Die Zauberflöte (Great Recordings of the Century)

~ Release by Mozart; Otto Klemperer, Gedda, Janowitz, Berry, Unger, Popp, Frick, Schwarzkopf, Ludwig, Pütz, Höffgen, Crass, Philharmonia Chorus & Orchestra (see all versions of this release, 7 available)

Annotation

Apparently there a different versions of this release with the main difference in playtime for track 12 (0:40 vs. 1:32). for discussion see edit #11565285

CD 1 — For DiscID: A.v_v6eiQsdEPpNbP_w96gysHPM-

  • Matrix: EMI UDEN 5673892 @ 11-2-4-NL
  • Mastering SID: IFPI L046
  • Mould SID: ifpi 15D3

CD 2 — For DiscID: FbldW6syrxE_d1ekoEhTvLgAC.0-

  • Matrix: EMI UDEN 5673902 @ 1 1-2-12-NL
  • Mastering SID: IFPI L047
  • Mould SID: ifpi 15A2
Annotation last modified on 2022-09-10 15:44 UTC.

Tracklist

| |
1▼CD: Act 1
#TitleArtistRatingLength
1Die Zauberflöte, K. 620: Ouverture
producer:
Peter Andry (producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1964-03-24 until 1964-04-10)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1964-03-24 until 1964-04-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1964-03-24 until 1964-04-10)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1964-03-24 until 1964-04-10)
recording of:
Die Zauberflöte: Ouvertüre (The Magic Flute, K. 620: Overture) (from 1964-03-24 until 1964-04-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620 (The Magic Flute, K. 620)
Wolfgang Amadeus Mozart7:17
2Die Zauberflöte, K. 620: Act I, Scene I. No. 1 Introduction "Zu Hilfe! Zu Hilfe!" (Tamino, Damen)
producer:
Peter Andry (producer)
tenor vocals [Tamino]:
Nicolai Gedda (tenor) (from 1964-03-24 until 1964-04-10)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1964-03-24 until 1964-04-10)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1964-03-24 until 1964-04-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1964-03-24 until 1964-04-10)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1964-03-24 until 1964-04-10)
recording of:
Die Zauberflöte: Akt I. No. 1 Introduktion „Zu Hilfe! Zu Hilfe!” (Tamino, Damen) (from 1964-03-24 until 1964-04-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Johann Josef Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart6:54
3Die Zauberflöte, K. 620: Act I, Scene I. No. 2 Aria "Was hör' ich? Der Vogelfänger bin ich ja" (Papageno)
producer:
Peter Andry (producer)
baritone vocals [Papageno]:
Walter Berry (bass‐baritone) (from 1964-03-24 until 1964-04-10)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1964-03-24 until 1964-04-10)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1964-03-24 until 1964-04-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1964-03-24 until 1964-04-10)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1964-03-24 until 1964-04-10)
recording of:
Die Zauberflöte: Akt I. No. 2 Arie „Was hör’ ich?” … „Der Vogelfänger bin ich ja” (Papageno) (from 1964-03-24 until 1964-04-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart2:41
4Die Zauberflöte, K. 620: Act I, Scene I. No. 3 Aria "Dies Bildnis ist bezaubernd schön" (Tamino)
producer:
Peter Andry (producer)
tenor vocals [Tamino]:
Nicolai Gedda (tenor) (from 1964-03-24 until 1964-04-10)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1964-03-24 until 1964-04-10)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1964-03-24 until 1964-04-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1964-03-24 until 1964-04-10)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1964-03-24 until 1964-04-10)
recording of:
Die Zauberflöte: Akt I. No. 3 Arie „Dies Bildnis ist bezaubernd schön“ (Tamino) (from 1964-03-24 until 1964-04-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart4:11
5Die Zauberflöte, K. 620: Act I, Scene II. No. 4 Recitative and Aria "O zitt're nicht, mein lieber Sohn!" (Die Königin der Nacht)
producer:
Peter Andry (producer)
soprano vocals [Die Königin der Nacht]:
Lucia Popp (soprano) (from 1964-03-24 until 1964-04-10)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1964-03-24 until 1964-04-10)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1964-03-24 until 1964-04-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1964-03-24 until 1964-04-10)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1964-03-24 until 1964-04-10)
recording of:
Die Zauberflöte: Akt I. No. 4 Rezitativ und Arie „O zittre nicht, mein lieber Sohn” ... „Zum Leiden bin ich auserkoren” (Die Königin der Nacht) (from 1964-03-24 until 1964-04-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart5:09
6Die Zauberflöte, K. 620: Act I, Scene III. No. 5 Quintet "Hm! Hm! Hm!" (Papageno, Tamino, Damen)
producer:
Peter Andry (producer)
baritone vocals [Papageno]:
Walter Berry (bass‐baritone) (from 1964-03-24 until 1964-04-10)
tenor vocals [Tamino]:
Nicolai Gedda (tenor) (from 1964-03-24 until 1964-04-10)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1964-03-24 until 1964-04-10)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1964-03-24 until 1964-04-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1964-03-24 until 1964-04-10)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1964-03-24 until 1964-04-10)
recording of:
Die Zauberflöte: Akt I. No. 5 Quintet „Hm! hm! hm! hm!” … „Drei Knaben, jung, schön, hold und weise” (Papageno, Tamino, Drei Damen) (from 1964-03-24 until 1964-04-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart6:44
