Gloria in Excelsis

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1CD
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1Gloria: Gloria in Excelsis Deo
choir vocals:
Pro Musica Choir Stuttgart
orchestra:
Orchester Pro Musica Stuttgart (founded in 1952, present name established since 1971)
conductor:
Marcel Couraud (conductor)
recording of:
Gloria, RV 589: I. Gloria in excelsis Deo (edited by Malipiero)
lyricist:
Anonymous ([anonymous], special purpose artist)
additional composer:
Gian Francesco Malipiero (Italian composer)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
is based on:
Gloria in D major, RV 589: I. Gloria in excelsis Deo
part of:
Gloria, RV 589 (edited by Malipiero)
Antonio Vivaldi2:16
2Gloria: Et in Terra Pax
choir vocals:
Pro Musica Choir Stuttgart
orchestra:
Orchester Pro Musica Stuttgart (founded in 1952, present name established since 1971)
conductor:
Marcel Couraud (conductor)
recording of:
Gloria, RV 589: II. Et in terra pax hominibus (edited by Malipiero)
additional composer:
Gian Francesco Malipiero (Italian composer)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
is based on:
Gloria in D major, RV 589: II. Et in terra pax
part of:
Gloria, RV 589 (edited by Malipiero)
Antonio Vivaldi3:50
3Christmas Oratorio: Intermedium II: Angels Chorus “Glory to God in the Highest”
vocals:
Schwäbischer Singkreis
conductor:
Hans Grischkat
recording of:
Weihnachts-Historie, SWV 435 - Die Menge der Engel: Ehre sei Gott in der Hohe
composer:
Heinrich Schütz (composer)
part of:
Weihnachts-Historie, SWV 435 (Die Geburt unsers Herren Jesu Christi, for chorus, instruments & continuo)
Heinrich Schütz2:34
4Magnificat: Et Misericordia
alto vocals:
Hildegard Rüttgers (alto)
choir vocals:
Figuralchor der Gedächtniskirche Stuttgart
tenor vocals:
Kurt Equiluz (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recording of:
Magnificat D-Dur, BWV 243: VI. Aria (Alt, Tenor) "Et misericordia"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach3:52
5Magnificat: Gloria Patri
alto vocals:
Hildegard Rüttgers (alto)
choir vocals:
Figuralchor der Gedächtniskirche Stuttgart
tenor vocals:
Kurt Equiluz (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recording of:
Magnificat D-Dur, BWV 243: XII. Coro "Gloria Patri"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach2:31
6L’Enfance du Christ: The Shepherds’ Farewell to the Holy FamilyHector Berlioz5:16
7Christmas Oratorio: Jesus Shepherd My Beginning
choir vocals:
Atlanta Symphony Orchestra Chorus
orchestra:
Atlanta Symphony Orchestra
conductor:
Robert Shaw (conductor)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XLII. Choral „Jesus richte mein Beginnen“
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach2:39
8Christmas Oratorio: Break Forth
choir vocals:
Atlanta Symphony Orchestra Chorus
orchestra:
Atlanta Symphony Orchestra
conductor:
Robert Shaw (conductor)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XII. Choral „Brich an, o schönes Morgenlicht“
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Johann von Rist (in 1641)
part of:
Breitkopf 389 Choralgesänge (number: 80)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:22
9Mass in B minor: Dona Nobis Pacem
choir vocals:
Atlanta Symphony Orchestra Chorus
orchestra:
Atlanta Symphony Orchestra
conductor:
Robert Shaw (conductor)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: V. Dona nobis pacem (Mass in B minor, BWV 232: IVf. Choir "Dona nobis pacem")
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Dona nobis pacem
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:37
10Mass no. 6 in E‐flat, D. 950: III. Credo (First Part)
choir vocals:
Cappella Vocale Hamburg and Spandauer Kantorei (Spandau Chorale, choir)
soprano vocals:
Kari Lövaas (Norwegian soprano)
tenor vocals:
Richard Greager (tenor) and Karl-Ernst Merker (tenor)
orchestra:
Bach-Collegium Berlin
conductor:
Martin Behrmann (conductor)
recording of:
Mass no. 6 in E-flat major, D. 950: III. Credo
composer:
Franz Schubert (composer) (in 1828)
part of:
Mass no. 6 in E-flat major, D. 950
Franz Schubert8:08
11Tannhauser: Pilgrims Chorus
orchestra:
Ljubljana Radio Symphony Orchestra (name used by Alfred Scholz, may be incorrect)
conductor:
Marko Munih (conductor, an Alfred Scholz pseudonym)
recording of:
Excerpt from Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70: Aufzug III, Scene I. Pilgerchor: “Beglückt darf nun dich”
composer:
Richard Wagner (composer) (from 1843 until 1845-04-13)
librettist:
Richard Wagner (composer) (from 1842-06 until 1843-04)
part of:
Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70: Aufzug III, Scene I. “Wohl wusst’ ich hier sie im Gebet zu finden”
Richard Wagner6:18
12Mass in C major, K. 317 “Coronation”: Credo
bass vocals:
Thomas Paul (US operatic bass-baritone)
choir vocals:
Roberts Wesleyan College Chorale
mezzo-soprano vocals:
Jan de Gaetani (mezzo‐soprano)
soprano vocals:
Carole Bogard
tenor vocals:
Robert White (tenor)
orchestra:
Rochester Philharmonic Orchestra (use for Rochester Pops, Eastman-Rochester Orchestra, etc.)
