Messiah (Platinum Edition)

~ Release by George Frederick Handel; The London Philharmonic Orchestra, The London Philharmonic Choir, John Alldis (see all versions of this release, 2 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Overture
engineer:
Bob Auger (Robert Auger, engineer)
executive producer:
Billy Ray Hearn
producer:
Irving Martin
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1979)
conductor:
John Alldis (chorusmaster and conductor) (in 1979)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1979)
recording of:
Messiah, HWV 56: Part I, no. 1. Symphony (in 1979)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frederick Handel4:05
2Tenor Recitative / Comfort Ye My People
engineer:
Bob Auger (Robert Auger, engineer)
executive producer:
Billy Ray Hearn
producer:
Irving Martin
choir vocals:
London Philharmonic Choir (in 1979)
tenor vocals:
Philip Langridge (tenor) (in 1979)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1979)
conductor:
John Alldis (chorusmaster and conductor) (in 1979)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1979)
recording of:
Messiah, HWV 56: Part I, no. 2. Recitativo “Comfort Ye” (Tenor) (in 1979)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frederick Handel3:01
3Tenor Aria / Every Valley Shall Be Exalted
engineer:
Bob Auger (Robert Auger, engineer)
executive producer:
Billy Ray Hearn
producer:
Irving Martin
choir vocals:
London Philharmonic Choir (in 1979)
tenor vocals:
Philip Langridge (tenor) (in 1979)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1979)
conductor:
John Alldis (chorusmaster and conductor) (in 1979)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1979)
recording of:
Messiah, HWV 56: Part I, no. 3. Air “Ev’ry valley shall be exalted” (Tenor) (in 1979)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frederick Handel3:48
4Chorus / And the Glory of the Lord
engineer:
Bob Auger (Robert Auger, engineer)
executive producer:
Billy Ray Hearn
producer:
Irving Martin
choir vocals:
London Philharmonic Choir (in 1979)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1979)
conductor:
John Alldis (chorusmaster and conductor) (in 1979)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1979)
recording of:
Messiah, HWV 56: Part I, no. 4. Chorus “And the glory of the Lord” (in 1979)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frederick Handel3:05
5Bass Recitative / Thus Saith the Lord
engineer:
Bob Auger (Robert Auger, engineer)
executive producer:
Billy Ray Hearn
producer:
Irving Martin
bass vocals:
Ulrik Cold (operatic bass) (in 1979)
choir vocals:
London Philharmonic Choir (in 1979)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1979)
conductor:
John Alldis (chorusmaster and conductor) (in 1979)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1979)
recording of:
Messiah, HWV 56: Part I, no. 5. Recitative “Thus saith the Lord” (Bass) (in 1979)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frederick Handel1:38
6Bass Aria / But Who May Abide the Day of His Coming?