7Die Zauberflöte, K. 620: Act I, Scene IV. No. 6 Terzetto "Du feines Täubchen, nur herein" (Monostatos, Pamina, Papageno)
producer:
Peter Andry (producer)
baritone vocals:
Walter Berry (bass‐baritone) (from 1964-03-24 until 1964-04-10)
soprano vocals:
Gundula Janowitz (soprano) (from 1964-03-24 until 1964-04-10)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1964-03-24 until 1964-04-10)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1964-03-24 until 1964-04-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1964-03-24 until 1964-04-10)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1964-03-24 until 1964-04-10)
recording of:
Die Zauberflöte: Akt I. No. 6 Terzett „Du feines Täubchen, nur herein!” (Monostatos, Pamina, Papageno) (from 1964-03-24 until 1964-04-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart1:56
8Die Zauberflöte, K. 620: Act I, Scene IV. No. 7 Duet "Bei Männern, welche Liebe fühlen" (Pamina, Papageno)
producer:
Peter Andry (producer)
baritone vocals [Papageno]:
Walter Berry (bass‐baritone) (from 1964-03-24 until 1964-04-10)
soprano vocals [Pamina]:
Gundula Janowitz (soprano) (from 1964-03-24 until 1964-04-10)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1964-03-24 until 1964-04-10)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1964-03-24 until 1964-04-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1964-03-24 until 1964-04-10)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1964-03-24 until 1964-04-10)
recording of:
Die Zauberflöte: Akt I. No. 7 Duett „Bei Männern, welche Liebe fühlen” (Pamina, Papageno) (from 1964-03-24 until 1964-04-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart3:34
9Die Zauberflöte, K. 620: Act I, Scene V. No. 8 Finale "Zum Ziele führt dich diese Bahn" (Knaben, Tamino, Stimmen, Sprecher)
producer:
Peter Andry (producer)
bass vocals:
Franz Crass (operatic bass) (from 1964-03-24 until 1964-04-10)
tenor vocals:
Nicolai Gedda (tenor) (from 1964-03-24 until 1964-04-10)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1964-03-24 until 1964-04-10)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1964-03-24 until 1964-04-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1964-03-24 until 1964-04-10)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1964-03-24 until 1964-04-10)
recording of:
Die Zauberflöte: Akt I. No. 8 Finale „Zum Ziele führt dich diese Bahn” (Knaben, Tamino, Stimmen, Sprecher) (from 1964-03-24 until 1964-04-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart10:05
10Die Zauberflöte, K. 620: Act I, Scene V. Andante "Wie stark ist nicht dein Zauberton" (Tamino)
producer:
Peter Andry (producer)
tenor vocals:
Nicolai Gedda (tenor) (from 1964-03-24 until 1964-04-10)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1964-03-24 until 1964-04-10)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1964-03-24 until 1964-04-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1964-03-24 until 1964-04-10)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1964-03-24 until 1964-04-10)
recording of:
Die Zauberflöte: Akt I. Andante „Wie stark ist nicht dein Zauberton” (Tamino) (from 1964-03-24 until 1964-04-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart2:54
11Die Zauberflöte, K. 620: Act I, Scene VI. "Schnelle Füße, rascher Mut" (Pamina, Papageno, Monostatos, Sklaven)
producer:
Peter Andry (producer)
baritone vocals:
Walter Berry (bass‐baritone) (from 1964-03-24 until 1964-04-10)
soprano vocals:
Gundula Janowitz (soprano) (from 1964-03-24 until 1964-04-10)
tenor vocals:
Gerhard Unger (tenor) (from 1964-03-24 until 1964-04-10)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1964-03-24 until 1964-04-10)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1964-03-24 until 1964-04-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1964-03-24 until 1964-04-10)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1964-03-24 until 1964-04-10)
recording of:
Die Zauberflöte: Akt I. "Schnelle Füsse, rascher Mut … Nur geschwinde, nur geschwinde … Wer viel wagt, gewinnt oft viel! … Das klinget so herrlich … Könnte jeder brave Mann" (Pamina, Papageno, Monostatos, Sklaven) (from 1964-03-24 until 1964-04-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart2:35
12Die Zauberflöte, K. 620: Act I, Scene VI. "Könnte jeder brave Mann" (Pamina, Papageno)
producer:
Peter Andry (producer)
baritone vocals:
Walter Berry (bass‐baritone) (from 1964-03-24 until 1964-04-10)
soprano vocals:
Gundula Janowitz (soprano) (from 1964-03-24 until 1964-04-10)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1964-03-24 until 1964-04-10)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1964-03-24 until 1964-04-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1964-03-24 until 1964-04-10)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1964-03-24 until 1964-04-10)
recording of:
Die Zauberflöte: Akt I. „Könnte jeder brave Mann” (Pamina, Papageno) (from 1964-03-24 until 1964-04-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart0:40
13Die Zauberflöte, K. 620: Act I, Scene VI. Allegro maestoso "Es lebe Sarastro!" (Gefolge, Papageno, Pamina, Sarastro)
producer:
Peter Andry (producer)
baritone vocals:
Walter Berry (bass‐baritone) (from 1964-03-24 until 1964-04-10)
bass vocals:
Gottlob Frick (operatic bass) (from 1964-03-24 until 1964-04-10)
soprano vocals:
Gundula Janowitz (soprano) (from 1964-03-24 until 1964-04-10)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1964-03-24 until 1964-04-10)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1964-03-24 until 1964-04-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1964-03-24 until 1964-04-10)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1964-03-24 until 1964-04-10)
recording of:
Die Zauberflöte: Akt I. Allegro maestoso „Es lebe Sarastro!” (Gefolge, Pamina, Papageno) (from 1964-03-24 until 1964-04-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart5:05
14Die Zauberflöte, K. 620: Act I, Scene VI. "Nun, stolzer Jüngling; nur hierher!" (Monostatos, Pamina, Tamino, Gefolge, Sarastro)
producer:
Peter Andry (producer)
bass vocals:
Gottlob Frick (operatic bass) (from 1964-03-24 until 1964-04-10)
soprano vocals:
Gundula Janowitz (soprano) (from 1964-03-24 until 1964-04-10)
tenor vocals:
Nicolai Gedda (tenor) (from 1964-03-24 until 1964-04-10) and Gerhard Unger (tenor) (from 1964-03-24 until 1964-04-10)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1964-03-24 until 1964-04-10)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1964-03-24 until 1964-04-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1964-03-24 until 1964-04-10)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1964-03-24 until 1964-04-10)
recording of:
Die Zauberflöte: Akt I. „Nun, stolzer Jüngling; nur hierher!” (Monostatos, Pamina, Tamino, Gefolge, Sarastro) (from 1964-03-24 until 1964-04-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart3:34
2▼CD: Act 2
#TitleArtistRatingLength
1Die Zauberflöte, K. 620: Act II, Scene I. No. 9 March "Marsch der Priester"
producer:
Peter Andry (producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1964-03-24 until 1964-04-10)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1964-03-24 until 1964-04-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1964-03-24 until 1964-04-10)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1964-03-24 until 1964-04-10)
recording of:
Die Zauberflöte: Akt II. No. 9 Marsch der Priester (from 1964-03-24 until 1964-04-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
arrangement of:
Die Zauberflöte: Akt II. No. 9 Marsch der Priester (catch-all for arrangements)
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart4:08
2Die Zauberflöte, K. 620: Act II, Scene I. No. 10 Aria and Chorus "O Isis und Osiris" (Sarastro, Priester)
producer:
Peter Andry (producer)
bass vocals [Sarastro]:
Gottlob Frick (operatic bass) (from 1964-03-24 until 1964-04-10)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1964-03-24 until 1964-04-10)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1964-03-24 until 1964-04-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1964-03-24 until 1964-04-10)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1964-03-24 until 1964-04-10)
recording of:
Die Zauberflöte: Akt II. No. 10 Arie and Chor „O Isis und Osiris” (Sarastro, Priester) (from 1964-03-24 until 1964-04-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:17
3Die Zauberflöte, K. 620: Act II, Scene II. No. 11 Duet "Bewahret euch vor Weibertücken" (zwei Priester)
producer:
Peter Andry (producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1964-03-24 until 1964-04-10)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1964-03-24 until 1964-04-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1964-03-24 until 1964-04-10)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1964-03-24 until 1964-04-10)
recording of:
Die Zauberflöte: Akt II. No. 11 Duett „Bewahret euch vor Weibertücken” (zwei Priester) (from 1964-03-24 until 1964-04-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart1:10
4Die Zauberflöte, K. 620: Act II, Scene II. No. 12 Quintet "Wie? Wie? Wie? Ihr an diesem Schreckensort?" (Damen, Papageno, Tamino, Eingeweihte)
producer:
Peter Andry (producer)
baritone vocals:
Walter Berry (bass‐baritone) (from 1964-03-24 until 1964-04-10)
tenor vocals:
Nicolai Gedda (tenor) (from 1964-03-24 until 1964-04-10)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1964-03-24 until 1964-04-10)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1964-03-24 until 1964-04-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1964-03-24 until 1964-04-10)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1964-03-24 until 1964-04-10)
recording of:
Die Zauberflöte: Akt II. No. 12 Quintett „Wie? Wie? Wie? Ihr an diesem Schreckensort?” (Drei Damen, Papageno, Tamino, Priester) (from 1964-03-24 until 1964-04-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:25
5Die Zauberflöte, K. 620: Act II, Scene III. No. 13 Aria "Alles fühlt der Liebe Freuden" (Monostatos)
producer:
Peter Andry (producer)
tenor vocals:
Gerhard Unger (tenor) (from 1964-03-24 until 1964-04-10)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1964-03-24 until 1964-04-10)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1964-03-24 until 1964-04-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1964-03-24 until 1964-04-10)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1964-03-24 until 1964-04-10)
recording of:
Die Zauberflöte: Akt II. No. 13 Arie „Alles fühlt der Liebe Freuden” (Monostatos) (from 1964-03-24 until 1964-04-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart1:23
