Dear Old Southland

~ Release by Louis Armstrong (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleRatingLength
1Blue, Turning Grey Over You
recorded in:
New York, New York, United States (on 1930-02-01)
clarinet:
Teddy Hill (on 1930-02-01), Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1930-02-01) and William Thornton Blue (American jazz reed player) (on 1930-02-01)
double bass:
George "Pops" Foster (on 1930-02-01)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1930-02-01)
guitar:
Will Johnson (jazz musician) (on 1930-02-01)
piano:
Luis Russell (on 1930-02-01)
trombone:
J.C. Higginbotham (on 1930-02-01)
trumpet:
Henry “Red” Allen (jazz musician) (on 1930-02-01), Louis Armstrong (on 1930-02-01) and Otis Johnson (trumpet) (on 1930-02-01)
vocals:
Louis Armstrong (on 1930-02-01)
recording of:
Blue, Turning Grey Over You (on 1930-02-01)
lyricist:
Andy Razaf
composer:
Thomas Waller (Fats Waller)
3:26
2Dear Old Southland
recording of:
Dear Old Southland (jazz standard)
lyricist:
Henry Creamer (Lyricist) (in 1921)
composer:
Turner Layton (in 1921)
publisher:
Mills Music
3:17
3My Sweet
recorded in:
New York, New York, United States (on 1930-04-05)
alto saxophone:
Bobby Holmes (jazz sax) (on 1930-04-05) and Ted McCord (on 1930-04-05)
drums (drum set):
Willie Lynch (US jazz drummer) (on 1930-04-05)
guitar:
Bernard Addison (on 1930-04-05)
piano:
Joe Turner (Jazz pianist, 1907–1990) (on 1930-04-05) and Buck Washington (on 1930-04-05)
tenor saxophone:
Castor McCord (saxophonist) (on 1930-04-05)
trombone:
Henry Hicks (jazz trombonist) (on 1930-04-05)
trumpet:
Ed Anderson (early jazz trumpeter) (on 1930-04-05) and Louis Armstrong (on 1930-04-05)
tuba:
Lavert Hutchinson (US jazz tuba player) (on 1930-04-05)
vibraphone:
Unknown, probably Joe Turner ([unknown], Special Purpose Artist – Do not add releases here, if possible.) (on 1930-04-05)
vocals:
Louis Armstrong (on 1930-04-05)
recording of:
My Sweet (on 1930-04-05)
lyricist:
Stuart Gorrell
composer:
Hoagy Carmichael
3:21
4I Can't Believe That You're In Love With Me
cover recording of:
I Can’t Believe That You’re in Love With Me
lyricist:
Clarence Gaskill
composer:
Jimmy McHugh (songwriter)
publisher:
Mills Music, Inc.
3:08
5Indian Cradle Song
recorded in:
New York, New York, United States (on 1930-05-04)
alto saxophone:
Bobby Holmes (jazz sax) (on 1930-05-04) and Ted McCord (on 1930-05-04)
drums (drum set):
Willie Lynch (US jazz drummer) (on 1930-05-04)
guitar:
Bernard Addison (on 1930-05-04)
piano:
Joe Turner (Jazz pianist, 1907–1990) (on 1930-05-04)
tenor saxophone:
Castor McCord (saxophonist) (on 1930-05-04)
trombone:
Henry Hicks (jazz trombonist) (on 1930-05-04)
trumpet:
Ed Anderson (early jazz trumpeter) (on 1930-05-04) and Louis Armstrong (on 1930-05-04)
tuba:
Lavert Hutchinson (US jazz tuba player) (on 1930-05-04)
vocals:
Louis Armstrong (on 1930-05-04)
2:58
6Exactly Like You
recorded in:
New York, New York, United States (on 1930-05-04)
alto saxophone:
Bobby Holmes (jazz sax) (on 1930-05-04) and Ted McCord (on 1930-05-04)
drums (drum set):
Willie Lynch (US jazz drummer) (on 1930-05-04)
guitar:
Bernard Addison (on 1930-05-04)
piano:
Joe Turner (Jazz pianist, 1907–1990) (on 1930-05-04)
tenor saxophone:
Castor McCord (saxophonist) (on 1930-05-04)
trombone:
Henry Hicks (jazz trombonist) (on 1930-05-04)
trumpet:
Ed Anderson (early jazz trumpeter) (on 1930-05-04) and Louis Armstrong (on 1930-05-04)
tuba:
Lavert Hutchinson (US jazz tuba player) (on 1930-05-04)
vibraphone:
Unknown, probably Joe Turner ([unknown], Special Purpose Artist – Do not add releases here, if possible.) (on 1930-05-04)
vocals:
Louis Armstrong (on 1930-05-04)
recording of:
Exactly Like You (on 1930-05-04)
lyricist:
Dorothy Fields (American librettist and lyricist) (in 1930)
writer:
Fritz Löhner-Beda (librettist, lyricist, writer)
composer:
Jimmy McHugh (songwriter) (in 1930)
3:26
7Dinah
recording of:
Dinah
lyricist:
Sam M. Lewis (1930s lyricist) and Joe Young (US lyricist)
composer:
Harry Akst
publisher:
B & G Akst Publishing Co., EMI Mills Music Inc. (ASCAP-affiliated) and Morley Music Corp.
