The Classical Chillout Box

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

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1CD: Relaxing Cinema Themes
#TitleArtistRatingLength
1Any Other Name
recording engineer:
Dennis Sands (American sound engineer)
assistant engineer:
Tom Hardisty (film score engineer) and David Marquette
producer:
Bill Bernstein, Nikolaj Bloch, Sally Herbert (violinist, composer, and conductor) and Thomas Newman (American score composer)
mixer:
Tom Hardisty (film score engineer) and Dennis Sands (American sound engineer)
assistant editor:
Jordan Corngold
editor:
Bill Bernstein
performer:
Nikolaj Bloch and Sally Herbert (violinist, composer, and conductor)
phonographic copyright (℗) by:
SKG Music LLC (for copyrights use only, company associated with Dreamworks Records) (, in 1999, in 2000)
mixed at:
Signet Sound Studios in Los Angeles, California, United States
recording of:
Any Other Name
orchestrator:
Thomas Pasatieri
composer:
Thomas Newman (American score composer)
publisher:
Cherry Lane Music and Cherry Lane Music Publishing Company Inc.
part of:
American Beauty (1999)
Newman3.44:09
2Gabriel's Oboe
orchestra:
The Ennio Morricone Orchestra (Italian symphonic orchestra)
conductor:
Ennio Morricone (Italian classical and score composer)
recording of:
Gabriel’s Oboe (The Mission, main theme)
publisher:
Ennio Morricone (Italian classical and score composer)
orchestrator and composer:
Ennio Morricone (Italian classical and score composer)
publisher:
EMI Virgin Music Ltd. (do not use this as a release label!) and Virgin Music (Publishers) Ltd.
part of:
The Mission
Morricone2:15
3Hedwig's Theme
orchestra:
The City of Prague Philharmonic Orchestra
conductor:
Nic Raine
arranger:
Adam Saunders (production music)
cover recording of:
Hedwig’s Theme (Harry Potter and the Philosopher’s Stone)
composer:
John Williams (American score composer)
publisher:
Warner-Barham Music LLC
part of:
Harry Potter and the Philosopher’s Stone (Harry Potter and the Philosopher's Stone, 2001 film score)
Williams4:54
4The Heart Asks Pleasure First / The Promise (The Piano)
additional engineer:
Jamie Luker
engineer:
Michael J. Dutton (British recording and re-mastering engineer, producer, and label owner)
producer and creative direction:
Michael Nyman (composer)
piano:
Michael Nyman (composer)
conductor:
Michael Nyman (composer)
arranger:
Michael Nyman (composer)
phonographic copyright (℗) by:
Michael Nyman Ltd. (independent UK record, publishing and holding company) (in 1993)
recorded at:
Arco Studios in München (Munich), Bayern (Bavaria), Germany
mixed at:
Kitsch Recording Studio in Ixelles / Elsene, Brussels (Brussels-Capital Region), Belgium
medley including a recording of:
The Heart Asks Pleasure First (The Piano)
composer:
Michael Nyman (composer)
publisher:
Chester Music Ltd., G. Schirmer Inc., J&W Chester/Ed Wilhelm, Michael Nyman Ltd. (independent UK record, publishing and holding company) and Virgin (worldwide imprint of Virgin Records Ltd. and all its subsidiaries)
part of:
The Piano (1993 film score)
medley including a recording of:
The Promise (The Piano)
composer:
Michael Nyman (composer)
publisher:
J&W Chester/Ed Wilhelm
part of:
The Piano (1993 film score)
Nyman3:15
5Intermezzo (Cavalleria rusticana)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1979)
conductor:
Riccardo Muti (conductor) (in 1979)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1980)
recording of:
Cavalleria rusticana: Intermezzo (in 1979)
composer:
Pietro Mascagni (composer & conductor) (in 1888)
publisher:
Ascherberg Hopwood & Crew
part of:
Cavalleria rusticana
part of:
Cavalleria rusticana (German lyrics)
Mascagni3:45
6Vier letzte lieder
soprano vocals:
Lucia Popp (soprano)
vocals:
Lucia Popp (soprano)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Klaus Tennstedt (conductor)
recording of:
Vier letzte Lieder, AV 150: III. „Beim Schlafengehen“ (Four Last Songs, AV 150: 3. “When You Go to Sleep”)
lyricist:
Hermann Hesse (German‐Swiss poet, novelist, and painter)
composer:
Richard Strauss (German composer) (on 1948-08-04)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
premiered at:
Royal Albert Hall in Kensington and Chelsea, London (Greater London), England, United Kingdom (on 1950-05-22)
part of:
Vier letzte Lieder, AV 150 (Four Last Songs, AV 150)
Richard Strauss4:24
7Rhapsody on a Theme of Paganini
producer:
John Fraser (UK producer) (from 1984-05-03 until 1984-05-04)
piano:
Cécile Ousset (French pianist) (from 1984-05-03 until 1984-05-04)
orchestra:
City of Birmingham Symphony Orchestra (from 1984-05-03 until 1984-05-04)
conductor:
Simon Rattle (conductor) (from 1984-05-03 until 1984-05-04)
balance engineer:
Michael Sheady (engineer) (from 1984-05-03 until 1984-05-04)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1984)
recorded at:
Warwick Arts Centre: Butterworth Hall in Coventry, West Midlands, England, United Kingdom (from 1984-05-03 until 1984-05-04)
recording of:
Rhapsody on a Theme of Paganini, op. 43: Variation XVIII: Andante cantabile (from 1984-05-03 until 1984-05-04)
composer:
Sergei Rachmaninoff (Russian composer) (from 1934-07-03 until 1934-08-18)
part of:
Rhapsody on a Theme of Paganini, op. 43 (for piano and orchestra)
Rachmaninov3:01
8You Only Live Twice
engineer:
Mike Ross‐Trevor (engineer)
executive producer:
Reynold da Silva
producer:
Nic Raine and Mike Ross‐Trevor (engineer)
alto saxophone:
Jindřich Němeček
guitar:
Peter Binder (guitarist)
piano:
Jaroslava Eleasova
violin:
Michael Metelka
orchestra:
The City of Prague Philharmonic Orchestra
conductor:
Nic Raine
additional arranger:
Christopher Tin
arranger:
Nic Raine
instrumental cover recording of:
You Only Live Twice
lyricist:
Leslie Bricusse
composer:
John Barry (English score composer)
publisher:
EMI United Partnership Ltd.
