Viva Verdi!

~ Release by Giuseppe Verdi (see all versions of this release, 1 available)

Annotation

3-fold digipak

Annotation last modified on 2020-08-12 14:21 UTC.

Tracklist

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1▼CD
#TitleRatingLength
1Nabucco: Ouverture
producer:
John Mordler (producer)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1977-07-10 until 1978-02-08)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1977-07-10 until 1978-02-08)
conductor:
Riccardo Muti (conductor) (from 1977-07-10 until 1978-02-08)
balance engineer:
Stuart Eltham (engineer) (from 1977-07-10 until 1978-02-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1977-07-10 until 1978-02-08)
recording of:
Nabucco: Sinfonia (Overture) (from 1977-07-10 until 1978-02-08)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Nabucco
7:11
2Nabucco: "Va, pensiero"
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Riccardo Muti (conductor)
recording of:
Nabucco: Parte III, scena 2. Coro “Va, pensiero, sull’ali dorate” (Coro) (Chorus of the Hebrew Slaves)
composer:
Giuseppe Verdi (Italian opera composer) (in 1841)
librettist:
Temistocle Solera
part of:
Nabucco: Parte III. La profezia
5:15
3Macbeth: Ballo
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Riccardo Muti (conductor)
partial recording of:
Macbeth: Atto III. N°10b Ballo: Allegro vivacissimo - Un poco ritenuto - Allegro - Andante - Allegro - Valzer. Allegro vivacissimo - Poco più mosso
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Macbeth: Atto III
2:55
4Rigoletto: "Questo o quella"
tenor vocals [Duca]:
Vincenzo La Scola (tenor)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan)
conductor:
Riccardo Muti (conductor)
recording of:
Rigoletto: Atto I, scena 1. N°2 Ballata “Questa o quella” (Duca)
composer:
Giuseppe Verdi (Italian opera composer) (from 1850 until 1851-03-11)
librettist:
Francesco Maria Piave (from 1850 until 1851-03-11)
part of:
Rigoletto: Atto I
1:43
5Rigoletto: "Sì, vendetta"
baritone vocals [Rigoletto]:
Sherrill Milnes (baritone)
soprano vocals [Gilda]:
Beverly Sills (soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Julius Rudel (conductor)
recording of:
Rigoletto: Atto II. "Sì, vendetta, tremenda vendetta" (Rigoletto, Gilda)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto II
2:19
6Rigoletto: "La donna è mobile"
recording engineer:
Wilfried Hauer (recording engineer) (from 2003-07-05 until 2003-07-09)
executive producer:
Alain Lanceron (from 2003-07-05 until 2003-07-09)
producer:
Wilhelm Meister (Tonmeister / recording producer) (from 2003-07-05 until 2003-07-09)
editor:
Elisabeth Panzer (engineer) (from 2003-07-05 until 2003-07-09)
tenor vocals:
Rolando Villazón (tenor) (from 2003-07-05 until 2003-07-09)
vocals:
Rolando Villazón (tenor)
orchestra:
Münchner Rundfunkorchester (The Munich Radio Orchestra) (from 2003-07-05 until 2003-07-09)
conductor:
Marcello Viotti (conductor) (from 2003-07-05 until 2003-07-09)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2004) and Virgin Classics Ltd. (not for release label use! for copyrights use) (in 2004)
recorded at:
Bavarian Radio: Studio 1 in München (Munich), Bayern (Bavaria), Germany (from 2003-07-05 until 2003-07-09)
recording of:
Rigoletto: Atto III. “La donna è mobile” (Duca) (from 2003-07-05 until 2003-07-09)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto III
2:06
7Rigoletto: "Bella figlia dell'amore"
baritone vocals [Rigoletto]:
Giorgio Zancanaro (baritone) (from 1988-06 until 1988-10)
mezzo-soprano vocals [Maddalena]:
Martha Senn (Colombian operatic mezzo-soprano) (from 1988-06 until 1988-10)
soprano vocals [Gilda]:
Daniela Dessì (soprano) (from 1988-06 until 1988-10)
tenor vocals [Duca]:
Vincenzo La Scola (tenor) (from 1988-06 until 1988-10)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1988-06 until 1988-10)
conductor:
Riccardo Muti (conductor) (from 1988-06 until 1988-10)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988)
