Tracklist

1CD
#TitleArtistRatingLength
1Kantate, BWV 176 "Es ist ein trotzig und verzagt Ding": I. Coro "Es ist ein trotzig und verzagt Ding"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1980-12)
recording of:
Kantate, BWV 176 "Es ist ein trotzig und verzagt Ding": I. Coro "Es ist ein trotzig und verzagt Ding" (in 1980-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-05-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 176 "Es ist ein trotzig und verzagt Ding"
Johann Sebastian Bach2:43
2Kantate, BWV 176 "Es ist ein trotzig und verzagt Ding": II. Recitativo (Alto) "Ich meine, recht verzagt"
alto vocals:
Carolyn Watkinson (mezzo-soprano and contralto)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1980-12)
recording of:
Kantate, BWV 176 "Es ist ein trotzig und verzagt Ding": II. Recitativo (Alt) "Ich meine, recht verzagt" (in 1980-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-05-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Christiana Mariana von Ziegler (in 1728)
part of:
Kantate, BWV 176 "Es ist ein trotzig und verzagt Ding"
Johann Sebastian Bach1:00
3Kantate, BWV 176 "Es ist ein trotzig und verzagt Ding": III. Aria (Soprano) "Dein sonst hell beliebter Schein"
soprano vocals:
Inga Nielsen (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1980-12)
recording of:
Kantate, BWV 176 "Es ist ein trotzig und verzagt Ding": III. Aria (Sopran) "Dein sonst hell beliebter Schein" (in 1980-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-05-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Christiana Mariana von Ziegler (in 1728)
part of:
Kantate, BWV 176 "Es ist ein trotzig und verzagt Ding"
Johann Sebastian Bach3:12
4Kantate, BWV 176 "Es ist ein trotzig und verzagt Ding": IV. Recitativo (Basso) "So wundre dich, o Meister, nicht"
bass vocals:
Walter Heldwein
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1980-12)
recording of:
Kantate, BWV 176 "Es ist ein trotzig und verzagt Ding": IV. Recitativo (Bass) "So wundre dich, o Meister, nicht" (in 1980-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-05-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Christiana Mariana von Ziegler (in 1728)
part of:
Kantate, BWV 176 "Es ist ein trotzig und verzagt Ding"
Johann Sebastian Bach2:02
5Kantate, BWV 176 "Es ist ein trotzig und verzagt Ding": V. Aria (Alto) "Ermuntert euch, furchtsam und schüchterne Sinne"
alto vocals:
Carolyn Watkinson (mezzo-soprano and contralto)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1980-12)
recording of:
Kantate, BWV 176 "Es ist ein trotzig und verzagt Ding": V. Aria (Alt) "Ermuntert euch" (in 1980-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-05-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Christiana Mariana von Ziegler (in 1728)
part of:
Kantate, BWV 176 "Es ist ein trotzig und verzagt Ding"
Johann Sebastian Bach2:37
6Kantate, BWV 176 "Es ist ein trotzig und verzagt Ding": VI. Chorale "Auf daß wir also allzugleich"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1980-12)
recording of:
Kantate, BWV 176 "Es ist ein trotzig und verzagt Ding": VI. Choral "Auf daß wir also allzugleich" (in 1980-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-05-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Paul Gerhardt (17th century hymn writer) (in 1653)
part of:
Breitkopf 389 Choralgesänge (number: 45)
part of:
Kantate, BWV 176 "Es ist ein trotzig und verzagt Ding"
Johann Sebastian Bach1:40
7Kantate, BWV 20, "O Ewigkeit, du Donnerwort": Teil I, I. Chorale "O Ewigkeit, du Donnertwort"
choir vocals:
Frankfurter Kantorei (from 1970-06 until 1970-07)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1970-06 until 1970-07)
conductor:
Helmuth Rilling (conductor) (from 1970-06 until 1970-07)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1970-06 until 1970-07)
recording of:
Kantate, BWV 20, "O Ewigkeit, du Donnerwort": Teil I, I. Chorale "O Ewigkeit, du Donnertwort" (from 1970-06 until 1970-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 20 "O Ewigkeit, du Donnerwort"
Johann Sebastian Bach6:37
8Kantate, BWV 20, "O Ewigkeit, du Donnerwort": Teil I, II. Recitativo (Tenore) "Kein Unglück ist in aller Welt zu finden"
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1970-06 until 1970-07)
conductor:
Helmuth Rilling (conductor) (from 1970-06 until 1970-07)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1970-06 until 1970-07)
recording of:
Kantate, BWV 20, "O Ewigkeit, du Donnerwort": Teil I, II. Recitativo (Tenore) "Kein Unglück ist in aller Welt zu finden" (from 1970-06 until 1970-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 20 "O Ewigkeit, du Donnerwort"
Johann Sebastian Bach1:02
9Kantate, BWV 20, "O Ewigkeit, du Donnerwort": Teil I, III. Aria (Tenore) "Ewigkeit, du machst mir bange"