part of:
James Bond themes
part of:
You Only Live Twice (from the James Bond Film)
recording of:
You Only Live Twice
lyricist:
Leslie Bricusse
composer:
John Barry (English score composer)
publisher:
EMI United Partnership Ltd.
part of:
James Bond themes
part of:
You Only Live Twice (from the James Bond Film)
Barry2:58
9Cavatina (The Deer Hunter)
guitar:
Manuel Barrueco (guitarist) and Steve Morse (American guitarist)
recording of:
Cavatina (theme from The Deer Hunter, for guitar)
composer:
Stanley Myers
publisher:
EMI Music Publishing (do not use as a release label!), Robbins Music Corp. and Robbins Music Corp. Ltd.
Myers3:17
10My Heart Will Go On
violin:
David Abel (violinist/violist)
orchestra:
Shearman Orchestra
conductor:
David Abel (conductor)
arranger:
James Shearman (conductor, orchestrator, composer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1998)
instrumental recording of:
My Heart Will Go On
lyricist:
Will Jennings
composer:
James Horner (American score composer)
publisher:
Blue Sky Rider Songs, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Ensign Music Corporation, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Fox Film Music Corporation (BMI-affiliated), Irving Music, Inc., Rondor Music (London) Ltd., Rondor Music Publishing, Sony/ATV Harmony, Sony/ATV Melody, TCF Music Publishing, Inc. (Twentieth Century Fox Music Publishing, Inc.; ASCAP), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), フジパシフィック音楽出版 第2事業部 (Fujipacific Music Publishing Division 2) (until 2014-12-31) and フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2) (from 2015-01-01 to present)
part of:
The 70th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1997 winner)
part of:
Titanic
Horner4:22
11Gladiator Suite
choir vocals:
Crouch End Festival Chorus
orchestra:
The City of Prague Philharmonic Orchestra
conductor:
Nic Raine
chorus master:
David Temple
partial recording of:
Gladiator
composer:
Hans Zimmer (German score composer)
partial recording of:
Gladiator: Symphonic Suite
composer:
Hans Zimmer (German score composer)
arrangement of:
Honor Him (Gladiator)
arrangement of:
The Battle (Gladiator)
arrangement of:
The Might of Rome (Gladiator)
Zimmer / Gerrard / Badelt2:24
12The Fellowship (The Lord of the Rings)
producer:
James Fitzpatrick
choir vocals:
Crouch End Festival Chorus
orchestra:
The City of Prague Philharmonic Orchestra (in 2002)
conductor:
Nic Raine (in 2002)
chorus master:
David Temple
cover recording of:
Main Theme (The Lord of the Rings)
composer:
Howard Shore (Canadian score composer)
publisher:
Universal Music Publishing (use ONLY if no country‐specific information is available)
partial recording of:
The Lord of the Rings: The Fellowship of the Ring (film soundtrack)
composer:
Howard Shore (Canadian score composer)
Shore5:55
13Clair de lune
piano:
Dame Moura Lympany (British pianist) (in 1988)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988)
recording of:
Suite bergamasque, L. 75, CD 82 : III. Clair de lune (for piano)
composer:
Claude Debussy (French composer) (from 1890 until 1905)
part of:
Classic 100: Piano (2004) (number: 3)
part of:
Suite bergamasque, L. 75, CD 82 (for piano)
Debussy4:59
14Sull'aria (Le nozze di Figaro)
soprano vocals:
Izzy (English soprano singer)
orchestra:
National Radio Orchestra of the Netherlands (Netherlands Radio Philharmonic Orchestra)
conductor:
Ernö Olah (conductor and violinist)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena X. (no. 21) Duettino “Sull’aria… che soave zeffiretto” (La Contessa, Susanna) (Canzonetta sull’aria)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Mozart3:05
15Cinema Paradiso Love Theme
recording of:
Nuovo cinema Paradiso: Tema d’amore
composer:
Andrea Morricone (composer) and Ennio Morricone (Italian classical and score composer)
part of:
Nuovo Cinema Paradiso (soundtrack)
Morricone3:01
16Goldberg Variations
harp:
Julia Thornton
arranger:
Craig Leon (musician, arranger, composer and producer)
recording of:
Goldberg-Variationen, BWV 988: Aria (catch-all for arrangements)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1841)
arrangement of:
Goldberg-Variationen, BWV 988: Aria (FIRST movement)
part of:
Goldberg-Variationen, BWV 988 (catch-all for arrangements)
J. S. Bach2:11
17Nimrod
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1970-08-04 until 1970-08-06)
conductor:
Sir Adrian Boult (conductor) (from 1970-08-04 until 1970-08-06)
balance engineer:
Michael Gray (UK classical recording engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971) and Warner Classics (in 2002)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-08-04 until 1970-08-06)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: IX. Nimrod (Adagio) (from 1970-08-04 until 1970-08-06)
publisher:
Sir Edward Elgar (dec’d) (Edward Elgar, composer)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Augustus J. Jaeger
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Elgar3:59
18Adagietto
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Sir John Barbirolli (conductor and cellist)
partial recording of:
Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam
composer:
Gustav Mahler (composer) (from 1901 until 1902)
part of:
Symphony no. 5
Mahler3:10
19Nocturne in C-sharp minor
Chopin4:25
20An Ending
recording of:
An Ending (Ascent)
composer:
Brian Eno
publisher:
E.G. Music Ltd. (publisher) and Upala Music Inc.