recording of:
Rigoletto: Atto III. N°12 Quartetto "Bella figlia dell'amore" (Duca, Maddalena, Gilda, Rigoletto) (from 1988-06 until 1988-10)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto III
4:09
8Il trovatore: "Di geloso amor"
baritone vocals [Conte Luna]:
Rolando Panerai (baritone)
soprano vocals [Leonora]:
Maria Callas (soprano)
tenor vocals [Manrico]:
Giuseppe Di Stefano (tenor)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan)
conductor:
Herbert von Karajan (conductor)
recording of:
Il trovatore: Atto I, scena 2. “Di geloso amor sprezzato” (Conte Luna, Leonora, Manrico)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto I. Il duello
2:35
9Il trovatore: "Vedi le fosche notturne"
choir vocals:
Coro del Teatro alla Scala di Milano
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan)
conductor:
Herbert von Karajan (conductor)
recording of:
Il trovatore: Atto II, scena 1. “Vedi! Le fosche notturne” (zingari) (“Anvil Chorus”)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
2:57
10Il trovatore: "Stride la vampa"
producer:
Walter Legge (British classical producer)
mezzo-soprano vocals [Azucena]:
Fedora Barbieri (mezzo-soprano) (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
conductor:
Herbert von Karajan (conductor) (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
recording of:
Il trovatore: Atto II, scena 1. “Stride la vampa!” (Azucena) (from 1956-08-03 until 1956-08-04)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
recording of:
Il trovatore: Atto II, scena 1. “Stride la vampa!” (Azucena) (from 1956-08-06 until 1956-08-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
2:45
11Il trovatore: "D'amor sull'ali rosee"
soprano vocals:
Maria Callas (soprano)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan)
conductor:
Herbert von Karajan (conductor)
recording of:
Il trovatore: Atto IV, scena 1. “D’amor sull’ali rosee” (Leonora)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
4:10
12La traviata: "Libiamo ne lieti calici"
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1980-07-05 until 1980-07-15)
soprano vocals [Violetta]:
Renata Scotto (operatic soprano) (from 1980-07-05 until 1980-07-15)
tenor vocals [Alfredo]:
Alfredo Kraus (tenor) (from 1980-07-05 until 1980-07-15)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1980-07-05 until 1980-07-15)
conductor:
Riccardo Muti (conductor) (from 1980-07-05 until 1980-07-15)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1980-07-05 until 1980-07-15)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1980-07-05 until 1980-07-15)
recording of:
La traviata: Atto I. Brindisi “Libiamo, ne’ lieti calici” (Alfredo, Coro, Violetta) (from 1980-07-05 until 1980-07-15)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto I (La traviata: Act I)
2:56
13La traviata: "Sempre libera"
soprano vocals [Violetta]:
Renata Scotto (operatic soprano)
tenor vocals [Alfredo]:
Alfredo Kraus (tenor)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Riccardo Muti (conductor)
recording of:
La traviata: Atto I. “Sempre libera” (Violetta)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto I (La traviata: Act I)
3:27
14La traviata: "Parigi o cara"
soprano vocals [Violetta]:
Renata Scotto (operatic soprano) (in 1980-07)
tenor vocals [Alfredo]:
Alfredo Kraus (tenor) (in 1980-07)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1980-07)
conductor:
Riccardo Muti (conductor) (in 1980-07)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1980-07)
recording of:
La traviata: Atto III. Duetto “Parigi, o cara, noi lasceremo” (Alfredo, Violetta) (in 1980-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto III (La traviata: Act III)
4:18
15La traviata: "Noi siamo zingarelle"
bass vocals [Marchese d'Obigny]:
Richard van Allan (operatic bass-baritone) (from 1980-07-05 until 1980-07-15)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1980-07-05 until 1980-07-15)
mezzo-soprano vocals [Flora]:
Sarah Walker (British mezzosoprano) (from 1980-07-05 until 1980-07-15)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1980-07-05 until 1980-07-15)
conductor:
Riccardo Muti (conductor) (from 1980-07-05 until 1980-07-15)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1980-07-05 until 1980-07-15)
recording of:
La traviata: Atto II, scena 2. “Noi siamo zingarelle” (Zingare, Flora, Marchese, Coro) (from 1980-07-05 until 1980-07-15)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto II (La traviata: Act II)
2:59
16La traviata: "Addio del passato"
soprano vocals [Violetta Valéry]:
Maria Callas (soprano) (in 1953-09)
orchestra:
Orchestra Sinfonica di Torino della RAI (in 1953-09)
conductor:
Gabriele Santini (conductor) (in 1953-09)
recorded at:
Auditorium RAI “Arturo Toscanini” (Turin) in Torino (Turin), Torino, Piemonte, Italy (in 1953-09)
recording of:
La traviata: Atto III. “Addio, del passato bei sogni ridenti” (Violetta) (in 1953-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto III (La traviata: Act III)
3:33
17I vespri siciliani: Ouverture
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1989-12 until 1990-01)
conductor:
Riccardo Muti (conductor) (from 1989-12 until 1990-01)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1989-12 until 1990-01)
recording of:
I vespri siciliani: Sinfonia (from 1989-12 until 1990-01)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
I vespri siciliani
8:19
18I vespri siciliani: L'estate
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1989-12 until 1990-01)
conductor:
Riccardo Muti (conductor) (from 1989-12 until 1990-01)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1989-12 until 1990-01)
recording of:
I vespri siciliani: Atto III. Le quattro stagioni (Ballet Music): 3. L'estate (from 1989-12 until 1990-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Charles Duveyrier and Eugène Scribe
translator:
Arnaldo Fusinato
part of:
I vespri siciliani: Atto III. Le quattro stagioni (Ballet Music)
5:29
19I vespri siciliani: "Mercè dilette amiche"
soprano vocals [Elena]:
Cheryl Studer (soprano) (from 1989-12 until 1990-01)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1989-12 until 1990-01)
conductor:
Riccardo Muti (conductor) (from 1989-12 until 1990-01)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1989-12 until 1990-01)
recording of:
I vespri siciliani: Atto V. Bolero “Mercè, dilette amiche” (Elena) (from 1989-12 until 1990-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Charles Duveyrier and Eugène Scribe
translator:
Arnaldo Fusinato
part of:
I vespri siciliani: Atto V
4:28
2▼CD
#TitleRatingLength
1La forza del destino: Sinfonia
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan)
conductor:
Riccardo Muti (conductor)
recording of:
La forza del destino: Sinfonia
composer:
Giuseppe Verdi (Italian opera composer)
part of:
La forza del destino
7:11
2La forza del destino: “La vergine degli angeli”
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
soprano vocals and soprano vocals [Leonora]:
Montserrat Caballé (soprano)
vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
orchestra:
Royal Philharmonic Orchestra
conductor:
Anton Guadagno (conductor)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger)
recording of:
La forza del destino: Atto II, scena 2. “La vergine degli angeli” (Leonora, Melitone, Guardiano, coro)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La forza del destino: Atto II
3:34
3Aïda: “Gloria all'Egitto, ad Iside”
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Antonio Pappano (conductor and pianist)
recording of:
Aida: Atto II, scena 2. Gran Finale II “Gloria all’Egitto, ad Iside” (Popolo, Sacerdoti)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
3:26
4Aïda: Marcia trionfale
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Antonio Pappano (conductor and pianist)
recording of:
Aida: Atto II, scena 2. Marcia trionfale (orchestra) (Triumphal march, Triumphmarsch)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Akt II
