5 Original Albums

~ Release by Bill Evans (see all versions of this release, 1 available)

Tracklist

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1▼CD: Trio 64
#TitleRatingLength
1Little Lulu
recorded in:
New York, New York, United States (on 1963-12-18)
recording engineer:
Bob Simpson (US jazz engineer/producer) (on 1963-12-18)
producer:
Creed Taylor
bass and double bass [bass]:
Gary Peacock (American jazz bassist) (on 1963-12-18)
drums (drum set):
Paul Motian (US jazz drummer, percussionist & composer) (on 1963-12-18)
piano:
Bill Evans (pianist) (on 1963-12-18)
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1963-12-18)
recording of:
Little Lulu (on 1963-12-18)
writer:
Buddy Kaye, Sidney Lippman (American songwriter) and Fred Wise
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
instrumental recording of:
Little Lulu (on 1963-12-18)
writer:
Buddy Kaye, Sidney Lippman (American songwriter) and Fred Wise
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
cover recording of:
Little Lulu
writer:
Buddy Kaye, Sidney Lippman (American songwriter) and Fred Wise
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
3:52
2A Sleeping Bee
recorded in:
New York, New York, United States (on 1963-12-18)
recording engineer:
Bob Simpson (US jazz engineer/producer) (on 1963-12-18)
producer:
Creed Taylor
bass and double bass [bass]:
Gary Peacock (American jazz bassist) (on 1963-12-18)
drums (drum set):
Paul Motian (US jazz drummer, percussionist & composer) (on 1963-12-18)
piano:
Bill Evans (pianist) (on 1963-12-18)
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1963-12-18)
instrumental cover recording of:
A Sleepin’ Bee (House of Flowers) (on 1963-12-18)
lyricist:
Harold Arlen and Truman Capote
composer:
Harold Arlen
publisher:
Harwin Music and S.A. Music Co.
part of:
House of Flowers
5:30
3Always
recording engineer:
Bob Simpson (US jazz engineer/producer) (on 1963-12-18)
producer:
Creed Taylor
double bass [bass]:
Gary Peacock (American jazz bassist) (on 1963-12-18)
drums (drum set):
Paul Motian (US jazz drummer, percussionist & composer) (on 1963-12-18)
piano:
Bill Evans (pianist) (on 1963-12-18)
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1963-12-18)
instrumental cover recording of:
Always (on 1963-12-18)
lyricist and composer:
Irving Berlin (in 1925)
publisher:
Francis, Day & Hunter Ltd., Irving Berlin Inc. and Irving Berlin Music
4:03
4Santa Claus Is Coming to Town
recording engineer:
Bob Simpson (US jazz engineer/producer) (on 1963-12-18)
producer:
Creed Taylor
double bass [bass]:
Gary Peacock (American jazz bassist) (on 1963-12-18)
drums (drum set):
Paul Motian (US jazz drummer, percussionist & composer) (on 1963-12-18)
piano:
Bill Evans (pianist) (on 1963-12-18)
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1963-12-18)
instrumental recording of:
Santa Claus Is Coming to Town (on 1963-12-18)
lyricist:
Haven Gillespie (in 1932)
composer:
J. Fred Coots (in 1932)
publisher:
EMI Allans Music Australia Pty Ltd, EMI Feist Catalog Inc., EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI United Partnership Ltd., Francis, Day & Hunter Ltd., Haven Gillespie Music Publishing, Jobete Music Co., Inc., Leo Feist Ltd, Leo Feist, Inc., SBK United Partnership and The Songwriters Guild
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
4:25
5I'll See You Again
recording engineer:
Bob Simpson (US jazz engineer/producer) (on 1963-12-18)
producer:
Creed Taylor
double bass [bass]:
Gary Peacock (American jazz bassist) (on 1963-12-18)
drums (drum set):
Paul Motian (US jazz drummer, percussionist & composer) (on 1963-12-18)
piano:
Bill Evans (pianist) (on 1963-12-18)
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1963-12-18)
instrumental recording of:
I’ll See You Again (adapted from Bitter Sweet) (on 1963-12-18)
lyricist and composer:
Noël Coward
arranger:
Saint-Granier
publisher:
Chappell & Co.
