99 Must‐Have Chillout Classics 2

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Canon in D major
orchestra:
Neues Bachisches Collegium Musicum (New Bach Collegium Musicum) (from 1982 until 1984)
conductor:
Max Pommer (conductor) (from 1982 until 1984)
phonographic copyright (℗) by:
Delta Music GmbH (not for release label use! 1970–2007, succeeded in 2008 by Delta Music & Entertainment GmbH & Co. KG) (in 1985)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (from 1982 until 1984)
recording of:
Canon and Gigue in D major, P. 37, T. 337: I. Canon (Canon and Gigue in D major, P. 37, T. 377: I. Canon)
composer:
Johann Pachelbel (composer)
part of:
Canon and Gigue in D major, P. 37, T. 337
Johann Pachelbel24:24
2Ave Maria
orchestra:
Simhah Chamber Collegium
recording of:
Ave Maria (Bach/Gounod)
lyricist:
[anonymous] (special purpose artist)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) and Charles Gounod (French composer) (in 1853)
is based on:
Méditation sur le Premier Prélude de Piano de S. Bach
is based on:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Prelude
Charles‐François Gounod2:49
3Melancholy Galliard
guitar:
Rita Honti
recording of:
Melancholy Galliard, P. 25
composer:
John Dowland (composer and lutenist)
part of:
John Dowland's lute works (number: P. 25)
John Dowland2:24
4Turandot: Act III. Calaf’s Aria – “Nessun dorma”
tenor vocals [Calaf]:
János Nagy (tenor)
orchestra:
Sofia Philharmonic
recording of:
Turandot: Atto III, scena 1. Aria “Nessun dorma” (Calaf)
composer:
Giacomo Puccini (Italian composer) (from 1921-03 until 1924-03)
librettist:
Giuseppe Adami and Renato Simoni
publisher:
Casa Ricordi BMG S.p.A. and Ed. G. Ricordi & Cia. SpA (Italian publisher)
part of:
Turandot: Atto III (Turandot: Act III)
Giacomo Puccini3:06
5The Marriage of Figaro, K. 492: Act II. Cherubino’s Aria – “Voi che sapete” (instrumental version)
orchestra:
Sofia Philharmonic Orchestra (Sofia Philharmonic)
conductor:
Emil Tabakov (conductor)
instrumental recording of:
Le nozze di Figaro, K. 492: Atto I, Scena V. (no. 6) Aria “Non so più cosa son, cosa faccio” (Cherubino)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
recording of:
Le nozze di Figaro: Canzona “Voi che sapete che cosa è amor” (catch-all for arrangements)
composer:
Wolfgang Amadeus Mozart (classical composer)
arrangement of:
Le nozze di Figaro, K. 492: Atto II, Scena II. (no. 12) Canzona “Voi che sapete che cosa è amor” (Cherubino)
Wolfgang Amadeus Mozart2:51
6Thaïs: Méditation
violin:
Lászlo Kóte (violin)
orchestra:
Budapest Philharmonic Orchestra
conductor:
András Kórodi (conductor) and János Sándor
recording of:
Thaïs: Acte II. Entr’acte “Méditation” (original; for solo violin and orchestra)
composer:
Jules Massenet (French Romantic composer) (in 1894)
part of:
Classic 100: Music of France (2012) (number: 14)
part of:
Thaïs: Acte II
Jules Massenet5:07
7Recuerdos de viaje, op. 71: 6. Malagueña
piano:
Evelyne Dubourg (pianist)
recording of:
Recuerdos de viaje, op. 71: VI. Rumores de la caleta
composer:
Isaac Albéniz (Spanish composer) (from 1886 until 1887)
part of:
Recuerdos de viaje, op. 71
Isaac Albéniz4:13
8Lyric Pieces, Book 4, op. 47: 5. Melancholie
concert flute:
János Bálint (flutist)
harp:
Deborah Sipkai (harpist)
recording of:
Lyriske stykker, hefte IV, op. 47: No. 5: Melankoli
composer:
Edvard Grieg (composer)
part of:
Lyriske stykker, hefte IV, op. 47 (Lyric pieces, book IV, op. 47)
Edvard Grieg2:27
9Rosamunde, op. 26, D. 797: Romance
soprano vocals:
Mária Zádori (soprano)
orchestra:
Magyar Állami Operaház zenekara (Hungarian State Opera Orchestra, Hungarian State Opera Orchestra)
recording of:
Rosamunde, D. 797
composer:
Franz Schubert (composer) (in 1823)
librettist:
Helmina von Chézy
premiered at:
Theater an der Wien in Mariahilf, Wien (Vienna), Austria (on 1823-12-20)
Franz Schubert3:39
10Serenade no. 13 in G major, K. 525, “Eine kleine Nachtmusik”: II. Romance
orchestra:
Liszt Ferenc Kamarazenekar (Franz Liszt Chamber Orchestra, Franz Liszt Chamber Orchestra)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: II. Romance. Andante
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
Wolfgang Amadeus Mozart5:42
11The Sleeping Beauty: Panorama
orchestra:
Festivalový orchestr Praha (Prague Festival Orchestra) and Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra)
conductor:
Hans Vonk (conductor)
recording of:
The Sleeping Beauty Suite, op. 66a: IV. Panorama
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Sleeping Beauty, op. 66a (Suite)
Tchaikovsky3:02
12L’elisir d’amore: Act II. Nemorino’s Aria – “Una furtiva lagrima”
tenor vocals:
Dénes Gulyás (tenor)
orchestra:
Hungarian State Opera Orchestra (Hungarian State Opera Orchestra)
conductor:
János Ferencsik (conductor)
recording of:
L’elisir d’amore: Atto II. Romanza “Una furtiva lagrima” (Nemorino)
composer:
Gaetano Donizetti (Italian opera composer) (in 1832)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
L’elisir d’amore: Atto II
Gaetano Donizetti5:00
13Suite bergamasque in D‐flat major, L. 75: III. Claire de lune (“Moonlight”)
orchestra:
Leipzig Radio Symphony Orchestra (MDR Leipzig Radio Symphony Orchestra)
conductor:
Max Pommer (conductor)
recording of:
Suite bergamasque : III. Clair de lune (catch-all for arrangements)
composer:
Claude Debussy (French composer) (from 1890 until 1905)
arrangement of:
Suite bergamasque, L. 75, CD 82 : III. Clair de lune (for piano)
Claude Debussy4:18
14Nocturne in C‐sharp minor, op. posth.
