Seven Classic Albums Vol.2

~ Release by Coleman Hawkins (see all versions of this release, 1 available)

Tracklist

| |
1▼CD: Coleman Hawkins With the Red Garland Trio (1960) (1:1-5) / Coleman Hawkins All Stars (1960) (1:6-10)
#TitleArtistRatingLength
1It's a Blue World
recording engineer:
Rudy van Gelder (on 1959-08-12)
double bass [bass]:
Doug Watkins (on 1959-08-12)
drums (drum set):
"Specks" Wright (on 1959-08-12)
piano:
Red Garland (on 1959-08-12)
tenor saxophone:
Coleman Hawkins (on 1959-08-12)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1959-08-12)
instrumental recording of:
It’s a Blue World (on 1959-08-12)
writer:
George Forrest (American composer and lyricist) and Robert Wright (US stage & screen composer & lyricist)
publisher:
Bourne Co. (not for release label use, this is a music publisher)
part of:
The 13th Academy Award for Best Original Song (number: 2)
Coleman Hawkins With The Red Garland Trio7:59
2I Want to Be Loved
recording engineer:
Rudy van Gelder (on 1959-08-12)
double bass [bass]:
Doug Watkins (on 1959-08-12)
drums (drum set):
"Specks" Wright (on 1959-08-12)
piano:
Red Garland (on 1959-08-12)
tenor saxophone:
Coleman Hawkins (on 1959-08-12)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1959-08-12)
instrumental recording of:
I Want to Be Loved (on 1959-08-12)
writer:
Savannah Churchill
Coleman Hawkins With The Red Garland Trio5:55
3Red Beans
recording engineer:
Rudy van Gelder (on 1959-08-12)
double bass [bass]:
Doug Watkins (on 1959-08-12)
drums (drum set):
"Specks" Wright (on 1959-08-12)
piano:
Red Garland (on 1959-08-12)
tenor saxophone:
Coleman Hawkins (on 1959-08-12)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1959-08-12)
Coleman Hawkins With The Red Garland Trio4:14
4Bean's Blues
recording engineer:
Rudy van Gelder (on 1959-08-12)
double bass [bass]:
Doug Watkins (on 1959-08-12)
drums (drum set):
"Specks" Wright (on 1959-08-12)
piano:
Red Garland (on 1959-08-12)
tenor saxophone:
Coleman Hawkins (on 1959-08-12)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1959-08-12)
Coleman Hawkins With The Red Garland Trio11:52
5Blues for Ron
recording engineer:
Rudy van Gelder (on 1959-08-12)
double bass [bass]:
Doug Watkins (on 1959-08-12)
drums (drum set):
"Specks" Wright (on 1959-08-12)
piano:
Red Garland (on 1959-08-12)
tenor saxophone:
Coleman Hawkins (on 1959-08-12)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1959-08-12)
Coleman Hawkins With The Red Garland Trio6:14
6You Blew Out the Flame in My Heart
double bass:
Wendell Marshall (on 1960-01-08)
drums (drum set):
Osie Johnson (on 1960-01-08)
piano:
Tommy Flanagan (on 1960-01-08)
tenor saxophone:
Coleman Hawkins (on 1960-01-08)
trombone:
Vic Dickenson (on 1960-01-08)
trumpet:
Joe Thomas (jazz trumpeter) (on 1960-01-08)
instrumental recording of:
You Blew Out the Flame (In My Heart) (on 1960-01-08)
writer:
Ervin Drake (Songwriter), Johnny Hodges and Jimmy Shirl (Songwriter)
Coleman Hawkins All Stars Featuring Joe Thomas & Vic Dickenson5:58
7More Bounce to the Vonce
double bass:
Wendell Marshall (on 1960-01-08)
drums (drum set):
Osie Johnson (on 1960-01-08)
piano:
Tommy Flanagan (on 1960-01-08)
tenor saxophone:
Coleman Hawkins (on 1960-01-08)
trombone:
Vic Dickenson (on 1960-01-08)
trumpet:
Joe Thomas (jazz trumpeter) (on 1960-01-08)
Coleman Hawkins All Stars Featuring Joe Thomas & Vic Dickenson9:01
8I'm Beginning to See the Light
double bass:
Wendell Marshall (on 1960-01-08)
drums (drum set) and additional performer:
Osie Johnson (on 1960-01-08)
piano:
Tommy Flanagan (on 1960-01-08)
tenor saxophone:
Coleman Hawkins (on 1960-01-08)
trombone:
Vic Dickenson (on 1960-01-08)
trumpet:
Joe Thomas (jazz trumpeter) (on 1960-01-08)
instrumental recording of:
I’m Beginning to See the Light (on 1960-01-08)
lyricist:
Don George (US songwriter/composer, 1909–1987) (in 1944)
writer:
Duke Ellington (US composer, pianist & jazz bandleader)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1944), Johnny Hodges (in 1944) and Harry James (US big band leader, trumpeter & actor) (in 1944)
publisher:
Anne-Rachel Music Corp.