arrangement of:
Bitter Sweet, Act I: I’ll See You Again
part of:
Bitter Sweet (Noel Coward operetta)
3:57
6For Heaven's Sake
recording engineer:
Bob Simpson (US jazz engineer/producer) (on 1963-12-18)
producer:
Creed Taylor
double bass [bass]:
Gary Peacock (American jazz bassist) (on 1963-12-18)
drums (drum set):
Paul Motian (US jazz drummer, percussionist & composer) (on 1963-12-18)
piano:
Bill Evans (pianist) (on 1963-12-18)
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1963-12-18)
instrumental cover recording of:
For Heaven’s Sake (on 1963-12-18)
composer:
Elise Bretton, Sherman Edwards and Donald Meyer
publisher:
Songs of Universal, Inc. (BMI)
4:26
7Dancing in the Dark
recording engineer:
Bob Simpson (US jazz engineer/producer) (on 1963-12-18)
producer:
Creed Taylor
double bass [bass]:
Gary Peacock (American jazz bassist) (on 1963-12-18)
drums (drum set):
Paul Motian (US jazz drummer, percussionist & composer) (on 1963-12-18)
piano:
Bill Evans (pianist) (on 1963-12-18)
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1963-12-18)
instrumental recording of:
Dancing in the Dark (on 1963-12-18)
lyricist:
Howard Dietz (librettist)
composer:
Arthur Schwartz
publisher:
Arthur Schwartz Music Ltd., Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (Warner Bros. Music Division) and WC Music Corp.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
The Band Wagon (1953 film)
4:36
8Everything Happens to Me
recording engineer:
Bob Simpson (US jazz engineer/producer) (on 1963-12-18)
producer:
Creed Taylor
double bass [bass]:
Gary Peacock (American jazz bassist) (on 1963-12-18)
drums (drum set):
Paul Motian (US jazz drummer, percussionist & composer) (on 1963-12-18)
piano:
Bill Evans (pianist) (on 1963-12-18)
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1963-12-18)
recording of:
Everything Happens to Me (on 1963-12-18)
lyricist:
Tom Adair
composer:
Matt Dennis (American singer, pianist, band leader)
publisher:
Commander Publications, Dorsey Brothers Music, Embassy Music Corporation and Music Sales Corporation (American copyright holder in both popular and classical music)
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
4:38
2▼CD: A Simple Matter of Conviction
#TitleRatingLength
1A Simple Matter of Conviction
recording engineer:
Rudy van Gelder (on 1966-10-04)
engineer:
Rudy van Gelder
producer:
Creed Taylor
double bass [bass]:
Eddie Gomez (jazz double bassist) (on 1966-10-04)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1966-10-04)
piano:
Bill Evans (pianist) (on 1966-10-04)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1966-10-04)
recording of:
A Simple Matter of Conviction (on 1966-10-04)
composer:
Bill Evans (pianist)
publisher:
Ludlow Music, Inc.
3:20
2Stella by Starlight
recording engineer:
Rudy van Gelder (on 1966-10-04)
engineer:
Rudy van Gelder
producer:
Creed Taylor
double bass [bass]:
Eddie Gomez (jazz double bassist) (on 1966-10-04)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1966-10-04)
piano:
Bill Evans (pianist) (on 1966-10-04)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1966-10-04)
instrumental cover recording of:
Stella by Starlight (on 1966-10-04)
lyricist:
Ned Washington (in 1946)
writer:
Ned Washington and Victor Young (American composer, arranger, violinist & conductor)
composer:
Victor Young (American composer, arranger, violinist & conductor) (in 1944)
publisher:
BMG Music Publishing Ltd. and Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
part of:
The Real Book (compilation of jazz standards, Volume I)
4:11
3Unless It’s You
recording engineer:
Rudy van Gelder (on 1966-10-04)
engineer:
Rudy van Gelder
producer:
Creed Taylor
double bass [bass]:
Eddie Gomez (jazz double bassist) (on 1966-10-04)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1966-10-04)
piano:
Bill Evans (pianist) (on 1966-10-04)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1966-10-04)
recording of:
Orbit (Unless It’s You) (on 1966-10-04)
composer:
Bill Evans (pianist)
publisher:
Ludlow Music, Inc.
