Marriner & The Academy: 20th Century Classics

~ Release by Academy of St. Martin in the Fields, Sir Neville Marriner (see all versions of this release, 1 available)

Annotation

Copyright: © 2011 Decca Music Group Limited
This Compilation ℗ 2011 Decca Music Group Limited

Annotation last modified on 2025-01-08 17:30 UTC.

Tracklist

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1▼Digital Media
#TitleArtistRatingLength
1Pulcinella (Concert Suite): 1. Sinfonia
producer:
Michael Bremner (producer/engineer)
orchestra:
Academy of St Martin in the Fields (from 1967-11-13 until 1967-11-17)
conductor:
Sir Neville Marriner (conductor) (from 1967-11-13 until 1967-11-17)
balance engineer:
Kenneth Wilkinson (engineer) (in 1967-11)
phonographic copyright (℗) by:
Boosey & Hawkes (publisher; do NOT use as release label)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom and Kingsway Hall in London (Greater London), England, United Kingdom (from 1967-11-13 until 1967-11-17)
recording of:
Pulcinella (Suite): I. Sinfonia (Ouverture) (from 1967-11-13 until 1967-11-17)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
Pulcinella Suite
Igor Stravinsky2:05
2Pulcinella (Concert Suite): 2. Serenata
producer:
Michael Bremner (producer/engineer)
orchestra:
Academy of St Martin in the Fields (from 1967-11-13 until 1967-11-17)
conductor:
Sir Neville Marriner (conductor) (from 1967-11-13 until 1967-11-17)
balance engineer:
Kenneth Wilkinson (engineer) (in 1967-11)
phonographic copyright (℗) by:
Boosey & Hawkes (publisher; do NOT use as release label)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom and Kingsway Hall in London (Greater London), England, United Kingdom (from 1967-11-13 until 1967-11-17)
recording of:
Pulcinella (Suite): II. Serenata (from 1967-11-13 until 1967-11-17)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
Pulcinella Suite
Igor Stravinsky3:09
3Pulcinella (Concert Suite): 3. Scherzino
producer:
Michael Bremner (producer/engineer)
orchestra:
Academy of St Martin in the Fields (from 1967-11-13 until 1967-11-17)
conductor:
Sir Neville Marriner (conductor) (from 1967-11-13 until 1967-11-17)
balance engineer:
Kenneth Wilkinson (engineer) (in 1967-11)
phonographic copyright (℗) by:
Boosey & Hawkes (publisher; do NOT use as release label)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom and Kingsway Hall in London (Greater London), England, United Kingdom (from 1967-11-13 until 1967-11-17)
recording of:
Pulcinella (Suite): IIIa. Scherzino (from 1967-11-13 until 1967-11-17)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
Pulcinella Suite
Igor Stravinsky4:35
4Pulcinella (Concert Suite): 4. Tarantella
producer:
Michael Bremner (producer/engineer)
orchestra:
Academy of St Martin in the Fields (from 1967-11-13 until 1967-11-17)
conductor:
Sir Neville Marriner (conductor) (from 1967-11-13 until 1967-11-17)
balance engineer:
Kenneth Wilkinson (engineer) (in 1967-11)
phonographic copyright (℗) by:
Boosey & Hawkes (publisher; do NOT use as release label)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom and Kingsway Hall in London (Greater London), England, United Kingdom (from 1967-11-13 until 1967-11-17)
recording of:
Pulcinella (Suite): IV. Tarantella (from 1967-11-13 until 1967-11-17)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
Pulcinella Suite
Igor Stravinsky1:54
5Pulcinella (Concert Suite): 5. Toccata
producer:
Michael Bremner (producer/engineer)
orchestra:
Academy of St Martin in the Fields (from 1967-11-13 until 1967-11-17)
conductor:
Sir Neville Marriner (conductor) (from 1967-11-13 until 1967-11-17)
balance engineer:
Kenneth Wilkinson (engineer) (in 1967-11)
phonographic copyright (℗) by:
Boosey & Hawkes (publisher; do NOT use as release label)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom and Kingsway Hall in London (Greater London), England, United Kingdom (from 1967-11-13 until 1967-11-17)
recording of:
Pulcinella (Suite): V. Toccata (from 1967-11-13 until 1967-11-17)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
Pulcinella Suite
Igor Stravinsky1:00
6Pulcinella (Concert Suite): 6. Gavotta con due variazioni
producer:
Michael Bremner (producer/engineer)
orchestra:
Academy of St Martin in the Fields (from 1967-11-13 until 1967-11-17)
conductor:
Sir Neville Marriner (conductor) (from 1967-11-13 until 1967-11-17)
balance engineer:
Kenneth Wilkinson (engineer) (in 1967-11)
phonographic copyright (℗) by:
Boosey & Hawkes (publisher; do NOT use as release label)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom and Kingsway Hall in London (Greater London), England, United Kingdom (from 1967-11-13 until 1967-11-17)
recording of:
Pulcinella (Suite): VI. Gavotta con due variazioni (from 1967-11-13 until 1967-11-17)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
Pulcinella Suite
Igor Stravinsky4:00
7Pulcinella (Concert Suite): 7. Vivo
producer:
Michael Bremner (producer/engineer)
orchestra:
Academy of St Martin in the Fields (from 1967-11-13 until 1967-11-17)
conductor:
Sir Neville Marriner (conductor) (from 1967-11-13 until 1967-11-17)
balance engineer:
Kenneth Wilkinson (engineer) (in 1967-11)
phonographic copyright (℗) by:
Boosey & Hawkes (publisher; do NOT use as release label)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom and Kingsway Hall in London (Greater London), England, United Kingdom (from 1967-11-13 until 1967-11-17)
recording of:
Pulcinella (Suite): VII. Vivo (Duetto) (from 1967-11-13 until 1967-11-17)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
Pulcinella Suite
Igor Stravinsky1:33
8Pulcinella (Concert Suite): 8a. Minuetto
producer:
Michael Bremner (producer/engineer)
orchestra:
Academy of St Martin in the Fields (from 1967-11-13 until 1967-11-17)
conductor:
Sir Neville Marriner (conductor) (from 1967-11-13 until 1967-11-17)
balance engineer:
Kenneth Wilkinson (engineer) (in 1967-11)
phonographic copyright (℗) by:
Boosey & Hawkes (publisher; do NOT use as release label)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom and Kingsway Hall in London (Greater London), England, United Kingdom (from 1967-11-13 until 1967-11-17)
recording of:
Pulcinella (Suite): VIIIa. Minuetto (from 1967-11-13 until 1967-11-17)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
Pulcinella Suite
Igor Stravinsky2:09
9Pulcinella (Concert Suite): 8b. Finale
producer:
Michael Bremner (producer/engineer)
orchestra:
Academy of St Martin in the Fields (from 1967-11-13 until 1967-11-17)
conductor:
Sir Neville Marriner (conductor) (from 1967-11-13 until 1967-11-17)
balance engineer:
Kenneth Wilkinson (engineer) (in 1967-11)
phonographic copyright (℗) by:
Boosey & Hawkes (publisher; do NOT use as release label)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom and Kingsway Hall in London (Greater London), England, United Kingdom (from 1967-11-13 until 1967-11-17)
recording of:
Pulcinella (Suite): VIIIb. Finale (from 1967-11-13 until 1967-11-17)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
Pulcinella Suite
Igor Stravinsky2:08
10Apollon musagète (1947 version): 1. Birth of Apollo
producer:
Michael Bremner (producer/engineer)
orchestra:
Academy of St Martin in the Fields (from 1967-11-13 until 1967-11-17)
conductor:
Sir Neville Marriner (conductor) (from 1967-11-13 until 1967-11-17)
balance engineer:
Kenneth Wilkinson (engineer) (in 1967-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1967-11-13 until 1967-11-17)
recording of:
Apollo: Scene 1. The Birth of Apollo (from 1967-11-13 until 1967-11-17)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
publisher:
Boosey & Hawkes Ltd.
