| # | Title | Artist | Rating | Length |
|---|
| 1 | Dancing in the Street- producer:
- William Stevenson
- baritone saxophone:
- Thomas Bowles (on 1964-06-29)
- bass guitar:
- James Jamerson (on 1964-06-29)
- drums (drum set):
- Marvin Gaye (on 1964-06-29)
- guitar:
- Joe Messina (on 1964-06-29), Robert White (on 1964-06-29) and Eddie Willis (on 1964-06-29)
- other instruments [tire iron]:
- Ivy Jo Hunter (on 1964-06-29)
- percussion, tambourine and vibraphone [vibes]:
- Jack Ashford (on 1964-06-29)
- tenor saxophone:
- Henry Cosby (on 1964-06-29)
- trombone:
- George Bohanon (on 1964-06-29) and Paul Riser (on 1964-06-29)
- trumpet:
- Russell Conway (on 1964-06-29) and Herbert Williams (on 1964-06-29)
- background vocals:
- Rosalind Ashford (on 1964-06-29), Ivy Jo Hunter (on 1964-06-29), Betty Kelly (on 1964-06-29) and William Stevenson (on 1964-06-29)
- lead vocals:
- Martha Reeves (on 1964-06-29)
- publisher:
- EMI Music Publishing
- phonographic copyright (℗) by:
- Motown Record Corporation (in 1964) and UMG Recordings, Inc. (in 1964)
- part of:
- Dave Marsh: The Best of the Top 40 Singles: 1964 (number: 7), Rolling Stone: 500 Greatest Songs of All Time (number: 40), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 130) and Billboard: The 500 Best Pop Songs (number: 403)
- recording of:
- Dancing in the Street (on 1964-06-29)
- writer:
- I. Hunter, M. Gaye and W. Stevenson
- publisher:
- EMI Music , EMI Music Publishing , FCG Music, Jobete Music , Jobete Music (UK) Ltd., Jobete Music Co., Inc., MG III Music, NMG Music, Stone Agate Music, Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
| Martha and the Vandellas | 3.55 | 2:37 |
| 2 | Super Freak- recording engineer and mixer:
- Tom "Super" Flye
- assistant engineer:
- Rick "Port Hole" Sanchez
- engineer:
- Bobby Brooks , Rick "Port Hole" Sanchez and Tom "Super" Flye
- executive producer:
- Alonzo Miller
- producer:
- Rick James
- bass:
- Oscar Alston
- drums (drum set):
- Lanise Hughes
- electric piano and synthesizer [Crumar]:
- Levi Ruffin, Jr.
- guitar:
- Tom McDermott
- handclaps and percussion:
- Oscar Alston, Rick James and Tom McDermott
- other instruments [flexatone] and vibraslap:
- Rick James
- tenor saxophone:
- Daniel LeMelle
- background vocals:
- Dennis Edwards , Melvin Franklin, Taborah Johnson, Glenn Leonard, Richard Street and Otis Williams
- horn arranger:
- Daniel LeMelle and Rick James
- arranger:
- Rick James
- recorded at:
- Motown Studios - Hitsville West in West Hollywood, California, United States (background vocals) and The Plant Studios in Sausalito, California, United States
- mixed at:
- Westlake Studios in West Hollywood, California, United States
- part of:
- VH1: 100 Greatest Songs of the 80’s (number: 71), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 153) and Rolling Stone: 500 Greatest Songs of All Time (number: 477)
- recording of:
- Super Freak
- lyricist and composer:
- Alonzo Miller and Rick James
- publisher:
- Jobete Music Co., Inc. and Stone Diamond Music Corporation
| Rick James | 4.15 | 3:21 |
| 3 | You Can't Hurry Love- recording engineer:
- Russ Terrana
- engineer:
- Lamont Dozier
- producer:
- Lamont Dozier and Brian Holland
- bass:
- James Jamerson (on 1966-06-11)
- brass [horns]:
- Detroit Symphony Orchestra (on 1966-06-11)
- drums (drum set):
- Benny Benjamin (on 1966-06-11)
- guitar [Gibson L-5]:
- Robert White (on 1966-06-11)
- instruments:
- The Funk Brothers (on 1966-06-11)
- piano:
- Earl Van Dyke (on 1966-06-11)
- tambourine:
- Jack Ashford (on 1966-06-11)
- background vocals:
- Florence Ballard (on 1966-07-05) and Mary Wilson (on 1966-07-05)
- lead vocals:
- Diana Ross (on 1966-07-05)
- phonographic copyright (℗) by:
- Motown Record Corporation (in 1966) and Motown Records (in 2015, in 2017)
- recorded at:
- Hitsville in Detroit, Michigan, United States (from 1966-06-11 until 1966-07-05)