3:43
4Laura
recording engineer:
Rudy van Gelder (on 1966-10-04)
engineer:
Rudy van Gelder
producer:
Creed Taylor
double bass [bass]:
Eddie Gomez (jazz double bassist) (on 1966-10-04)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1966-10-04)
piano:
Bill Evans (pianist) (on 1966-10-04)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1966-10-04)
instrumental cover recording of:
Laura (1945 song) (on 1966-10-04)
lyricist:
Johnny Mercer (in 1945)
composer:
David Raksin (in 1944)
publisher:
EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., Robbins Music Corp., Twentieth Century Music Corp. and United Partnership Ltd.
version of:
Laura (original 1944 film theme)
4:19
5My Melancholy Baby
recording engineer:
Rudy van Gelder (on 1966-10-04)
engineer:
Rudy van Gelder
producer:
Creed Taylor
double bass [bass]:
Eddie Gomez (jazz double bassist) (on 1966-10-04)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1966-10-04)
piano:
Bill Evans (pianist) (on 1966-10-04)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1966-10-04)
instrumental cover recording of:
My Melancholy Baby (on 1966-10-04)
lyricist:
George A. Norton (in 1912)
composer:
Ernie Burnett (in 1911)
publisher:
Francis, Day & Hunter Ltd. and Shapiro, Bernstein & Co., Inc.
version of:
Melancholy (original 1911 version of "My Melancholy Baby", lyrics by Maybelle E. Watson)
5:16
6I’m Getting Sentimented Over You
recording engineer:
Rudy van Gelder (on 1966-10-04)
engineer:
Rudy van Gelder
producer:
Creed Taylor
double bass [bass]:
Eddie Gomez (jazz double bassist) (on 1966-10-04)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1966-10-04)
piano:
Bill Evans (pianist) (on 1966-10-04)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1966-10-04)
instrumental cover recording of:
I’m Getting Sentimental Over You (on 1966-10-04)
lyricist:
Ned Washington
composer:
George Bassman
publisher:
Catharine Hinen Music, EMI Mills Music Inc. (ASCAP-affiliated), Mills Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
4:12
7Star Eyes
recording engineer:
Rudy van Gelder (on 1966-10-04)
engineer:
Rudy van Gelder
producer:
Creed Taylor
double bass [bass]:
Eddie Gomez (jazz double bassist) (on 1966-10-04)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1966-10-04)
piano:
Bill Evans (pianist) (on 1966-10-04)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1966-10-04)
instrumental cover recording of:
Star Eyes (on 1966-10-04)
composer:
Gene de Paul and Don Raye
publisher:
EMI Feist Catalog Inc. and Red Cape Songs
part of:
I Dood It (1943)
4:59
8Only Child
recording engineer:
Rudy van Gelder (on 1966-10-04)
engineer:
Rudy van Gelder
producer:
Creed Taylor
double bass [bass]:
Eddie Gomez (jazz double bassist) (on 1966-10-04)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1966-10-04)
piano:
Bill Evans (pianist) (on 1966-10-04)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1966-10-04)
recording of:
Only Child (on 1966-10-04)
composer:
Bill Evans (pianist)
publisher:
Ludlow Music, Inc. and TRO-Ludlow Music, Inc.
4:05
9These Things Called Changes
recording engineer:
Rudy van Gelder (on 1966-10-04)
engineer:
Rudy van Gelder
producer:
Creed Taylor
double bass [bass]:
Eddie Gomez (jazz double bassist) (on 1966-10-04)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1966-10-04)
piano:
Bill Evans (pianist) (on 1966-10-04)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1966-10-04)
recording of:
These Things Called Changes (on 1966-10-04)
composer:
Bill Evans (pianist)
publisher:
Ludlow Music, Inc.
3:35
3▼CD: Further Conversations With Myself
#TitleRatingLength
1Emily
recording engineer:
Ray Hall (engineer) (on 1967-08-09)
producer:
Helen Keane
piano:
Bill Evans (pianist) (on 1967-08-09)
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1967-08-09)
instrumental cover recording of:
Emily (Emily Theme from The Americanization of Emily) (on 1967-08-09)
lyricist:
Johnny Mercer
composer:
Johnny Mandel (American composer and arranger)
publisher:
EMI Miller Catalog, Inc., Primary Wave Songs and SBK Miller Catalog, Inc.