part of:
28 Days Later
Eno4:22
21Etude
Tárrega4:38
2CD: Relaxing Classical Themes
#TitleArtistRatingLength
1Air 'on the G String'
recording engineer:
Mr Bear (engineer) (in 1984-07)
producer:
Andrew Keener (engineer/editor/producer)
orchestra:
Hallé Orchestra (in 1984-07)
conductor:
Owain Arwel Hughes (in 1984-07)
phonographic copyright (℗) by:
Music for Pleasure (in 1984)
recorded at:
Royal Northern College of Music in Manchester, Greater Manchester, England, United Kingdom (in 1984-07)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
J. S. Bach4:50
2Sarabande
Handel3:05
3Jean de Florette Theme
Petit2:33
4Adiemus
additional engineer:
Gary Thomas (engineer)
assistant engineer and assistant mixer:
Kirsten Cowie
engineer and mixer:
Steve Price (UK recording engineer/producer/orchestrator/arranger)
soprano vocals:
Miriam Stockley (in 1995)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1995)
conductor:
Karl Jenkins (Welsh composer, conductor and instrumentalist) (in 1995)
percussion arranger:
Mike Ratledge
orchestrator:
Karl Jenkins (Welsh composer, conductor and instrumentalist)
phonographic copyright (℗) by:
Jenkins Ratledge Ltd. (in 1995)
recorded at and mixed at:
Angel Recording Studios in Islington, London (Greater London), England, United Kingdom
music videos:
Adiemus by Adiemus
recording of:
Adiemus
lyricist:
Karl Jenkins (Welsh composer, conductor and instrumentalist)
composer:
Karl Jenkins (Welsh composer, conductor and instrumentalist) and Mike Ratledge
publisher:
FB Media in GSA
part of:
Adiemus I: Songs of Sanctuary
live recording of:
Adiemus
lyricist:
Karl Jenkins (Welsh composer, conductor and instrumentalist)
composer:
Karl Jenkins (Welsh composer, conductor and instrumentalist) and Mike Ratledge
publisher:
FB Media in GSA
part of:
Adiemus I: Songs of Sanctuary
Jenkins3.254:00
5Für Elise
piano:
Dame Moura Lympany (British pianist)
recording of:
Bagatelle for Piano in A minor, WoO 59 “Für Elise”: Poco moto (Bagatelle for Piano in A minor “Für Elise”, WoO 59)
composer:
Ludwig van Beethoven (German composer) (from 1808 until 1810)
part of:
Classic 100: Piano (2004) (number: 15), Classic 100: Piano (2025) (number: 17) and Kinsky catalogue (Beethoven WoO works) (number: WoO 59)
Beethoven3:21
6Flower Duet (Lakmé)
mezzo-soprano vocals:
Danielle Millet (mezzo-soprano) (from 1970-09-17 until 1970-12-21)
soprano vocals:
Mady Mesplé (soprano) (from 1970-09-17 until 1970-12-21)
orchestra:
Orchestre du Théâtre National de l’Opéra‐Comique (from 1970-09-17 until 1970-12-21)
conductor:
Alain Lombard (conductor) (from 1970-09-17 until 1970-12-21)
phonographic copyright (℗) by:
EMI France (in 1971)
edit of:
Lakmé : Acte I. Duettino « Viens, Mallika… » (Lakmé, Mallika) by Mady Mesplé (soprano), Danielle Millet (mezzo-soprano), Orchestre du Théâtre National de l’Opéra‐Comique, Alain Lombard (conductor)
partial recording of:
Lakmé : Acte I. No. 2 Duetto « Viens, Mallika, les lianes en fleurs » … « Dôme épais le jasmin » (Lakmé, Mallika) (from 1970-09-17 until 1970-12-21)
composer:
Léo Delibes (French composer)
librettist:
Philippe Gille and Edmond Gondinet
publisher:
Jenkinsongs Ltd.
part of:
Lakmé : Acte I
Delibes3:30
7The Ashokan Farewell
recording of:
Ashokan Farewell (instrumental version)
composer:
Jay Ungar (in 1982)
publisher:
Swinging Door Music
Ungar & Mason5:11
8Chi Mai
orchestra:
Ennio Morricone & His Orchestra (Italian symphonic orchestra)
conductor:
Ennio Morricone (Italian classical and score composer)
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1987)
recording of:
Chi mai (no lyrics)
composer:
Ennio Morricone (Italian classical and score composer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and Virgin (worldwide imprint of Virgin Records Ltd. and all its subsidiaries)
is based on:
Chi mai (with lyrics by Carlo Nistri)
Morricone45:09
9Barcarolle (Les contes d'Hoffmann)
recording of:
Les Contes d’Hoffmann: Barcarolle (The Tales of Hoffmann: Barcarolle, catch-all for arrangements)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
arrangement of:
Les Contes d’Hoffmann: Acte III. “Belle nuit, ô nuit d’amour” (Nicklausse, Giulietta)
Offenbach4:23
10Inspector Morse Theme
Pheloung2:35
11Pavane
producer:
Christopher Bishop (conductor/producer)
flute:
Gareth Morris (British flautist) (in 1968)
choir vocals:
Choir of King’s College, Cambridge
orchestra:
NPO (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1968)
conductor:
David Willcocks (UK composer, organist, choral conductor) (in 1968)
balance engineer:
Neville Boyling (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
recording of:
Pavane, op. 50 (catch-all for arrangements and unknown versions)
composer:
Gabriel Fauré (French composer)
arrangement of:
Pavane, op. 50 (for piano and chorus)
Fauré6:50
12Casta diva (Norma)
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
editor:
Jennifer Howells
choir vocals:
Coro del Teatro alla Scala di Milano (from 1960-09-05 until 1960-09-12)
soprano vocals [Norma]:
Maria Callas (soprano) (from 1960-09-05 until 1960-09-12)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1960-09-05 until 1960-09-12)
conductor:
Tullio Serafin (conductor) (from 1960-09-05 until 1960-09-12)
chorus master:
Norberto Mola (chorus master) (from 1960-09-05 until 1960-09-12)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1961)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1960-09-05 until 1960-09-12)
recording of:
Norma: Atto I, scena 1. Scena e cavatina “Casta diva, che inargenti” (Norma, coro) (from 1960-09-05 until 1960-09-12)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
part of:
Norma: Atto I
Bellini5:36
13Aquarium (Carnaval des animaux)
recording of:
Le Carnaval des animaux : VII. Aquarium (The Carnival of the Animals: VII. Aquarium)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Saint‐Saëns2:35
14'New World' Symphony
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Zdeněk Mácal (conductor)
recording of:
Largo (extract) ('New World' Symphony) (arr. Bates)
composer:
Antonín Dvořák (composer) (in 1893)
partial recording of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: II. Largo (Symphony No. 9 in E minor, Op. 95 "From the New World": II. Largo)