piano:
Evelyne Dubourg (pianist)
recording of:
Nocturne no. 20 in C‐sharp minor “Reminiscence”, op. posth. 1 no. 16, B. 49, KKIVa/16
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1830)
live recording of:
Nocturne no. 20 in C‐sharp minor “Reminiscence”, op. posth. 1 no. 16, B. 49, KKIVa/16
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1830)
Fryderyk Chopin4:03
15Clarinet Quintet in A major, K. 581: II. Larghetto
clarinet:
Hans‐Detlef Löchner (German clarinetist)
string quartet:
Krauß Quartett and Tátrai Quartet
performer:
Krauß Quartett
recording of:
Quintet for Clarinet, 2 Violins, Viola & Cello in A major, K. 581 "Stadler Quintet": II. Larghetto
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
part of:
Quintet for Clarinet, 2 Violins, Viola & Cello in A major, K. 581 "Stadler Quintet"
Wolfgang Amadeus Mozart16:23
16Rinaldo: Act III. Rinaldo”s Aria – “Lascia ch’io pianga”
tenor vocals:
Werner Hollweg (tenor)
orchestra:
Wiener Symphoniker (Vienna Symphony Orchestra)
conductor:
Helmuth Froschauer (conductor and chorus master)
recording of:
Rinaldo, HWV 7a: Atto II, Scene IV, no. 22. Aria “Lascia ch’io pianga mia cruda sorte” (Almirena)
composer:
George Frideric Handel (German‐British baroque composer) (in 1711)
librettist:
Giacomo Rossi
part of:
Rinaldo, HWV 7a: Atto II
Georg Friedrich Händel3:50
17Minuet in D minor
strings:
Budapesti Vonósok (Budapest Strings, Budapest String Orchestra; Budapest Strings)
recording of:
Menuette und Deutsche, D. 89: Menuett no. 3
composer:
Franz Schubert (composer) (on 1813-11-19)
part of:
Menuette und Deutsche, D. 89
Franz Schubert5:55
18Pastorale
guitar:
Rita Honti
recording of:
Pastorale, op. 21 no. 16
composer:
Matteo Carcassi
Matteo Carcassi2:37
19La bohème: Act I. “O soave fanciulla” (love duet)
orchestra:
Sofia Philharmonic Orchestra (Sofia Philharmonic)
recording of:
La bohème: Atto I, no. 9. “O soave fanciulla” (Rodolfo, Marcello, Mimì)
composer:
Giacomo Puccini (Italian composer) (in 1896)
librettist:
Luigi Illica and Giuseppe Giacosa (in 1896)
part of:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
Giacomo Puccini1:55
20Intermezzo in B‐flat minor, op. 117 no. 2
solo grand piano:
Dénes Várjon (pianist)
recording of:
3 intermezzi, op. 117: Nr. 2 in b‐Moll. Andante non troppo e con molta espressione (3 intermezzi, op. 117: No. 2 in B-flat minor. Andante non troppo e con molta espressione)
premiered in:
Wien (Vienna), Austria (on 1893-01-30)
composer:
Johannes Brahms (German composer) (in 1892)
part of:
3 intermezzi, op. 117
Johannes Brahms4:32
21La Fille aux cheveux de lin
flute:
János Bálint (flutist)
harp:
Deborah Sipkai (harpist)
recording of:
Préludes, Livre I, L. 117: VIII. La fille aux cheveux de lin. Très calme et doucement expressif (The Girl with the Flaxen Hair, catch-all for arrangements)
composer:
Claude Debussy (French composer) (from 1909-12 until 1910-02)
arrangement of:
Préludes, Livre I, L. 117, CD 125: VIII. La fille aux cheveux de lin. Très calme et doucement expressif (The Girl with the Flaxen Hair)
Claude Debussy2:22
22Boyarina Vera Sheloga: Cradle Song
soprano vocals:
Stefka Evstatieva (soprano)
orchestra:
Bulgarian Symphony Orchestra
recording of:
Boyarïnya Vera Sheloga (The Noblewoman Vera Sheloga)
composer:
Николай Андреевич Римский‐Корсаков (Nikolai Rimsky‐Korsakov, Russian composer)
Николай Андреевич Римский‐Корсаков4:19
23Maria (Gavote)
classical guitar:
Simeon Simov (Bulgarian guitarist)
recording of:
María (gavota)
composer:
Francisco Tárrega (Spanish composer and guitarist)
Francisco Tárrega1:45
24Evening Song
organ:
Andreas Juffinger (organist)
violin:
Ernő Sebestyén (violinist)
recording of:
Abendlied, op. 69 nr. 3 (catch-all for arrangements)
composer:
Josef Gabriel Rheinberger (Liechtenstein-German composer)
arrangement of:
Abendlied, op. 69 nr. 3
Josef Gabriel Rheinberger4:03
25The Magic Flute, KV 620: Act II. Pamina’s Aria (instrumental version)
orchestra:
Sofia Philharmonic Orchestra (Sofia Philharmonic)
conductor:
Emil Tabakov (conductor)
instrumental recording of:
Die Zauberflöte, K. 620: Act II, Scene XVIII. No. 17 Aria "Ach, ich fühl's, es ist verschwunden" (Pamina) (catch-all for arrangements)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
arrangement of:
Die Zauberflöte: Akt II. No. 17 Arie „Ach, ich fühl's, es ist verschwunden“ (Pamina)
Wolfgang Amadeus Mozart4:04
263 Small Pieces: Impromptu
violin:
Béla Bánfalvi (violinist, concert master of Budapest strings)
orchestra:
Budapesti Vonósok (Budapest Strings, Budapest String Orchestra; Budapest Strings)
recording of:
Impromptu
composer:
Franz Schubert (composer)
arranger:
Rein van den Broek and Rick van der Linden
Franz Schubert2:02
27Intermezzo in A major, op. 118 no. 2
piano:
Jenő Jandó (pianist)
recording of:
6 Klavierstücke, op. 118: Nr. 2. Intermezzo in A-Dur. Andante teneramente (ended)
composer:
Johannes Brahms (German composer)
part of:
6 Klavierstücke, op. 118 (6 Piano Pieces, op. 118)
Johannes Brahms5:29
28Concerto grosso in D minor, op. 3 no. 11 RV 565: II. Siciliano