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1970-06 until 1970-07)
conductor:
Helmuth Rilling (conductor) (from 1970-06 until 1970-07)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1970-06 until 1970-07)
recording of:
Kantate, BWV 20, "O Ewigkeit, du Donnerwort": Teil I, III. Aria (Tenore) "Ewigkeit, du machst mir bange" (from 1970-06 until 1970-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 20 "O Ewigkeit, du Donnerwort"
Johann Sebastian Bach3:59
10Kantate, BWV 20, "O Ewigkeit, du Donnerwort": Teil I, IV. Recitativo (Basso) "Gesetzt, es dau'rte der Verdammten Qual"
bass vocals:
Wolfgang Schöne (bass-baritone) (from 1970-06 until 1970-07)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1970-06 until 1970-07)
conductor:
Helmuth Rilling (conductor) (from 1970-06 until 1970-07)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1970-06 until 1970-07)
recording of:
Kantate, BWV 20, "O Ewigkeit, du Donnerwort": Teil I, IV. Recitativo (Basso) "Gesetzt, es dau'rte der Verdammten Qual" (from 1970-06 until 1970-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 20 "O Ewigkeit, du Donnerwort"
Johann Sebastian Bach1:39
11Kantate, BWV 20, "O Ewigkeit, du Donnerwort": Teil I, V. Aria (Basso) "Gott ist gerecht in seinen Werken"
bass vocals:
Wolfgang Schöne (bass-baritone) (from 1970-06 until 1970-07)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1970-06 until 1970-07)
conductor:
Helmuth Rilling (conductor) (from 1970-06 until 1970-07)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1970-06 until 1970-07)
recording of:
Kantate, BWV 20, "O Ewigkeit, du Donnerwort": Teil I, V. Aria (Basso) "Gott ist gerecht in seinen Werken" (from 1970-06 until 1970-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 20 "O Ewigkeit, du Donnerwort"
Johann Sebastian Bach5:49
12Kantate, BWV 20, "O Ewigkeit, du Donnerwort": Teil I, VI. Aria (Alto) "O Mensch, errette deine Seele"
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1970-06 until 1970-07)
conductor:
Helmuth Rilling (conductor) (from 1970-06 until 1970-07)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1970-06 until 1970-07)
recording of:
Kantate, BWV 20, "O Ewigkeit, du Donnerwort": Teil I, VI. Aria (Alto) "O Mensch, errette deine Seele" (from 1970-06 until 1970-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 20 "O Ewigkeit, du Donnerwort"
Johann Sebastian Bach3:20
13Kantate, BWV 20, "O Ewigkeit, du Donnerwort": Teil I, VII. Chorale "Solang ein Gott im Himmel lebt"
choir vocals:
Frankfurter Kantorei (from 1970-06 until 1970-07)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1970-06 until 1970-07)
conductor:
Helmuth Rilling (conductor) (from 1970-06 until 1970-07)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1970-06 until 1970-07)
recording of:
Kantate, BWV 20, "O Ewigkeit, du Donnerwort": Teil I, VII. Chorale "Solang ein Gott im Himmel lebt" (from 1970-06 until 1970-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 20 "O Ewigkeit, du Donnerwort"
Johann Sebastian Bach1:22
14Kantate, BWV 20, "O Ewigkeit, du Donnerwort": Teil II, VIII. Aria (Basso) "Wacht auf, wacht auf, verlorne Schafe"
bass vocals:
Wolfgang Schöne (bass-baritone) (from 1970-06 until 1970-07)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1970-06 until 1970-07)
conductor:
Helmuth Rilling (conductor) (from 1970-06 until 1970-07)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1970-06 until 1970-07)
recording of:
Kantate, BWV 20, "O Ewigkeit, du Donnerwort": Teil II, VIII. Aria (Basso) "Wacht auf, wacht auf, verlorne Schafe" (from 1970-06 until 1970-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 20 "O Ewigkeit, du Donnerwort"
Johann Sebastian Bach3:01
15Kantate, BWV 20, "O Ewigkeit, du Donnerwort": Teil II, IX. Recitativo (Alto) "Verlaß, o Mensch, die Wollust dieser Welt"
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1970-06 until 1970-07)
conductor:
Helmuth Rilling (conductor) (from 1970-06 until 1970-07)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1970-06 until 1970-07)
recording of:
Kantate, BWV 20, "O Ewigkeit, du Donnerwort": Teil II, IX. Recitativo (Alto) "Verlaß, o Mensch, die Wollust dieser Welt" (from 1970-06 until 1970-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 20 "O Ewigkeit, du Donnerwort"
Johann Sebastian Bach1:32
16Kantate, BWV 20, "O Ewigkeit, du Donnerwort": Teil II, X. Aria (Duetto: Alto, Tenore) "O Menschenkind, hör auf geschwind"
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1970-06 until 1970-07)
conductor:
Helmuth Rilling (conductor) (from 1970-06 until 1970-07)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1970-06 until 1970-07)
recording of:
Kantate, BWV 20, "O Ewigkeit, du Donnerwort": Teil II, X. Aria (Duetto: Alto, Tenore) "O Menschenkind, hör auf geschwind" (from 1970-06 until 1970-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 20 "O Ewigkeit, du Donnerwort"