4:55
2Yesterdays
recording engineer:
Ray Hall (engineer) (on 1967-08-09)
producer:
Helen Keane
piano:
Bill Evans (pianist) (on 1967-08-09)
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1967-08-09)
instrumental cover recording of:
Yesterdays (on 1967-08-09)
lyricist:
Otto Harbach
composer:
Jerome Kern
publisher:
PolyGram Music Publishing Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
Roberta
3:50
3Santa Claus Is Comin' to Town
recording engineer:
Ray Hall (engineer) (on 1967-08-09)
producer:
Helen Keane
piano:
Bill Evans (pianist) (on 1967-08-09)
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1967-08-09)
instrumental cover recording of:
Santa Claus Is Coming to Town (on 1967-08-09)
lyricist:
Haven Gillespie (in 1932)
composer:
J. Fred Coots (in 1932)
publisher:
EMI Allans Music Australia Pty Ltd, EMI Feist Catalog Inc., EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI United Partnership Ltd., Francis, Day & Hunter Ltd., Haven Gillespie Music Publishing, Jobete Music Co., Inc., Leo Feist Ltd, Leo Feist, Inc., SBK United Partnership and The Songwriters Guild
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
3:47
4Funny Man
recording engineer:
Ray Hall (engineer) (on 1967-08-09)
producer:
Helen Keane
piano:
Bill Evans (pianist) (on 1967-08-09)
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1967-08-09)
recording of:
Funny Man (on 1967-08-09)
composer:
Bill Evans (pianist)
3:45
5The Shadow of Your Smile
recording engineer:
Ray Hall (engineer) (on 1967-08-09)
producer:
Helen Keane
piano:
Bill Evans (pianist) (on 1967-08-09)
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1967-08-09)
instrumental cover recording of:
The Shadow of Your Smile (Love Theme from “The Sandpiper”) (on 1967-08-09)
lyricist:
Paul Francis Webster
composer:
Johnny Mandel (American composer and arranger)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Miller Catalog, Inc., EMI United Partnership Ltd., Marissa Music, Miller Music Corp. and Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
The 38th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1965 winner)
8:03
6Little Lulu
recording engineer:
Ray Hall (engineer) (on 1967-08-09)
producer:
Helen Keane
piano:
Bill Evans (pianist) (on 1967-08-09)
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1967-08-09)
recording of:
Little Lulu (on 1967-08-09)
writer:
Buddy Kaye, Sidney Lippman (American songwriter) and Fred Wise
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
2:51
7Quiet Now
recording engineer:
Ray Hall (engineer) (on 1967-08-09)
producer:
Helen Keane
piano:
Bill Evans (pianist) (on 1967-08-09)
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1967-08-09)
cover recording of:
Quiet Now (on 1967-08-09)
composer:
Denny Zeitlin
publisher:
Ludlow Music, Ludlow Music, Inc. and TRO Essex Music Ltd.
7:53
4▼CD: At the Montreux Jazz Festival
#TitleRatingLength
1One for Helen
recording engineer:
Pierre Grandjean (on 1968-06-15), Jean-Claude Martin (on 1968-06-15) and Bob Schwarz (on 1968-06-15)
producer:
Helen Keane
double bass:
Eddie Gomez (jazz double bassist) (on 1968-06-15)
drums (drum set):
Jack DeJohnette (on 1968-06-15)
piano:
Bill Evans (pianist) (on 1968-06-15)
recorded at:
Montreux Casino (1st incarnation, 1881–1971) in Montreux, Vaud (Canton of Vaud), Switzerland (on 1968-06-15)
live recording of:
One for Helen (on 1968-06-15)
composer:
Bill Evans (pianist)
publisher:
Ludlow Music and Ludlow Music, Inc.
5:21
2A Sleepin' Bee
recording engineer:
Pierre Grandjean (on 1968-06-15), Jean-Claude Martin (on 1968-06-15) and Bob Schwarz (on 1968-06-15)
producer:
Helen Keane
editor:
Bob Schwarz
double bass:
Eddie Gomez (jazz double bassist) (on 1968-06-15)
drums (drum set):
Jack DeJohnette (on 1968-06-15)
piano:
Bill Evans (pianist) (on 1968-06-15)
remixer:
Bob Schwarz
recorded at:
Montreux Casino (1st incarnation, 1881–1971) in Montreux, Vaud (Canton of Vaud), Switzerland (on 1968-06-15)
live instrumental recording of:
A Sleepin’ Bee (House of Flowers) (on 1968-06-15)
lyricist:
Harold Arlen and Truman Capote
composer:
Harold Arlen
publisher:
Harwin Music and S.A. Music Co.