part of:
Apollo (1947 revision)
Igor Stravinsky5:24
11Apollon musagète (1947 version): 2. Variation of Apolllo (Apollo and the Muses)
producer:
Michael Bremner (producer/engineer)
orchestra:
Academy of St Martin in the Fields (from 1967-11-13 until 1967-11-17)
conductor:
Sir Neville Marriner (conductor) (from 1967-11-13 until 1967-11-17)
balance engineer:
Kenneth Wilkinson (engineer) (in 1967-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1967-11-13 until 1967-11-17)
recording of:
Apollo: Scene 2. Variation d'Apollon (I) (from 1967-11-13 until 1967-11-17)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
publisher:
Boosey & Hawkes Ltd.
part of:
Apollo (1947 revision)
Igor Stravinsky3:16
12Apollon musagète (1947 version): 3. Pas d'action (Apollo and the 3 Muses)
producer:
Michael Bremner (producer/engineer)
orchestra:
Academy of St Martin in the Fields (from 1967-11-13 until 1967-11-17)
conductor:
Sir Neville Marriner (conductor) (from 1967-11-13 until 1967-11-17)
balance engineer:
Kenneth Wilkinson (engineer) (in 1967-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1967-11-13 until 1967-11-17)
recording of:
Apollo: Scene 2. Pas d'action (from 1967-11-13 until 1967-11-17)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
publisher:
Boosey & Hawkes Ltd.
part of:
Apollo (1947 revision)
Igor Stravinsky4:28
13Apollon musagète (1947 version): 4. Variation of Calliope (the Alexandrine)
producer:
Michael Bremner (producer/engineer)
orchestra:
Academy of St Martin in the Fields (from 1967-11-13 until 1967-11-17)
conductor:
Sir Neville Marriner (conductor) (from 1967-11-13 until 1967-11-17)
balance engineer:
Kenneth Wilkinson (engineer) (in 1967-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1967-11-13 until 1967-11-17)
recording of:
Apollo: Scene 2. Variation de Calliope (from 1967-11-13 until 1967-11-17)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
publisher:
Boosey & Hawkes Ltd.
part of:
Apollo (1947 revision)
Igor Stravinsky1:34
14Apollon musagète (1947 version): 5. Variation of Polyhymnia
producer:
Michael Bremner (producer/engineer)
orchestra:
Academy of St Martin in the Fields (from 1967-11-13 until 1967-11-17)
conductor:
Sir Neville Marriner (conductor) (from 1967-11-13 until 1967-11-17)
balance engineer:
Kenneth Wilkinson (engineer) (in 1967-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1967-11-13 until 1967-11-17)
recording of:
Apollo: Scene 2. Variation de Polymnie (from 1967-11-13 until 1967-11-17)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
publisher:
Boosey & Hawkes Ltd.
part of:
Apollo (1947 revision)
Igor Stravinsky1:13
15Apollon musagète (1947 version): 6. Variation of Terpsichore
producer:
Michael Bremner (producer/engineer)
orchestra:
Academy of St Martin in the Fields (from 1967-11-13 until 1967-11-17)
conductor:
Sir Neville Marriner (conductor) (from 1967-11-13 until 1967-11-17)
balance engineer:
Kenneth Wilkinson (engineer) (in 1967-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1967-11-13 until 1967-11-17)
recording of:
Apollo: Scene 2. Variation de Terpsichore (from 1967-11-13 until 1967-11-17)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
publisher:
Boosey & Hawkes Ltd.
part of:
Apollo (1947 revision)
Igor Stravinsky1:34
16Apollon musagète (1947 version): 7. Variation of Apollo
producer:
Michael Bremner (producer/engineer)
orchestra:
Academy of St Martin in the Fields (from 1967-11-13 until 1967-11-17)
conductor:
Sir Neville Marriner (conductor) (from 1967-11-13 until 1967-11-17)
balance engineer:
Kenneth Wilkinson (engineer) (in 1967-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1967-11-13 until 1967-11-17)
recording of:
Apollo: Scene 2. Variation d'Apollon (II) (from 1967-11-13 until 1967-11-17)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
publisher:
Boosey & Hawkes Ltd.