Johann Sebastian Bach3:28
17Kantate, BWV 20, "O Ewigkeit, du Donnerwort": Teil II, XI. Chorale "O Ewigkeit, du Donnerwort"
choir vocals:
Frankfurter Kantorei (from 1970-06 until 1970-07)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1970-06 until 1970-07)
conductor:
Helmuth Rilling (conductor) (from 1970-06 until 1970-07)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1970-06 until 1970-07)
recording of:
Kantate, BWV 20, "O Ewigkeit, du Donnerwort": Teil II, XI. Chorale "O Ewigkeit, du Donnerwort" (from 1970-06 until 1970-07)
lyricist:
Johann von Rist
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 276)
part of:
Kantate, BWV 20 "O Ewigkeit, du Donnerwort"
Johann Sebastian Bach1:30
18Kantate, BWV 2 "Ach Gott, vom Himmel sieh darein": I. Coro "Ach Gott, vom Himmel sieh darein"
recording engineer:
Teije van Geest (engineer/producer)
producer:
Richard Hauck (engineer/producer) (task: recording supervisor)
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1979-02)
recording of:
Kantate, BWV 2 "Ach Gott, vom Himmel sieh darein": I. Coro "Ach Gott, vom Himmel sieh darein" (from 1980-02 until 1980-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-06-18)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 2 "Ach Gott, vom Himmel sieh darein"
Johann Sebastian Bach4:06
19Kantate, BWV 2 "Ach Gott, vom Himmel sieh darein": II. Recitativo (Tenore) "Sie lehren eitel falsche List"
recording engineer:
Teije van Geest (engineer/producer)
producer:
Richard Hauck (engineer/producer) (task: recording supervisor)
tenor vocals:
Aldo Baldin (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1979-02)
recording of:
Kantate, BWV 2 "Ach Gott, vom Himmel sieh darein": II. Recitativo (Tenore) "Sie lehren eitel falsche List" (from 1980-02 until 1980-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-06-18)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 2 "Ach Gott, vom Himmel sieh darein"
Johann Sebastian Bach1:20
20Kantate, BWV 2 "Ach Gott, vom Himmel sieh darein": III. Aria (Alto) "Tilg, o Gott, die Lehren"
recording engineer:
Teije van Geest (engineer/producer)
producer:
Richard Hauck (engineer/producer) (task: recording supervisor)
alto vocals:
Helen Watts (contralto)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1979-02)
recording of:
Kantate, BWV 2 "Ach Gott, vom Himmel sieh darein": III. Aria (Alto) "Tilg, o Gott, die Lehren" (from 1980-02 until 1980-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-06-18)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 2 "Ach Gott, vom Himmel sieh darein"
Johann Sebastian Bach3:40
21Kantate, BWV 2 "Ach Gott, vom Himmel sieh darein": IV. Recitativo (Basso) "Die Armen sind verstört"
recording engineer:
Teije van Geest (engineer/producer)
producer:
Richard Hauck (engineer/producer) (task: recording supervisor)
bass vocals:
Walter Heldwein
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1979-02)
recording of:
Kantate, BWV 2 "Ach Gott, vom Himmel sieh darein": IV. Recitativo (Basso) "Die Armen sind verstört" (from 1980-02 until 1980-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-06-18)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 2 "Ach Gott, vom Himmel sieh darein"
Johann Sebastian Bach1:46
22Kantate, BWV 2 "Ach Gott, vom Himmel sieh darein": V. Aria (Tenore) "Durchs Feuer wird das Silber rein"
recording engineer:
Teije van Geest (engineer/producer)
producer:
Richard Hauck (engineer/producer) (task: recording supervisor)
tenor vocals:
Aldo Baldin (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1979-02)
recording of:
Kantate, BWV 2 "Ach Gott, vom Himmel sieh darein": V. Aria (Tenore) "Durchs Feuer wird das Silber rein" (from 1980-02 until 1980-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-06-18)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 2 "Ach Gott, vom Himmel sieh darein"
Johann Sebastian Bach6:16
23Kantate, BWV 2 "Ach Gott, vom Himmel sieh darein": VI. Choral "Das wollst du, Gott, bewahren rein"
recording engineer:
Teije van Geest (engineer/producer)
producer:
Richard Hauck (engineer/producer) (task: recording supervisor)
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1979-02)
recording of:
Kantate, BWV 2 "Ach Gott, vom Himmel sieh darein": VI. Choral "Das wollst du, Gott, bewahren rein" (from 1980-02 until 1980-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-06-18)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Breitkopf 389 Choralgesänge (number: 7)
part of:
Kantate, BWV 2 "Ach Gott, vom Himmel sieh darein"
Johann Sebastian Bach1:01

Credits

Release

ASIN:DE: B000025YOY [info]

Release group

part of:Die Bach Kantate (Hänssler Classic/Laudate series) (number: 39) (order: 10)