part of:
The Girl’s Suite
3:20
8Tiger Rag
recorded in:
New York, New York, United States (on 1930-05-04)
alto saxophone:
Bobby Holmes (jazz sax) (on 1930-05-04) and Ted McCord (on 1930-05-04)
drums (drum set):
Willie Lynch (US jazz drummer) (on 1930-05-04)
guitar:
Bernard Addison (on 1930-05-04)
piano:
Joe Turner (Jazz pianist, 1907–1990) (on 1930-05-04)
tenor saxophone:
Castor McCord (saxophonist) (on 1930-05-04)
trombone:
Henry Hicks (jazz trombonist) (on 1930-05-04)
trumpet:
Ed Anderson (early jazz trumpeter) (on 1930-05-04) and Louis Armstrong (on 1930-05-04)
tuba:
Lavert Hutchinson (US jazz tuba player) (on 1930-05-04)
recording of:
Tiger Rag (original 1917 instrumental version) (on 1930-05-04)
composer:
Eddie Edwards (Jazz trombonist), Nick LaRocca, Henry Ragas, Tony Sbarbaro and Larry Shields
3:13
9I'm A Ding Dong Daddy (From Dumas)
recording of:
I'm a Ding Dong Daddy (on 1930-07-21)
writer:
Phil Baxter (US songwriter, singer and band leader)
3:10
10I'm In The Market For You
3:16
11Confessin'
recorded in:
Los Angeles, California, United States (on 1930-08-19)
alto saxophone:
Leon Herriford (on 1930-08-19) and Willie Stark (on 1930-08-19)
drums (drum set):
Lionel Hampton (on 1930-08-19)
piano:
Harvey Brooks (US jazz pianist and composer) (on 1930-08-19)
steel guitar:
Ceele Burke (on 1930-08-19)
tenor saxophone:
William Franz (on 1930-08-19)
trombone:
Lawrence Brown (jazz trombonist) (on 1930-08-19)
trumpet:
Louis Armstrong (on 1930-08-19) and Leon Elkins (on 1930-08-19)
tuba:
Reggie Jones (on 1930-08-19)
recording of:
I’m Confessin’ (That I Love You) (on 1930-08-19)
lyricist:
Al J. Neiburg (lyricist) (in 1930)
composer:
Doc Daugherty (in 1930) and Ellis Reynolds (in 1930)
publisher:
Bourne Music Ltd.