part of:
Apollo (1947 revision)
Igor Stravinsky2:24
17Apollon musagète (1947 version): 8. Pas de deux (Apollo and Terpsichore)
producer:
Michael Bremner (producer/engineer)
orchestra:
Academy of St Martin in the Fields (from 1967-11-13 until 1967-11-17)
conductor:
Sir Neville Marriner (conductor) (from 1967-11-13 until 1967-11-17)
balance engineer:
Kenneth Wilkinson (engineer) (in 1967-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1967-11-13 until 1967-11-17)
recording of:
Apollo: Scene 2. Pas de deux (from 1967-11-13 until 1967-11-17)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
publisher:
Boosey & Hawkes Ltd.
part of:
Apollo (1947 revision)
Igor Stravinsky3:18
18Apollon musagète (1947 version): 9. Coda
producer:
Michael Bremner (producer/engineer)
orchestra:
Academy of St Martin in the Fields (from 1967-11-13 until 1967-11-17)
conductor:
Sir Neville Marriner (conductor) (from 1967-11-13 until 1967-11-17)
balance engineer:
Kenneth Wilkinson (engineer) (in 1967-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1967-11-13 until 1967-11-17)
recording of:
Apollo: Scene 2. Coda (from 1967-11-13 until 1967-11-17)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
publisher:
Boosey & Hawkes Ltd.
part of:
Apollo (1947 revision)
Igor Stravinsky3:25
19Apollon musagète (1947 version): 10. Apotheosis
producer:
Michael Bremner (producer/engineer)
orchestra:
Academy of St Martin in the Fields (from 1967-11-13 until 1967-11-17)
conductor:
Sir Neville Marriner (conductor) (from 1967-11-13 until 1967-11-17)
balance engineer:
Kenneth Wilkinson (engineer) (in 1967-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1967-11-13 until 1967-11-17)
recording of:
Apollo: Scene 2. Apothéose (from 1967-11-13 until 1967-11-17)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
publisher:
Boosey & Hawkes Ltd.
part of:
Apollo (1947 revision)
Igor Stravinsky3:40
2▼Digital Media
#TitleArtistRatingLength
1Metamorphosen for 23 Solo Strings
producer:
Michael Bremner (producer/engineer)
orchestra:
Academy of St Martin in the Fields (in 1968-10)
conductor:
Sir Neville Marriner (conductor) (in 1968-10)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1968-10)
recording of:
Metamorphosen, study for 23 solo strings (TrV 290; AV 142) (in 1968-10)
composer:
Richard Strauss (German composer) (from 1944-08 until 1945-03)
part of:
Thematisches Verzeichnis (Richard Strauss AV) (number: AV 142) and Werkverzeichnis (Richard Strauss TrV) (number: TrV 290)
Richard Strauss26:06
2Siegfried Idyll
producer:
Michael Bremner (producer/engineer)
orchestra:
Academy of St Martin in the Fields (in 1969-01)
conductor:
Sir Neville Marriner (conductor) (in 1969-01)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1969-01)
recording of:
Siegfried Idyll, WWV 103 (in 1969-01)
composer:
Richard Wagner (composer) (in 1870)
dedicated to:
Cosima Wagner
part of:
Wagner-Werk-Verzeichnis (number: 103)
is based on:
Siegfried Idyll (original version for 13 instruments)
Richard Wagner17:49
3Adagio for Clarinet & Strings in D-flat major (formerly attrib. Wagner)
producer:
Michael Bremner (producer/engineer)
clarinet:
Jack Brymer (clarinettist) (in 1968-10)
orchestra:
Academy of St Martin in the Fields (in 1968-10)
conductor:
Sir Neville Marriner (conductor) (in 1968-10)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1968-10)