engineer:
Bob Auger (Robert Auger, engineer)
executive producer:
Billy Ray Hearn
producer:
Irving Martin
bass vocals:
Ulrik Cold (operatic bass) (in 1979)
choir vocals:
London Philharmonic Choir (in 1979)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1979)
conductor:
John Alldis (chorusmaster and conductor) (in 1979)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1979)
recording of:
Messiah, HWV 56: Part I, no. 6. Air “But who may abide” (in 1979)
composer:
George Frideric Handel (German‐British baroque composer)
version of:
Messiah, HWV 56: Alternative Arias: Air. “But who may abide the day of His coming?” (1741)
part of:
Messiah, HWV 56: Part I
George Frederick Handel5:08
7Chorus / And He Shall Purify
engineer:
Bob Auger (Robert Auger, engineer)
executive producer:
Billy Ray Hearn
producer:
Irving Martin
choir vocals:
London Philharmonic Choir (in 1979)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1979)
conductor:
John Alldis (chorusmaster and conductor) (in 1979)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1979)
recording of:
Messiah, HWV 56: Part I, no. 7. Chorus “And he shall purify” (in 1979)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frederick Handel2:42
8Contralto Recitative / Behold, A Virgin Shall Concieve
engineer:
Bob Auger (Robert Auger, engineer)
executive producer:
Billy Ray Hearn
producer:
Irving Martin
choir vocals:
London Philharmonic Choir (in 1979)
contralto vocals:
Alfreda Hodgson (contralto) (in 1979)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1979)
conductor:
John Alldis (chorusmaster and conductor) (in 1979)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1979)
recording of:
Messiah, HWV 56: Part I, no. 8. Recitative “Behold, a virgin shall conceive” (Alto) (in 1979)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frederick Handel0:25
9Contralto Aria and Chorus / Oh Thou that Tellest Good Tidings to Zion
engineer:
Bob Auger (Robert Auger, engineer)
executive producer:
Billy Ray Hearn
producer:
Irving Martin
choir vocals:
London Philharmonic Choir (in 1979)
contralto vocals:
Alfreda Hodgson (contralto) (in 1979)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1979)
conductor:
John Alldis (chorusmaster and conductor) (in 1979)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1979)
recording of:
Messiah, HWV 56: Part I, no. 9. Air “O Thou that tellest good tidings to Zion” (Alto, Chorus) (in 1979)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frederick Handel6:23
10Bass Recitative / For, Behold, A Darkness Shall Cover the Earth
engineer:
Bob Auger (Robert Auger, engineer)
executive producer:
Billy Ray Hearn
producer:
Irving Martin
bass vocals:
Ulrik Cold (operatic bass) (in 1979)
choir vocals:
London Philharmonic Choir (in 1979)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1979)
conductor:
John Alldis (chorusmaster and conductor) (in 1979)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1979)
recording of:
Messiah, HWV 56: Part I, no. 10. Recitative “For behold, darkness shall cover the earth” (Bass) (in 1979)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frederick Handel2:18
11Bass Aria / The People That Walked In Darkness
engineer:
Bob Auger (Robert Auger, engineer)
executive producer:
Billy Ray Hearn
producer:
Irving Martin
bass vocals:
Ulrik Cold (operatic bass) (in 1979)
choir vocals:
London Philharmonic Choir (in 1979)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1979)
conductor:
John Alldis (chorusmaster and conductor) (in 1979)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1979)
recording of:
Messiah, HWV 56: Part I, no. 11. Air “The people that walked in darkness” (Bass) (in 1979)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part I
George Frederick Handel4:08
12Chorus / For Unto Us a Child is Born
engineer:
Bob Auger (Robert Auger, engineer)
executive producer:
Billy Ray Hearn
producer:
Irving Martin
choir vocals:
London Philharmonic Choir (in 1979)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1979)
conductor:
John Alldis (chorusmaster and conductor) (in 1979)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1979)
recording of:
Messiah, HWV 56: Part I, no. 12. Chorus “For unto us a Child is born” (in 1979)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frederick Handel4:33
13Pastoral Symphony
engineer:
Bob Auger (Robert Auger, engineer)
executive producer:
Billy Ray Hearn
producer:
Irving Martin
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1979)
conductor:
John Alldis (chorusmaster and conductor) (in 1979)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1979)