version of:
Lookin’ for Another Sweetie
3:24
12If I Could Be With You One Hour Tonight
recording of:
If I Could Be With You (One Hour Tonight)
lyricist:
Henry Creamer (Lyricist) (in 1926)
composer:
James P. Johnson (in 1926)
3:38
13Body And Soul
recording of:
Body and Soul
lyricist:
Frank Eyton (in 1930), Edward Heyman (in 1930) and Robert Sour (in 1930)
composer:
Edward Heyman, Robert Sour and John Green (composer and conductor, often credited as John Green) (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
3:18
14Memories Of You
recorded in:
Los Angeles, California, United States (on 1930-10-16)
alto saxophone:
Les Hite (on 1930-10-16) and Marvin Johnson (US jazz saxophonist and bandleader) (on 1930-10-16)
clarinet and tenor saxophone:
Charlie Jones (jazz clarinet/sax) (on 1930-10-16)
double bass:
Joe Bailey (US double bassist and songwriter) (on 1930-10-16)
drums (drum set) and vibraphone:
Lionel Hampton (on 1930-10-16)
guitar:
Bill Perkins (jazz guitar and banjo) (on 1930-10-16)
piano:
Harvey Brooks (US jazz pianist and composer) (on 1930-10-16) and Henry Prince (on 1930-10-16)
trombone:
Luther Craven (on 1930-10-16)
trumpet:
Louis Armstrong (on 1930-10-16), George Orendorff (on 1930-10-16) and Harold Scott (on 1930-10-16)
vocals:
Louis Armstrong (on 1930-10-16)
conductor:
Les Hite (on 1930-10-16)
recording of:
Memories of You (on 1930-10-16)
lyricist:
Andy Razaf (in 1930)
composer:
Eubie Blake (in 1930)
publisher:
Shapiro, Bernstein & Co., Inc.
3:13
15You're Lucky To Me
recorded in:
Los Angeles, California, United States (on 1930-10-16)
alto saxophone:
Marvin Johnson (US jazz saxophonist and bandleader) (on 1930-10-16)
baritone saxophone:
Les Hite (on 1930-10-16)
clarinet and tenor saxophone:
Charlie Jones (jazz clarinet/sax) (on 1930-10-16)
double bass:
Joe Bailey (US double bassist and songwriter) (on 1930-10-16)
drums (drum set):
Lionel Hampton (on 1930-10-16)
guitar:
Bill Perkins (jazz guitar and banjo) (on 1930-10-16)
piano:
Harvey Brooks (US jazz pianist and composer) (on 1930-10-16) and Henry Prince (on 1930-10-16)
trombone:
Luther Craven (on 1930-10-16)
trumpet:
Louis Armstrong (on 1930-10-16), George Orendorff (on 1930-10-16) and Harold Scott (on 1930-10-16)
vocals:
Louis Armstrong (on 1930-10-16)
conductor:
Les Hite (on 1930-10-16)
recording of:
You’re Lucky to Me (on 1930-10-16)
lyricist:
Andy Razaf
composer:
Eubie Blake
3:26
16Sweethearts On Parade
recorded in:
Los Angeles, California, United States (on 1930-12-23)
alto saxophone:
Les Hite (on 1930-12-23) and Marvin Johnson (US jazz saxophonist and bandleader) (on 1930-12-23)
clarinet and tenor saxophone:
Charlie Jones (jazz clarinet/sax) (on 1930-12-23)
double bass:
Joe Bailey (US double bassist and songwriter) (on 1930-12-23)
drums (drum set):
Lionel Hampton (on 1930-12-23)
guitar:
Bill Perkins (jazz guitar and banjo) (on 1930-12-23)
piano:
Henry Prince (on 1930-12-23)
trombone:
Luther Craven (on 1930-12-23)
trumpet:
Louis Armstrong (on 1930-12-23), McClure Morris (on 1930-12-23) and Harold Scott (on 1930-12-23)
vocals:
Louis Armstrong (on 1930-12-23)
conductor:
Les Hite (on 1930-12-23)
recording of:
Sweethearts on Parade (on 1930-12-23)
lyricist:
Charles Newman (Charles Chas Newman, early 20th century songwriter) (in 1928)
composer:
Carmen Lombardo (in 1928)
3:17
17You're Drivin' Me Crazy!
