| C | Messiah: Nos. 19–23- bass vocals:
- Gwynne Howell (from 1976-01 until 1976-07)
- choir vocals:
- Chorus of St. Martin‐in‐the‐Fields (from 1976-01 until 1976-07)
- contralto vocals:
- Anna Reynolds (from 1976-01 until 1976-07)
- soprano vocals:
- Elly Ameling (from 1976-01 until 1976-07)
- tenor vocals:
- Philip Langridge (from 1976-01 until 1976-07)
- orchestra:
- The Academy of St. Martin‐in‐the‐Fields (from 1976-01 until 1976-07)
- conductor:
- Sir Neville Marriner (from 1976-01 until 1976-07)
- recorded at:
- St John’s, Smith Square in London , England, United Kingdom (from 1976-01 until 1976-07)
- recording of:
- Messiah, HWV 56: Part I, no. 19. Recitativo “Then shall the eyes of the blind” (Contralto) (from 1976-01 until 1976-07)
- composer:
- George Frideric Handel (in 1741)
- part of:
- Messiah, HWV 56: Part I
- recording of:
- Messiah, HWV 56: Part I, no. 20. Air “He Shall Feed His Flock” (Soprano, Contralto) (from 1976-01 until 1976-07)
- composer:
- George Frideric Handel
- part of:
- Messiah, HWV 56: Part I
- recording of:
- Messiah, HWV 56: Part I, no. 21. Chorus “His yoke is easy” (from 1976-01 until 1976-07)
- composer:
- George Frideric Handel (in 1741)
- part of:
- Messiah, HWV 56: Part I
- recording of:
- Messiah, HWV 56: Part II, no. 22. Chorus “Behold the Lamb of God” (from 1976-01 until 1976-07)
- composer:
- George Frideric Handel (in 1741)
- part of:
- Messiah, HWV 56: Part II
- recording of:
- Messiah, HWV 56: Part II, no. 23. Air “He was despised” (Alto) (from 1976-01 until 1976-07)
- composer:
- George Frideric Handel (in 1741)
- part of:
- Messiah, HWV 56: Part II
| George Frideric Handel | | ?:?? |
| D | Messiah: Nos. 24–37- bass vocals:
- Gwynne Howell (from 1976-01 until 1976-07)
- choir vocals:
- Chorus of St. Martin‐in‐the‐Fields (from 1976-01 until 1976-07)
- contralto vocals:
- Anna Reynolds (from 1976-01 until 1976-07)
- soprano vocals:
- Elly Ameling (from 1976-01 until 1976-07)
- tenor vocals:
- Philip Langridge (from 1976-01 until 1976-07)
- orchestra:
- The Academy of St. Martin‐in‐the‐Fields (from 1976-01 until 1976-07)
- conductor:
- Sir Neville Marriner (from 1976-01 until 1976-07)
- recorded at:
- St John’s, Smith Square in London , England, United Kingdom (from 1976-01 until 1976-07)
- recording of:
- Messiah, HWV 56: Part II, no. 24. Chorus “Surely he hath borne our griefs” (from 1976-01 until 1976-07)
- composer:
- George Frideric Handel (in 1741)
- part of:
- Messiah, HWV 56: Part II
- recording of:
- Messiah, HWV 56: Part II, no. 25. Chorus “And with his stripes” (from 1976-01 until 1976-07)
- composer:
- George Frideric Handel (in 1741)
- part of:
- Messiah, HWV 56: Part II
- recording of:
- Messiah, HWV 56: Part II, no. 26. Chorus “All we like sheep” (from 1976-01 until 1976-07)
- composer:
- George Frideric Handel (in 1741)
- part of:
- Messiah, HWV 56: Part II
- recording of:
- Messiah, HWV 56: Part II, no. 27. Recitative “All they that see him” (Tenor) (from 1976-01 until 1976-07)
- composer:
- George Frideric Handel (in 1741)
- part of:
- Messiah, HWV 56: Part II
- recording of:
- Messiah, HWV 56: Part II, no. 28. Chorus “He trusted in God” (from 1976-01 until 1976-07)
- composer:
- George Frideric Handel (in 1741)
- part of:
- Messiah, HWV 56: Part II
- recording of:
- Messiah, HWV 56: Part II, no. 29. Recitative “Thy rebuke hath broken his heart” (Tenor) (from 1976-01 until 1976-07)
- composer:
- George Frideric Handel (in 1741)
- part of:
- Messiah, HWV 56: Part II
- recording of:
- Messiah, HWV 56: Part II, no. 30. Arioso “Behold and see” (Tenor) (from 1976-01 until 1976-07)
- composer:
- George Frideric Handel
- part of:
- Messiah, HWV 56: Part II
- recording of:
- Messiah, HWV 56: Part II, no. 31. Recitative “He was cut off out of the land of the living…” (soprano) (from 1976-01 until 1976-07)
- composer:
- George Frideric Handel (in 1741)
- part of:
- Messiah, HWV 56: Part II
- recording of:
- Messiah, HWV 56: Part II, no. 32. “But thou didst not leave His soul in hell…” (soprano) (from 1976-01 until 1976-07)
- composer:
- George Frideric Handel
- part of:
- Messiah, HWV 56: Part II
- recording of:
- Messiah, HWV 56: Part II, no. 33. Chorus “Lift up your heads” (from 1976-01 until 1976-07)
- composer:
- George Frideric Handel (in 1741)
- part of:
- Messiah, HWV 56: Part II
- recording of:
- Messiah, HWV 56: Part II, no. 34. Recitative “Unto Which of the Angels…” (Tenor) (from 1976-01 until 1976-07)
- composer:
- George Frideric Handel (in 1741)
- part of:
- Messiah, HWV 56: Part II
- recording of:
- Messiah, HWV 56: Part II, no. 35. Chorus “Let all the angels of God worship Him” (from 1976-01 until 1976-07)
- composer:
- George Frideric Handel (in 1741)
- part of:
- Messiah, HWV 56: Part II
- recording of:
- Messiah, HWV 56: Part II, no. 36. Air “Thou art gone up on high” (Bass) (from 1976-01 until 1976-07)
- composer:
- George Frideric Handel (in 1741)
- version of:
- Messiah, HWV 56: Alternative Arias: Air. “Thou art gone up on high” (1741)
- part of:
- Messiah, HWV 56: Part II
- recording of:
- Messiah, HWV 56: Part II, no. 37. Chorus “The Lord gave the Word” (from 1976-01 until 1976-07)
- composer:
- George Frideric Handel (in 1741)
- part of:
- Messiah, HWV 56: Part II
| George Frideric Handel | | ?:?? |
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