composer:
Antonín Dvořák (composer) (from 1893-01-10 until 1893-05-24)
part of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“ (Symphony no. 9 in E minor, op. 95 “From the New World”)
Dvořák4:35
15Morning (Peer Gynt)
producer:
Lawrance Collingwood
choir vocals:
Beecham Choral Society
soprano vocals:
Ilse Hollweg (soprano)
orchestra:
Royal Philharmonic Orchestra (from 1956-11-05 until 1957-04-01, in 1957)
conductor:
Sir Thomas Beecham (conductor) (from 1956-11-05 until 1957-04-01, in 1957)
chorus master:
Denis Vaughan
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1956-11) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1956-11-05 until 1957-04-01)
recording of:
Peer Gynt, op. 23: 4. akt, prelude: Morgenstemning (from 1956-11-05 until 1957-04-01)
composer:
Edvard Grieg (composer) (in 1875)
librettist:
Henrik Ibsen (in 1867)
part of:
Peer Gynt, op. 23
Grieg54:13
16Adagio
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1974)
partial recording of:
Adagio for Strings and Organ in G minor
composer:
Remo Giazotto
previously attributed to:
Tomaso Giovanni Albinoni (Italian Baroque composer)
publisher:
Ricordi London (Casa Ricordi sublabel for Classical music) and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Albinoni5:53
17Wachet auf
choir vocals:
South German Madrigal Choir (from 1967-07-15 until 1967-07-20)
orchestra:
Consortium Musicum (from 1967-07-15 until 1967-07-20)
conductor:
Wolfgang Gönnenwein (conductor) (from 1967-07-15 until 1967-07-20)
edit of:
Cantata No. 140, "Wachet auf, ruft uns die Stimme", BWV 140 (BC A166): "Zion hört die Wächter" by South German Madrigal Choir, Theo Altmeyer (German tenor), Consortium Musicum, Wolfgang Gönnenwein (conductor)
recording of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": IV. Choral (Tenor) “Zion hört die Wächter singen” (from 1967-07-15 until 1967-07-20)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
is based on:
Wachet auf, ruft uns die Stimme
part of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme"
J. S. Bach3:29
18Canon in D
Pachelbel5:24
3CD: Relaxing Voices
#TitleArtistRatingLength
1Lascia ch'Io pianga (Rinaldo)
Handel4:37
2In paradisum (Requiem)
producer:
David Groves (classical music producer at EMI)
organ:
Peter Barley (from 1988-12-16 until 1988-12-19)
violin:
José‐Luis García (violinist & conductor) (from 1988-12-16 until 1988-12-19)
choir vocals:
Choir of King’s College, Cambridge (from 1988-12-16 until 1988-12-19)
orchestra:
English Chamber Orchestra (from 1988-12-16 until 1988-12-19)
conductor:
Stephen Cleobury (organist, conductor) (from 1988-12-16 until 1988-12-19)
balance engineer:
Neville Boyling (engineer) (from 1988-12-16 until 1988-12-19) and David Flower (engineer) (from 1988-12-16 until 1988-12-19)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1989)
recorded at:
Chapel of King’s College, Cambridge in Cambridge, Cambridgeshire, England, United Kingdom (from 1988-12-16 until 1988-12-19)
recording of:
Requiem, op. 48: VII. In Paradisum (1890, second version) (from 1988-12-16 until 1988-12-19)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
publisher:
Éditions Durand (1947–present)
part of:
28 Days Later
part of:
Requiem, op. 48 (1890, second version)
Fauré3:29
3Jesus, bleibet meine Freude
producer:
Christopher Bishop (conductor/producer)
choir vocals:
King’s College Choir, Cambridge
orchestra:
Academy of St Martin-in-the-Fields (Academy of St Martin in the Fields)
conductor:
Sir Neville Marriner (conductor) and Sir David Willcocks (UK composer, organist, choral conductor)
balance engineer:
Neville Boyling (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1972)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Jesu, Joy of Man’s Desiring (orch. Stokowski)
orchestrator:
Leopold Stokowski (conductor)
lyricist:
Robert Bridges (poet)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
translated version of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
recording of:
Kantate, BWV 147 “Herz und Mund und Tat und Leben”: Teil II, X. Choral “Jesus bleibet meine Freude” (Jesu, Joy of Man’s Desiring; catch‐all for arrangements and unknown orchestrations)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
lyricist:
Martin Janus (German Protestant minister, c. 1620–1682) (in 1665)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Classic 100: Piano (2025) (number: 15)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
J. S. Bach3:33
4Miserere mei, Deus
baritone vocals, bass vocals [Cantor], bass-baritone vocals [cantor] and other vocals [cantor]:
Gerald Finley (bass-baritone)
choir vocals:
Choir of King’s College, Cambridge (in 1984)
treble vocals:
Timothy Beasley-Murray (treble vocalist) (in 1984)
vocals:
Gerald Finley (bass-baritone) (in 1984)
conductor:
Stephen Cleobury (organist, conductor)
chorus master:
Stephen Cleobury (organist, conductor) (in 1984)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1984)
partial recording of:
Miserere mei, Deus
composer:
Gregorio Allegri (composer)
quotes lyrics from:
Miserere mei (words from Psalm 51)
Allegri5:48
5Vision
Hildegard von Bingen3:41
6The Lord Is My Shepherd (Requiem)
producer:
Simon Woods (producer)
oboe:
Christopher Hooker (oboist)
choir vocals:
Choir of King’s College, Cambridge (from 1997-07-15 until 1997-07-18)
orchestra:
City of London Sinfonia (chamber orchestra) (from 1997-07-15 until 1997-07-18)
conductor:
Stephen Cleobury (organist, conductor) (from 1997-07-15 until 1997-07-18)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios) (from 1997-07-15 until 1997-07-18)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1997-07-15 until 1997-07-18)
recording of:
Requiem: VI. The Lord Is My Shepherd (arr. for choir and orchestra) (from 1997-07-15 until 1997-07-18)
composer:
John Rutter (English choral music composer, conductor, arranger and producer, born 1945) (in 1985)
arrangement of:
The Lord is my Shepherd (original arr. for choir, solo oboe, and organ)
part of:
Requiem
Rutter4:43
7Thou Knowest, LordPurcell2:07
8Brezairola (Songs of the Auvergne)
producer:
Tolga Kaşif (Tolga Kashif, composer and conductor)
solo cello:
Jonathan Williams (cellist) (from 2002-06 until 2002-07)
