The All Time Greatest Duets of the Millennium

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

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1CD
#TitleArtistRatingLength
1Immortality
recording engineer:
Jeff Balding, Dave Reitzas, Humberto Gatica, David Gleeson and John Merchant
additional drum machine programming:
Dan Shea
additional programming:
Dan Shea and Stu Brawley
drum machine programming:
Walter Afanasieff
programming:
Walter Afanasieff and Dan Shea
additional engineer:
Humberto Gatica
assistant engineer:
Chris Brooke, Tony Gonzalez (engineer), Mark Hagen, Tyson Leeper, Glen Marchese, Ethan Schofer, Stu Brawley and Greg Thompson (engineer, mixer)
audio engineer:
Dan Shea
producer:
Walter Afanasieff
mixer:
Humberto Gatica
additional keyboard:
Dan Shea
bass synthesizer, Hammond organ [Hammond B-3 organ] and keyboard:
Walter Afanasieff
guitar [guitars]:
Michael Landau
additional background vocals:
Alex Brown (US soul vocalist, member of Raelets), Lynn Davis (vocalist), Jim Gilstrap and Phillip Ingram (Soul and R&B singer-songwriter and keyboardist)
background vocals:
Bee Gees
arranger:
Walter Afanasieff
recorded at:
Masterphonics in Nashville, Tennessee, United States, Middle Ear Studio in Miami Beach, Florida, United States, Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States, The Hit Factory in Manhattan, New York, New York, United States and Wallyworld in San Rafael, California, United States
mixed at:
The Hit Factory in Manhattan, New York, New York, United States
recording of:
Immortality
writer:
Barry Gibb, Maurice Gibb and Robin Gibb
publisher:
Careers–BMG Music Publishing, Inc., Crompton Songs, Gibb Brothers Music, Universal Music Publishing International MGB Ltd., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Céline Dion & Bee Gees54:11
2I Want to Spend My Lifetime Loving You
programming:
Jeff Bova
assistant engineer:
Alex Black (engineer), Marc Lane (production music) and Aya Takemura
engineer:
Steven Rinkoff
co-producer:
Steven Rinkoff
producer:
Jim Steinman (in 1998)
mixer:
Frank Filipetti
vocals:
Marc Anthony (Marco Antonio Muñiz, salsa and latin pop singer) and Tina Arena
performer:
Jeff Bova
arranger:
Jeff Bova and Jim Steinman
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1998) and Sony Music Productions Pty. Ltd. (for copyrights use only) (in 1998)
recorded at:
Bovaland in New York, New York, United States, Chung King Studio in New York, New York, United States, Metropolis (London) in London (Greater London), England, United Kingdom and Sarm West in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom
mixed at:
Sarm West in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom
recording of:
I Want to Spend My Lifetime Loving You (The Mask of Zorro) (in 1998)
lyricist:
Will Jennings
composer:
James Horner (American score composer)
publisher:
Blue Sky Rider Songs, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Rondor Music (Australia), Sony/ATV Music Publishing Australia Pty Ltd., Triple Star Music, Inc. and TSP Music, Inc.
cover recording of:
I Want to Spend My Lifetime Loving You (The Mask of Zorro)
lyricist:
Will Jennings
composer:
James Horner (American score composer)
publisher:
Blue Sky Rider Songs, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Rondor Music (Australia), Sony/ATV Music Publishing Australia Pty Ltd., Triple Star Music, Inc. and TSP Music, Inc.