part of:
Aida: Atto II
1:35
5Aïda: Ballabile
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Antonio Pappano (conductor and pianist)
recording of:
Aida: Atto II, scena 2. Ballabile (orchestra)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Akt II
part of:
Aida: Atto II
4:23
6Aïda: “Vieni o guerriero vindice”
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Antonio Pappano (conductor and pianist)
recording of:
Aida: Atto II, scena 2. “Vieni, o guerriero vindice” (Popolo, Sacerdoti)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
2:31
7Don Carlo: “Dio, che nel alma infondere”
baritone vocals [Rodrigo]:
Sherrill Milnes (baritone)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
tenor vocals [Carlo]:
Plácido Domingo (tenor)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Carlo Maria Giulini (conductor)
recording of:
Don Carlo: Atto I, scena 1. N°4 “Dio, che nell’alma infondere amor …” (Carlo, Rodrigo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
5:00
8Don Carlo: “O don fatale”
mezzo-soprano vocals [Eboli]:
Shirley Verrett (mezzo-soprano)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Carlo Maria Giulini (conductor)
recording of:
Don Carlo: Atto III, scena 1. N°13 “O don fatale, o don crudel” (Eboli)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
1:45
9Otello: “Fuoco di gioia”
choir vocals:
Coro del Teatro alla Scala di Milano
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan)
conductor:
Lorin Maazel (conductor)
recording of:
Otello: Atto I, scena 1. Coro “Fuoco di gioia …” (Ciprioti)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto I
2:29
10Falstaff: “Sul fil d'un soffio etesio”
soprano vocals [Nannetta]:
Sumi Jo (soprano)
orchestra:
English Chamber Orchestra
conductor:
Giuliano Carella (conductor)
recording of:
Falstaff: Atto III, scena 2. “Sul fil d'un soffio etesio” (Nannetta, Fate)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Falstaff: Atto III
4:20
11Messa da requiem: Libera me: Libera me, Domine
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia)
soprano vocals:
Anja Harteros (soprano)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Antonio Pappano (conductor and pianist)
recording of:
Messa da requiem: VIIa. Libera me: Libera me, Domine
composer:
Giuseppe Verdi (Italian opera composer)
version of:
Messa per Rossini: VIIa. Responsorium. Libera me, Domine: Libera me
part of:
Messa da requiem: VII. Libera me (soprano, coro)
2:20
12Messa da requiem: Libera me: Dies irae
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia)
soprano vocals:
Anja Harteros (soprano)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Antonio Pappano (conductor and pianist)
recording of:
Messa da requiem: VIIb. Libera me: Dies irae
composer:
Giuseppe Verdi (Italian opera composer)
version of:
Messa per Rossini: VIIb. Responsorium. Libera me, Domine: Dies irae
part of:
Messa da requiem: VII. Libera me (soprano, coro)
2:22
13Messa da requiem: Libera me: Requiem aeternam
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia)
soprano vocals:
Anja Harteros (soprano)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Antonio Pappano (conductor and pianist)
recording of:
Messa da requiem: VIIc. Libera me: Requiem aeternam
composer:
Giuseppe Verdi (Italian opera composer)
version of:
Messa per Rossini: VIIc. Responsorium. Libera me, Domine: Requiem aeternam
part of:
Messa da requiem: VII. Libera me (soprano, coro)
3:18
14Messa da requiem: Libera me: Libera me, Domine
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia)
soprano vocals:
Anja Harteros (soprano)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Antonio Pappano (conductor and pianist)
recording of:
Messa da requiem: VIId. Libera me: Libera me, Domine
composer:
Giuseppe Verdi (Italian opera composer)
version of:
Messa per Rossini: VIId. Responsorium. Libera me, Domine: Libera me
part of:
Messa da requiem: VII. Libera me (soprano, coro)
5:54