- part of:
- Billboard: The 500 Best Pop Songs (number: 280)
- recording of:
- You Can’t Hurry Love (from 1966-06-11 until 1966-07-05)
- writer:
- Lamont Dozier, Brian Holland and Eddie Holland
- publisher:
- EMI Music Publishing Ltd. , Jobete , Jobete Music Co., Inc., Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (until 2021-06-30), Jobete Music (UK) Ltd. (in 1965) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
| The Supremes | 4.75 | 2:42 |
| 4 | Please Mr. Postman- producer:
- Robert Bateman and Brian Holland
- bass:
- James Jamerson (in 1961-04)
- drums (drum set):
- Benny Benjamin (in 1961-04) and Marvin Gaye (in 1961-04)
- guitar:
- Eddie Willis (in 1961-04)
- handclaps:
- Katherine Anderson (in 1961-04), Wyanetta “Juanita” Cowart (in 1961-04), Georgeanna Tillman (in 1961-04) and Wanda Young (in 1961-04)
- instruments:
- The Funk Brothers (in 1961-04)
- percussion:
- Eddie “Bongo” Brown (in 1961-04)
- piano:
- Richard ‘Popcorn’ Wylie (in 1961-04)
- background vocals:
- Katherine Anderson (in 1961-04), Wyanetta “Juanita” Cowart (in 1961-04), Gladys Horton (in 1961-04), Georgeanna Tillman (in 1961-04) and Wanda Young (in 1961-04)
- lead vocals:
- Gladys Horton (in 1961-04)
- recorded at and mixed at:
- Hitsville in Detroit, Michigan, United States (in 1961-04)
- part of:
- Dave Marsh: The Best of the Top 40 Singles: 1961 (number: 10), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 331) and Billboard: The 500 Best Pop Songs (number: 410)
- recording of:
- Please Mr. Postman (in 1961-04)
- writer:
- Robert Bateman (in 1961), Georgia Dobbins (in 1961), William Garrett (in 1961), Freddie Gorman (in 1961) and Brian Holland (in 1961)
- publisher:
- Dominion Music, EMI Blackwood Music Inc., EMI United Partnership Ltd., Jobete Music (UK) Ltd., Jobete Music Co., Inc., Stone Agate Music Division and United Partnership Ltd.
| The Marvelettes | 4.6 | 2:26 |
| 5 | Jump to It | Aretha Franklin | | 4:12 |
| 6 | Ai No Corrida | Quincy Jones | | 4:02 |
| 7 | Stomp | The Brothers Johnson | | 3:58 |
| 8 | Don't Leave Me This Way | Thelma Houston | 4.5 | 3:34 |
| 9 | That's the Way (I Like It) | KC and the Sunshine Band | 4.3 | 3:02 |
| 10 | Solid | Ashford & Simpson | | 3:42 |
| 11 | Papa Was a Rolling Stone | The Temptations | 4 | 6:54 |
| 12 | Nightshift- associate producer:
- Peter Wolfe and Jeremy Smith
- producer:
- Dennis Lambert
- arranger:
- Peter Wolfe
- phonographic copyright (℗) by:
- Motown Record Company, L.P. (in 1984)
- edit of:
- Nightshift by Commodores
- recording of:
- Nightshift
- writer:
- Franne Golde, Dennis Lambert and Walter Orange
- publisher:
- BMG Platinum Songs US, Careers–BMG Music Publishing, Inc., Franne Golde Music, Reservoir Media Music, Rightsong Music Inc., Universal Music Careers, Warner–Tamerlane Publishing Corp. and Zomba Enterprises, Inc.
| Commodores | 4.35 | 4:19 |
| 13 | I Love Your Smile | Shanice | 4 | 3:48 |
| 14 | No Diggity- programming and producer:
- Teddy Riley and William "Skylz" Stewart
- instruments:
- Teddy Riley and William "Skylz" Stewart
- guest performer:
- Dr. Dre and Queen Pen
- performer:
- Blackstreet
- arranger:
- Teddy Riley and William "Skylz" Stewart
- samples:
- Grandma’s Hands by Bill Withers
- part of:
- Billboard: The 500 Best Pop Songs (number: 91) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 424)
- recording of:
- No Diggity
- writer:
- Andre Young , Chauncey Hannibal, Lynise Walters, Richard Vick, Teddy Riley , William "Skylz" Stewart and Bill Withers
- publisher:
- Ain't Nothin' Goin' But F...n' , Chauncey Black Music for Smokin' Sounds, City Housing Publishing, Donril Music, Interior Music Corp., Queen Pen Music , Sony Songs Inc., Universal Z Songs and Zomba Enterprises Inc.
| Blackstreet | 4.75 | 5:06 |
| 15 | Proud Mary | Ike & Tina Turner | 4.65 | 4:56 |