| # | Title | Artist | Rating | Length |
|---|
| 1 | Bohemian Rhapsody- additional sound engineer:
- Gary Lyons
- additional engineer:
- Kris Fredriksson
- executive engineer:
- Mike Stone
- executive producer:
- Brian May and Roger Taylor
- producer:
- Roy Thomas Baker and Queen
- bass guitar:
- John Deacon (from 1975-08-24 until 1975-09-14)
- drums (drum set), gong and timpani:
- Roger Taylor (from 1975-08-24 until 1975-09-14)
- guitar:
- Brian May (from 1975-08-24 until 1975-09-14)
- piano and lead vocals and other vocals [operatic vocals]:
- Freddie Mercury (from 1975-08-24 until 1975-09-14)
- other vocals [operatic vocals]:
- Brian May (from 1975-08-24 until 1975-09-14) and Roger Taylor (from 1975-08-24 until 1975-09-14)
- phonographic copyright (℗) by:
- EMI Records Ltd. (in 1975) and Queen Productions Ltd. (in 1975, in 2011)
- recorded at:
- Rockfield Studios in Monmouth, Monmouthshire, Wales, United Kingdom (from 1975-08-24 until 1975-09-14)
- mixed at:
- Sarm Studios in Aldgate, Tower Hamlets, London , England, United Kingdom
- music videos:
- Bohemian Rhapsody by Queen
- part of:
- SWR1 Hitparade 2006 (number: 1), SWR1 Hitparade 2013 (number: 1), SWR1 Hitparade 2018 (number: 1), SWR1 Hitparade 2019 (number: 1), SWR1 Hitparade 2020 (number: 1), SWR1 Hitparade 2021 (number: 1), SWR1 Hitparade 2022 (number: 1), SWR1 Hitparade 2023 (number: 1), SWR1 Hitparade 2004 der Männer (number: 2), SWR1 Hitparade 2005 der Badener (number: 2), SWR1 Hitparade 2005 der Württemberger (number: 2), SWR1 Hitparade 2007 (number: 2), SWR1 Hitparade 2008 (number: 2), SWR1 Hitparade 2009 (number: 2), SWR1 Hitparade 2010 (number: 2), SWR1 Hitparade 2011 (number: 2), SWR1 Hitparade 2012 (number: 2), SWR1 Hitparade 2014 (number: 2), SWR1 Hitparade 2015 (number: 2), SWR1 Hitparade 2016 (number: 2), SWR1 Hitparade 2017 (number: 2), Helsingin Sanomat: 100 maailman parasta laulua (number: 3), SWR1 Hitparade 2003 (number: 3), SWR1 Hitparade 2004 der Frauen (number: 3), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 17), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Spotify: Top Hits of 2019 (number: 65) and Rolling Stone: 500 Greatest Songs of All Time (number: 163)
- recording of:
- Bohemian Rhapsody (from 1975-08-24 until 1975-09-14)
- lyricist and composer:
- Freddie Mercury
- publisher:
- B. Feldman & Co. Ltd. , EMI Music , EMI Music Publishing Australia Pty Ltd , EMI Music Publishing Ltd. , Queen Music Ltd., イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (from 2021-07-01 to present)
- included in:
- We Will Rock You
- included in:
- We Will Rock You
| Queen | 4.45 | 5:58 |
| 2 | I Heard It Through the Grapevine- producer:
- Norman Whitfield
- bass [1962 Fender Precision Bass]:
- James Jamerson (from 1967-02-03 until 1967-04-10)
- congas and tambourine:
- Jack Ashford (from 1967-02-03 until 1967-04-10)
- drums (drum set):
- Uriel Jones (from 1967-02-03 until 1967-04-10)
- French horn:
- Don Ozga (from 1967-02-03 until 1967-04-10) and Edwin Jones (from 1967-02-03 until 1967-04-10)
- guitar [1964 Gibson Firebird III]:
- Eddie Willis (from 1967-02-03 until 1967-04-10)
- guitar [Fender Telecaster with Jazzmaster Neck]:
- Joe Messina (from 1967-02-03 until 1967-04-10)
- Hammond organ [B-3]:
- Earl Van Dyke (from 1967-02-03 until 1967-04-10)
- instruments:
- The Funk Brothers (from 1967-02-03 until 1967-04-10)
- tom-tom:
- Richard "Pistol" Allen (from 1967-02-03 until 1967-04-10)
- Wurlitzer electric piano:
- Johnny Griffith (from 1967-02-03 until 1967-04-10)
- background vocals:
- The Andantes (from 1967-02-03 until 1967-04-10), Marlene Barrow (from 1967-02-03 until 1967-04-10), Louvain Demps (from 1967-02-03 until 1967-04-10) and Jackie Hicks (from 1967-02-03 until 1967-04-10)
- lead vocals:
- Marvin Gaye (from 1967-02-03 until 1967-04-10)
- orchestra:
- Detroit Symphony Orchestra (from 1967-02-03 until 1967-04-10)
- strings arranger:
- Paul Riser (from 1967-02-03 until 1967-04-10)
- orchestrator:
- Paul Riser (from 1967-02-03 until 1967-04-10)
- phonographic copyright (℗) by:
- Motown Record Company (in 1968)
- recorded at and mixed at:
- Hitsville in Detroit, Michigan, United States (from 1967-02-03 until 1967-04-10)
- part of:
- Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (number: 80), Billboard: Greatest of All Time Hot 100 Songs (number: 93), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 119) and Billboard: The 500 Best Pop Songs (number: 307)
- cover recording of:
- I Heard It Through the Grapevine (from 1967-02-03 until 1967-04-10)
- writer:
- Barrett Strong and Norman Whitfield
- publisher:
- EMI Music Publishing Ltd. , EMI Songs Australia, EMI Songs Scandinavia AB, Jobete Music , Jobete Music (UK) Ltd., Jobette-Carlin Music Ltd., Stone Agate Music, Stone Agate Music Division and ソニー・ミュージックパブリッシング フジパシフィック事業部
| Marvin Gaye | 4.05 | 3:12 |
| 3 | Maggie May- producer:
- Rod Stewart
- 12 string guitar, bass guitar and electric guitar:
- Ronnie Wood (in 1971)
- acoustic guitar:
- Martin Quittenton (in 1971)
- celesta:
- Pete Sears (in 1971)
- cymbal and membranophone:
- Micky Waller (in 1971)
- Hammond organ:
- Ian McLagan (in 1971)
- mandolin:
- Ray Jackson (in 1971) and David Lindley (in 1971)
- lead vocals:
- Rod Stewart (in 1971)
- phonographic copyright (℗) by:
- Mercury Records Inc. (in 1971), PolyGram Records, Inc. (in 1971), The Island Def Jam Music Group (in 1971) and UMG Recordings, Inc. (in 1971)
- recording of:
- Maggie May (in 1971)
- publisher:
- Rod Stewart
- writer:
- Mike Peters, Martin Quittenton and Rod Stewart
- publisher:
- Chappell Music Ltd., Copyright Control , EMI April Music Inc., EMI Blackwood Music Inc., EMI Full Keel Music, EMI Music Publishing , EMI Music Publishing Ltd. , H. G. Music Inc, Mushroom Music , Rightsong Music Inc., Unichappell Music, Inc., Warner Chappell and Warner Chappell Music
| Rod Stewart | 4.2 | 5:14 |
| 4 | Don’t Go Breaking My Heart | Elton John and Kiki Dee | 3.6 | 4:21 |
| 5 | Night Fever- producer:
- Bee Gees, Albhy Galuten and Karl Richardson
- bass:
- Maurice Gibb (in 1977)
- drums (drum set):
- Dennis Bryon (in 1977)
- electric guitar:
- Alan Kendall (in 1977)
- guitar [rhythm guitar] and lead vocals:
- Barry Gibb (in 1977)
- keyboard, piano and synthesizer:
- Blue Weaver (in 1977)
- percussion:
- Dennis Bryon (in 1977) and Joe Lala (in 1977)
- background vocals and other vocals [harmony vocals]:
- Barry Gibb (in 1977), Maurice Gibb (in 1977) and Robin Gibb (in 1977)
- phonographic copyright (℗) by:
- Barry Gibb (in 1977), Maurice Gibb (in 1977) and Robin Gibb (in 1977)
- phonographic copyright (℗) by:
- PolyGram International Ltd. (in 1977), PolyGram International Music B.V. (in 1977), PolyGram Records, Inc. (in 1977) and RSO Records, Inc. (in 1977)
- part of:
- Billboard Year-End Hot 100 singles of 1978 (number: 2) and Billboard: Greatest of All Time Hot 100 Songs (number: 47)
- recording of:
- Night Fever (in 1977)
- writer:
- Barry Gibb, Maurice Gibb and Robin Gibb
- publisher:
- BMG Music, BMG Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Chappell & Co Ltd., Crompton Songs, Gibb Brothers Music and R.S.O. Publishing Ltd.