violin:
János Rolla (violinist and conductor)
orchestra:
Franz Liszt Kammerorchester (Franz Liszt Chamber Orchestra, Franz Liszt Chamber Orchestra)
conductor:
János Rolla (violinist and conductor)
recording of:
Concerto in D minor for Two Violins, Cello and Strings, op. 3 no. 11, RV 565: II. Largo e spiccato
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1711)
part of:
Concerto in D minor for Two Violins, Cello and Strings, op. 3 no. 11, RV 565
Antonio Vivaldi2:59
29St. Matthew Passion, BWV 244, no. 72: Chorale – “Wenn ich einmal soll scheiden”
choir vocals:
Chorale des Jeunesses Musicales de France
orchestra:
Liszt Ferenc Kamarazenekar (Franz Liszt Chamber Orchestra, Franz Liszt Chamber Orchestra)
conductor:
Frigyes Sándor (conductor)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXII. Choral "Wenn ich einmal soll scheiden" (in 1976-05)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 164)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:34
30Horn Concerto no. 3 in E‐flat, K. 447: II. Romance. Larghetto
French horn:
Jože Falout (Slovenian horn player, born 1934) and Bernd Heiser (horn player, an Alfred Scholz pseudonym)
orchestra:
Camerata Labacensis (Slovenian chamber orchestra) and Wiener Mozart‐Ensemble (Vienna Mozart Ensemble, an Alfred Scholz pseudonym)
conductor:
Herbert Kraus (conductor, an Alfred Scholz pseudonym) and Kurt Redel (German flautist and conductor)
recording of:
Concerto for Horn no. 3 in E-flat major, K. 447: II. Romance. Larghetto
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1784 until 1787)
part of:
Concerto for Horn no. 3 in E-flat major, K. 447
Wolfgang Amadeus Mozart54:10
31Notturno
flute:
János Bálint (flutist)
harp:
Deborah Sipkai (harpist)
recording of:
Deux pièces pour violon (ou flûte) et piano : I. Nocturne (catch-all for arrangements)
composer:
Lili Boulanger (French composer)
arrangement of:
Deux pièces pour violon (ou flûte) et piano : I. Nocturne
Lili Boulanger3:05
32Carnival of the Animals: IX. The Cuckoo in the Depths of the Woods
orchestra:
Nemzeti Filharmonikus zenekar (Hungarian National Philharmonic)
recording of:
Le Carnaval des animaux : IX. Le Coucou au fond des bois
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns2:10
33Eugene Onegin: Act I. Girls’ Chorus
choir vocals:
Sofia National Opera Chorus
orchestra:
Sofia National Opera Orchestra
recording of:
Евгений Онегин, op. 24: Действие I, картина 2, no. 11. Хор девушек “Девицы, красавицы” (Chorus of Maidens “Devitsy, krasavitsy”)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Евгений Онегин, op. 24: Действие первое (Eugene Onegin, op. 24: Act I)
Tchaikovsky3:05
34Impromptu in G‐flat major, D. 899 no. 3
piano:
Jenő Jandó (pianist)
recording of:
Impromptu in G‐flat major, op. 90, D. 899: No. 3. Andante
composer:
Franz Schubert (composer) (in 1827)
part of:
Classic 100: Piano (2004) (number: 6)
part of:
4 Impromptus, op. 90, D. 899
Franz Schubert5:27
35Suor Angelica: Intermezzo
orchestra:
Budapest Philharmonic Orchestra
conductor:
András Kórodi (conductor)
recording of:
Suor Angelica: Intermezzo
composer:
Giacomo Puccini (Italian composer)
part of:
Suor Angelica
Giacomo Puccini3:56
36After a Dream
concert flute:
János Bálint (flutist)
harp:
Deborah Sipkai (harpist)
recording of:
Après un rêve, op. 7 no. 1 (catch-all for arrangements)
composer:
Gabriel Fauré (French composer)
arrangement of:
Après un rêve, op. 7 no. 1 (original; for voice and piano)
Gabriel Fauré3:15
37Piano Concerto no. 18 in B‐flat, K. 456: II. Andante un poco sostenuto
grand piano:
Linda Nicholson (classical keyboardist)
orchestra:
Cappella Coloniensis
conductor:
Nicholas Kraemer (harpsichordist and conductor)
recording of:
Concerto for Piano no. 18 in B-flat major, K. 456 "Paradis": II. Andante un poco sostenuto
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1784 until 1784-09-30)
part of:
Concerto for Piano no. 18 in B-flat major, K. 456 "Paradis"
Wolfgang Amadeus Mozart10:18
38Nocturne in D‐flat major, op. 27 no. 2
piano:
Dénes Várjon (pianist)
recording of:
Nocturne no. 8 in D‐flat major, op. 27 no. 2: Lento sostenuto
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1836)
part of:
Nocturnes, op. 27
Fryderyk Chopin6:00
39Symphony no. 7 in A major, op. 92: II. Allegretto
orchestra:
Hungarian National Philharmonic Orchestra (Hungarian National Philharmonic)
conductor:
János Ferencsik (conductor)
publisher:
Delta Music Inc. (US subsidary of Delta Music GmbH) (in 1988)
recording of:
Symphony no. 7 in A major, op. 92: II. Allegretto
composer:
Ludwig van Beethoven (German composer) (from 1811 until 1812)
part of:
Symphony no. 7 in A major, op. 92
Ludwig van Beethoven9:41
40Plaisir d’amour
tenor vocals:
Werner Hollweg (tenor)
orchestra:
Wiener Symphoniker (Vienna Symphony Orchestra)
conductor:
Helmuth Froschauer (conductor and chorus master)
recording of:
Plaisir d’amour (Romance du chevrier)
lyricist:
Jean-Pierre Claris de Florian
composer:
Jean‐Paul‐Égide Martini (Plaisir d'amour)
publisher:
Warlock Music Ltd.