Tina Arena & Marc Anthony4:42
3How Come, How Long
mixer:
Jon Gass
guest vocals:
Stevie Wonder
recording of:
How Come, How Long
writer:
Babyface (R&B musician Kenny Edmonds) and Stevie Wonder
Babyface & Stevie Wonder4:11
4Private Emotions
additional recording engineer:
Jules Gondar, Craig Lozowick, Nathan Malki and Rik Pekkonen
recording engineer and mixer:
Charles Dye
assistant engineer:
Craig Lozowick, Nathan Malki, Germán Ortiz and Robert Valdez
co-producer:
Draco Rosa (Robert Edward Rosa Suárez aka Robi Draco Rosa)
producer:
Desmond Child
bass:
Hugh McDonald (bassist)
cello:
Larry Corbett and Suzie Katayama
guitar and mandolin:
Eric Bazilian
membranophone:
Lee Levin
organ:
Rob Hyman
percussion:
Luis Enrique (Luis Enrique Mejía López, Nicaraguan singer and composer)
viola:
Denyse Buffum and John Scanlon
violin:
Joel Derouin, Michelle Richard (Violinist) and Eve Sprecher
background vocals:
Gyan (Gyan Evans, Australian musician)
guest vocals:
Meja
conductor:
David Campbell (US‐based Canadian violinist, composer, conductor and arranger)
performer:
Ricky Martin (Puerto Rican singer, actor, author & king of Latin pop)
strings arranger:
David Campbell (US‐based Canadian violinist, composer, conductor and arranger)
recording of:
Private Emotion (from 1998-10 until 1999-03)
writer:
Eric Bazilian and Rob Hyman
publisher:
Dub Notes Music (publisher) (from 1999 to present), Human Boy Music (from 1999 to present) and WB Music Corp. (1929–2019) (from 1999 to present)
Ricky Martin & Meja44:00
5I Wanna Be the Only One
mixer:
Andy Bradfield
guest vocals:
BeBe Winans (American gospel/soul singer, R&B producer and radio presenter)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1997)
recording of:
I Wanna Be the Only One
lyricist:
BeBe Winans (American gospel/soul singer, R&B producer and radio presenter)
composer:
Rhett Lawrence and BeBe Winans (American gospel/soul singer, R&B producer and radio presenter)
publisher:
Benny’s Music (BeBe Winans publisher), BMG Songs Inc., EMI Blackwood Music Inc. and Rhettrhyme Music
Eternal & BeBe Winans2.53:36
6Senza una donna
producer:
Corrado Rustici
arranger:
Corrado Rustici
recording of:
Senza una donna (Spanish version)
translated version of:
Senza una donna (Without a Woman)
recording of:
Senza una donna (Without a Woman)
writer:
Frank Musker and Zucchero
publisher:
Gruppo Intersong S.R.L. (publisher; do NOT use as release label) and Warner Chappell Music Italiana S.r.l.
Zucchero & Paul Young3.654:27
7You Are Everything
producer:
Hal Davis
vocals:
Diana Ross
arranger:
Dave Blumberg
cover recording of:
You Are Everything
writer:
Linda Creed and Thom Bell (keyboards, songwriter, producer)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Diana Ross & Marvin Gaye43:06
8Lost in Love
cover recording of:
Lost in Love
lyricist and composer:
Graham Russell (Air Supply)
publisher:
Nottsongs, Universal Music Careers and Warner/Chappell Music Ltd. (1996–2019)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
recording of:
Lost in Love
lyricist and composer:
Graham Russell (Air Supply)
publisher:
Nottsongs, Universal Music Careers and Warner/Chappell Music Ltd. (1996–2019)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Florence Warner & Demis Roussos3:21
9Where the Wild Roses Grow
recording engineer:
Tony Cohen and Victor van Vugt
producer:
Nick Cave & the Bad Seeds, Tony Cohen and Victor van Vugt
mixer:
Gregg Jackman
acoustic guitar and guitar:
Mick Harvey
bass:
Martyn P. Casey
bell:
Jim Sclavunos
cello:
Helen Mountfort
drums (drum set):
Thomas Wydler
guitar:
Blixa Bargeld (German musician)
piano:
Nick Cave (Australian singer‐songwriter, musician and score composer)
viola:
Kerran Coulter
violin:
Jen Anderson and Sue Simpson
background vocals:
Mick Harvey and Conway Savage
lead vocals:
Nick Cave (Australian singer‐songwriter, musician and score composer) and Kylie Minogue
strings arranger:
Nick Cave (Australian singer‐songwriter, musician and score composer) and Mick Harvey
phonographic copyright (℗) by:
Mute Records Ltd. (not for release label use! original company behind the Mute label) (in 1995, in 1996)
mixed at:
Sarm West Studios in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom
music videos:
Where the Wild Roses Grow by Nick Cave (Australian singer‐songwriter, musician and score composer) & Kylie Minogue
recording of:
Where the Wild Roses Grow
lyricist and composer:
Nick Cave (Australian singer‐songwriter, musician and score composer)
publisher:
Mute Song (international) and Mute Song Ltd.