solo violin:
Marcia Crayford (violinist) (from 2002-06 until 2002-07)
soprano vocals:
Lesley Garrett (soprano) (from 2002-06 until 2002-07)
conductor:
Philip Ellis (from 2002-06 until 2002-07)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2002)
recording of:
Chants d’Auvergne: Troisième Série: No. 4. Brezairola
lyricist and composer:
[traditional] (special purpose artist)
arranger:
Joseph Canteloube
part of:
Chants d'Auvergne: Troisième Série
Trad.3:46
9Ave verum corpus
organ:
Peter Mathews and Dom Cyprian Stockford (organist)
choir vocals:
The Monks and Choirboys of Downside Abbey
conductor:
David Lawson (associated with Downside Abbey) (choir vocals [director of boys' choir]) and Dom Dunstan O'Keeffe (choir vocals [director of monks])
recording of:
Ave verum corpus, K. 618 (catch-all for arrangements)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
arrangement of:
Ave verum corpus, K. 618 (for chorus, string and organ)
Mozart2:54
10In trutina (Carmina burana)
producer:
Peter Andry (producer)
soprano vocals:
Lucia Popp (soprano) (from 1965-06-12 until 1965-06-16)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1965-06-12 until 1965-06-16)
conductor:
Rafael Frühbeck de Burgos (conductor) (from 1965-06-12 until 1965-06-16)
balance engineer:
Peter Bown (sound engineer, last name often misprinted as “Brown”)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1965-06-12 until 1965-06-16)
recording of:
Carmina Burana: III. Cour d’amours: XXI. In trutina mentis dubia (from 1965-06-12 until 1965-06-16)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Orff2:14
11Veni, creator spiritus
[anonymous]3:10
12In quelle trine morbide (Manon lescaut)Puccini2:51
13The Lamb
producer:
John West (classical engineer/producer)
choir vocals:
Vasari Singers (UK chamber choir) (from 1995-02-03 until 1995-02-05)
conductor:
Jeremy Backhouse (choral conductor) (from 1995-02-03 until 1995-02-05)
chorus master:
Jeremy Backhouse (choral conductor)
balance engineer:
Mike Clements (engineer) (from 1995-02-03 until 1995-02-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1996)
recorded at:
St. Giles’ Cripplegate in City of London, London (Greater London), England, United Kingdom (from 1995-02-03 until 1995-02-05)
recording of:
The Lamb (from 1995-02-03 until 1995-02-05)
lyricist:
William Blake (English poet, painter, and printmaker) (in 1789)
composer:
John Tavener (20th century composer) (in 1982)
publisher:
Chester Music Ltd., Edition Wilhelm Hansen London Ltd. and J. & W. Chester, Ltd.
Tavener3:14
14Panis angelicus
choir vocals:
Hallé Choir
orchestra:
Hallé Orchestra
conductor and chorus master:
Maurice Handford (hornist/conductor)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981)
recording of:
Messe solennelle en la majeur, op. 12 : V. Panis Angelicus
lyricist:
St. Thomas Aquinas
composer:
César Franck (Belgian‐born French composer) (in 1860)
part of:
Messe solennelle en la majeur, op. 12
Franck4:57
15Lacrimosa (Requiem)
recording engineer:
Mike Clements (engineer) (in 1989-04)
producer:
Andrew Keener (engineer/editor/producer)
organ:
David Bell (organist) (in 1989-04)
choir vocals:
London Philharmonic Choir (in 1989-04)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1989-04)
conductor:
Franz Welser‐Möst (conductor) (in 1989-04)
arranger:
Franz Beyer (violist)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1990)
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom (in 1989-04)
recording of:
Requiem in D minor, K. 626: IIIf. Sequenz: “Lacrimosa” (Beyer/Kunzelmann Edition) (in 1989-04)
additional orchestrator:
Franz Beyer (violist)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626: III. Sequenz (Beyer/Kunzelmann Edition)
Mozart2:58
16Cantique de Jean Racine
choir vocals:
The Monks and Choirboys of Downside Abbey
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1997)
recording of:
Cantique de Jean Racine, op. 11 (for choir and piano or organ)
lyricist:
Jean Racine (French dramatist)
composer:
Gabriel Fauré (French composer) (in 1865)
dedicated to:
César Franck (Belgian‐born French composer)
part of:
Works of Gabriel Fauré by opus number (number: op. 11)
Fauré5:12
17O mio babbino caro (Gianni Schicchi)
soprano vocals [Lauretta]:
Montserrat Caballé (soprano)
orchestra:
London Symphony Orchestra
conductor:
Charles Mackerras (Australian conductor)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1970)
recording of:
Gianni Schicchi: “O mio babbino caro” (Lauretta)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giovacchino Forzano
publisher:
Casa Ricordi BMG S.p.A. and G. Ricordi & Co. (London) Ltd. (UK division)
part of:
Gianni Schicchi
Puccini2:48
18Ave Maris Stella
[anonymous]/Monteverdi3:46
19Soave sia il vento (Così fan tutte)
producer:
John Fraser (UK producer)
bass vocals [Don Alfonso]:
Claudio Desderi (baritone) (in 1986-02)
mezzo-soprano vocals [Dorabella]:
Dolores Ziegler (mezzo-soprano) (in 1986-02)
soprano vocals:
Delores Ziegler (mezzo-soprano)
soprano vocals [Fiordiligi]:
Carol Vaness (soprano) (in 1986-02)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1986-02)
conductor:
Bernard Haitink (conductor) (in 1986-02)
balance engineer:
Stuart Eltham (engineer) (in 1986-02)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1986-02)
recording of:
Così fan tutte: Atto I. No. 10 Terzettino “Soave sia il vento” (Fiordligi, Dorabella, Don Alfonso) (in 1986-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Mozart3:06
20Benedictus (The Armed Man: A Mass for Peace)
producer:
Karl Jenkins (Welsh composer, conductor and instrumentalist)
cello:
Guy Johnston (cellist) (on 2001-01-12)
choir vocals:
National Youth Choir of Great Britain (on 2000-08-11)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (on 2000-07-24)
conductor:
Karl Jenkins (Welsh composer, conductor and instrumentalist) (on 2000-07-24) and Michael C. Brewer (conductor) (on 2000-08-11)
recording of:
The Armed Man: A Mass for Peace: Benedictus (from 2000-07-24 until 2001-01-12)
composer:
Karl Jenkins (Welsh composer, conductor and instrumentalist)
part of:
The Armed Man: A Mass for Peace (the complete work)
Jenkins37:35
4CD: Relaxing Sounds of the Piano, Cello, Harp and More...