Jean‐Paul‐Égide Martini3:29
41Flute Concerto in G minor, op. 10 no. 2 “La notte”: III. Largo
flute:
Zoltan Gyöngyössy (flutist)
orchestra:
Budapest Strings (Budapest String Orchestra; Budapest Strings)
conductor:
Karoly Botvay (cellist and conductor)
recording of:
Concerto in G minor, op. 10 no. 2, RV 439 “La notte”: III. Largo
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto in G minor, op. 10 no. 2, RV 439 “La notte”
Antonio Vivaldi1:27
42The Magic Flute, K. 620: Duet “Bei Männern welche Liebe fühlen” (Pamina, Papageno)
baritone vocals [Papageno]:
James Edwin Stith (baritone)
soprano vocals [Pamina]:
Petra-Maria Schnitzer (soprano)
orchestra:
Sofia Symphony Orchestra
recording of:
Die Zauberflöte: Akt I. No. 7 Duett „Bei Männern, welche Liebe fühlen” (Pamina, Papageno)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart3:09
43Piano Quintet in A major, D. 667 “The Trout”: IV. Andante (excerpt)
piano:
Evelyne Dubourg (pianist)
string quartet:
Colorado String Quartett
recording of:
Quintett A-Dur, D. 667 „Forellenquintett“: II. Andante
composer:
Franz Schubert (composer) (in 1819)
part of:
Quintett A-Dur, D. 667 „Forellenquintett“ (Piano quintet in A, "Trout Quintet")
partial recording of:
Quintett A-Dur, D. 667 „Forellenquintett“: IV. Theme con variazioni. Andantine - Allegretto
composer:
Franz Schubert (composer) (in 1819)
publisher:
G. Henle Verlag
part of:
Quintett A-Dur, D. 667 „Forellenquintett“ (Piano quintet in A, "Trout Quintet")
recording of:
Quintett A-Dur, D. 667 „Forellenquintett“: IV. Theme con variazioni. Andantine - Allegretto
composer:
Franz Schubert (composer) (in 1819)
publisher:
G. Henle Verlag
part of:
Quintett A-Dur, D. 667 „Forellenquintett“ (Piano quintet in A, "Trout Quintet")
Franz Schubert3:04
44Violin Concerto no. 1 in G minor, op. 26: II. Adagio
recording of:
Violin Concerto no. 1 in G minor, op. 26: II. Adagio
composer:
Max Bruch (composer and conductor) (from 1866 until 1867)
part of:
Violin Concerto no. 1 in G minor, op. 26
Max Bruch7:58
45Adelita (Mazurka)
guitar:
Rita Honti
recording of:
Adelita (mazurka)
composer:
Francisco Tárrega (Spanish composer and guitarist)
Francisco Tárrega1:35
46The Marriage of Figaro, K. 492: Act III. “Dove sono” (instrumental version)
orchestra:
Sofia Philharmonic Orchestra (Sofia Philharmonic)
conductor:
Emil Tabakov (conductor)
recording of:
Le nozze di Figaro, K. 492: Aria “Dove sono i bei momenti” (catch-all for arrangements)
composer:
Wolfgang Amadeus Mozart (classical composer)
arrangement of:
Le nozze di Figaro, K. 492: Atto III, Scena VI. (no. 20) Aria “Dove sono i bei momenti” (La Contessa)
recording of:
Le nozze di Figaro: Canzona “Voi che sapete che cosa è amor” (catch-all for arrangements)
composer:
Wolfgang Amadeus Mozart (classical composer)
arrangement of:
Le nozze di Figaro, K. 492: Atto II, Scena II. (no. 12) Canzona “Voi che sapete che cosa è amor” (Cherubino)
Wolfgang Amadeus Mozart4:21
47The Merry Wives of Windsor: Act III. Moon Choir
Otto Nicolai3:36
48Mazurka in C‐sharp minor, op. 30, no. 4
recording of:
Mazurka no. 21 in C‐sharp minor, op. 30 no. 4
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
Mazurkas, op. 30
Fryderyk Chopin3:38
49Holberg Suite, op. 40: IV. Air. Andante religioso
orchestra:
Budapesti Vonósok (Budapest Strings, Budapest String Orchestra; Budapest Strings)
conductor:
Károly Botvay (cellist and conductor)
recording of:
Fra Holbergs tid, op. 40: IV. Air (Andante religioso) (for string orchestra)
composer:
Edvard Grieg (composer) (in 1884)
part of:
Fra Holbergs tid, op. 40 (Holberg Suite, op. 40, for string orchestra)
Edvard Grieg6:43
50Symphony no. 2 in C minor
alto vocals:
Vessela Zorova (mezzo-soprano) (in 1987-01)
orchestra:
Sofia Philharmonic Orchestra (Sofia Philharmonic) (in 1987-01)
conductor:
Emil Tabakov (conductor) (in 1987-01)
recorded at:
Зала „България“ (Bulgarian Concert Hall, Bulgaria Hall) in Sofia, Sofia-Grad, Bulgaria (in 1987-01)
recording of:
Symphony no. 2 in C minor "Resurrection": IV. Urlicht. Sehr feierlich, aber schlicht (Symphony no. 2 in C minor “Resurrection”: 4. Primeval Light. Very solemn, but simple) (in 1987-01)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
librettist:
[anonymous] (special purpose artist)
arrangement of:
Des Knaben Wunderhorn: Urlicht
part of:
Symphony no. 2 “Resurrection”
Gustav Mahler5:28
51Piano Concerto no. 1 in B‐flat minor, op. 23: II. Andantino semplice
recording of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: II. Andantino semplice (1888 version, most often performed)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1874-11 until 1875-02)