Coleman Hawkins All Stars Featuring Joe Thomas & Vic Dickenson6:56
9Cool Blue
double bass:
Wendell Marshall (on 1960-01-08)
drums (drum set):
Osie Johnson (on 1960-01-08)
piano:
Tommy Flanagan (on 1960-01-08)
tenor saxophone:
Coleman Hawkins (on 1960-01-08)
trombone:
Vic Dickenson (on 1960-01-08)
trumpet:
Joe Thomas (jazz trumpeter) (on 1960-01-08)
Coleman Hawkins All Stars Featuring Joe Thomas & Vic Dickenson8:12
10Some Stretching
double bass:
Wendell Marshall (on 1960-01-08)
drums (drum set):
Osie Johnson (on 1960-01-08)
piano:
Tommy Flanagan (on 1960-01-08)
tenor saxophone:
Coleman Hawkins (on 1960-01-08)
trombone:
Vic Dickenson (on 1960-01-08)
trumpet:
Joe Thomas (jazz trumpeter) (on 1960-01-08)
Coleman Hawkins All Stars Featuring Joe Thomas & Vic Dickenson12:17
2▼CD: At Ease With Coleman Hawkins (1960) (2:1-8) / Night Hawk (1961) (2:9-3:2)
#TitleArtistRatingLength
1For You, for Me, Forevermore
recording engineer:
Rudy van Gelder (on 1960-01-29)
producer:
Esmond Edwards
double bass [bass]:
Wendell Marshall (on 1960-01-29)
drums (drum set):
Osie Johnson (on 1960-01-29)
piano:
Tommy Flanagan (on 1960-01-29)
tenor saxophone:
Coleman Hawkins (on 1960-01-29)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1960-01-29)
instrumental recording of:
For You, for Me, for Evermore (on 1960-01-29)
lyricist:
Ira Gershwin (from 1936 until 1937)
composer:
George Gershwin (composer) (from 1936 until 1937)
publisher:
Chappell & Co Ltd. and Gershwin Publishing Corp (in 1946)
part of:
An American in Paris (2015 Broadway musical)
part of:
The Shocking Miss Pilgrim (movie score)
Coleman Hawkins6:08
2While We're Young
recording engineer:
Rudy van Gelder (on 1960-01-29)
producer:
Esmond Edwards
double bass [bass]:
Wendell Marshall (on 1960-01-29)
drums (drum set):
Osie Johnson (on 1960-01-29)
piano:
Tommy Flanagan (on 1960-01-29)
tenor saxophone:
Coleman Hawkins (on 1960-01-29)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1960-01-29)
instrumental recording of:
While We’re Young (on 1960-01-29)
lyricist:
William Engvick
composer:
Morty Palitz and Alec Wilder (American composer)
publisher:
Ludlow Music, Inc., Regent Music (BMI) and ロックンロール ミュージック (Rock ’n’ Roll Music)
Coleman Hawkins3:34
3Then I'll Be Tired of You
recording engineer:
Rudy van Gelder (on 1960-01-29)
producer:
Esmond Edwards
double bass [bass]:
Wendell Marshall (on 1960-01-29)
drums (drum set):
Osie Johnson (on 1960-01-29)
piano:
Tommy Flanagan (on 1960-01-29)
tenor saxophone:
Coleman Hawkins (on 1960-01-29)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1960-01-29)
instrumental recording of:
Then I’ll Be Tired of You (on 1960-01-29)
lyricist:
Yip Harburg
composer:
Arthur Schwartz
Coleman Hawkins5:10
4Mighty Like a Rose
recording engineer:
Rudy van Gelder (on 1960-01-29)
producer:
Esmond Edwards
double bass [bass]:
Wendell Marshall (on 1960-01-29)
drums (drum set):
Osie Johnson (on 1960-01-29)
piano:
Tommy Flanagan (on 1960-01-29)
tenor saxophone:
Coleman Hawkins (on 1960-01-29)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1960-01-29)
recording of:
Mighty Lak’ a Rose (1901 song) (on 1960-01-29)
lyricist:
Frank Lebby Stanton
composer:
Ethelbert Nevin
arrangement of:
Mighty Like a Rose (Cliff Adams arrangement)