Nick Cave and the Bad Seeds & Kylie Minogue4.453:54
10If You Go
recording of:
If You Go
lyricist and composer:
Alain Barrière
translator:
John Colston
translated version of:
Tu t'en vas
Barry & Eileen4:18
11Boy You Knock Me Out
performer:
Will Smith (US actor aka The Fresh Prince)
recording of:
Boy You Knock Me Out
writer:
Bobby Caldwell (US singer, songwriter and multi-instrumentalist), Alfons Kettner, Nick Nice and Kelly Price
Tatyana Ali & Will Smith4:00
12Tonight I Celebrate My Love
recording engineer:
Alan R. Hirshberg (in 1983)
engineer:
Howard Wolin and Jeremy Smith (producer/engineer)
producer:
Michael Masser
mixer:
Dick Bogart (Recording and mixing engineer) and Russ Terrano
bass guitar [bass]:
Nathan East (in 1983)
drums (drum set):
Carlos Vega (in 1983)
guitar:
Paul Jackson (fusion/urban jazz composer, arranger, producer and guitarist) (in 1983)
piano:
Randy Kerber (in 1983)
vocals:
Peabo Bryson (in 1983) and Roberta Flack (in 1983)
arranger:
Michael Masser and Gene Page
orchestrator:
Gene Page
phonographic copyright (℗) by:
EMI USA (renamed EMI Records USA in the beginning of the 1990s) and Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1983)
recorded at:
A&M Records Studios in Hollywood, Los Angeles, California, United States (in 1983) and Studio Sound in North Hollywood, Los Angeles, California, United States (in 1983)
mixed at:
Motown Hitsville in West Hollywood, California, United States
recording of:
Tonight, I Celebrate My Love (in 1983)
lyricist:
Gerry Goffin
composer:
Michael Masser
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Chelsea Music Publishing Co., Ltd., Lauren Wesley Music (BMI-affiliated), Prince Street Productions, Inc., Rondor Music, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Universal Music Corp. (USA, affiliated with ASCAP) and Warner Chappell Music Publishing (Warner/Chappell Music, Inc.)
sub-publisher:
Rondor Music (London) Ltd., Screen Gems–EMI Music Ltd., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Roberta Flack & Peabo Bryson3.753:30
13In a Lifetime
producer:
Steve Nye (producer, engineer and pianist)
additional vocals:
Bono (singer of U2)
performer:
Bono (singer of U2)
recording of:
In a Lifetime
lyricist and composer:
Ciarán Ó Braonáin and Pól Ó Braonáin
publisher:
BMG Music Publishing Ltd. and Clannad Music Ltd.
Clannad & Bono53:03
14Delicate
engineer:
Craig Porteils (producer, engineer)
drums (drum set), keyboard, percussion and background vocals:
Terence Trent D’Arby (now known as Sananda Maitreya)
guitar:
Terence Trent D’Arby (now known as Sananda Maitreya) and Aaron McClain
guest lead vocals:
Des’ree
recording of:
Delicate (Terence Trent D’Arby)
writer:
Terence Trent D’Arby (now known as Sananda Maitreya)
Terence Trent D’Arby & Des’ree4:17
15Whenever I Call You Friend
producer:
Bob James (US jazz keyboardist, arranger and producer)
guest vocals:
Stevie Nicks
vocals:
Kenny Loggins
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP), CBS, Inc. (US broadcasting company; file no releases here!) (in 1978), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1978) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1978)
produced for:
Tappan Zee Productions
recorded at:
Sound Mixers in New York, New York, United States
part of:
Billboard Year-End Hot 100 singles of 1978 (number: 83)
recording of:
Whenever I Call You “Friend”
lyricist:
Ken Loggins and Melissa Manchester
composer:
Ken Loggins
publisher:
BMG Bumblebee (A BMI-affiliated publishing entity of BMG Rights Management), Milk Money Music (in 1978) and Rumanian Pickleworks Company (in 1978)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Kenny Loggins & Stevie Nicks54:02
16Music of My Heart
producer:
David Foster (Canadian music producer, arranger and composer)
vocals:
Gloria Estefan
recording of:
Music of My Heart (in 1999)
lyricist and composer:
Diane Warren (US songwriter)
part of:
The 72nd Academy Award for Best Original Song (number: 2)
Gloria Estefan & *NSYNC34:30
17Don't Let the Sun Go Down on Me
engineer:
Chris Porter (engineer and producer)
producer:
George Michael
arranger:
George Michael
phonographic copyright (℗) by:
Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1991) and Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1991)
recorded at:
OVO Arena Wembley in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (on 1991-03-23)
live recording of:
Don’t Let the Sun Go Down on Me (on 1991-03-23)
lyricist:
Bernie Taupin
composer:
Elton John (English singer, songwriter, pianist, and composer)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Big Pig Music Ltd. (publisher) (in 1991)
George Michael & Elton John5:47
18Easy LoverPhilip Bailey & Phil Collins45:04
2CD
#TitleArtistRatingLength
1Emotion
producer:
Albhy Galuten, Barry Gibb and Karl Richardson
synthesizer [synthesizers]:
James Newton Howard (American score composer)
background vocals:
Barry Gibb and Robin Gibb
vocals:
Samantha Sang
phonographic copyright (℗) by:
Private Stock Records (not for release label use, for copyrights relationships only; “Private Stock Records™ a division of 43 North Broadway, LLC”) (in 1977) and Private Stock Records, Ltd. (not for release label use, for company relationships only) (in 1978)
produced for:
CAM Productions (US)
recorded at and remixed at:
Criteria Sound in Miami, Florida, United States
part of:
Billboard Year-End Hot 100 singles of 1978 (number: 14)
cover recording of:
Emotion
writer:
Barry Gibb and Robin Gibb
publisher:
Barry Gibb Music, Gibb Brothers Music, Stigwood Music, Unichappell Music, Universal Music Publishing MGB Australia and Warner/Chappell Music Australia Pty. Ltd.
Samantha Sang & Barry Gibb3.53:50
2I Will Always Love YouDolly Parton & Vince Gill5:04
3Almost ParadiseMike Reno & Ann Wilson3:17
4Ebony & Ivory
assistant recording engineer:
Mike Stavrou (producer/engineer) (from 1981-02-28 until 1981-10)
recording engineer:
Geoff Emerick (British recording engineer) (from 1981-02-28 until 1981-10)
producer:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
assistant mixer:
Jon Jacobs (UK producer/engineer) (on 1982-01-19)
mixer:
Geoff Emerick (British recording engineer) (on 1982-01-19)
drums (drum set) and electric piano:
Stevie Wonder (from 1981-02-28 until 1981-10)
electric bass guitar, guitar, piano and vocoder:
Paul McCartney (The Beatles) (from 1981-02-28 until 1981-10)
percussion, synthesizer and background vocals and lead vocals:
Paul McCartney (The Beatles) (from 1981-02-28 until 1981-10) and Stevie Wonder (from 1981-02-28 until 1981-10)
arranger:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician) and Paul McCartney (The Beatles)
phonographic copyright (℗) by:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) (in 1982)
recorded at:
AIR Studios Montserrat in Saint Peter, Montserrat (on 1981-02-28), Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, United Kingdom (on 1981-03-30) and Strawberry Studios South in Dorking, Surrey, England, United Kingdom (in 1981-10)
mixed at:
Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, United Kingdom (on 1982-01-19)
recording of:
Ebony and Ivory (from 1981-02-28 until 1981-10)
lyricist and composer:
Paul McCartney (The Beatles)
publisher:
MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company)
parody version of:
Curdled Milk and Boot Polish
Paul McCartney & Stevie Wonder3.23:39
5Seperate Lives
producer:
Arif Mardin
drums (drum set):
Phil Collins (of Genesis)
guitar:
Daryl Stuermer
keyboard:
Nick Glennie‐Smith
lead vocals:
Phil Collins (of Genesis) and Marilyn Martin
cover recording of:
Separate Lives (White Nights)
lyricist and composer:
Stephen Bishop (American singer-songwriter)
publisher:
Downtown DLJ Songs, Kingstreet Media Publishing Limited, エイベックス・ミュージック・パブリッシング (Avex Music Publishing Inc.), EMI Music Publishing Ltd. (PRS‐affiliated) (in 1985), Gold Horizon Music Corp. (in 1985), Hit & Run Music (Publishing) Ltd (in 1985), Intersong Music Ltd. (in 1985), Stephen Bishop Music Publishing (in 1985) and Warner Chappell Music Ltd. (no slash; used 1988–1996) (in 1985)
part of:
The 58th Academy Award for Best Original Song (number: 2)
recording of:
Separate Lives (White Nights)
lyricist and composer:
Stephen Bishop (American singer-songwriter)
publisher:
Downtown DLJ Songs, Kingstreet Media Publishing Limited, エイベックス・ミュージック・パブリッシング (Avex Music Publishing Inc.), EMI Music Publishing Ltd. (PRS‐affiliated) (in 1985), Gold Horizon Music Corp. (in 1985), Hit & Run Music (Publishing) Ltd (in 1985), Intersong Music Ltd. (in 1985), Stephen Bishop Music Publishing (in 1985) and Warner Chappell Music Ltd. (no slash; used 1988–1996) (in 1985)
part of:
The 58th Academy Award for Best Original Song (number: 2)
Phil Collins & Marilyn Martin3.54:05
6Can't We Try
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1987)
recording of:
Can't We Try
lyricist and composer:
Beverly Chapin-Hill and Dan Hill (Canadian singer/songwriter)
publisher:
A Question of Material Music, EMI April Music Inc., If Dreams Had Wings Music Ltd. and Scoop Music Ltd.
Dan Hill & Vonda Shepard23:53
7Reunited
producer:
Freddie Perren
recording of:
Reunited
writer:
Dino Fekaris and Freddie Perren
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Peaches & Herb5:42
8A Whole New World (Aladdin's Theme)
additional programming:
Dan Shea
programming and producer:
Walter Afanasieff
synclavier programming:
Gary Cirimelli and Ren Klyce
engineer:
Dana Jon Chappelle
executive producer:
Brenda Dash and Jay Landers (Executive producer, A&R, producer, songwriter and music publisher)
mixer:
Bruce Botnick
editor:
Kathleen Fogarty-Bennett
bass synthesizer, keyboard and synclavier [synclavier acoustic guitar]:
Walter Afanasieff
guitar:
Michael Landau
synthesizer [Akai]:
Ren Klyce
vocals:
Regina Belle and Peabo Bryson
additional arranger:
Robbie Buchanan (Canadian producer)
arranger:
Walter Afanasieff
phonographic copyright (℗) by:
Buena Vista Pictures Distribution, Inc. (briefly as Buena Vista Pictures Distribution (1987/03/06–1987/07/24), rights holders and distribution) (in 1992) and Walt Disney Records (in 1992)
recording of:
A Whole New World (Aladdin)
lyricist:
Tim Rice
composer:
Alan Menken
publisher:
Walt Disney Music Company (music publisher, do not use as release label) (in 1992) and Wonderland Music Company, Inc. (a division of Disney Music Publishing) (in 1992)
part of:
The 65th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1992 winner)
part of:
Aladdin (1992 film soundtrack)
part of:
Aladdin (stage musical based on the 1992 Disney animated film)
Peabo Bryson & Regina Belle54:02
9Something's Gotten Hold of My Heart
producer:
Bob Kraushaar
performer:
Gene Pitney
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988)
music videos:
Something’s Gotten Hold of My Heart by Marc Almond (English pop singer and songwriter) feat. Gene Pitney
cover recording of:
Something’s Gotten Hold of My Heart
lyricist and composer:
Roger Cook (US‐based British singer, songwriter and producer) and Roger Greenaway
publisher:
Cookaway Music Ltd. (PRS), Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30) and PolyGram Music Publishing
Marc Almond & Gene Pitney2.54:38
10Je t’aime… moi non plus
producer:
Jean-Claude Desmarty
vocals:
Jane Birkin (in 1968-11) and Serge Gainsbourg (in 1968-11)
orchestra:
Arthur Greenslade & His Orchestra (in 1968-11)
conductor:
Arthur Greenslade (in 1968-11)
arranger:
Arthur Greenslade
recording of:
Je t’aime… Moi non plus (in 1968-11)
lyricist and composer:
Serge Gainsbourg
publisher:
Heath Levy Music Co. Ltd. and Shapiro Bernstein & Co. Ltd.