recording of:
Messiah, HWV 56: Part I, no. 13. Pastoral Symphony (Pifa) (in 1979)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frederick Handel3:39
14Soprano Recitative / There Were Shepherds Abiding in the Field
engineer:
Bob Auger (Robert Auger, engineer)
executive producer:
Billy Ray Hearn
producer:
Irving Martin
choir vocals:
London Philharmonic Choir (in 1979)
soprano vocals:
Felicity Lott (soprano) (in 1979)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1979)
conductor:
John Alldis (chorusmaster and conductor) (in 1979)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1979)
recording of:
Messiah, HWV 56: Part I, no. 14. Recitative “There were shepherds, abiding in the field… And lo! the angel of the Lord come upon them” (Soprano) (in 1979)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frederick Handel0:44
15Soprano Recitative / And the Angel Said Unto Them
engineer:
Bob Auger (Robert Auger, engineer)
executive producer:
Billy Ray Hearn
producer:
Irving Martin
choir vocals:
London Philharmonic Choir (in 1979)
soprano vocals:
Felicity Lott (soprano) (in 1979)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1979)
conductor:
John Alldis (chorusmaster and conductor) (in 1979)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1979)
recording of:
Messiah, HWV 56: Part I, no. 15. Recitative “And the angel said unto them” (Soprano) (in 1979)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part I
George Frederick Handel0:42
16Soprano Recitative / And Suddenly There Was with the Angel
engineer:
Bob Auger (Robert Auger, engineer)
executive producer:
Billy Ray Hearn
producer:
Irving Martin
choir vocals:
London Philharmonic Choir (in 1979)
soprano vocals:
Felicity Lott (soprano) (in 1979)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1979)
conductor:
John Alldis (chorusmaster and conductor) (in 1979)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1979)
recording of:
Messiah, HWV 56: Part I, no. 16. Recitative “And suddenly there was with the angel” (Soprano) (in 1979)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part I
George Frederick Handel0:18
17Chorus / Glory to God
engineer:
Bob Auger (Robert Auger, engineer)
executive producer:
Billy Ray Hearn
producer:
Irving Martin
choir vocals:
London Philharmonic Choir (in 1979)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1979)
conductor:
John Alldis (chorusmaster and conductor) (in 1979)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1979)
recording of:
Messiah, HWV 56: Part I, no. 17. Chorus “Glory to God in the highest” (in 1979)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frederick Handel2:07
18Soprano Aria / Rejoice Greatly, O Daughter of Zion
engineer:
Bob Auger (Robert Auger, engineer)
executive producer:
Billy Ray Hearn
producer:
Irving Martin
choir vocals:
London Philharmonic Choir (in 1979)
soprano vocals:
Felicity Lott (soprano) (in 1979)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1979)
conductor:
John Alldis (chorusmaster and conductor) (in 1979)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1979)
recording of:
Messiah, HWV 56: Part I, no. 18: Air “Rejoice greatly, O daughter of Zion” (Soprano) (in 1979)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
version of:
Messiah, HWV 56: Alternative Arias: Air. “Rejoice greatly, O daughter of Zion” (1741)
part of:
Messiah, HWV 56: Part I
George Frederick Handel4:42
19Contralto Recitative / Then Shall the Eyes of the Blind be Opened
engineer:
Bob Auger (Robert Auger, engineer)
executive producer:
Billy Ray Hearn
producer:
Irving Martin
choir vocals:
London Philharmonic Choir (in 1979)
contralto vocals:
Alfreda Hodgson (contralto) (in 1979)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1979)
conductor:
John Alldis (chorusmaster and conductor) (in 1979)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1979)
recording of:
Messiah, HWV 56: Part I, no. 19. Recitativo “Then shall the eyes of the blind” (Contralto) (in 1979)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frederick Handel0:28
20Contralto Aria and Soprano Aria / He Shall Feed His Flock Like a Shepherd
engineer:
Bob Auger (Robert Auger, engineer)
executive producer:
Billy Ray Hearn
producer:
Irving Martin
choir vocals:
London Philharmonic Choir (in 1979)
contralto vocals:
Alfreda Hodgson (contralto) (in 1979)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1979)
conductor:
John Alldis (chorusmaster and conductor) (in 1979)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1979)