recording of:
Quintet for Clarinet and Strings no. 3, op. 23: II. Adagio (in 1968-10)
composer:
Heinrich Baermann (German clarinetist and composer)
previously attributed to:
Richard Wagner (composer)
part of:
Quintet for Clarinet and Strings no. 3, op. 23
Heinrich Joseph Baermann5:04
3▼Digital Media
#TitleArtistRatingLength
1Music for Strings, Percussion and Celesta, Sz. 106: 1. Andante tranquillo
recording engineer:
Stanley Goodall (engineer) (in 1969-10)
producer:
Michael Bremner (producer/engineer)
celesta:
Leslie Pearson (pianist, harpsichordist, organist, composer and arranger) (from 1969-10-14 until 1969-10-17)
harp:
Osian Ellis (Welsh harpist and composer) (from 1969-10-14 until 1969-10-17)
percussion:
James Holland (percussionist) (from 1969-10-14 until 1969-10-17)
piano:
Roger Smalley (British-Australian composer and pianist) (from 1969-10-14 until 1969-10-17)
timpani:
Eric Pritchard (British percussionist) (from 1969-10-14 until 1969-10-17)
orchestra:
Academy of St Martin in the Fields (in 1969-10, from 1969-10-14 until 1969-10-17)
conductor:
Sir Neville Marriner (conductor) (in 1969-10) and Neville Marriner (conductor) (from 1969-10-14 until 1969-10-17)
balance engineer:
Peter Van Biene (engineer) and Stanley Goodall (engineer)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1969-10, from 1969-10-14 until 1969-10-17)
recording of:
Music for Strings, Percussion and Celesta, Sz. 106, BB 114: I. Andante tranquillo (from 1969-10-14 until 1969-10-17)
composer:
Béla Bartók (composer) (in 1936)
part of:
Music for Strings, Percussion and Celesta, Sz. 106, BB 114
recording of:
Music for Strings, Percussion and Celesta, Sz. 106, BB 114: I. Andante tranquillo (in 1969-10)
composer:
Béla Bartók (composer) (in 1936)
part of:
Music for Strings, Percussion and Celesta, Sz. 106, BB 114
Béla Bartók8:06
2Music for Strings, Percussion and Celesta, Sz. 106: 2. Allegro
recording engineer:
Stanley Goodall (engineer) (in 1969-10)
producer:
Michael Bremner (producer/engineer)
celesta:
Leslie Pearson (pianist, harpsichordist, organist, composer and arranger) (from 1969-10-14 until 1969-10-17)
harp:
Osian Ellis (Welsh harpist and composer) (from 1969-10-14 until 1969-10-17)
percussion:
James Holland (percussionist) (from 1969-10-14 until 1969-10-17)
piano:
Roger Smalley (British-Australian composer and pianist) (from 1969-10-14 until 1969-10-17)
timpani:
Eric Pritchard (British percussionist) (from 1969-10-14 until 1969-10-17)
orchestra:
Academy of St Martin in the Fields (in 1969-10, from 1969-10-14 until 1969-10-17)
conductor:
Sir Neville Marriner (conductor) (in 1969-10) and Neville Marriner (conductor) (from 1969-10-14 until 1969-10-17)
balance engineer:
Peter Van Biene (engineer) and Stanley Goodall (engineer)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1969-10, from 1969-10-14 until 1969-10-17)
recording of:
Music for Strings, Percussion and Celesta, Sz. 106, BB 114: II. Allegro (from 1969-10-14 until 1969-10-17)
composer:
Béla Bartók (composer) (in 1936)
part of:
Music for Strings, Percussion and Celesta, Sz. 106, BB 114
recording of:
Music for Strings, Percussion and Celesta, Sz. 106, BB 114: II. Allegro (in 1969-10)
composer:
Béla Bartók (composer) (in 1936)
part of:
Music for Strings, Percussion and Celesta, Sz. 106, BB 114
Béla Bartók7:16