Serge Gainsbourg & Jane Birkin44:20
11With You I'm Born Again
assistant engineer:
James Warmack
engineer and mixer:
F. Byron Clark
producer:
James di Pasquale and David Shire (American score composer)
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) and Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1979)
recording of:
With You I’m Born Again
lyricist:
Carol Connors
composer:
David Shire (American score composer)
publisher:
Check Out Music, EMI Music Publishing (do not use as a release label!) and Jobete Music (UK) Ltd.
Syreeta & Billy Preston3:36
12Wherever Would I Be
recording of:
Wherever Would I Be?
lyricist and composer:
Diane Warren (US songwriter)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and Realsongs
Dusty Springfield & Daryl Hall3:49
13Save Your Love
recording of:
Save Your Love
writer:
John Edward (British musician, writer and record producer) and Sue Edward
publisher:
Hollywood Music (song publisher)
Renée and Renato3:07
14Someone Loves You Honey
instruments:
Joe Gibbs & The Professionals (Jamaica, reggae)
background vocals:
J.C. Lodge (Jamaican reggae singer, aka June Lodge)
performer:
J.C. Lodge (Jamaican reggae singer, aka June Lodge)
recording of:
Someone Loves You Honey (1978 song)
lyricist and composer:
Don DeVaney (songwriter)
June Lodge & Prince Mohammed3:50
15Don't Look Any FurtherSiedah Garrett & Dennis Edwards4:03
16Yes, I'm Ready
performer:
KC (Harry Wayne Casey of the Sunshine Band)
cover recording of:
Yes, I’m Ready
lyricist and composer:
Barbara Mason
publisher:
Embassy Music Corporation and Jamie Music Publishing Co.
Teri DeSario & K.C.3:15
17Too Much, Too Little, Too Late
producer:
Jack Gold
performer:
Johnny Mathis (US pop/soul singer) and Deniece Williams (US soul/funk vocalist/songwriter)
phonographic copyright (℗) by:
Jon Mat Records, Inc. (in 1978)
recording of:
Too Much, Too Little, Too Late
writer:
Nat Kipner (Australian producer, songwriter, label owner & publisher) and John McIntyre Vallins
publisher:
Homewood House Music and MCA Music Ltd.
Johnny Mathis & Deniece Williams42:56
18Sisters Are Doin' It for Themselves
additional recording engineer:
Shelly Yakus
recording engineer:
Shelley Yakes
assistant engineer:
Jay Willis
engineer:
Dr. Dave Frazer, Don Smith (producer, engineer and mixer) and Adam Williams
executive producer:
Clive Davis (record producer, A&R executive and music industry chief executive)
producer:
Dave Stewart (UK guitarist/singer for Eurythmics)
mixer:
Don Smith (producer, engineer and mixer) and Dave Stewart (UK guitarist/singer for Eurythmics)
bass and bass guitar:
Nathan East
drums (drum set):
Stan Lynch
guitar:
Mike Campbell (Tom Petty and the Heartbreakers guitarist) and Dave Stewart (UK guitarist/singer for Eurythmics)
guitar and keyboard:
Dave Stewart (UK guitarist/singer for Eurythmics)
keyboard:
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists) and Dave Stewart (UK guitarist/singer for Eurythmics)
organ:
Benmont Tench
choir vocals:
The Charles Williams Singers
lead vocals:
Aretha Franklin and Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists)
vocals:
Aretha Franklin and Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists)
phonographic copyright (℗) by:
RCA Ltd. (UK arm of RCA) (in 1985), Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1985) and BMG Records (UK) Limited (1987–1996) (in 1991)
remasters:
Sisters Are Doin’ It for Themselves by Eurythmics
recording of:
Sisters Are Doin’ It for Themselves
writer:
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists) and Dave Stewart (UK guitarist/singer for Eurythmics)
publisher:
Blue Network Music Inc., BMG Music Publishing Ltd., BMG Songs, Inc., D’n’A Ltd., RCA Music, Universal Music Publishing MGB France and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Eurythmics & Aretha Franklin3.655:49