recording of:
Messiah, HWV 56: Part I, no. 20. Air “He Shall Feed His Flock” (Soprano, Contralto) (in 1979)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part I
George Frederick Handel6:01
21Chorus / His Yoke is Easy, And His Burthen is Light
engineer:
Bob Auger (Robert Auger, engineer)
executive producer:
Billy Ray Hearn
producer:
Irving Martin
choir vocals:
London Philharmonic Choir (in 1979)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1979)
conductor:
John Alldis (chorusmaster and conductor) (in 1979)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1979)
recording of:
Messiah, HWV 56: Part I, no. 21. Chorus “His yoke is easy” (in 1979)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frederick Handel2:26
22Chorus / Behold The Lamb of God
engineer:
Bob Auger (Robert Auger, engineer)
executive producer:
Billy Ray Hearn
producer:
Irving Martin
choir vocals:
London Philharmonic Choir (in 1979)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1979)
conductor:
John Alldis (chorusmaster and conductor) (in 1979)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1979)
recording of:
Messiah, HWV 56: Part II, no. 22. Chorus “Behold the Lamb of God” (in 1979)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frederick Handel3:22
23Contralto Aria / He Was Despised
engineer:
Bob Auger (Robert Auger, engineer)
executive producer:
Billy Ray Hearn
producer:
Irving Martin
choir vocals:
London Philharmonic Choir (in 1979)
contralto vocals:
Alfreda Hodgson (contralto) (in 1979)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1979)
conductor:
John Alldis (chorusmaster and conductor) (in 1979)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1979)
recording of:
Messiah, HWV 56: Part II, no. 23. Air “He was despised” (Alto) (in 1979)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frederick Handel4:55
2▼CD
#TitleArtistRatingLength
1Chorus / Surely He Hath Borne Our Griefs
engineer:
Bob Auger (Robert Auger, engineer)
executive producer:
Billy Ray Hearn
producer:
Irving Martin
choir vocals:
London Philharmonic Choir (in 1979)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1979)
conductor:
John Alldis (chorusmaster and conductor) (in 1979)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1979)
recording of:
Messiah, HWV 56: Part II, no. 24. Chorus “Surely he hath borne our griefs” (in 1979)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frederick Handel2:13
2Chorus / And With His Stripes We Are Healed
engineer:
Bob Auger (Robert Auger, engineer)
executive producer:
Billy Ray Hearn
producer:
Irving Martin
choir vocals:
London Philharmonic Choir (in 1979)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1979)
conductor:
John Alldis (chorusmaster and conductor) (in 1979)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1979)
recording of:
Messiah, HWV 56: Part II, no. 25. Chorus “And with his stripes” (in 1979)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frederick Handel2:37
3Chorus / All We Like Sheep Have Gone Astray
engineer:
Bob Auger (Robert Auger, engineer)
executive producer:
Billy Ray Hearn
producer:
Irving Martin
choir vocals:
London Philharmonic Choir (in 1979)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1979)
conductor:
John Alldis (chorusmaster and conductor) (in 1979)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1979)
recording of:
Messiah, HWV 56: Part II, no. 26. Chorus “All we like sheep” (in 1979)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frederick Handel3:46
4Tenor Recitative / All They That See Him Laugh Him to Scorn
engineer:
Bob Auger (Robert Auger, engineer)
executive producer:
Billy Ray Hearn
producer:
Irving Martin
choir vocals:
London Philharmonic Choir (in 1979)
tenor vocals:
Philip Langridge (tenor) (in 1979)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1979)
conductor:
John Alldis (chorusmaster and conductor) (in 1979)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1979)
recording of:
Messiah, HWV 56: Part II, no. 27. Recitative “All they that see him” (Tenor) (in 1979)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frederick Handel0:48
5Chorus / He Trusted In God That He Would Deliver Him
engineer:
Bob Auger (Robert Auger, engineer)
executive producer:
Billy Ray Hearn
producer:
Irving Martin
choir vocals:
London Philharmonic Choir (in 1979)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1979)
conductor:
John Alldis (chorusmaster and conductor) (in 1979)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1979)
recording of:
Messiah, HWV 56: Part II, no. 28. Chorus “He trusted in God” (in 1979)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frederick Handel2:21
6Tenor Recitative / Thy Rebuke Hath Broken His Heart
engineer:
Bob Auger (Robert Auger, engineer)
executive producer:
Billy Ray Hearn
producer:
Irving Martin
choir vocals:
London Philharmonic Choir (in 1979)
tenor vocals:
Philip Langridge (tenor) (in 1979)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1979)
conductor:
John Alldis (chorusmaster and conductor) (in 1979)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1979)
recording of:
Messiah, HWV 56: Part II, no. 29. Recitative “Thy rebuke hath broken his heart” (Tenor) (in 1979)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frederick Handel1:51
7Tenor Arioso / Behold, And See If There Be Any Sorrow
engineer:
Bob Auger (Robert Auger, engineer)
executive producer:
Billy Ray Hearn
producer:
Irving Martin
choir vocals:
London Philharmonic Choir (in 1979)
tenor vocals:
Philip Langridge (tenor) (in 1979)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1979)
conductor:
John Alldis (chorusmaster and conductor) (in 1979)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1979)
recording of:
Messiah, HWV 56: Part II, no. 30. Arioso “Behold and see” (Tenor) (in 1979)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part II
George Frederick Handel1:36
8Tenor Recitative / He Was Cut Off Out Of The Land of the Living
engineer:
Bob Auger (Robert Auger, engineer)
executive producer:
Billy Ray Hearn
producer:
Irving Martin
choir vocals:
London Philharmonic Choir (in 1979)
tenor vocals:
Philip Langridge (tenor) (in 1979)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1979)
conductor:
John Alldis (chorusmaster and conductor) (in 1979)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1979)
recording of:
Messiah, HWV 56: Part II, no. 31. Recitative “He was cut off out of the land of the living…” (soprano) (in 1979)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frederick Handel0:21
9Tenor Aria / But Thou Didst Not Leave His Soul In Hell
engineer:
Bob Auger (Robert Auger, engineer)
executive producer:
Billy Ray Hearn
producer:
Irving Martin
choir vocals:
London Philharmonic Choir (in 1979)
tenor vocals:
Philip Langridge (tenor) (in 1979)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1979)
conductor:
John Alldis (chorusmaster and conductor) (in 1979)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1979)
recording of:
Messiah, HWV 56: Part II, no. 32. “But thou didst not leave His soul in hell…” (soprano) (in 1979)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part II
George Frederick Handel2:47
10Chorus / Live Up Your Heads, O Ye Gates
engineer:
Bob Auger (Robert Auger, engineer)
executive producer:
Billy Ray Hearn
producer:
Irving Martin
choir vocals:
London Philharmonic Choir (in 1979)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1979)
conductor:
John Alldis (chorusmaster and conductor) (in 1979)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1979)
recording of:
Messiah, HWV 56: Part II, no. 33. Chorus “Lift up your heads” (in 1979)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frederick Handel3:38
11Soprano Aria / How Beautiful Are The Feet of Them
engineer:
Bob Auger (Robert Auger, engineer)
executive producer:
Billy Ray Hearn
producer:
Irving Martin
choir vocals:
London Philharmonic Choir (in 1979)
soprano vocals:
Felicity Lott (soprano) (in 1979)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1979)
conductor:
John Alldis (chorusmaster and conductor) (in 1979)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1979)
recording of:
Messiah, HWV 56: Part II, no. 38. Duet “How beautiful are the feet…” (Soprano, Alto & Chorus) (in 1979)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
is based on:
Messiah, HWV 56: Part II, no. 38. Aria “How beautiful are the feet…” (Soprano) (soprano aria version without chorus)
part of:
Messiah, HWV 56: Part II
George Frederick Handel2:46
12Chorus / Their Sound is Gone Out Into All Lands
engineer:
Bob Auger (Robert Auger, engineer)
executive producer:
Billy Ray Hearn
producer:
Irving Martin
choir vocals:
London Philharmonic Choir (in 1979)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1979)
conductor:
John Alldis (chorusmaster and conductor) (in 1979)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1979)
recording of:
Messiah, HWV 56: Part II, no. 39. Arioso “Their sound is gone out” (Tenor) (in 1979)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frederick Handel1:55
13Bass Aria / Why Do The Nations So Furiously Rage?