part of:
House of Flowers
6:05
3Mother of Earl
recording engineer:
Pierre Grandjean (on 1968-06-15), Jean-Claude Martin (on 1968-06-15) and Bob Schwarz (on 1968-06-15)
producer:
Helen Keane
editor:
Bob Schwarz
double bass:
Eddie Gomez (jazz double bassist) (on 1968-06-15)
drums (drum set):
Jack DeJohnette (on 1968-06-15)
piano:
Bill Evans (pianist) (on 1968-06-15)
remixer:
Bob Schwarz
recorded at:
Montreux Casino (1st incarnation, 1881–1971) in Montreux, Vaud (Canton of Vaud), Switzerland (on 1968-06-15)
live recording of:
Mother of Earl (on 1968-06-15)
composer:
Earl Zindars
5:15
4Nardis
recording engineer:
Pierre Grandjean (on 1968-06-15), Jean-Claude Martin (on 1968-06-15) and Bob Schwarz (on 1968-06-15)
producer:
Helen Keane
editor:
Bob Schwarz
double bass:
Eddie Gomez (jazz double bassist) (on 1968-06-15)
drums (drum set):
Jack DeJohnette (on 1968-06-15)
piano:
Bill Evans (pianist) (on 1968-06-15)
remixer:
Bob Schwarz
recorded at:
Montreux Casino (1st incarnation, 1881–1971) in Montreux, Vaud (Canton of Vaud), Switzerland (on 1968-06-15)
live recording of:
Nardis (on 1968-06-15)
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter)
publisher:
Jazz Horn Music, Jazz Horn Music Corporation, Musical Frontiers and Sony/ATV Music Publishing (UK) Ltd.
8:26
5I Loves You Porgy
recording engineer:
Pierre Grandjean (on 1968-06-15), Jean-Claude Martin (on 1968-06-15) and Bob Schwarz (on 1968-06-15)
producer:
Helen Keane
editor:
Bob Schwarz
piano:
Bill Evans (pianist) (on 1968-06-15)
remixer:
Bob Schwarz
recorded at:
Montreux Casino (1st incarnation, 1881–1971) in Montreux, Vaud (Canton of Vaud), Switzerland (on 1968-06-15)
live instrumental cover recording of:
I Loves You, Porgy (use this for non-operatic performances) (on 1968-06-15)
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell & Co., New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Holland BV, Warner/Chappell North America and Gershwin Publishing Corp (in 1935)
version of:
Porgy and Bess: Act II, Scene III. “I loves you, Porgy”
6:03
6The Touch of Your Lips
recording engineer:
Pierre Grandjean (on 1968-06-15), Jean-Claude Martin (on 1968-06-15) and Bob Schwarz (on 1968-06-15)
producer:
Helen Keane
editor:
Bob Schwarz
double bass:
Eddie Gomez (jazz double bassist) (on 1968-06-15)
drums (drum set):
Jack DeJohnette (on 1968-06-15)
piano:
Bill Evans (pianist) (on 1968-06-15)
remixer:
Bob Schwarz
recorded at:
Montreux Casino (1st incarnation, 1881–1971) in Montreux, Vaud (Canton of Vaud), Switzerland (on 1968-06-15)
live recording of:
The Touch of Your Lips (on 1968-06-15)
lyricist and composer:
Ray Noble
publisher:
Anne-Rachel Music, Jerry Leiber Music, Range Road Music and Silver Seahorse Music LLC
4:45
7Embraceable You
recording engineer:
Pierre Grandjean (on 1968-06-15), Jean-Claude Martin (on 1968-06-15) and Bob Schwarz (on 1968-06-15)
producer:
Helen Keane
editor:
Bob Schwarz
double bass:
Eddie Gomez (jazz double bassist) (on 1968-06-15)
drums (drum set):
Jack DeJohnette (on 1968-06-15)
piano:
Bill Evans (pianist) (on 1968-06-15)
remixer:
Bob Schwarz
recorded at:
Montreux Casino (1st incarnation, 1881–1971) in Montreux, Vaud (Canton of Vaud), Switzerland (on 1968-06-15)
live instrumental cover recording of:
Embraceable You (on 1968-06-15)
lyricist:
Ira Gershwin (in 1928)
composer:
George Gershwin (composer) (in 1928)
publisher:
Ira Gershwin Music, New World Music (new age music), New World Music Corp., Warner Bros. Music Corp., Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 until 2024-01-01)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
6:45
8Someday My Prince Will Come
recording engineer:
Pierre Grandjean (on 1968-06-15), Jean-Claude Martin (on 1968-06-15) and Bob Schwarz (on 1968-06-15)
producer:
Helen Keane
editor:
Bob Schwarz
double bass:
Eddie Gomez (jazz double bassist) (on 1968-06-15)
drums (drum set):
Jack DeJohnette (on 1968-06-15)
piano:
Bill Evans (pianist) (on 1968-06-15)
remixer:
Bob Schwarz
recorded at:
Montreux Casino (1st incarnation, 1881–1971) in Montreux, Vaud (Canton of Vaud), Switzerland (on 1968-06-15)
live instrumental cover recording of:
Someday My Prince Will Come (on 1968-06-15)
lyricist:
Larry Morey (American lyricist, 1905–1971)
composer:
Frank Churchill
publisher:
Bourne Co. (not for release label use, this is a music publisher) (in 1937)
part of:
Snow White and the Seven Dwarfs (1937 Disney animated film, songs and musical score)
6:08
9Walkin' Up
recording engineer:
Pierre Grandjean (on 1968-06-15), Jean-Claude Martin (on 1968-06-15) and Bob Schwarz (on 1968-06-15)
producer:
Helen Keane
editor:
Bob Schwarz
double bass:
Eddie Gomez (jazz double bassist) (on 1968-06-15)
drums (drum set):
Jack DeJohnette (on 1968-06-15)
piano:
Bill Evans (pianist) (on 1968-06-15)
remixer:
Bob Schwarz
recorded at:
Montreux Casino (1st incarnation, 1881–1971) in Montreux, Vaud (Canton of Vaud), Switzerland (on 1968-06-15)
live recording of:
Walkin' Up (on 1968-06-15)
composer:
Bill Evans (pianist)
publisher:
Acorn Music (label in Berkeley, CA founded by hammered dulcimer player Tony Elman), Folkways Music Publishers Inc. and TRO-Acorn Music
3:35
5▼CD: What's New
#TitleArtistRatingLength
1Straight No Chaser
recording engineer:
Ray Hall (engineer) (from 1969-01-30 until 1969-03-11)
producer:
Helen Keane
bass:
Eddie Gomez (jazz double bassist) (from 1969-01-30 until 1969-03-11)
flute:
Jeremy Steig (from 1969-01-30 until 1969-03-11)
piano:
Bill Evans (pianist) (from 1969-01-30 until 1969-03-11)
recorded at:
Webster Hall in East Village, New York, New York, United States (from 1969-01-30 until 1969-03-11)
instrumental cover recording of:
Straight, No Chaser (from 1969-01-30 until 1969-03-11)
composer:
Thelonious Monk
publisher:
Thelonious Music
Bill Evans with Jeremy Steig5:45
2Lover Man
recording engineer:
Ray Hall (engineer) (from 1969-01-30 until 1969-03-11)
producer:
Helen Keane
bass:
Eddie Gomez (jazz double bassist) (from 1969-01-30 until 1969-03-11)
flute:
Jeremy Steig (from 1969-01-30 until 1969-03-11)
piano:
Bill Evans (pianist) (from 1969-01-30 until 1969-03-11)
recorded at:
Webster Hall in East Village, New York, New York, United States (from 1969-01-30 until 1969-03-11)
instrumental cover recording of:
Lover Man (from 1969-01-30 until 1969-03-11)
lyricist:
Jimmy Davis (US songwriter, wrote “Lover Man”) (in 1942), Roger “Ram” Ramirez (Puerto Rican jazz pianist) (in 1942) and Jimmy Sherman (pianist, arranger and songwriter) (in 1942)
composer:
Roger “Ram” Ramirez (Puerto Rican jazz pianist), Jimmy Davis (US songwriter, wrote “Lover Man”) (in 1942) and Jimmy Sherman (pianist, arranger and songwriter) (in 1942)
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (ended), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (ended) and Universal Music Corp. (USA, affiliated with ASCAP)
Bill Evans with Jeremy Steig6:23
3What's New
recording engineer:
Ray Hall (engineer) (from 1969-01-30 until 1969-03-11)
producer:
Helen Keane
bass:
Eddie Gomez (jazz double bassist) (from 1969-01-30 until 1969-03-11)
flute:
Jeremy Steig (from 1969-01-30 until 1969-03-11)
piano:
Bill Evans (pianist) (from 1969-01-30 until 1969-03-11)
recorded at:
Webster Hall in East Village, New York, New York, United States (from 1969-01-30 until 1969-03-11)
instrumental cover recording of:
What’s New? (from 1969-01-30 until 1969-03-11)
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
Bob Haggart
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946) and Warner Bros., Inc. (not for release label use!)