part of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23 (1888 version, most often performed)
revision of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: II. Andantino semplice (1879 version, rarely performed)
revision of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: II. Andantino semplice (original 1874/75 version, rarely performed)
Tchaikovsky6:46
52Suor Angelica: “Senza mamma”
soprano vocals:
Ilona Tokody (Hungarian operatic soprano)
orchestra:
Hungarian State Opera Chamber Orchestra
recording of:
Suor Angelica: “Senza mamma, o bimbo, tu sei morto!” (Suor Angelica)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giovacchino Forzano
publisher:
Casa Ricordi BMG S.p.A.
part of:
Suor Angelica
Giacomo Puccini4:42
53Horn Concerto no. 4 in E‐flat major, K. 495: II. Romance. Andante cantabile
horn:
Sebastian Weigle (hornist and conductor)
orchestra:
Dresdner Philharmonie (Dresden Philharmonic Orchestra)
conductor:
Jörg‐Peter Weigle (chorus master)
recording of:
Concerto for Horn no. 4 in E-flat major, K. 495: II. Romance. Andante cantabile
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
part of:
Concerto for Horn no. 4 in E-flat major, K. 495
Wolfgang Amadeus Mozart4:35
54Fantasy in C major, D. 760, “Wanderer”: II. Adagio
recording of:
Fantasy in C major, D. 760 “Wanderer”: II. Adagio
composer:
Franz Schubert (composer)
part of:
Fantasy in C major, D. 760 “Wanderer”
Franz Schubert6:46
55Romance for Violin and Orchestra no. 1 in G major, op. 40
violin:
Miklos Szenthelyi (Miklós Szenthelyi, violinist)
orchestra:
Hungarian State Orchestra (Hungarian National Philharmonic)
conductor:
G. Gyorivanyi-Rath
recording of:
Romance for Violin and Orchestra no. 1 in G major, op. 40
composer:
Ludwig van Beethoven (German composer) (from 1800 until 1802)
part of:
Works of Ludwig van Beethoven by opus number (number: op. 40)
Ludwig van Beethoven7:58
56The Nutcracker, op. 71a: No. 12b Coffee (Arabian Dance)
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: d) Danse arabe. Allegretto
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Fantasia (Disney soundtrack)
part of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
Tchaikovsky3:00
57Samson and Dalila: Act ll. Dalila’s Aria – “Mon cœur s’ouvre”
Camille Saint‐Saëns5:49
58Concerto for Flute, Harp and Orchestra in C major, K. 299
flute:
Hans Friedrich (flautist, an Alfred Scholz pseudonym), Peter Janconvic (flutist), Peter Jancovic (flautist, an Alfred Scholz pseudonym) and Akiko Miyazashi (flautist)
harp:
Angelika Bamber (harpist, an Alfred Scholz pseudonym), Angelica Berger (harpist, an Alfred Scholz pseudonym), Renata Modron (harpist, an Alfred Scholz pseudonym), Renata Mordon (harpenist) and Taki Ozawa (harpist)
orchestra:
Mozart Festival Orchestra (an Alfred Scholz pseudonym), Orchestre de Festival Belgique (Belgian Festival Orchestra, fake name - probably invented by the trickster Alfred Scholz), SWR Symphony Orchestra (SWR Baden-Baden and Freiburg Symphony Orchestra) and Wiener Mozart‐Ensemble (Vienna Mozart Ensemble, an Alfred Scholz pseudonym)
conductor:
Ernest Bour (conductor), Herbert Kraus (conductor, an Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Pierre Narrato (fake name - probably invented by the trickster Alfred Scholz) and Kurt Redel (German flautist and conductor)
recording of:
Concerto in C major for Flute, Harp & Orchestra, K. 297c/299: II. Andantino
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1778-04)
part of:
Concerto in C major for Flute, Harp & Orchestra, K. 297c/299
Wolfgang Amadeus Mozart58:39
5924 Préludes, op. 28 no. 15 in D‐flat major, “Raindrops”
recording of:
Prélude no. 15 in D‐flat major, op. 28 “Raindrop”: Sostenuto
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1836 until 1839)
part of:
24 Préludes pour le piano, op. 28
Fryderyk Chopin5:36
60La bohème: Act I. Mimì’s Aria – “Sì. Mi chiamano Mimì” (instrumental version)
orchestra:
Sofia Philharmonic Orchestra (Sofia Philharmonic)
instrumental recording of:
La bohème: Atto I, no. 7. “Sì. Mi chiamano Mimì” (Mimì)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
Giacomo Puccini4:49
61Aida: Act II. Chorus of the Slave Girls – “Chi mai fra gl’immi e i plausi”
vocals:
Bulgarian National Chorus (National Philharmonic Choir “Svetoslav Obretenov”)
orchestra:
Sofia Philharmonic Orchestra (Sofia Philharmonic)
recording of:
Aida: Atto II, scena 1. Introduzione, scena e coro di donne: “Chi mai fra gl’inni e i plausi” (Schiave, Amneris)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi5:22