engineer:
Bob Auger (Robert Auger, engineer)
executive producer:
Billy Ray Hearn
producer:
Irving Martin
bass vocals:
Ulrik Cold (operatic bass) (in 1979)
choir vocals:
London Philharmonic Choir (in 1979)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1979)
conductor:
John Alldis (chorusmaster and conductor) (in 1979)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1979)
recording of:
Messiah, HWV 56: Part II, no. 40. Air “Why do the nations” (Bass) (in 1979)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frederick Handel3:15
14Chorus / Let Us Break Their Bonds Asunder
engineer:
Bob Auger (Robert Auger, engineer)
executive producer:
Billy Ray Hearn
producer:
Irving Martin
choir vocals:
London Philharmonic Choir (in 1979)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1979)
conductor:
John Alldis (chorusmaster and conductor) (in 1979)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1979)
recording of:
Messiah, HWV 56: Part II, no. 41. Chorus “Let us Break Their Bonds Asunder” (in 1979)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frederick Handel1:51
15Tenor Recitative / He That Dwelleth in Heaven
engineer:
Bob Auger (Robert Auger, engineer)
executive producer:
Billy Ray Hearn
producer:
Irving Martin
choir vocals:
London Philharmonic Choir (in 1979)
tenor vocals:
Philip Langridge (tenor) (in 1979)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1979)
conductor:
John Alldis (chorusmaster and conductor) (in 1979)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1979)
recording of:
Messiah, HWV 56: Part II, no. 42. Recitative “He that dwelleth in heaven…” (tenor) (in 1979)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frederick Handel0:17
16Tenor Aria / Thou Shalt Break Them
engineer:
Bob Auger (Robert Auger, engineer)
executive producer:
Billy Ray Hearn
producer:
Irving Martin
choir vocals:
London Philharmonic Choir (in 1979)
tenor vocals:
Philip Langridge (tenor) (in 1979)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1979)
conductor:
John Alldis (chorusmaster and conductor) (in 1979)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1979)
recording of:
Messiah, HWV 56: Part II, no. 43. Air “Thou shalt break them” (Tenor) (in 1979)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part II
George Frederick Handel2:10
17Chorus / Hallelujah!
engineer:
Bob Auger (Robert Auger, engineer)
executive producer:
Billy Ray Hearn
producer:
Irving Martin
choir vocals:
London Philharmonic Choir (in 1979)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1979)
conductor:
John Alldis (chorusmaster and conductor) (in 1979)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1979)
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus: “Hallelujah” (in 1979)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
librettist:
Charles Jennens
part of:
Messiah, HWV 56: Part II
George Frederick Handel4:12
18Soprano Aria / I Know That My Redeemer Liveth
engineer:
Bob Auger (Robert Auger, engineer)
executive producer:
Billy Ray Hearn
producer:
Irving Martin
choir vocals:
London Philharmonic Choir (in 1979)
soprano vocals:
Felicity Lott (soprano) (in 1979)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1979)
conductor:
John Alldis (chorusmaster and conductor) (in 1979)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1979)
recording of:
Messiah, HWV 56: Part III, no. 45. Air “I know that my Redeemer liveth” (Soprano) (in 1979)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
George Frederick Handel7:20
19Chorus / Since By Man Came Death
engineer:
Bob Auger (Robert Auger, engineer)
executive producer:
Billy Ray Hearn
producer:
Irving Martin
choir vocals:
London Philharmonic Choir (in 1979)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1979)
conductor:
John Alldis (chorusmaster and conductor) (in 1979)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1979)
recording of:
Messiah, HWV 56: Part III, no. 46. Chorus “Since by man came death” (in 1979)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
George Frederick Handel2:06
20Bass Recitative / Behold, I Tell You A Mystery
engineer:
Bob Auger (Robert Auger, engineer)