Bill Evans with Jeremy Steig4:54
4Autumn Leaves
recording engineer:
Ray Hall (engineer) (from 1969-01-30 until 1969-03-11)
producer:
Helen Keane
bass:
Eddie Gomez (jazz double bassist) (from 1969-01-30 until 1969-03-11)
flute:
Jeremy Steig (from 1969-01-30 until 1969-03-11)
piano:
Bill Evans (pianist) (from 1969-01-30 until 1969-03-11)
recorded at:
Webster Hall in East Village, New York, New York, United States (from 1969-01-30 until 1969-03-11)
instrumental cover recording of:
Autumn Leaves (jazz standard, english lyrics) (from 1969-01-30 until 1969-03-11)
lyricist:
Jacques Prévert (in 1945)
composer:
Joseph Kosma (composer) (in 1945)
translator:
Johnny Mercer (in 1947)
publisher:
Ardmore Music Corp., Enoch & Cie., Morley Music Corp. and MPL Communications Inc. (Paul McCartney‐related, NYC‐based company)
translated version of:
Les Feuilles mortes (Autumn Leaves)
Bill Evans with Jeremy Steig6:17
5Time Out for Chris
recording engineer:
Ray Hall (engineer) (from 1969-01-30 until 1969-03-11)
producer:
Helen Keane
bass:
Eddie Gomez (jazz double bassist) (from 1969-01-30 until 1969-03-11)
flute:
Jeremy Steig (from 1969-01-30 until 1969-03-11)
piano:
Bill Evans (pianist) (from 1969-01-30 until 1969-03-11)
recorded at:
Webster Hall in East Village, New York, New York, United States (from 1969-01-30 until 1969-03-11)
recording of:
Time Out for Chris (from 1969-01-30 until 1969-03-11)
composer:
Bill Evans (pianist)
Bill Evans with Jeremy Steig7:23
6Spartacus Love Theme
recording engineer:
Ray Hall (engineer) (from 1969-01-30 until 1969-03-11)
producer:
Helen Keane
bass:
Eddie Gomez (jazz double bassist) (from 1969-01-30 until 1969-03-11)
flute:
Jeremy Steig (from 1969-01-30 until 1969-03-11)
piano:
Bill Evans (pianist) (from 1969-01-30 until 1969-03-11)
recorded at:
Webster Hall in East Village, New York, New York, United States (from 1969-01-30 until 1969-03-11)
instrumental cover recording of:
Love Theme (Spartacus) (from 1969-01-30 until 1969-03-11)
lyricist:
Terry Callier and Alex North (US composer)
composer:
Alex North (US composer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Cristal Publishing, Northern Music (song publisher), Northern Music Corp., Universal Music Publishing Group Japan (work publisher – do NOT use as a release label) and USI A Music Publishing
sub-publisher:
Universal Music Publishing Group Japan (work publisher – do NOT use as a release label), ジ・インプレッションズ, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Bill Evans with Jeremy Steig5:01
7So What
recording engineer:
Ray Hall (engineer) (from 1969-01-30 until 1969-03-11)
producer:
Helen Keane
bass:
Eddie Gomez (jazz double bassist) (from 1969-01-30 until 1969-03-11)
flute:
Jeremy Steig (from 1969-01-30 until 1969-03-11)
piano:
Bill Evans (pianist) (from 1969-01-30 until 1969-03-11)
recorded at:
Webster Hall in East Village, New York, New York, United States (from 1969-01-30 until 1969-03-11)
cover recording of:
So What (from 1969-01-30 until 1969-03-11)
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter)
publisher:
Jazz Horn Music
part of:
The Real Book (compilation of jazz standards, Volume I)
Bill Evans with Jeremy Steig9:14

Credits

Release

manufactured in:Europe
photography:Chuck Stewart (photographer, best known for his portraits of jazz singers and musicians)
liner notes:Jack Maher
design:Acy R. Lehman (Art Director)
artwork:Olga Albizu
copyrighted (©) by:The Verve Music Group (now known as Verve Label Group; not for release label use!) (in 2016)
phonographic copyright (℗) by:The Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1964, in 1966, in 1967, in 1968, in 1969, in 2016)
Discogs:https://www.discogs.com/release/9871473 [info]
ASIN:US: B019GAUPR2 [info]