Der Barbier von Sevilla (Auszüge) / Don Pasquale (Auszüge)

~ Release by Rossini, Donizetti; Ambrosian Opera Chorus, London Symphony Orchestra, Claudio Abbado, Orchestra e Coro del Maggio Musicale Fiorentino, Ettore Gracis (see all versions of this release, 1 available)

Tracklist

1▼12" Vinyl
#TitleArtistRatingLength
A1Il barbiere di Siviglia: Atto I, (no. 2). “Largo al factotum”
baritone vocals [Figaro]:
Hermann Prey (baritone) (in 1971-09)
orchestra:
London Symphony Orchestra (in 1971-09)
conductor:
Claudio Abbado (conductor) (in 1971-09)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1971-09)
recording of:
Il barbiere di Siviglia: Atto I, N°2. Cavatina “Largo al factotum” (Figaro) (Arie des Figaro) (in 1971-09)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini4:37
A2Il barbiere di Siviglia: Atto I, (no. 5a). “Una voce poco fa”
mezzo-soprano vocals [Rosina]:
Teresa Berganza (mezzo-soprano) (in 1971-09)
orchestra:
London Symphony Orchestra (in 1971-09)
conductor:
Claudio Abbado (conductor) (in 1971-09)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1971-09)
recording of:
Il barbiere di Siviglia: Atto I, N°5a. Cavatina “Una voce poco fa” … “Io sono docile” (Rosina) (in 1971-09)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini5:38
A3Il barbiere di Siviglia: Atto I, (no. 8a). “A un dottor della mia sorte”
executive producer:
Karl Faust (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
bass vocals [Bartolo, dottore in medicina]:
Enzo Dara (operatic bass) (from 1971-09-11 until 1971-09-15)
orchestra:
London Symphony Orchestra (from 1971-09-11 until 1971-09-15)
conductor:
Claudio Abbado (conductor) (from 1971-09-11 until 1971-09-15)
balance engineer:
Hans‐Peter Schweigmann (from 1971-09-11 until 1971-09-15)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) and Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1971-09-11 until 1971-09-15)
recording of:
Il barbiere di Siviglia: Atto I, N°8a. Aria “A un dottor della mia sorte” (Bartolo) (from 1971-09-11 until 1971-09-15)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini6:11
A4Il barbiere di Siviglia: Atto II, (no. 11). “Contro un cor”
mezzo-soprano vocals [Rosina]:
Teresa Berganza (mezzo-soprano) (in 1971-09)
tenor vocals [Il Conte Almaviva]:
Luigi Alva (tenor) (in 1971-09)
orchestra:
London Symphony Orchestra (in 1971-09)
conductor:
Claudio Abbado (conductor) (in 1971-09)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1971-09)
recording of:
Il barbiere di Siviglia: Atto II, No. 11. Aria “Contro un cor” (Rosina, Conte) (in 1971-09)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini4:43
A5Il barbiere di Siviglia: Atto II, (no. 16). “Ah, qual colpo”
baritone vocals [Figaro]:
Hermann Prey (baritone) (in 1971-09)
mezzo-soprano vocals [Rosina]:
Teresa Berganza (mezzo-soprano) (in 1971-09)
tenor vocals [Il Conte Almaviva]:
Luigi Alva (tenor) (in 1971-09)
orchestra:
London Symphony Orchestra (in 1971-09)
conductor:
Claudio Abbado (conductor) (in 1971-09)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1971-09)
recording of:
Il barbiere di Siviglia: Atto II, No. 16. Terzetto “Ah, qual colpo inaspettato” (Rosina, Conte, Figaro) (in 1971-09)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini6:20
A6Il barbiere di Siviglia: Atto II, (no. 19). “Di sì felice innesto”
executive producer:
Karl Faust (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
baritone vocals [Figaro, barbiere]:
Hermann Prey (baritone) (from 1971-09-11 until 1971-09-15)
bass vocals [Bartolo, dottore in medicina]:
Enzo Dara (operatic bass) (from 1971-09-11 until 1971-09-15)
bass vocals [Basilio, maestro di musica]:
Paolo Montarsolo (operatic bass) (from 1971-09-11 until 1971-09-15)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1971-09-11 until 1971-09-15)
mezzo-soprano vocals [Berta, cameriera di Bartolo]:
Stefania Malagú (mezzo-soprano) (from 1971-09-11 until 1971-09-15)
mezzo-soprano vocals [Rosina, pupilla di Bartolo]:
Teresa Berganza (mezzo-soprano) (from 1971-09-11 until 1971-09-15)
tenor vocals [Il conte d'Almaviva]:
Luigi Alva (tenor) (from 1971-09-11 until 1971-09-15)
orchestra:
London Symphony Orchestra (from 1971-09-11 until 1971-09-15)
conductor:
Claudio Abbado (conductor) (from 1971-09-11 until 1971-09-15)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1971-09-11 until 1971-09-15)