Coleman Hawkins4:02
5At Dawning
recording engineer:
Rudy van Gelder (on 1960-01-29)
producer:
Esmond Edwards
double bass [bass]:
Wendell Marshall (on 1960-01-29)
drums (drum set):
Osie Johnson (on 1960-01-29)
piano:
Tommy Flanagan (on 1960-01-29)
tenor saxophone:
Coleman Hawkins (on 1960-01-29)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1960-01-29)
instrumental recording of:
At Dawning (catch-all for arrangements) (on 1960-01-29)
composer:
Charles Wakefield Cadman (American composer)
arrangement of:
At Dawning
Coleman Hawkins4:40
6Trouble Is a Man
recording engineer:
Rudy van Gelder (on 1960-01-29)
producer:
Esmond Edwards
double bass [bass]:
Wendell Marshall (on 1960-01-29)
drums (drum set):
Osie Johnson (on 1960-01-29)
piano:
Tommy Flanagan (on 1960-01-29)
tenor saxophone:
Coleman Hawkins (on 1960-01-29)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1960-01-29)
recording of:
Trouble Is a Man (on 1960-01-29)
lyricist and composer:
Alec Wilder (American composer)
Coleman Hawkins5:26
7Poor Butterfly
recording engineer:
Rudy van Gelder (on 1960-01-29)
producer:
Esmond Edwards
double bass [bass]:
Wendell Marshall (on 1960-01-29)
drums (drum set):
Osie Johnson (on 1960-01-29)
piano:
Tommy Flanagan (on 1960-01-29)
tenor saxophone:
Coleman Hawkins (on 1960-01-29)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1960-01-29)
instrumental recording of:
Poor Butterfly (on 1960-01-29)
lyricist:
John L. Golden (in 1916)
composer:
John Raymond Hubbell (composer, co-founder of ASCAP) (in 1916)
publisher:
Harms, Inc.
Coleman Hawkins6:06
8I'll Get By (As Long as I Have You)
recording engineer:
Rudy van Gelder (on 1960-01-29)
producer:
Esmond Edwards
double bass [bass]:
Wendell Marshall (on 1960-01-29)
drums (drum set):
Osie Johnson (on 1960-01-29)
piano:
Tommy Flanagan (on 1960-01-29)
tenor saxophone:
Coleman Hawkins (on 1960-01-29)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1960-01-29)
recording of:
I’ll Get by (as Long as I Have You) (on 1960-01-29)
lyricist:
Roy Turk
composer:
Fred Ahlert
Coleman Hawkins6:38
9Night Hawk
recording engineer:
Rudy van Gelder (on 1960-12-30)
producer:
Esmond Edwards
double bass [bass]:
Ron Carter (US jazz double-bassist) (on 1960-12-30)
drums (drum set):
Gus Johnson (drums) (on 1960-12-30)
piano:
Tommy Flanagan (on 1960-12-30)
tenor saxophone:
Eddie “Lockjaw” Davis (jazz saxophonist) (on 1960-12-30) and Coleman Hawkins (on 1960-12-30)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1960-12-30)
Coleman Hawkins With Eddie “Lockjaw” Davis10:30
10There Is No Greater Love
recording engineer:
Rudy van Gelder (on 1960-12-30)
producer:
Esmond Edwards
double bass [bass]:
Ron Carter (US jazz double-bassist) (on 1960-12-30)
drums (drum set):
Gus Johnson (drums) (on 1960-12-30)
piano:
Tommy Flanagan (on 1960-12-30)
tenor saxophone:
Eddie “Lockjaw” Davis (jazz saxophonist) (on 1960-12-30) and Coleman Hawkins (on 1960-12-30)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1960-12-30)
instrumental recording of:
There Is No Greater Love (on 1960-12-30)
lyricist:
Marty Symes (lyricist)
composer:
Isham Jones
publisher:
Banta Music, Music Sales Corporation (American copyright holder in both popular and classical music) and World Music, Inc.