6Die Zauberflöte, K. 620: Act II, Scene III. No. 14 Aria "Der Hölle Rache kocht in meinem Herzen" (Die Königin der Nacht)
producer:
Peter Andry (producer)
solo soprano vocals [Die Königin der Nacht]:
Lucia Popp (soprano) (from 1964-03-24 until 1964-04-10)
soprano vocals:
Lucia Popp (soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1964-03-24 until 1964-04-10)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1964-03-24 until 1964-04-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1964-03-24 until 1964-04-10)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1964-03-24 until 1964-04-10)
recording of:
Die Zauberflöte: Akt II. No. 14 Arie „Der Hölle Rache kocht in meinem Herzen” (Die Königin der Nacht) (from 1964-03-24 until 1964-04-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:13
7Die Zauberflöte, K. 620: Act II, Scene III. No. 15 Aria "In diesen heil'gen Hallen kennt" (Sarastro)
producer:
Peter Andry (producer)
bass vocals [Sarastro]:
Gottlob Frick (operatic bass) (from 1964-03-24 until 1964-04-10)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1964-03-24 until 1964-04-10)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1964-03-24 until 1964-04-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1964-03-24 until 1964-04-10)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1964-03-24 until 1964-04-10)
recording of:
Die Zauberflöte: Akt II. No. 15 Arie „In diesen heil'gen Hallen” (Sarastro) (from 1964-03-24 until 1964-04-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart4:49
8Die Zauberflöte, K. 620: Act II, Scene IV. No. 16 Terzetto "Seid uns zum zweiten Mal willkommen" (Knaben)
producer:
Peter Andry (producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1964-03-24 until 1964-04-10)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1964-03-24 until 1964-04-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1964-03-24 until 1964-04-10)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1964-03-24 until 1964-04-10)
recording of:
Die Zauberflöte: Akt II. No. 16 Trio „Seid uns zum zweiten Mal willkommen” (Drei Knaben) (from 1964-03-24 until 1964-04-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart1:56
9Die Zauberflöte, K. 620: Act II, Scene IV. No. 17 Aria "Ach, ich fühl's, es ist verschwunden" (Pamina)
producer:
Peter Andry (producer)
soprano vocals:
Gundula Janowitz (soprano) (from 1964-03-24 until 1964-04-10)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1964-03-24 until 1964-04-10)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1964-03-24 until 1964-04-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1964-03-24 until 1964-04-10)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1964-03-24 until 1964-04-10)
recording of:
Die Zauberflöte: Akt II. No. 17 Arie „Ach, ich fühl's, es ist verschwunden“ (Pamina) (from 1964-03-24 until 1964-04-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart4:09
10Die Zauberflöte, K. 620: Act II, Scene V. No. 18 Chorus "O Isis und Osiris, welche Wonne!" (Chor der Priester)
producer:
Peter Andry (producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1964-03-24 until 1964-04-10)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1964-03-24 until 1964-04-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1964-03-24 until 1964-04-10)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1964-03-24 until 1964-04-10)
recording of:
Die Zauberflöte: Akt II. No. 18 Chor der Priester „O Isis und Osiris, welche Wonne!” (Priester) (from 1964-03-24 until 1964-04-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:13
11Die Zauberflöte, K. 620: Act II, Scene V. No. 19 Trio "Soll ich dich, Teurer, nicht mehr sehn?" (Pamina, Sarastro, Tamino)
producer:
Peter Andry (producer)
bass vocals:
Gottlob Frick (operatic bass) (from 1964-03-24 until 1964-04-10)
soprano vocals:
Gundula Janowitz (soprano) (from 1964-03-24 until 1964-04-10)
tenor vocals:
Nicolai Gedda (tenor) (from 1964-03-24 until 1964-04-10)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1964-03-24 until 1964-04-10)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1964-03-24 until 1964-04-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1964-03-24 until 1964-04-10)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1964-03-24 until 1964-04-10)
recording of:
Die Zauberflöte: Akt II. No. 19 Trio „Soll ich dich, Teurer, nicht mehr sehn?” (Pamina, Sarastro, Tamino) (from 1964-03-24 until 1964-04-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:17
12Die Zauberflöte, K. 620: Act II, Scene VI. No. 20 Aria "Ein Mädchen oder Weibchen wünscht Papageno sich!" (Papageno)
producer:
Peter Andry (producer)
baritone vocals [Papageno]:
Walter Berry (bass‐baritone) (from 1964-03-24 until 1964-04-10)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1964-03-24 until 1964-04-10)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1964-03-24 until 1964-04-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1964-03-24 until 1964-04-10)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1964-03-24 until 1964-04-10)
recording of:
Die Zauberflöte: Akt II. No. 20 Arie „Ein Mädchen oder Weibchen wünscht Papageno sich!” (Papageno) (from 1964-03-24 until 1964-04-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart4:19
13Die Zauberflöte, K. 620: Act II, Scene VII. No. 21 Finale "Bald prangt, den Morgen zu verkünden" (Knaben, Pamina)
producer:
Peter Andry (producer)
soprano vocals:
Gundula Janowitz (soprano) (from 1964-03-24 until 1964-04-10)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1964-03-24 until 1964-04-10)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1964-03-24 until 1964-04-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1964-03-24 until 1964-04-10)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1964-03-24 until 1964-04-10)
recording of:
Die Zauberflöte: Akt II. No. 21 Finale „Bald prangt, den Morgen zu verkünden” … „Du also bist mein Bräutigam” (Drei Knaben, Pamina) (from 1964-03-24 until 1964-04-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart6:23
14Die Zauberflöte, K. 620: Act II, Scene VIII. "Der, welcher wandelt diese Straße voll Beschwerden" (Zwei Geharnischten, Tamino, Pamina, Gefolge, Priester)
producer:
Peter Andry (producer)
soprano vocals:
Gundula Janowitz (soprano) (from 1964-03-24 until 1964-04-10)
tenor vocals:
Nicolai Gedda (tenor) (from 1964-03-24 until 1964-04-10)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1964-03-24 until 1964-04-10)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1964-03-24 until 1964-04-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1964-03-24 until 1964-04-10)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1964-03-24 until 1964-04-10)
recording of:
Die Zauberflöte: Akt II. „Der, welcher wandelt diese Straße voll Beschwerden” (Zwei Geharnischte, Tamino, Pamina) (from 1964-03-24 until 1964-04-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart5:14
15Die Zauberflöte, K. 620: Act II, Scene VIII. "Tamino mein! O welch ein Glück!" (Zwei Geharnischten, Tamino, Pamina, Gefolge, Priester)
producer:
Peter Andry (producer)
soprano vocals:
Gundula Janowitz (soprano) (from 1964-03-24 until 1964-04-10)
tenor vocals:
Nicolai Gedda (tenor) (from 1964-03-24 until 1964-04-10)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1964-03-24 until 1964-04-10)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1964-03-24 until 1964-04-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1964-03-24 until 1964-04-10)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1964-03-24 until 1964-04-10)
recording of:
Die Zauberflöte: Akt II. „Tamino mein! O welch Glück!” (Pamina, Tamino) (from 1964-03-24 until 1964-04-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart7:00
16Die Zauberflöte, K. 620: Act II, Scene IX. "Papagena!" (Papageno, Knaben)
producer:
Peter Andry (producer)
baritone vocals:
Walter Berry (bass‐baritone) (from 1964-03-24 until 1964-04-10)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1964-03-24 until 1964-04-10)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1964-03-24 until 1964-04-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1964-03-24 until 1964-04-10)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1964-03-24 until 1964-04-10)
recording of:
Die Zauberflöte: Akt II. „Papagena! Weibchen! Täubchen!” … „Klinget, Glöckchen, klinget!” (Papageno, Drei Knaben, Papagena) (from 1964-03-24 until 1964-04-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart5:37
17Die Zauberflöte, K. 620: Act II, Scene IX. "Pa-pa-ge-na! ... Pa-pa-ge-no!" (Papageno, Papagena)
producer:
Peter Andry (producer)
baritone vocals:
Walter Berry (bass‐baritone) (from 1964-03-24 until 1964-04-10)
soprano vocals:
Ruth-Margret Pütz (soprano) (from 1964-03-24 until 1964-04-10)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1964-03-24 until 1964-04-10)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1964-03-24 until 1964-04-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1964-03-24 until 1964-04-10)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1964-03-24 until 1964-04-10)
recording of:
Die Zauberflöte: Akt II. Duett „Pa-pa-gena!... Pa-pa-geno!” (Papageno, Papagena) (from 1964-03-24 until 1964-04-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:49
18Die Zauberflöte, K. 620: Act II, Scene X. "Nur stille!" (Chor, Monostatos, Königin, Damen)
producer:
Peter Andry (producer)
soprano vocals:
Lucia Popp (soprano) (from 1964-03-24 until 1964-04-10)
tenor vocals:
Gerhard Unger (tenor) (from 1964-03-24 until 1964-04-10)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1964-03-24 until 1964-04-10)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1964-03-24 until 1964-04-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1964-03-24 until 1964-04-10)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1964-03-24 until 1964-04-10)
recording of:
Die Zauberflöte: Akt II. „Nur stille, stille, stille!” (Monostatos, Königin, Damen) (from 1964-03-24 until 1964-04-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:11
19Die Zauberflöte, K. 620: Act II, Scene X. "Die Strahlen der Sonne" (Sarastro, Chor)
producer:
Peter Andry (producer)
bass vocals:
Gottlob Frick (operatic bass) (from 1964-03-24 until 1964-04-10)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1964-03-24 until 1964-04-10)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1964-03-24 until 1964-04-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1964-03-24 until 1964-04-10)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1964-03-24 until 1964-04-10)
recording of:
Die Zauberflöte: Akt II. „Die Strahlen der Sonne vertreiben die Nacht” (Sarastro) (from 1964-03-24 until 1964-04-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:01