3Music for Strings, Percussion and Celesta, Sz. 106: 3. Adagio
recording engineer:
Stanley Goodall (engineer) (in 1969-10)
producer:
Michael Bremner (producer/engineer)
celesta:
Leslie Pearson (pianist, harpsichordist, organist, composer and arranger) (from 1969-10-14 until 1969-10-17)
harp:
Osian Ellis (Welsh harpist and composer) (from 1969-10-14 until 1969-10-17)
percussion:
James Holland (percussionist) (from 1969-10-14 until 1969-10-17)
piano:
Roger Smalley (British-Australian composer and pianist) (from 1969-10-14 until 1969-10-17)
timpani:
Eric Pritchard (British percussionist) (from 1969-10-14 until 1969-10-17)
orchestra:
Academy of St Martin in the Fields (in 1969-10, from 1969-10-14 until 1969-10-17)
conductor:
Sir Neville Marriner (conductor) (in 1969-10) and Neville Marriner (conductor) (from 1969-10-14 until 1969-10-17)
balance engineer:
Peter Van Biene (engineer) and Stanley Goodall (engineer)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1969-10, from 1969-10-14 until 1969-10-17)
recording of:
Music for Strings, Percussion and Celesta, Sz. 106, BB 114: III. Adagio (from 1969-10-14 until 1969-10-17)
composer:
Béla Bartók (composer) (in 1936)
part of:
Music for Strings, Percussion and Celesta, Sz. 106, BB 114
recording of:
Music for Strings, Percussion and Celesta, Sz. 106, BB 114: III. Adagio (in 1969-10)
composer:
Béla Bartók (composer) (in 1936)
part of:
Music for Strings, Percussion and Celesta, Sz. 106, BB 114
Béla Bartók8:34
4Music for Strings, Percussion and Celesta, Sz. 106: 4. Allegro molto
recording engineer:
Stanley Goodall (engineer) (in 1969-10)
producer:
Michael Bremner (producer/engineer)
celesta:
Leslie Pearson (pianist, harpsichordist, organist, composer and arranger) (from 1969-10-14 until 1969-10-17)
harp:
Osian Ellis (Welsh harpist and composer) (from 1969-10-14 until 1969-10-17)
percussion:
James Holland (percussionist) (from 1969-10-14 until 1969-10-17)
piano:
Roger Smalley (British-Australian composer and pianist) (from 1969-10-14 until 1969-10-17)
timpani:
Eric Pritchard (British percussionist) (from 1969-10-14 until 1969-10-17)
orchestra:
Academy of St Martin in the Fields (in 1969-10, from 1969-10-14 until 1969-10-17)
conductor:
Sir Neville Marriner (conductor) (in 1969-10) and Neville Marriner (conductor) (from 1969-10-14 until 1969-10-17)
balance engineer:
Peter Van Biene (engineer) and Stanley Goodall (engineer)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1969-10, from 1969-10-14 until 1969-10-17)
recording of:
Music for Strings, Percussion and Celesta, Sz. 106, BB 114: IV. Allegro molto (from 1969-10-14 until 1969-10-17)
composer:
Béla Bartók (composer) (in 1936)
part of:
Music for Strings, Percussion and Celesta, Sz. 106, BB 114
recording of:
Music for Strings, Percussion and Celesta, Sz. 106, BB 114: IV. Allegro molto (in 1969-10)
composer:
Béla Bartók (composer) (in 1936)
part of:
Music for Strings, Percussion and Celesta, Sz. 106, BB 114
Béla Bartók7:17
5Divertimento for Strings, Sz. 113: 1. Allegro non troppo
recording engineer:
Stanley Goodall (engineer) (in 1969-10)
producer:
Michael Bremner (producer/engineer)
cello:
Kenneth Heath (cellist) (from 1969-10-14 until 1969-10-17)
viola:
Stephen Shingles (from 1969-10-14 until 1969-10-17)
violin:
Trevor Connah (violinist) (from 1969-10-14 until 1969-10-17) and Alan Loveday (violinist) (from 1969-10-14 until 1969-10-17)