Coleman Hawkins With Eddie “Lockjaw” Davis8:17
11In a Mellow Tone
recording engineer:
Rudy van Gelder (on 1960-12-30)
producer:
Esmond Edwards
double bass [bass]:
Ron Carter (US jazz double-bassist) (on 1960-12-30)
drums (drum set):
Gus Johnson (drums) (on 1960-12-30)
piano:
Tommy Flanagan (on 1960-12-30)
tenor saxophone:
Eddie “Lockjaw” Davis (jazz saxophonist) (on 1960-12-30) and Coleman Hawkins (on 1960-12-30)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1960-12-30)
instrumental recording of:
In a Mellow Tone (on 1960-12-30)
lyricist:
Milt Gabler (in 1939)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1939)
publisher:
EMI Robbins and Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
Coleman Hawkins With Eddie “Lockjaw” Davis6:46
3▼CD: Night Hawk (1961) (Cont.) (2:9-3:2) / The Hawk Relaxes (1961) (3:3-9) / Jazz Reunion (1961) (3:10-4:3)
#TitleArtistRatingLength
1Don't Take Your Love From Me
recording engineer:
Rudy van Gelder (on 1960-12-30)
producer:
Esmond Edwards
double bass [bass]:
Ron Carter (US jazz double-bassist) (on 1960-12-30)
drums (drum set):
Gus Johnson (drums) (on 1960-12-30)
piano:
Tommy Flanagan (on 1960-12-30)
tenor saxophone:
Eddie “Lockjaw” Davis (jazz saxophonist) (on 1960-12-30) and Coleman Hawkins (on 1960-12-30)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1960-12-30)
instrumental recording of:
Don’t Take Your Love From Me (on 1960-12-30)
lyricist and composer:
Henry Nemo
publisher:
Indano Music Co.
Coleman Hawkins With Eddie “Lockjaw” Davis8:38
2Pedalin'
recording engineer:
Rudy van Gelder (on 1960-12-30)
producer:
Esmond Edwards
double bass [bass]:
Ron Carter (US jazz double-bassist) (on 1960-12-30)
drums (drum set):
Gus Johnson (drums) (on 1960-12-30)
piano:
Tommy Flanagan (on 1960-12-30)
tenor saxophone:
Eddie “Lockjaw” Davis (jazz saxophonist) (on 1960-12-30) and Coleman Hawkins (on 1960-12-30)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1960-12-30)
Coleman Hawkins With Eddie “Lockjaw” Davis6:36
3I'll Never Be the Same
recording engineer:
Rudy van Gelder (on 1961-02-28)
double bass:
Ron Carter (US jazz double-bassist) (on 1961-02-28)
drums (drum set):
Andrew Cyrille (American jazz drummer) (on 1961-02-28)
guitar:
Kenny Burrell (on 1961-02-28)
piano:
Ronnell Bright (on 1961-02-28)
tenor saxophone:
Coleman Hawkins (on 1961-02-28)
phonographic copyright (℗) by:
Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1961-02-28)
recording of:
I’ll Never Be the Same (on 1961-02-28)
lyricist:
Gus Kahn
composer:
Matty Malneck and Frank Signorelli
publisher:
EMI Robbins Catalog Inc. (ASCAP) and France Mélodie
Coleman Hawkins6:10
4When Day Is Done
recording engineer:
Rudy van Gelder (on 1961-02-28)
double bass:
Ron Carter (US jazz double-bassist) (on 1961-02-28)
drums (drum set):
Andrew Cyrille (American jazz drummer) (on 1961-02-28)
guitar:
Kenny Burrell (on 1961-02-28)
piano:
Ronnell Bright (on 1961-02-28)
tenor saxophone:
Coleman Hawkins (on 1961-02-28)
phonographic copyright (℗) by:
Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1961-02-28)
instrumental recording of:
When Day Is Done (on 1961-02-28)
lyricist:
Buddy DeSylva (in 1926)
composer:
Robert Katscher (in 1926)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946) and Redwood Music Ltd. (Carlin)
is based on:
Madonna, du bist schöner als der Sonnenschein
