Organ Concertos / Suite for Mechanical Organ

~ Release by Paul Hindemith; Martin Haselböck, Wiener Symphoniker, Rafael Frühbeck de Burgos (see all versions of this release, 1 available)

Annotation

Suite für eine mechanische Orgel (track 8—12):
Work, AC & rec:dates are complicated SG-wise; cf https://musicbrainz.org/edit/58866369#note-58866369-3
Satz 2—4 sport percussion. It is hard to make out, I think 3 different-sized drums and possibly something 4th. These may be part of the mechanical organ.

Annotation last modified on 2025-02-17 07:39 UTC.

Tracklist

1▼CD
#TitleArtistRatingLength
1Orgelkonzert: Crescendo – Moderato Maestoso
recorded in:
Wien (Vienna), Austria (in 1994-11)
producer:
Rudolf Hofstätter (producer)
organ:
Martin Haselböck (organist, conductor and composer) (in 1994-11)
orchestra:
Wiener Symphoniker (Vienna Symphony Orchestra) (in 1994-11)
conductor:
Rafael Frühbeck de Burgos (conductor) (in 1994-11)
balance engineer:
Michael Kornhäusl (engineer)
phonographic copyright (℗) by:
Koch International GmbH (company credits only; do NOT use as release label) (in 1995)
recording of:
Concerto for Organ and Orchestra: I. Crescendo. Moderato assai (in 1994-11)
composer:
Paul Hindemith (German composer, 1895–1963) (from 1962-08 until 1963-02)
part of:
Concerto for Organ and Orchestra
Paul Hindemith4:26
2Orgelkonzert: Allegro assai
recorded in:
Wien (Vienna), Austria (in 1994-11)
producer:
Rudolf Hofstätter (producer)
organ:
Martin Haselböck (organist, conductor and composer) (in 1994-11)
orchestra:
Wiener Symphoniker (Vienna Symphony Orchestra) (in 1994-11)
conductor:
Rafael Frühbeck de Burgos (conductor) (in 1994-11)
balance engineer:
Michael Kornhäusl (engineer)
phonographic copyright (℗) by:
Koch International GmbH (company credits only; do NOT use as release label) (in 1995)
recording of:
Concerto for Organ and Orchestra: II. Allegro assai (in 1994-11)
composer:
Paul Hindemith (German composer, 1895–1963) (from 1962-08 until 1963-02)
part of:
Concerto for Organ and Orchestra
Paul Hindemith6:39
3Orgelkonzert: Canzonetta in triads and two Ritornelli – Moderato
recorded in:
Wien (Vienna), Austria (in 1994-11)
producer:
Rudolf Hofstätter (producer)
organ:
Martin Haselböck (organist, conductor and composer) (in 1994-11)
orchestra:
Wiener Symphoniker (Vienna Symphony Orchestra) (in 1994-11)
conductor:
Rafael Frühbeck de Burgos (conductor) (in 1994-11)
balance engineer:
Michael Kornhäusl (engineer)
phonographic copyright (℗) by:
Koch International GmbH (company credits only; do NOT use as release label) (in 1995)
recording of:
Concerto for Organ and Orchestra: III. Canzonetta in triads, and two Ritornelli. Allegro moderato (in 1994-11)
composer:
Paul Hindemith (German composer, 1895–1963) (from 1962-08 until 1963-02)
part of:
Concerto for Organ and Orchestra
Paul Hindemith5:26
4Orgelkonzert: Phantasy on “Veni Creator Spiritus”
recorded in:
Wien (Vienna), Austria (in 1994-11)
producer:
Rudolf Hofstätter (producer)
organ:
Martin Haselböck (organist, conductor and composer) (in 1994-11)
orchestra:
Wiener Symphoniker (Vienna Symphony Orchestra) (in 1994-11)
conductor:
Rafael Frühbeck de Burgos (conductor) (in 1994-11)
balance engineer:
Michael Kornhäusl (engineer)
phonographic copyright (℗) by:
Koch International GmbH (company credits only; do NOT use as release label) (in 1995)
recording of:
Concerto for Organ and Orchestra: IV. Phantasy on 'Veni creator spiritus'. Allegro moderato (in 1994-11)
composer:
Paul Hindemith (German composer, 1895–1963) (from 1962-08 until 1963-02)
part of:
Concerto for Organ and Orchestra
Paul Hindemith11:00
5Konzert für Orgel und Orchester: Nicht zu schnell
recorded in:
Wien (Vienna), Austria (in 1994-09)
producer:
Rudolf Hofstätter (producer)
organ:
Martin Haselböck (organist, conductor and composer) (in 1994-09)
orchestra:
Wiener Symphoniker (Vienna Symphony Orchestra) (in 1994-09)
conductor:
Martin Haselböck (organist, conductor and composer) (in 1994-09)
balance engineer:
Michael Kornhäusl (engineer)
phonographic copyright (℗) by:
Koch International GmbH (company credits only; do NOT use as release label) (in 1995)
recording of:
Kammermusik No. 7, op. 46 no. 2: I. Nicht zu schnell (in 1994-09)
composer:
Paul Hindemith (German composer, 1895–1963)
part of:
Kammermusik No. 7, op. 46 no. 2
Paul Hindemith3:31
6Konzert für Orgel und Orchester: Sehr langsam und ganz ruhig
recorded in:
Wien (Vienna), Austria (in 1994-09)
producer:
Rudolf Hofstätter (producer)
organ:
Martin Haselböck (organist, conductor and composer) (in 1994-09)
orchestra:
Wiener Symphoniker (Vienna Symphony Orchestra) (in 1994-09)
conductor:
Martin Haselböck (organist, conductor and composer) (in 1994-09)
balance engineer:
Michael Kornhäusl (engineer)
phonographic copyright (℗) by:
Koch International GmbH (company credits only; do NOT use as release label) (in 1995)
recording of:
Kammermusik No. 7, op. 46 no. 2: II. Sehr langsam und ganz ruhig (in 1994-09)
composer:
Paul Hindemith (German composer, 1895–1963)
part of:
Kammermusik No. 7, op. 46 no. 2
Paul Hindemith5:03
7Konzert für Orgel und Orchester: 1/8 = 184
recorded in:
Wien (Vienna), Austria (in 1994-09)
producer:
Rudolf Hofstätter (producer)
organ:
Martin Haselböck (organist, conductor and composer) (in 1994-09)
orchestra:
Wiener Symphoniker (Vienna Symphony Orchestra) (in 1994-09)
conductor:
Martin Haselböck (organist, conductor and composer) (in 1994-09)
balance engineer:
Michael Kornhäusl (engineer)
phonographic copyright (℗) by:
Koch International GmbH (company credits only; do NOT use as release label) (in 1995)
recording of:
Kammermusik No. 7, op. 46 no. 2: III. [Achtel bis 184] (in 1994-09)
composer:
Paul Hindemith (German composer, 1895–1963)
part of:
Kammermusik No. 7, op. 46 no. 2
Paul Hindemith6:32
8Suite für eine mechanische Orgel: 1. Satz
recording of:
Suite für eine mechanische Orgel "Das triadische Ballete", op. 40 no. 2: 1. Satz
composer:
Paul Hindemith (German composer, 1895–1963) (in 1926)
part of:
Suite für eine mechanische Orgel "Das triadische Ballete", op. 40 no. 2
Paul Hindemith1:15
9Suite für eine mechanische Orgel: 2. Satz
recording of:
Suite für eine mechanische Orgel "Das triadische Ballete", op. 40 no. 2: 2. Satz
composer:
Paul Hindemith (German composer, 1895–1963) (in 1926)
part of:
Suite für eine mechanische Orgel "Das triadische Ballete", op. 40 no. 2
Paul Hindemith1:29
10Suite für eine mechanische Orgel: 3. Satz
recording of:
Suite für eine mechanische Orgel "Das triadische Ballete", op. 40 no. 2: 3. Satz
composer:
Paul Hindemith (German composer, 1895–1963) (in 1926)
part of:
Suite für eine mechanische Orgel "Das triadische Ballete", op. 40 no. 2
Paul Hindemith3:20
11Suite für eine mechanische Orgel: 4. Satz
recording of:
Suite für eine mechanische Orgel "Das triadische Ballete", op. 40 no. 2: 4. Satz
composer:
Paul Hindemith (German composer, 1895–1963) (in 1926)
part of:
Suite für eine mechanische Orgel "Das triadische Ballete", op. 40 no. 2
Paul Hindemith3:34
12Suite für eine mechanische Orgel: 5. Satz
recording of:
Suite für eine mechanische Orgel "Das triadische Ballete", op. 40 no. 2: 5. Satz
composer:
Paul Hindemith (German composer, 1895–1963) (in 1926)
part of:
Suite für eine mechanische Orgel "Das triadische Ballete", op. 40 no. 2
Paul Hindemith3:21

Credits

Release

manufactured in:Austria
printed in:Austria
photography:Elfriede Broneder (photographer)
liner notes:Martin Haselböck (organist, conductor and composer)
Luitgard Schader (musicologist)
liner notes translator:Clive Williams (liner notes)
design:Dieter Heuler (Koch /Schwann director and art director)
rights society:Austro Mechana (Austrian rights society, aka AuMe)
manufactured by:Koch-Digitaldisc