#TitleArtistRatingLength
1The Swan (Carnaval des Animaux)
harp:
Aline Brewer (harpist)
solo cello:
Han‐na Chang (South Korean conductor and cellist)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Leonard Slatkin (conductor)
arranger:
Chris Hazell
recording of:
Le Carnaval des animaux: XIII. Le Cygne (catch-all for arrangements)
composer:
Camille Saint‐Saëns (composer)
arrangement of:
Le Carnaval des animaux : XIII. Le Cygne (The Carnival of the Animals: XIII. The Swan, part of orig. Carnival of the Animals, for cello and dual piano)
part of:
Le Carnaval des animaux (catch-all for arrangements)
Saint‐Saëns3:19
2'Emperor' ConcertoBeethoven7:03
3Viola da gamba sonata
harpsichord:
Ton Koopman (conductor, organist and harpsichordist)
viola da gamba:
Jordi Savall (viol player, conductor and composer)
edit of:
Viola da Gamba Sonata no. 3 in G minor, BWV 1029: II. Adagio by Jordi Savall (viol player, conductor and composer), Ton Koopman (conductor, organist and harpsichordist)
partial recording of:
Sonate für Viola da Gamba und Cembalo g-Moll, BWV 1029: II. Adagio
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Sonate für Viola da Gamba und Cembalo g-Moll, BWV 1029
J. S. Bach2:33
4'Moonlight' SonataBeethoven3:59
5Schindler's List Theme
recording of:
Main Theme (Schindler’s List)
composer:
John Williams (American score composer) (in 1993)
publisher:
Chester Music Ltd., MCA Music Ltd. and Universal/MCA Music (music publisher; do not use as release label!)
part of:
Schindler's List
part of:
Three Pieces from Schindler’s List
Williams5:04
6Cello Concerto
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
cello:
Jacqueline du Pré (cellist) (on 1965-08-19)
orchestra:
London Symphony Orchestra (on 1965-08-19)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1965-08-19)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (on 1965-08-19)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1965)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1965-08-19)
recording of:
Cello Concerto in E minor, op. 85: III. Adagio (on 1965-08-19)
composer:
Edward Elgar (composer) (from 1918 until 1919)
part of:
Cello Concerto in E minor, op. 85
Elgar5:19
7Spiegel im spiegel
piano:
Martin Roscoe (English classical pianist) (in 1994)
violin:
Tasmin Little (violinist) (in 1994)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1994)
partial recording of:
Spiegel im Spiegel (for violin and piano)
composer:
Arvo Pärt (Estonian composer) (in 1978)
part of:
Classic 100: Piano (2025) (number: 12)
recording of:
Spiegel im Spiegel (for violin and piano)
composer:
Arvo Pärt (Estonian composer) (in 1978)
part of:
Classic 100: Piano (2025) (number: 12)
Pärt4:04
8Gymnopédie no. 1
Satie3:17
9Violin Concerto no. 1
violin:
Yehudi Menuhin (violinist)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Walter Süsskind (conductor)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1959)
partial recording of:
Violin Concerto no. 1 in G minor, op. 26: II. Adagio
composer:
Max Bruch (composer and conductor) (from 1866 until 1867)
part of:
Violin Concerto no. 1 in G minor, op. 26
recording of:
Violin Concerto no. 1 in G minor, op. 26: II. Adagio
composer:
Max Bruch (composer and conductor) (from 1866 until 1867)
part of:
Violin Concerto no. 1 in G minor, op. 26
Bruch4:26
10Clarinet Concerto
basset clarinet:
Sabine Meyer (clarinetist) (from 1990-06-06 until 1990-06-08)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1990-06-06 until 1990-06-08)
conductor:
Hans Vonk (conductor) (from 1990-06-06 until 1990-06-08)
phonographic copyright (℗) by:
EMI Electrola GmbH (not for release label use! DE subsidiary of EMI Records from 1972–2002) (in 1990)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1990-06-06 until 1990-06-08)
recording of:
Concerto for Clarinet in A major, K. 622: II. Adagio (Concerto for Clarinet and Orchestra in A major, K. 622: II. Adagio) (from 1990-06-06 until 1990-06-08)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1791-09-28 until 1791-10-07)
part of:
Concerto for Clarinet in A major, K. 622
Mozart6:40
11The Lark Ascending
violin:
Hugh Bean (violinist)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Sir Adrian Boult (conductor)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1967)
partial recording of:
The Lark Ascending (for violin and orchestra)
composer:
Ralph Vaughan Williams (English composer) (in 1914)
premiered at:
[concert] (1921-06-14)
premiered at:
Queen’s Hall in London (Greater London), England, United Kingdom (on 1921-06-14)
arrangement of:
The Lark Ascending (for violin and piano)
Vaughan Williams6:26
12Piano Concerto no. 2
piano:
Cécile Ousset (French pianist)
orchestra:
City of Birmingham Symphony Orchestra
conductor:
Simon Rattle (conductor)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1984)
partial recording of:
Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto
premiered in:
Moscow, Russia (on 1900-12-15)
composer:
Sergei Rachmaninoff (Russian composer) (from 1900 until 1901-04)
part of:
Piano Concerto no. 2 in C minor, op. 18
Rachmaninov4:32
13Double Violin Concerto
violin:
Christian Ferras (violinist) and Yehudi Menuhin (violinist)
orchestra:
Bath Festival Orchestra
conductor:
Yehudi Menuhin (violinist)
partial recording of:
Concerto for 2 Violins in D minor, BWV 1043: II. Largo ma non tanto
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1730 until 1731)
part of:
Concerto for 2 Violins in D minor, BWV 1043
J. S. Bach2:36
14Flute & Harp ConcertoMozart4:00
15Romance (The Gadfly)
engineer:
Mike Hatch (engineer/editor)
producer:
Andrew Keener (engineer/editor/producer)
piano:
Piers Lane (Australian classical pianist) (from 1991-07-30 until 1991-07-31)
violin:
Tasmin Little (violinist) (from 1991-07-30 until 1991-07-31)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1991)
recorded at:
St Michael’s Church (Highgate) in Highgate, Camden (London Borough of Camden), Haringey, Islington, London (Greater London), England, United Kingdom (from 1991-07-30 until 1991-07-31)
recording of:
Romance from The Gadfly Suite (for violin and piano) (from 1991-07-30 until 1991-07-31)
composer:
Дмитрий Дмитриевич Шостакович (Dmitri Shostakovich, composer)
arrangement of:
The Gadfly Suite, op. 97a: VIII. Romance
recording of:
The Gadfly Suite, op. 97a: VIII. Romance
composer:
Дмитрий Дмитриевич Шостакович (Dmitri Shostakovich, composer) (in 1955)
arranger:
Левон Атовмьян (Lev Atovmyan, Russian composer, arranger, editor, and administrator)
part of:
The Gadfly Suite, op. 97a
Shostakovich3:14
16Concierto de Aranjuez
classical guitar and guitar:
Julian Bream
orchestra:
City of Birmingham Symphony Orchestra
conductor:
Simon Rattle (conductor)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
partial recording of:
Concierto de Aranjuez: II. Adagio
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1939)
part of:
Concierto de Aranjuez
Rodrigo54:45
17Piano Concerto no. 2 in F
piano:
Dmitri Alexeev (pianist) (in 1983-05)
orchestra:
English Chamber Orchestra (in 1983-05)
conductor:
Jerzy Maksymiuk (conductor) (in 1983-05)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1983-05)
recording of:
Piano Concerto no. 2 in F major, op. 102: II. Andante (in 1983-05)
composer:
Дмитрий Дмитриевич Шостакович (Dmitri Shostakovich, composer) (in 1957)
part of:
Piano Concerto no. 2 in F major, op. 102
Shostakovich6:06
5CD: Relaxing Sounds of the Orchestra
#TitleArtistRatingLength
1Sheep May Safely Graze
producer:
John Fraser (UK producer)
organ:
Ian Watson (conductor and keyboardist) (from 1983-06-27 until 1983-06-28)
orchestra:
Academy of St Martin in the Fields (from 1983-06-27 until 1983-06-28)
conductor:
Sir Neville Marriner (conductor) (from 1983-06-27 until 1983-06-28)
arranger and orchestrator:
Sir Neville Marriner (conductor)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1983-06-27 until 1983-06-28)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IX. Aria (Sopran II) “Schafe können sicher weiden” (orchestrated by Marriner) (from 1983-06-27 until 1983-06-28)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
orchestration of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IX. Aria (Sopran II) “Schafe können sicher weiden”
J. S. Bach4:37
2Romanza (Eine kleine nachtmusik)
producer:
Christopher Bishop (conductor/producer)
orchestra:
Academy of St Martin in the Fields (on 1976-01-29, on 1976-10-26)
conductor:
Sir Neville Marriner (conductor) (on 1976-01-29, on 1976-10-26)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1976-01-29, on 1976-10-26)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: II. Romance. Andante (on 1976-01-29)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: II. Romance. Andante (on 1976-10-26)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
Mozart5:47
3Largo (Serse)
recording of:
Serse, HWV 40: Atto I. Arioso “Ombra mai fù” (“largo”; catch‐all for arrangements)
composer:
George Frideric Handel (German‐British baroque composer)
arrangement of:
Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse)
Handel2:24
4Pastoral Symphony
orchestra:
Philadelphia Orchestra (The Philadelphia Orchestra) and Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Riccardo Muti (conductor)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988)
partial recording of:
Symphony no. 6 in F major, op. 68 “Pastorale”: V. Allegretto “Shepherds’ song: Cheerful and thankful feelings after the storm” (Symphony No. 6 in F major, Op. 68 "Pastorale": V. "Shepherds' song: Cheerful and thankful feelings after the storm" Allegretto)
composer:
Ludwig van Beethoven (German composer) (in 1808)
part of:
Symphony no. 6 in F major, op. 68 “Pastorale”
recording of:
Symphony no. 6 in F major, op. 68 “Pastorale”: V. Allegretto “Shepherds’ song: Cheerful and thankful feelings after the storm” (Symphony No. 6 in F major, Op. 68 "Pastorale": V. "Shepherds' song: Cheerful and thankful feelings after the storm" Allegretto)
composer:
Ludwig van Beethoven (German composer) (in 1808)
part of:
Symphony no. 6 in F major, op. 68 “Pastorale”
Beethoven6:45
5Dance of the Blessed Spirits (Orfeo ed Euridice)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Riccardo Muti (conductor)
recording of:
Orfeo ed Euridice, Wq. 30: Ballet in D minor “Dance of the Blessed Spirits” (Italian version)
composer:
Christoph Willibald Gluck (composer)
part of:
Orfeo ed Euridice, Wq. 30: Atto II (Italian version)
part of:
Orpheus und Eurydike: Akt II (German version)
Gluck2:16
6Winter (Le quattro stagioni)
producer:
David Groves (classical music producer at EMI)
cello:
Antonio Bocaterra (cellist) (from 1993-12-14 until 1993-12-18)
harpsichord:
Robert Kettelson (pianist) (from 1993-12-14 until 1993-12-18)
solo violin and violin:
Giulio Franzetti (violinist) (from 1993-12-14 until 1993-12-18)
orchestra:
I Solisti dell’Orchestra Filarmonica della Scala (from 1993-12-14 until 1993-12-18) and Soloists of the Philharmonic Orchestra of La Scala (from 1993-12-14 until 1993-12-18)
conductor:
Riccardo Muti (conductor) (from 1993-12-14 until 1993-12-18)
balance engineer:
Michael Sheady (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1994)
recorded at:
Chiesa di San Marco in Milano (Milan), Milano, Lombardia, Italy (from 1993-12-14 until 1993-12-18)
recording of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: II. Largo (from 1993-12-14 until 1993-12-18)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno” (Concerto in F minor, op. 8 no. 4, RV 297 “Winter”)
Vivaldi2:34
7Symphony no. 7 in A
orchestra:
Koninklijk Concertgebouworkest (Royal Concertgebouw Orchestra)
conductor:
Wolfgang Sawallisch (conductor)
partial recording of:
Symphony no. 7 in A major, op. 92: II. Allegretto
composer:
Ludwig van Beethoven (German composer) (from 1811 until 1812)
part of:
Symphony no. 7 in A major, op. 92
Beethoven3:20
8Water Music
Handel4:44
9Fantasia on a Theme by Thomas TallisVaughan Williams4:01
10Venus (The Planets)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Sir Adrian Boult (conductor)
partial recording of:
The Planets, op. 32: II. Venus, the Bringer of Peace
composer:
Gustav Holst (composer) (from 1914 until 1916)
orchestration of:
The Planets, op. 32: II. Venus, the Bringer of Peace (for two pianos)
part of:
The Planets, op. 32 (Suite for Large Orchestra)
Holst6:17
11Chanson de matin
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1967-04-17 until 1967-04-18, on 1967-04-18)
conductor:
Sir Adrian Boult (conductor) (from 1967-04-17 until 1967-04-18, on 1967-04-18)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
phonographic copyright (℗) by:
Warner Classics (in 1968, in 1985)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1967-04-17 until 1967-04-18) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1967-04-18)
recording of:
Chanson de matin, op. 15 no. 2 (for orchestra) (on 1967-04-18)
orchestrator and composer:
Edward Elgar (composer)
publisher:
Public Domain (refers to works that are in the public domain)
premiered at:
Queen’s Hall in London (Greater London), England, United Kingdom (on 1901-09-14)
arrangement of:
Chanson de matin, op. 15 no. 2 (for violin and piano)
Elgar3:06
12Piano Concerto in A minor
producer:
John Fraser (UK producer)
piano:
Cécile Ousset (French pianist) (in 1984-07)
orchestra:
London Symphony Orchestra (in 1984-07)
conductor:
Sir Neville Marriner (conductor) (in 1984-07)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1984-07)
recording of:
Concerto in A minor for Piano and Orchestra, op. 16: II. Adagio (in 1984-07)
composer:
Edvard Grieg (composer) (in 1868)
part of:
Concerto in A minor for Piano and Orchestra, op. 16
Grieg6:33
13Adagio for Strings
orchestra:
The Philadelphia Orchestra (in 1957, in 1985)
conductor:
Eugene Ormandy (conductor) (in 1957, in 1985)
recording of:
Adagio for Strings (in 1957)
orchestrator:
Samuel Barber (American composer) (in 1938)
composer:
Samuel Barber (American composer) (in 1936)
premiered by:
NBC Symphony Orchestra (on 1938-11-05) and Arturo Toscanini (conductor) (on 1938-11-05)
premiered at:
[radio broadcast] (1938-11-05)
publisher:
Chappell (Warner/Chappell Music, Inc.) and G. Schirmer Inc.
arrangement of:
String Quartet, op. 11: II. Molto adagio
partial recording of:
Adagio for Strings
orchestrator:
Samuel Barber (American composer) (in 1938)
composer:
Samuel Barber (American composer) (in 1936)
premiered by:
NBC Symphony Orchestra (on 1938-11-05) and Arturo Toscanini (conductor) (on 1938-11-05)
premiered at:
[radio broadcast] (1938-11-05)
publisher:
Chappell (Warner/Chappell Music, Inc.) and G. Schirmer Inc.
arrangement of:
String Quartet, op. 11: II. Molto adagio
Barber36:24
14Eddie (Wonderland)
Nyman4:01
15Queen Symphony
Kashif5:59
16Deborah's Theme
Morricone4:24
17Time to Say Goodbye
violin:
David Abel (violinist/violist)
orchestra:
orchestra ([unknown], Special Purpose Artist – Do not add releases here, if possible.)
instrumental recording of:
Time to Say Goodbye (version with predominantly Italian lyrics, except for the phrase “time to say goodbye”)
additional lyricist:
Frank Peterson
lyricist:
Lucio Quarantotto
composer:
Francesco Sartori
publisher:
Sugar Music MV and Sugar S.r.l. (company credits only; do NOT use as release label)
translated version of:
Con te partirò (completely Italian lyrics; no “time to say goodbye”)
Quarantotto/Sartori3:57