Coleman Hawkins4:27
5Under a Blanket of Blue
recording engineer:
Rudy van Gelder (on 1961-02-28)
double bass:
Ron Carter (US jazz double-bassist) (on 1961-02-28)
drums (drum set):
Andrew Cyrille (American jazz drummer) (on 1961-02-28)
guitar:
Kenny Burrell (on 1961-02-28)
piano:
Ronnell Bright (on 1961-02-28)
tenor saxophone:
Coleman Hawkins (on 1961-02-28)
phonographic copyright (℗) by:
Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1961-02-28)
instrumental recording of:
Under a Blanket of Blue (on 1961-02-28)
additional lyricist:
Al J. Neiburg (lyricist) (in 1933)
lyricist:
Marty Symes (lyricist) (in 1933)
composer:
Jerry Livingston (songwriter) (in 1933)
Coleman Hawkins4:36
6More Than You Know
recording engineer:
Rudy van Gelder (on 1961-02-28)
double bass:
Ron Carter (US jazz double-bassist) (on 1961-02-28)
drums (drum set):
Andrew Cyrille (American jazz drummer) (on 1961-02-28)
guitar:
Kenny Burrell (on 1961-02-28)
piano:
Ronnell Bright (on 1961-02-28)
tenor saxophone:
Coleman Hawkins (on 1961-02-28)
phonographic copyright (℗) by:
Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1961-02-28)
instrumental recording of:
More Than You Know (on 1961-02-28)
lyricist:
Edward Eliscu and Billy Rose (lyricist and Broadway producer)
composer:
Vincent Youmans
publisher:
Anne-Rachel Music Corp., Intersong Music, LSQ Music Co., Miller Music Corp., The Songwriters Guild, WB Music Corp. (1929–2019) (, until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
part of:
Great Day!
part of:
Hit the Deck (1955 movie)
Coleman Hawkins4:11
7Moonglow
recording engineer:
Rudy van Gelder (on 1961-02-28)
double bass:
Ron Carter (US jazz double-bassist) (on 1961-02-28)
drums (drum set):
Andrew Cyrille (American jazz drummer) (on 1961-02-28)
guitar:
Kenny Burrell (on 1961-02-28)
piano:
Ronnell Bright (on 1961-02-28)
tenor saxophone:
Coleman Hawkins (on 1961-02-28)
phonographic copyright (℗) by:
Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1961-02-28)
instrumental recording of:
Moonglow (on 1961-02-28)
lyricist:
Eddie DeLange
composer:
Will Hudson and Irving Mills
Coleman Hawkins5:59
8Just a Gigolo
recording engineer:
Rudy van Gelder (on 1961-02-28)
double bass:
Ron Carter (US jazz double-bassist) (on 1961-02-28)
drums (drum set):
Andrew Cyrille (American jazz drummer) (on 1961-02-28)
guitar:
Kenny Burrell (on 1961-02-28)
piano:
Ronnell Bright (on 1961-02-28)
tenor saxophone:
Coleman Hawkins (on 1961-02-28)
phonographic copyright (℗) by:
Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1961-02-28)
instrumental recording of:
Just a Gigolo (English version) (on 1961-02-28)
lyricist:
Julius Brammer
composer:
Leonello Casucci
translator:
Irving Caesar
translated version of:
Schöner Gigolo
Coleman Hawkins5:06
9Speak Low
recording engineer:
Rudy van Gelder (on 1961-02-28)
double bass:
Ron Carter (US jazz double-bassist) (on 1961-02-28)
drums (drum set):
Andrew Cyrille (American jazz drummer) (on 1961-02-28)
guitar:
Kenny Burrell (on 1961-02-28)
piano:
Ronnell Bright (on 1961-02-28)
tenor saxophone:
Coleman Hawkins (on 1961-02-28)
phonographic copyright (℗) by:
Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1961-02-28)
instrumental recording of:
Speak Low (One Touch of Venus) (on 1961-02-28)
lyricist:
Ogden Nash
composer:
Kurt Weill (composer)
publisher:
Chappell & Co.