balance engineer:
Hans‐Peter Schweigmann (from 1971-09-11 until 1971-09-15)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) and Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1971-09-11 until 1971-09-15)
recording of:
Il barbiere di Siviglia: Atto II, No. 19. Finaletto II “Di sì felice innesto” (Rosina, Berta, Conte, Figaro, Bartolo, Basilio, Coro) (from 1971-09-11 until 1971-09-15)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini2:18
B1Don Pasquale: Atto I. “Bella siccome un angelo”
baritone vocals [Dr. Malatesta]:
Mario Basiola (baritone)
bass vocals [Notar]:
Alfredo Mariotti (baritone)
orchestra:
Orchestra del Maggio Musicale Fiorentino
conductor:
Ettore Gracis (conductor)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1965)
recording of:
Don Pasquale: Atto I, Scena 1. “Bella siccome un angelo” (Malatesta, Pasquale)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Gaetano Donizetti (Italian opera composer) and Giovanni Ruffini (librettist)
part of:
Don Pasquale: Atto I
Gaetano Donizetti5:40
B2Don Pasquale: Atto I. “Quel guardo il cavaliere”
soprano vocals [Norina]:
Anna Maccianti (operatic soprano)
orchestra:
Orchestra del Maggio Musicale Fiorentino
conductor:
Ettore Gracis (conductor)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1965)
recording of:
Don Pasquale: Atto I, Scena 2. “Quel guardo il cavaliere” (Norina)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Gaetano Donizetti (Italian opera composer) and Giovanni Ruffini (librettist)
part of:
Don Pasquale: Atto I
Gaetano Donizetti5:33
B3Don Pasquale: Atto II. “Povero Ernesto!” … “Cercherò lontana terra”
tenor vocals [Ernesto]:
Ugo Benelli (tenor)
orchestra:
Orchestra del Maggio Musicale Fiorentino
conductor:
Ettore Gracis (conductor)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1965)
recording of:
Don Pasquale: Atto II, Scena 1. “Cercherò lontana terra” (Ernesto)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Gaetano Donizetti (Italian opera composer) and Giovanni Ruffini (librettist)
part of:
Don Pasquale: Atto II
recording of:
Don Pasquale: Atto II, Scena 1. “Povero Ernesto!” (Ernesto)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Gaetano Donizetti (Italian opera composer) and Giovanni Ruffini (librettist)
part of:
Don Pasquale: Atto II
Gaetano Donizetti3:59
B4Don Pasquale: Atto III. “Che interminabile andirivieni!”
choir vocals:
Coro del Maggio Musicale Fiorentino
orchestra:
Orchestra del Maggio Musicale Fiorentino
conductor:
Ettore Gracis (conductor)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1965)
recording of:
Don Pasquale: Atto III. “Che interminabile andirivieni” (Coro di Servi)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Gaetano Donizetti (Italian opera composer) and Giovanni Ruffini (librettist)
part of:
Don Pasquale: Atto III
Gaetano Donizetti3:54
B5Don Pasquale: Atto III. “Com'è gentil la notte a mezzo april!”
choir vocals:
Coro del Maggio Musicale Fiorentino
tenor vocals [Ernesto]:
Ugo Benelli (tenor)
orchestra:
Orchestra del Maggio Musicale Fiorentino
conductor:
Ettore Gracis (conductor)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1965)
recording of:
Don Pasquale: Atto III. Serenata “Com’è gentil la notte a mezzo april!” (Ernesto, Coro)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Gaetano Donizetti (Italian opera composer) and Giovanni Ruffini (librettist)
part of:
Don Pasquale: Atto III
Gaetano Donizetti5:45
B6Don Pasquale: Atto III. “Eccomi … A voi accorda Don Pasquale”
baritone vocals [Dr. Malatesta]:
Mario Basiola (baritone)
bass vocals [Notar]:
Alfredo Mariotti (baritone)
choir vocals:
Coro del Maggio Musicale Fiorentino
soprano vocals [Norina]:
Anna Maccianti (operatic soprano)
tenor vocals [Ernesto]:
Ugo Benelli (tenor)
orchestra:
Orchestra del Maggio Musicale Fiorentino
conductor:
Ettore Gracis (conductor)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1965)
recording of:
Don Pasquale: Atto III. “Eccomi … A voi accorda Don Pasquale” (Ernesto, Malatesta, Norina, Pasquale)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Gaetano Donizetti (Italian opera composer) and Giovanni Ruffini (librettist)
part of:
Don Pasquale: Atto III
Gaetano Donizetti2:48

Credits

Release group

part of:Große Komponisten und ihre Musik (Deutsche Grammophon, Philips, Decca) (number: 56) (order: 5)