conductor:
David Zinman (conductor)
recording of:
Missa in C, K. 317 “Krönungs-Messe”: III. Credo (Mass in C, K. 317 "Coronation Mass": III. Credo)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1779)
part of:
Missa in C, K. 317 “Krönungs-Messe” (Mass in C, K. 317 "Coronation Mass")
Wolfgang Amadeus Mozart6:21
13Davidde Penitente, K. 469: Chorus: Alzai le flebili vociWolfgang Amadeus Mozart7:44
14The Creation: no. 13 Chorus With Soloists
bass vocals:
Kurt Widmer (operatic bass)
choir vocals:
South German Madrigal Choir
soprano vocals:
Helen Donath (soprano)
tenor vocals:
Adalbert Kraus (tenor)
orchestra:
Orchester der Ludwigsburger Schlossfestspiele (Orchestra of the Ludwigsburg Festival)
conductor:
Wolfgang Gönnenwein (conductor)
recording of:
Die Schöpfung, Hob XXI:2: Part I: XIII. Accompagnato-Rezitativ: In vollem Glanze steiget jetzt
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I
Joseph Haydn4:15
15Stabat Mater: Quis est homo
alto vocals:
Júlia Hamari (Hungarian mezzo-soprano)
bass vocals:
Richard Anlauf (Bass vocalist)
choir vocals:
Stuttgart Chamber Chorus
soprano vocals:
Krisztina Laki (soprano)
tenor vocals:
Claes H. Ahnsjö (tenor)
orchestra:
Württembergisches Kammerorchester Heilbronn (Württemberg Chamber Orchestra Heilbronn)
conductor:
Frieder Bernius (chorus master)
recording of:
Stabat Mater, Hob. XXa:1: Quis est homo
composer:
Joseph Haydn (composer)
part of:
Stabat Mater, Hob. XXa:1
Joseph Haydn2:02
16Stabat Mater: Eja mater fons amoris
alto vocals:
Júlia Hamari (Hungarian mezzo-soprano)
bass vocals:
Richard Anlauf (Bass vocalist)
choir vocals:
Stuttgart Chamber Chorus
soprano vocals:
Krisztina Laki (soprano)
tenor vocals:
Claes H. Ahnsjö (tenor)
orchestra:
Württembergisches Kammerorchester Heilbronn (Württemberg Chamber Orchestra Heilbronn)
conductor:
Frieder Bernius (chorus master)
recording of:
Stabat Mater, Hob. XXa:1: Eja Mater, fons amoris
composer:
Joseph Haydn (composer)
part of:
Stabat Mater, Hob. XXa:1
Joseph Haydn2:44
17Stabat Mater: Paradisi Gloria
alto vocals:
Júlia Hamari (Hungarian mezzo-soprano)
bass vocals:
Richard Anlauf (Bass vocalist)
choir vocals:
Stuttgart Chamber Chorus
soprano vocals:
Krisztina Laki (soprano)
tenor vocals:
Claes H. Ahnsjö (tenor)
orchestra:
Württembergisches Kammerorchester Heilbronn (Württemberg Chamber Orchestra Heilbronn)
conductor:
Frieder Bernius (chorus master)
recording of:
Stabat Mater, Hob. XXa:1: Paradisi gloria
composer:
Joseph Haydn (composer)
part of:
Stabat Mater, Hob. XXa:1
Joseph Haydn3:11