| Bee Gees | 4.1 | 3:29 |
| 6 | You’re the First, the Last, My Everything- engineer:
- Frank Kejmar
- producer:
- Barry White
- arranger:
- Gene Page and Barry White
- phonographic copyright (℗) by:
- PolyGram Records, Inc. (in 1974)
- recording of:
- You’re the First, the Last, My Everything
- writer:
- Peter Sterling Radcliffe, Tony Sepe and Barry White
- publisher:
- Chappell & Co., Inc. , January Music Corp., Little A Music, My Baby’s Music Company, Sa‐Vette Music, Sa‐Vette Music Inc., Unichappell Music, Inc. and World Song Publishing Inc.
| Barry White | 3.75 | 3:21 |
| 7 | The Tears of a Clown | Smokey Robinson & The Miracles | 3.9 | 2:58 |
| 8 | Reach Out I’ll Be There- producer:
- Lamont Dozier and Brian Holland
- instruments:
- The Funk Brothers (in 1966)
- background vocals:
- The Andantes (in 1966), Marlene Barrow (in 1966), Renaldo Benson (in 1966), Louvain Demps (in 1966), Abdul “Duke” Fakir (in 1966), Jackie Hicks (in 1966) and Lawrence Payton (in 1966)
- lead vocals:
- Levi Stubbs (in 1966)
- phonographic copyright (℗) by:
- Motown Record Company (in 1966)
- recorded at:
- Hitsville in Detroit, Michigan, United States (in 1966)
- part of:
- Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 78) and Rolling Stone: 500 Greatest Songs of All Time (number: 206)
- recording of:
- Reach Out, I’ll Be There (in 1966)
- lyricist:
- Eddie Holland
- composer:
- Lamont Dozier and Brian Holland
- publisher:
- EMI Songs, EMI Songs Australia Pty. Ltd., Jobete Music (UK) Ltd., Jobete Music Co., Inc., Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
| The Four Tops | 4 | 2:56 |
| 9 | Good Vibrations- recording engineer:
- Bruce Botnick (from 1966-02 until 1966-06), Chuck Britz (from 1966-02 until 1966-06) and Larry Levine (from 1966-02 until 1966-06)
- engineer:
- Chuck Britz and Jim Lockert
- producer:
- The Beach Boys and Brian Wilson
- mixer:
- Derry FitzGerald
- lead vocals:
- Mike Love (from 1966-02 until 1966-06) and Carl Wilson (from 1966-02 until 1966-06)
- vocals:
- Mike Love (from 1966-02 until 1966-06)
- phonographic copyright (℗) by:
- Capitol Records, Inc. (in 1966)
- recorded at:
- Gold Star Studios in Hollywood, Los Angeles, California, United States (from 1966-02 until 1966-06), Sunset Sound in Hollywood, Los Angeles, California, United States (from 1966-02 until 1966-06) and Western Recorders in Los Angeles, California, United States (from 1966-02 until 1966-06)
- part of:
- Rolling Stone: 500 Greatest Songs of All Time (number: 6), Billboard: The 500 Best Pop Songs (number: 25), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 53)
- recording of:
- Good Vibrations (from 1966-02 until 1966-06)
- lyricist:
- Mike Love and Brian Wilson
- composer:
- Brian Wilson
- publisher:
- Irving Music, Inc., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Rondor Music (London) Ltd., Rondor Music Publishing, Sea of Tunes Publishing Co. and Universal Music Publishing
- version of:
- Good Vibrations
| The Beach Boys | 4.2 | 3:34 |
| 10 | It Doesn’t Matter Anymore- producer:
- Dick Jacobs and Norman Petty
- bass guitar:
- Sanford Bloch (on 1958-10-21)
- cello:
- Maurice Bialkin (on 1958-10-21) and Maurice Brown (on 1958-10-21)
- drums (drum set):
- Cliff Leeman (on 1958-10-21)
- guitar:
- Al Caiola (on 1958-10-21)
- harp:
- Doris Johnson (on 1958-10-21)
- piano:
- Ernest Hayes (on 1958-10-21)
- tenor saxophone:
- Abraham “Boomie” Richman (on 1958-10-21)
- viola:
- Howard Kay (on 1958-10-21) and David Schwartz (on 1958-10-21)
- violin:
- Herbert Bourne (on 1958-10-21), Ray Free (on 1958-10-21), Julius Held (on 1958-10-21), Leo Kruczek (on 1958-10-21), Leonard Posner (on 1958-10-21), Sylvia Shulman (on 1958-10-21), Irving Spice (on 1958-10-21) and Paul Winter (on 1958-10-21)
- vocals:
- Buddy Holly (on 1958-10-21)
- orchestra:
- Dick Jacobs & His Orchestra (on 1958-10-21)
- conductor:
- Dick Jacobs (on 1958-10-21)
- phonographic copyright (℗) by:
- Geffen Records (in 1959) and MCA Records, Inc. (in 1959)
- recorded at:
- Pythian Temple in Lincoln Square, New York, New York, United States (on 1958-10-21)
- recording of:
- It Doesn’t Matter Anymore (on 1958-10-21)
- lyricist and composer:
- Paul Anka
- publisher:
- Copyright Control , EMI Music Publishing Ltd. and Robert Mellin Ltd.
| Buddy Holly | 2.75 | 2:04 |
| 11 | Baby Love | The Supremes | 4.45 | 2:33 |
| 12 | Take a Chance on Me- engineer:
- Michael B. Tretow
- producer:
- Benny Andersson and Björn Ulvaeus
- acoustic guitar:
- Björn Ulvaeus (on 1977-08-15)
- bass guitar:
- Rutger Gunnarsson (on 1977-08-15, on 1977-08-17, on 1977-10-24)
- drums (drum set) and tambourine:
- Roger Palm (on 1977-08-17)
- drums (drum set) and tambourine:
- Roger Palm (on 1977-08-15)
- electric guitar [lead guitar]:
- Lasse Wellander (on 1977-08-15)
- keyboard:
- Benny Andersson (on 1977-08-15)
- arranger:
- Benny Andersson and Björn Ulvaeus
- phonographic copyright (℗) by:
- Polar Music International AB (in 1977, in 1986) and Polydor Records (in 1978)
- recorded at:
- Marcus Music Ab in Stockholm, Stockholms län , Sweden (on 1977-08-15, on 1977-08-17) and Metronome Studio in Stockholm, Stockholms län , Sweden (on 1977-10-24)
- mixed at:
- [unknown] (on 1977-11-01)
- part of:
- Billboard Year-End Hot 100 singles of 1978 (number: 32)
- recording of:
- Take a Chance on Me (in 1977)
- writer:
- Benny Andersson and Björn Ulvaeus
- publisher:
- Bocu Music Ltd., Copyright Control , EMI Music Publishing , Union Songs Music, Universal Music Publishing Group and Universal/Union Songs Musikförlag AB
- part of:
- Mamma Mia!