part of:
One Touch of Venus (1943 musical)
Coleman Hawkins6:40
10If I Could Be With You (One Hour Tonight)
instrumental recording of:
If I Could Be With You (One Hour Tonight)
lyricist:
Henry Creamer (Lyricist) (in 1926)
composer:
James P. Johnson (in 1926)
Pee Wee Russell and Coleman Hawkins6:28
11Tin Tin Deo
engineer:
Bob d’Orleans
producer:
Nat Hentoff
bass:
Milt Hinton (from 1961-02-23 until 1961-03-08)
clarinet:
Pee Wee Russell (from 1961-02-23 until 1961-03-08)
drums (drum set):
Jo Jones (US jazz drummer) (from 1961-02-23 until 1961-03-08)
tenor saxophone:
Coleman Hawkins (from 1961-02-23 until 1961-03-08)
trumpet:
Emmett Berry (from 1961-02-23 until 1961-03-08)
recorded at:
Nola Studios (Nola's Penthouse, NYC) in New York, New York, United States (from 1961-02-23 until 1961-03-08)
recording of:
Tin Tin Deo (from 1961-03 until 1961)
composer:
Walter “Gil” Fuller (jazz composer & arranger) and Chano Pozo
publisher:
Consolidated Music (a division of Music Sales Corp.), EMI Robbins Catalog Inc. (ASCAP) and Music Sales Corp. (American copyright holder in both popular and classical music)
Pee Wee Russell and Coleman Hawkins8:56
12Mariooch
engineer:
Bob d’Orleans
producer:
Nat Hentoff
bass:
Milt Hinton (from 1961-02-23 until 1961-03-08)
clarinet:
Pee Wee Russell (from 1961-02-23 until 1961-03-08)
drums (drum set):
Jo Jones (US jazz drummer) (from 1961-02-23 until 1961-03-08)
tenor saxophone:
Coleman Hawkins (from 1961-02-23 until 1961-03-08)
trumpet:
Emmett Berry (from 1961-02-23 until 1961-03-08)
recorded at:
Nola Studios (Nola's Penthouse, NYC) in New York, New York, United States (from 1961-02-23 until 1961-03-08)
Pee Wee Russell and Coleman Hawkins7:17
4▼CD: Jazz Reunion (1961) (Cont.) (3:10-4:3) / Bluesy Burrell (1963) (4:4-10)
#TitleArtistRatingLength
1All Too Soon
engineer:
Bob d’Orleans
producer:
Nat Hentoff
bass:
Milt Hinton (from 1961-02-23 until 1961-03-08)
clarinet:
Pee Wee Russell (from 1961-02-23 until 1961-03-08)
drums (drum set):
Jo Jones (US jazz drummer) (from 1961-02-23 until 1961-03-08)
tenor saxophone:
Coleman Hawkins (from 1961-02-23 until 1961-03-08)
trumpet:
Emmett Berry (from 1961-02-23 until 1961-03-08)
recorded at:
Nola Studios (Nola's Penthouse, NYC) in New York, New York, United States (from 1961-02-23 until 1961-03-08)
instrumental recording of:
All Too Soon (in 1961)
lyricist:
Carl Sigman (in 1940)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1940)
Pee Wee Russell and Coleman Hawkins7:32
228th and 8th
engineer:
Bob d’Orleans
producer:
Nat Hentoff
bass:
Milt Hinton (from 1961-02-23 until 1961-03-08)
clarinet:
Pee Wee Russell (from 1961-02-23 until 1961-03-08)
drums (drum set):
Jo Jones (US jazz drummer) (from 1961-02-23 until 1961-03-08)
tenor saxophone:
Coleman Hawkins (from 1961-02-23 until 1961-03-08)
trumpet:
Emmett Berry (from 1961-02-23 until 1961-03-08)
recorded at:
Nola Studios (Nola's Penthouse, NYC) in New York, New York, United States (from 1961-02-23 until 1961-03-08)
Pee Wee Russell and Coleman Hawkins7:25
3What Am I Here For
recording of:
What Am I Here For
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
Pee Wee Russell and Coleman Hawkins7:52
4Tres Palabras
recording engineer:
Rudy van Gelder (on 1962-09-14)
producer:
Ozzie Cadena
bass:
Major Holley (on 1962-09-14)
congas:
Ray Barretto (on 1962-09-14)
drums (drum set):
Eddie Locke (on 1962-09-14)
guitar:
Kenny Burrell (on 1962-09-14)
piano:
Tommy Flanagan (on 1962-09-14)
tenor saxophone:
Coleman Hawkins (on 1962-09-14)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1962-09-14)