recorded in:
Los Angeles, California, United States (on 1930-12-23)
alto saxophone:
Les Hite (on 1930-12-23) and Marvin Johnson (US jazz saxophonist and bandleader) (on 1930-12-23)
banjo:
Bill Perkins (jazz guitar and banjo) (on 1930-12-23)
clarinet and tenor saxophone:
Charlie Jones (jazz clarinet/sax) (on 1930-12-23)
double bass:
Joe Bailey (US double bassist and songwriter) (on 1930-12-23)
drums (drum set) and spoken vocals:
Lionel Hampton (on 1930-12-23)
piano:
Henry Prince (on 1930-12-23)
trombone:
Luther Craven (on 1930-12-23)
trumpet:
Louis Armstrong (on 1930-12-23), McClure Morris (on 1930-12-23) and Harold Scott (on 1930-12-23)
vocals:
Louis Armstrong (on 1930-12-23)
conductor:
Les Hite (on 1930-12-23)
recording of:
You’re Driving Me Crazy (on 1930-12-23)
lyricist:
Walter Donaldson
composer:
Walter Donaldson (in 1930)
publisher:
Anne-Rachel Music Corp., Donaldson Publishing Co., Larry Spier Music LLC and Tobago Music Co.
3:08
18The Peanut Vendor
recorded in:
Los Angeles, California, United States (on 1930-12-23)
alto saxophone:
Les Hite (on 1930-12-23) and Marvin Johnson (US jazz saxophonist and bandleader) (on 1930-12-23)
clarinet and tenor saxophone:
Charlie Jones (jazz clarinet/sax) (on 1930-12-23)
double bass:
Joe Bailey (US double bassist and songwriter) (on 1930-12-23)
drums (drum set):
Lionel Hampton (on 1930-12-23)
guitar:
Bill Perkins (jazz guitar and banjo) (on 1930-12-23)
percussion:
Henry Prince (on 1930-12-23)
trombone:
Luther Craven (on 1930-12-23)
trumpet:
Louis Armstrong (on 1930-12-23), McClure Morris (on 1930-12-23) and Harold Scott (on 1930-12-23)
vocals:
Louis Armstrong (on 1930-12-23)
conductor:
Les Hite (on 1930-12-23)
recording of:
The Peanut Vendor (on 1930-12-23)
lyricist:
L. Wolfe Gilbert and Marion Sunshine
composer:
Moisés Simons
translated version of:
El manisero
3:32
19Just A Gigolo
recorded in:
Los Angeles, California, United States (on 1931-03-09)
celesta [celeste] and piano:
Henry Prince (on 1931-03-09)
clarinet:
Les Hite (on 1931-03-09) and Charlie Jones (jazz clarinet/sax) (on 1931-03-09)
double bass and tuba:
Joe Bailey (US double bassist and songwriter) (on 1931-03-09)
drums (drum set) and vibraphone:
Lionel Hampton (on 1931-03-09)
guitar:
Bill Perkins (jazz guitar and banjo) (on 1931-03-09)
tenor saxophone:
Charlie Jones (jazz clarinet/sax) (on 1931-03-09)
trombone:
Luther Craven (on 1931-03-09)
trumpet:
Louis Armstrong (on 1931-03-09), McClure Morris (on 1931-03-09) and Harold Scott (on 1931-03-09)
vocals:
Louis Armstrong (on 1931-03-09)
conductor:
Les Hite (on 1931-03-09)
recording of:
Just a Gigolo (English version) (on 1931-03-09)
lyricist:
Julius Brammer
composer:
Leonello Casucci
translator:
Irving Caesar
translated version of:
Schöner Gigolo
3:21
20Shine
recorded in:
Los Angeles, California, United States (on 1931-03-09)
alto saxophone [alto sax]:
Les Hite (on 1931-03-09) and Marvin Johnson (US jazz saxophonist and bandleader) (on 1931-03-09)
banjo:
Bill Perkins (jazz guitar and banjo) (on 1931-03-09)
clarinet and tenor saxophone [tenor sax]:
Charlie Jones (jazz clarinet/sax) (on 1931-03-09)
double bass [bass] and tuba:
Joe Bailey (US double bassist and songwriter) (on 1931-03-09)
drums (drum set):
Lionel Hampton (on 1931-03-09)
piano:
Henry Prince (on 1931-03-09)
trombone:
Luther Craven (on 1931-03-09)
trumpet:
Louis Armstrong (on 1931-03-09), McLure "Red Mac" Morris (on 1931-03-09) and Harold Scott (on 1931-03-09)
vocals:
Louis Armstrong (on 1931-03-09)
recording of:
Shine (on 1931-03-09)
lyricist:
Lew Brown (in 1910) and Cecil Mack (in 1910)
composer:
Ford Dabney (in 1910)
3:23