| ABBA | 4.15 | 4:01 |
| 13 | I Will Survive- associate producer:
- Freddie Perren
- producer:
- Dino Fekaris
- phonographic copyright (℗) by:
- PolyGram Records, Inc. (in 1978), Universal Records (in 1978) and Polydor Incorporated (in 1979)
- edit of:
- I Will Survive by Gloria Gaynor
- part of:
- Billboard: The 500 Best Pop Songs (number: 35), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 251) and Rolling Stone: 500 Greatest Songs of All Time (number: 489)
- recording of:
- I Will Survive
- writer:
- Dino Fekaris and Freddie Perren
- publisher:
- ATV Music, Perren‐Vibes Music, Inc., PolyGram International Publishing, Inc. , Universal Music Publishing , Universal Music Publishing Ltd. , Universal Music Publishing Pty Ltd. and Universal PolyGram International Publishing, Inc.
| Gloria Gaynor | 3.95 | 3:17 |
| 14 | The Young Ones | Cliff Richard and The Shadows | 2.65 | 3:12 |
| 15 | Rock Around the Clock | Bill Haley & His Comets | 4 | 2:12 |
| 16 | Unchained Melody- engineer:
- Larry Levine
- producer:
- Phil Spector
- solo lead vocals:
- Bobby Hatfield (in 1965-03)
- arranger:
- Jack Nitzsche
- phonographic copyright (℗) by:
- Spectrum Music , PolyGram Records, Inc. (in 1965, in 1968) and Universal Records (in 1966)
- recorded at:
- Radio Recorders Studios in West Hollywood, California, United States (in 1965-03)
- part of:
- The Co-Op: Top 10 British Funeral Songs (number: 8), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 269) and Rolling Stone: 500 Greatest Songs of All Time (number: 366)
- cover recording of:
- Unchained Melody (in 1965-03)
- publisher:
- Hy Zaret
- lyricist:
- Hy Zaret
- composer:
- Alex North
- publisher:
- Frank Music Corp. (ended), HZUM Publishing, MPL Communication Ltd. , MPL Communications Australia, MPL Musik Verlags GmbH, North Melody Publishing and Unchained Melody Publishing, LLC
- sub-publisher:
- 日音 Synch事業部
- part of:
- The 28th Academy Award for Best Original Song (number: 2)
| The Righteous Brothers | 3 | 3:36 |
| 17 | With a Little Help From My Friends | Joe Cocker | 3.8 | 5:10 |
| 18 | The House of the Rising Sun | The Animals | 4.25 | 4:30 |
| 19 | Space Oddity- producer:
- Gus Dudgeon
- 12 string guitar and handclaps, Dubreq Stylophone, background vocals and lead vocals:
- David Bowie (in 1969-06)
- bass:
- Herbie Flowers (in 1969-06)
- cello:
- Paul Buckmaster (in 1969-06)
- drums (drum set):
- Terry Cox (in 1969-06)
- electric guitar:
- Mick Wayne (in 1969-06)
- mellotron:
- Rick Wakeman (in 1969-06)
- arranger:
- David Bowie and Paul Buckmaster
- phonographic copyright (℗) by:
- Jones/Tintoretto Entertainment Company LLC (in 1969, in 2009), Jones/Tintoretto Entertainment Co. LLC. (in 1976) and Valerian S.A.S. (in 2017)
- recorded at:
- Trident Studios in Soho, Westminster, London , England, United Kingdom (in 1969-06)
- music videos:
- Space Oddity by David Bowie and Space Oddity by David Bowie
- a cappella versions:
- Space Oddity / Major Tom (Coming Home) by Tufts Beelzebubs
- part of:
- Helsingin Sanomat: 100 maailman parasta laulua (number: 42), Indie 88: Top 500 Indie Rock Songs (number: 53) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 189)
- recording of:
- Space Oddity (in 1969-06)
- lyricist and composer:
- David Bowie
- publisher:
- Onward Music Ltd., TRO Essex Music International, Inc., Tro-Cromwell Music, Inc. and Westminster Music Ltd.
| David Bowie | 4.35 | 5:14 |
| 20 | Something in the Air | Thunderclap Newman | 4 | 3:55 |
| 21 | A Whiter Shade of Pale | Procol Harum | 4.1 | 4:02 |
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