recording of:
Tres palabras (Without You) (on 1962-09-14)
lyricist and composer:
Osvaldo Farrés
Kenny Burrell & Coleman Hawkins6:43
5No More
recording engineer:
Rudy van Gelder (on 1962-09-14)
producer:
Ozzie Cadena
bass:
Major Holley (on 1962-09-14)
drums (drum set):
Eddie Locke (on 1962-09-14)
guitar:
Kenny Burrell (on 1962-09-14)
piano:
Tommy Flanagan (on 1962-09-14)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1962-09-14)
recording of:
No More (on 1962-09-14)
lyricist:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell)
composer:
Tutti Camarata
Kenny Burrell & Coleman Hawkins1:52
6Guilty
recording engineer:
Rudy van Gelder (on 1962-09-14)
producer:
Ozzie Cadena
bass:
Major Holley (on 1962-09-14)
drums (drum set):
Eddie Locke (on 1962-09-14)
guitar:
Kenny Burrell (on 1962-09-14)
piano:
Tommy Flanagan (on 1962-09-14)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1962-09-14)
recording of:
Guilty (on 1962-09-14)
lyricist:
Gus Kahn
composer:
Harry Akst and Richard A. Whiting
Kenny Burrell & Coleman Hawkins4:16
7Montono Blues
recording engineer:
Rudy van Gelder (on 1962-09-14)
producer:
Ozzie Cadena
bass:
Major Holley (on 1962-09-14)
congas:
Ray Barretto (on 1962-09-14)
drums (drum set):
Eddie Locke (on 1962-09-14)
guitar:
Kenny Burrell (on 1962-09-14)
piano:
Tommy Flanagan (on 1962-09-14)
tenor saxophone:
Coleman Hawkins (on 1962-09-14)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1962-09-14)
recording of:
Montono Blues (on 1962-09-14)
writer:
Kenny Burrell (in 1962)
Kenny Burrell & Coleman Hawkins4:45
8I Thought About You
recording engineer:
Rudy van Gelder (on 1962-09-14)
producer:
Ozzie Cadena
bass:
Major Holley (on 1962-09-14)
congas:
Ray Barretto (on 1962-09-14)
drums (drum set):
Eddie Locke (on 1962-09-14)
guitar:
Kenny Burrell (on 1962-09-14)
piano:
Tommy Flanagan (on 1962-09-14)
tenor saxophone:
Coleman Hawkins (on 1962-09-14)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1962-09-14)
instrumental recording of:
I Thought About You (on 1962-09-14)
lyricist:
Johnny Mercer
composer:
Jimmy Van Heusen
publisher:
Bourne Co. (not for release label use, this is a music publisher), Burke & Van Heusen, Jerry Leiber Music, Lewis Music Publishing Co., Inc., Range Road Music Inc., Silver Seahorse Music LLC, Twentieth Century Music Corp., WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
Kenny Burrell & Coleman Hawkins4:39
9Out of This World
recording engineer:
Rudy van Gelder (on 1962-09-14)
producer:
Ozzie Cadena
bass:
Major Holley (on 1962-09-14)
congas:
Ray Barretto (on 1962-09-14)
drums (drum set):
Eddie Locke (on 1962-09-14)
guitar:
Kenny Burrell (on 1962-09-14)
piano:
Tommy Flanagan (on 1962-09-14)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1962-09-14)
recording of:
Out of This World (on 1962-09-14)
lyricist:
Johnny Mercer (in 1945)
composer:
Harold Arlen (in 1945)
publisher:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.)
Kenny Burrell & Coleman Hawkins4:53
10It's Getting Dark
recording engineer:
Rudy van Gelder (on 1962-09-14)
producer:
Ozzie Cadena
bass:
Major Holley (on 1962-09-14)
congas:
Ray Barretto (on 1962-09-14)
drums (drum set):
Eddie Locke (on 1962-09-14)
guitar:
Kenny Burrell (on 1962-09-14)
piano:
Tommy Flanagan (on 1962-09-14)
tenor saxophone:
Coleman Hawkins (on 1962-09-14)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1962-09-14)
recording of:
It's Getting Dark (on 1962-09-14)
writer:
Kenny Burrell
Kenny Burrell & Coleman Hawkins6:51