Credits

Release

mastering:Allan Ramsay (engineer) (in 2000)
chorus master:Wilhelm Pitz (chorus master)
librettist:Emanuel Schikaneder
choir vocals:Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977)
part of:The Telegraph: Best Classical Music Recordings (order: 38)
Great Recordings of the Century (EMI Classics remaster series) (order: 85)
Discogs:https://www.discogs.com/release/2508203 [info]
ASIN:UK: B00004U0C9 [info]
UK: B00004VVZN [info]

Release group

excerpts:The Magic Flute: Highlights (1964 studio cast) by Mozart (Wolfgang Amadeus Mozart, classical composer); Janowitz (soprano), Gedda (tenor), Berry (bass‐baritone), Popp (soprano), Frick (operatic bass), Schwarzkopf (German-born Austrian/British soprano), Ludwig (mezzo-soprano), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) & Chorus (London choir aka New Philharmonia Chorus from 1964–1977), Otto Klemperer (German-born conductor and composer)
Discogs:https://www.discogs.com/master/637718 [info]
other databases:http://www.operadis-opera-discography.org.uk/CLMOZAUB.HTM#41 [info]
https://www.operadis-opera-discography.org.uk/ALMOZAUB.HTM#64 [info]
Allmusic:https://www.allmusic.com/album/mw0001805286 [info]