérables: Ich hab' geträumt	Heidi Brühl		4:22
17	Oklahoma: Oh What a Beautiful Mornin'	Lou Rawls		4:31

Credits

Release

Discogs:	https://www.discogs.com/release/15006045 [info]

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Release information

Barcode:: 4105130940748
Format:: 3×CD
Length:: 3:12:34

Additional details

Type:: Album + Compilation
Packaging:: Other
Status:: Official
Language:: German
Script:: Latin
Data quality:: Normal

Labels

BMG Ariola Special Projects
74321 30312 2

Release events

Germany
1995

Release group rating

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Last updated on 2021-06-16 11:00 UTC