62Kinderszenen (Scenes of Childhood), op. 15: I. Von fremden Landern und Menschen (Of Foreign Lands and People)
recording of:
Kinderszenen, op. 15: No. 1. Von fremden Ländern und Menschen
composer:
Robert Schumann (German classical composer) (in 1838)
part of:
Kinderszenen, op. 15
Robert Schumann1:36
63Quartet in G major, D. 96: Theme and Variations
recording of:
Notturno in G major, D. 96: V. Tema con variazioni
composer:
Wenzel Thomas Matiegka
cello, flute, guitar and viola arranger:
Franz Schubert (composer)
part of:
Notturno in G major, D. 96 (for flute, guitar, viola and cello)
Franz Schubert4:40
64Symphony no. 6 in F major, op. 68 “Pastorale”: II. Andante molto mosso (scene by the brook)
orchestra:
Hungarian National Philharmonic Orchestra (Hungarian National Philharmonic)
conductor:
János Ferencsik (conductor)
publisher:
Delta Music Inc. (US subsidary of Delta Music GmbH) (in 1988)
recording of:
Symphony no. 6 in F major, op. 68 “Pastorale”: II. Andante molto mosso “Scene at the brook” (Symphony no. 6 in F major, op. 68 "Pastoral": II. Andante molto mosso "Scene at the brook")
composer:
Ludwig van Beethoven (German composer) (in 1808)
part of:
Symphony no. 6 in F major, op. 68 “Pastorale”
Ludwig van Beethoven13:14
65Ave verum, K. 618
choir vocals:
Altenburg Boys' Choir (Altenburg Boys' Choir)
orchestra:
Sinfonietta Linz (Austrian chamber orchestra)
conductor:
Peter Hrncirik (Conductor)
recording of:
Ave verum corpus, K. 618 (for chorus, string and organ)
composer:
Wolfgang Amadeus Mozart (classical composer) (until 1791-06-18)
part of:
Köchelverzeichnis (Köchel catalogue, first edition, 1862, K¹) (number: K. 618), Köchelverzeichnis (Köchel catalogue, third edition, 1937, K³) (number: K. 618), Köchelverzeichnis (Köchel catalogue, ninth edition, 2024, K⁹) (number: K. 618), Köchelverzeichnis (Köchel catalogue, original numbering) (number: 618) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: 618)
Wolfgang Amadeus Mozart2:21
66Intermezzo in A major, op. 76, no. 6
piano:
Jenő Jandó (pianist)
recording of:
8 Klavierstücke, op. 76: Nr. 6. Intermezzo in A major: Andante con moto (ended)
composer:
Johannes Brahms (German composer) (in 1878)
part of:
8 Klavierstücke, op. 76 (8 Piano Pieces, op. 76)
Johannes Brahms3:31
67Symphony no. 6 in B minor, op. 74 “Pathétique”: II. Allegro con grazia
orchestra:
Prague Festival Orchestra, Radio Symphony Orchestra Ljubljana (RTV Slovenia Symphony Orchestra) and Radio Symphony Orchestra Ljubljana (name used by Alfred Scholz, may be incorrect)
conductor:
Marko Munih (conductor), Anton Nanut (conductor) and Pavel Urbanek (an Alfred Scholz pseudonym)
recording of:
Symphony no. 6 in B minor, op. 74 “Pathétique”: II. Allegro con grazia
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1893-02 until 1893-08)
part of:
Symphony no. 6 in B minor, op. 74 “Pathétique”
Tchaikovsky8:00
68Tosca: Act III. Aria “E lucevan le stelle” (Cavaradossi)
tenor vocals:
Ludovic Spiess (tenor)
orchestra:
Bucharest State Opera Orchestra (Bucharest National Opera Orchestra)
recording of:
Tosca: Atto III. “E lucevan le stelle” (Cavaradossi)
composer:
Giacomo Puccini (Italian composer) (from 1896 until 1899)
librettist:
Giuseppe Giacosa (from 1896 until 1899) and Luigi Illica (from 1896 until 1899)
part of:
Tosca: Atto III (Tosca: Act III)
Giacomo Puccini3:27
69Danza Mora
recording of:
Danza mora
composer:
Francisco Tárrega (Spanish composer and guitarist)
Francisco Tárrega2:10
702 Elegiac Melodies, op. 34: No. 1 The Wounded Heart
orchestra:
Dresdner Philharmonie (Dresden Philharmonic Orchestra)
conductor:
Herbert Kegel (conductor)
recording of:
To elegiske melodier, op. 34: No. 1. Hjertesår (Two Elegiac Melodies, op. 34: No. 1. Heartwounds, for strings)
orchestrator and composer:
Edvard Grieg (composer)
orchestration of:
To elegiske melodier, op. 34: No. 1. Hjertesår (for piano)
part of:
To elegiske melodier, op. 34 (Two Elegiac Melodies, op. 34, for strings)
Edvard Grieg4:24
71Song Without Words, op. 67: No. 4 “Spinning Song”
piano:
Evelyne Dubourg (pianist)
recording of:
Lied ohne Worte C-Dur, op. 67 Nr. 4 (Song Without Words in C major, Op. 67 No. 4, Spinnerlied; Spinning Song)
composer:
Felix Mendelssohn (composer) (from 1843 until 1845)
part of:
Felix Mendelssohn Bartholdy: Thematisch-systematisches Verzeichnis der musikalischen Werke (MWV) (number: MWV U 182)
part of:
Lieder ohne Worte, op. 67 (Songs Without Words, op. 67)
Felix Mendelssohn2:03
72The Magic Flute, K. 620: Act II. “O Isis und Osiris” (Chorus of the Priests)
choir vocals:
Bulgarian National Choir (National Philharmonic Choir “Svetoslav Obretenov”)
orchestra:
Sofia Philharmonic Orchestra (Sofia Philharmonic)
recording of:
Die Zauberflöte: Akt II. No. 18 Chor der Priester „O Isis und Osiris, welche Wonne!” (Priester)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:10
73Flute Concerto in D major, op. 10, no. 3 “Il Gardellino”: II. Andante
recording of:
Concerto in D major, op. 10 no. 3, RV 428 “Il gardellino”: II. Cantabile
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto in D major, op. 10 no. 3, RV 428 “Il gardellino”
Antonio Vivaldi3:24
74Piano Concerto no. 26 in D major, K. 537 “Coronation”: I. Allegretto
piano:
Gyula Kiss (Hungarian classical pianist)
orchestra:
Hungarian Radio Symphony Orchestra (Bulgarian National Radio Symphony Orchestra, Bulgarian National Radio Symphony Orchestra)
partial recording of:
Concerto for Piano no. 26 in D major, K. 537 “Coronation”
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-02-24)
part of:
Köchelverzeichnis (Köchel catalogue, original numbering) (number: 537) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: 537)
Wolfgang Amadeus Mozart8:15
75Humoresque, op. 10 no. 2
Tchaikovsky3:14
76Madama Butterfly: Act II. Humming Chorus
choir vocals:
Sofia National Opera Chorus (in 1987)
orchestra:
Sofia National Opera Orchestra (in 1987)
conductor:
Rouslan Raichev (conductor) (in 1987)
recording of:
Madama Butterfly: Atto II. Coro a bocca chiusa (Humming Chorus) (in 1987)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini3:11
77Così fan tutte, K. 588: Duet “Ah guarda, sorella” (Fiordiligi, Dorabella)
soprano vocals:
Elizabeth Carter (soprano) and Irina Petkova (mezzo-soprano)
orchestra:
Sofia Symphony Orchestra
recording of:
Così fan tutte: Atto I. No. 4 Duetto “Ah, guarda, sorella” (Fiordiligi, Dorabella)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart4:47
78String Quintet in C major, D. 956: II. Adagio (excerpt)
partial recording of:
String Quintet in C major, D. 956: II. Adagio
composer:
Franz Schubert (composer) (in 1828)
part of:
String Quintet in C major, D. 956
Franz Schubert4:46
79Piano Concerto no. 3 in C minor, op. 37: II. Largo
piano:
Anton Dikov (pianist)
orchestra:
Софийска Филхармония (Sofia Philharmonic)
recording of:
Concerto for Piano and Orchestra no. 3 in C minor, op. 37: II. Largo
composer:
Ludwig van Beethoven (German composer) (from 1800 until 1803)
part of:
Concerto for Piano and Orchestra no. 3 in C minor, op. 37
Ludwig van Beethoven10:03
80Lohengrin: Act III. Bride Chorus
choir vocals:
Национален филхармоничен хор „Светослав Обретенов“ (National Philharmonic Choir “Svetoslav Obretenov”)
orchestra:
Софийска Филхармония (Sofia Philharmonic)
conductor:
Георги Робев (Georgi Robev, conductor)
recording of:
Lohengrin, WWV 75: Akt III, Szene I. „Treulich geführt ziehet dahin“ (Chor) (Lohengrin: Act III, Scene I. Bridal Chorus (Choir))
composer:
Richard Wagner (composer) (from 1846 until 1848)
librettist:
Richard Wagner (composer)
part of:
Lohengrin, WWV 75: Akt III
Richard Wagner5:44
81Song Without Words in G major, op. 62: No. 1
piano:
Jenő Jandó (pianist)
recording of:
Lied ohne Worte G-Dur, op. 62 Nr. 1 (Song Without Words in G major, Op. 62 No. 1) (ended)
composer:
Felix Mendelssohn (composer) (from 1842 until 1844)
part of:
Felix Mendelssohn Bartholdy: Thematisch-systematisches Verzeichnis der musikalischen Werke (MWV) (number: MWV U 185)
part of:
Lieder ohne Worte, op. 62 (Songs Without Words, op. 62, for piano)
Felix Mendelssohn2:00
82Eugene Onegin: Servant Girls’ Chorus
recording of:
Евгений Онегин, op. 24: Действие I, картина 2, no. 11. Хор девушек “Девицы, красавицы” (Chorus of Maidens “Devitsy, krasavitsy”)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Евгений Онегин, op. 24: Действие первое (Eugene Onegin, op. 24: Act I)
Tchaikovsky3:38
83Étude in E minor
Francisco Tárrega1:13
84Madama Butterfly: Act II. Butterfly’s Aria “Un bel dì vedremo” (instrumental version)
orchestra:
Sofia Philharmonic Orchestra (Sofia Philharmonic)
instrumental recording of:
Madama Butterfly: Atto II. “Un bel dì, vedremo” (Butterfly)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini4:22
85Intermezzo in A minor, op. 76 no. 7
piano:
Jenő Jandó (pianist)
recording of:
8 Klavierstücke, op. 76: Nr. 7. Intermezzo in A minor: Moderato semplice (ended)
composer:
Johannes Brahms (German composer) (in 1878)
part of:
8 Klavierstücke, op. 76 (8 Piano Pieces, op. 76)
Johannes Brahms3:01
86Serenade no. 12 in C minor, K. 388: II. Andante
wind instruments:
Budapest Wind Ensemble
recording of:
Serenade no. 12 for Winds in C minor, K. 384a/388 "Nacht musique": II. Andante
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1782-07)
part of:
Serenade no. 12 for Winds in C minor, K. 384a/388 "Nacht musique"
Wolfgang Amadeus Mozart4:03
87Fidelio, op. 72: Chorus “O welche Lust”
choir vocals:
Bulgarian National Choir (National Philharmonic Choir “Svetoslav Obretenov”)
orchestra:
Sofia Philharmonic Orchestra (Sofia Philharmonic)
conductor:
Georgi Robev (conductor)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 10a. Prisoner’s Chorus „O welche Lust, in freier Luft“ (Chor, 1st Prisoner, 2nd Prisoner)
composer:
Ludwig van Beethoven (German composer) (in 1805, in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven3:47
88Symphonie fantastique, op. 14: II. Un bal (valse). Allegro non troppo
recording of:
Symphonie fantastique, op. 14: II. Un bal
composer:
Hector Berlioz (French composer) (in 1830)
part of:
Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties
Hector Berlioz6:35
89Piano Sonata no. 2 in B‐flat minor, op. 35 “Marche funebre”
partial recording of:
Sonata for Piano no. 2 in B‐flat minor, op. 35 “Funeral March”
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1839)
part of:
Works of Fryderyk Chopin by opus number (number: op. 35)
Fryderyk Chopin6:08
90The Merry Wives of Windsor: Act III. Fairy’s Choir
vocals:
Bulgarian National Chorus (National Philharmonic Choir “Svetoslav Obretenov”)
orchestra:
Sofia Philharmonic Orchestra (Sofia Philharmonic)
Otto Nicolai1:38
91Rigoletto: Act I. Gilda’s Aria – “Caro nome” (instrumental version)
orchestra:
Sofia Philharmonic Orchestra (Sofia Philharmonic)
instrumental recording of:
Rigoletto: Atto I, scena 2. N°6 Aria & scena “Gualtier Maldè! … Caro nome” (Gilda, Borsa, Ceprano, Marullo)
lyricist and librettist:
Francesco Maria Piave
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Rigoletto: Atto I
Giuseppe Verdi4:54
92La campanella
Franz Liszt5:45
93Children’s Corner: III. Serenade for the Doll
orchestra:
Leipzig Radio Symphony Orchestra (MDR Leipzig Radio Symphony Orchestra)
conductor:
Max Pommer (conductor)
recording of:
Children's Corner, L. 113: III. Serenade for the Doll (catch-all for arrangements)
composer:
Claude Debussy (French composer) (from 1906 until 1908-07)
arrangement of:
Children’s Corner, L. 113: III. Serenade for the Doll (original piano version)
part of:
Children’s Corner, L. 113 (catch-all for arrangements)
Claude Debussy2:50
94Pastorale
harp:
Andrea Vigh (harpist)
[anonymous]3:02
95Symphony no. 6 in B minor, op. 74 “Pathétique”: IV. Finale. Adagio lamentoso
orchestra:
Camerata Labacensis (Slovenian chamber orchestra), Ljubljana Symphony Orchestra (RTV Slovenia Symphony Orchestra), Prague Festival Orchestra and The New Philharmonic Orchestra (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia)
conductor:
Marko Munih (conductor), Anton Nanut (conductor), Alexander von Pitamic (Alfred Scholz pseudonym) and Pavel Urbanek (an Alfred Scholz pseudonym)
recording of:
Symphony no. 6 in B minor, op. 74 “Pathétique”: IV. Finale. Adagio lamentoso
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer) (from 1893-02 until 1893-08)
part of:
Symphony no. 6 in B minor, op. 74 “Pathétique”
Tchaikovsky10:05
96A Night in Granada: Act II. “Schon die Abendglocken klangen”
recording of:
Das Nachtlager in Granada, Act II: "Schon die Abendglocken klangen" (Chorus)
composer:
Conradin Kreutzer
part of:
Das Nachtlager in Granada
Conradin Kreutzer3:10
97Divertimento in F major, K. 138, “Salzburg Symphony no. 3”: II. Andante
orchestra:
Franz Liszt Chamber Orchestra (Franz Liszt Chamber Orchestra)
recording of:
Divertimento for String Quartet in F major, K. 125c/138 "Salzburg Symphony no. 3": II. Andante
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1772)
part of:
Divertimento for String Quartet in F major, K. 125c/138 "Salzburg Symphony no. 3"
Wolfgang Amadeus Mozart4:02
98Piano Concerto no. 1 in E minor, op. 11: II. Romance. Larghetto
recording of:
Concerto for Piano and Orchestra no. 1 in E minor, op. 11: II. Romance. Larghetto
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1830-04 until 1830-09)
part of:
Concerto for Piano and Orchestra no. 1 in E minor, op. 11
Fryderyk Chopin10:16
99Symphony no. 2 in D major, op. 73: II. Adagio non troppo
recording of:
Sinfonie Nr. 2 D-Dur, op. 73: II. Adagio non troppo
composer:
Johannes Brahms (German composer) (in 1877)
part of:
Sinfonie Nr. 2 D-Dur, op. 73 (Symphony no. 2 in D major, op. 73)
Johannes Brahms11:12

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