executive producer:
Billy Ray Hearn
producer:
Irving Martin
bass vocals:
Ulrik Cold (operatic bass) (in 1979)
choir vocals:
London Philharmonic Choir (in 1979)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1979)
conductor:
John Alldis (chorusmaster and conductor) (in 1979)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1979)
recording of:
Messiah, HWV 56: Part III, no. 47. Recitativo “Behold, I tell you a mystery” (Bass) (in 1979)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
George Frederick Handel0:36
21Bass Aria / The Trumpet Shall Sound
engineer:
Bob Auger (Robert Auger, engineer)
executive producer:
Billy Ray Hearn
producer:
Irving Martin
bass vocals:
Ulrik Cold (operatic bass) (in 1979)
choir vocals:
London Philharmonic Choir (in 1979)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1979)
conductor:
John Alldis (chorusmaster and conductor) (in 1979)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1979)
recording of:
Messiah, HWV 56: Part III, no. 48. Air “The trumpet shall sound” (Bass) (in 1979)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
George Frederick Handel4:17
22Contralto Recitative / Then Shall Be Brought to Pass
engineer:
Bob Auger (Robert Auger, engineer)
executive producer:
Billy Ray Hearn
producer:
Irving Martin
choir vocals:
London Philharmonic Choir (in 1979)
contralto vocals:
Alfreda Hodgson (contralto) (in 1979)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1979)
conductor:
John Alldis (chorusmaster and conductor) (in 1979)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1979)
recording of:
Messiah, HWV 56: Part III, no. 49. Recitativo “Then shall be brought to pass” (Alto) (in 1979)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part III
George Frederick Handel0:18
23Contralto And Tenor Duet / O Death, Where is Thy Sting?
engineer:
Bob Auger (Robert Auger, engineer)
executive producer:
Billy Ray Hearn
producer:
Irving Martin
choir vocals:
London Philharmonic Choir (in 1979)
contralto vocals:
Alfreda Hodgson (contralto) (in 1979)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1979)
conductor:
John Alldis (chorusmaster and conductor) (in 1979)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1979)
recording of:
Messiah, HWV 56: Part III, no. 50. Duet “O death, where is thy sting” (Alt & Tenor) (in 1979)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
George Frederick Handel1:05
24Chorus / But Thanks Be to God
engineer:
Bob Auger (Robert Auger, engineer)
executive producer:
Billy Ray Hearn
producer:
Irving Martin
choir vocals:
London Philharmonic Choir (in 1979)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1979)
conductor:
John Alldis (chorusmaster and conductor) (in 1979)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1979)
recording of:
Messiah, HWV 56: Part III, no. 51. Chorus “But thanks be to God…” (in 1979)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
George Frederick Handel2:15
25Soprano Aria / If God Be For Us, Who Can Be Against Us?
engineer:
Bob Auger (Robert Auger, engineer)
executive producer:
Billy Ray Hearn
producer:
Irving Martin
choir vocals:
London Philharmonic Choir (in 1979)
soprano vocals:
Felicity Lott (soprano) (in 1979)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1979)
conductor:
John Alldis (chorusmaster and conductor) (in 1979)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1979)
recording of:
Messiah, HWV 56: Part III, no. 52. Air “If God be for us” (Soprano) (original version for soprano) (in 1979)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
George Frederick Handel5:17
26Chorus / Worthy Is The Lamb
engineer:
Bob Auger (Robert Auger, engineer)
executive producer:
Billy Ray Hearn
producer:
Irving Martin
choir vocals:
London Philharmonic Choir (in 1979)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1979)
conductor:
John Alldis (chorusmaster and conductor) (in 1979)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1979)
recording of:
Messiah, HWV 56: Part III, no. 53. Chorus “Worthy is the Lamb… Amen” (in 1979)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
George Frederick Handel8:40