orchestra:
Academy of St Martin in the Fields (in 1969-10, from 1969-10-14 until 1969-10-17)
conductor:
Sir Neville Marriner (conductor) (in 1969-10, from 1969-10-14 until 1969-10-17)
balance engineer:
Peter Van Biene (engineer) and Stanley Goodall (engineer)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1969-10, from 1969-10-14 until 1969-10-17)
recording of:
Divertimento for String Orchestra, Sz. 113, BB 118: I. Allegro non troppo (from 1969-10-14 until 1969-10-17)
composer:
Béla Bartók (composer) (in 1939)
part of:
Divertimento for String Orchestra, Sz. 113, BB 118
recording of:
Divertimento for String Orchestra, Sz. 113, BB 118: I. Allegro non troppo (in 1969-10)
composer:
Béla Bartók (composer) (in 1939)
part of:
Divertimento for String Orchestra, Sz. 113, BB 118
Béla Bartók8:40
6Divertimento for Strings, Sz. 113: 2. Molto adagio
recording engineer:
Stanley Goodall (engineer) (in 1969-10)
producer:
Michael Bremner (producer/engineer)
cello:
Kenneth Heath (cellist) (from 1969-10-14 until 1969-10-17)
viola:
Stephen Shingles (from 1969-10-14 until 1969-10-17)
violin:
Trevor Connah (violinist) (from 1969-10-14 until 1969-10-17) and Alan Loveday (violinist) (from 1969-10-14 until 1969-10-17)
orchestra:
Academy of St Martin in the Fields (in 1969-10, from 1969-10-14 until 1969-10-17)
conductor:
Sir Neville Marriner (conductor) (in 1969-10, from 1969-10-14 until 1969-10-17)
balance engineer:
Peter Van Biene (engineer) and Stanley Goodall (engineer)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1969-10, from 1969-10-14 until 1969-10-17)
recording of:
Divertimento for String Orchestra, Sz. 113, BB 118: II. Molto adagio (from 1969-10-14 until 1969-10-17)
composer:
Béla Bartók (composer) (in 1939)
part of:
Divertimento for String Orchestra, Sz. 113, BB 118
recording of:
Divertimento for String Orchestra, Sz. 113, BB 118: II. Molto adagio (in 1969-10)
composer:
Béla Bartók (composer) (in 1939)
part of:
Divertimento for String Orchestra, Sz. 113, BB 118
Béla Bartók8:17
7Divertimento for Strings, Sz. 113: 3. Allegro assai
recording engineer:
Stanley Goodall (engineer) (in 1969-10)
producer:
Michael Bremner (producer/engineer)
cello:
Kenneth Heath (cellist) (from 1969-10-14 until 1969-10-17)
viola:
Stephen Shingles (from 1969-10-14 until 1969-10-17)
violin:
Trevor Connah (violinist) (from 1969-10-14 until 1969-10-17) and Alan Loveday (violinist) (from 1969-10-14 until 1969-10-17)
orchestra:
Academy of St Martin in the Fields (in 1969-10, from 1969-10-14 until 1969-10-17)
conductor:
Sir Neville Marriner (conductor) (in 1969-10, from 1969-10-14 until 1969-10-17)
balance engineer:
Peter Van Biene (engineer) and Stanley Goodall (engineer)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1969-10, from 1969-10-14 until 1969-10-17)
recording of:
Divertimento for String Orchestra, Sz. 113, BB 118: III. Allegro assai (from 1969-10-14 until 1969-10-17)
composer:
Béla Bartók (composer) (in 1939)
part of:
Divertimento for String Orchestra, Sz. 113, BB 118
recording of:
Divertimento for String Orchestra, Sz. 113, BB 118: III. Allegro assai (in 1969-10)
composer:
Béla Bartók (composer) (in 1939)
part of:
Divertimento for String Orchestra, Sz. 113, BB 118
Béla Bartók7:04
4▼Digital Media
#TitleArtistRatingLength
1Capriccio for Piano & Orchestra: 1. Presto
producer:
Michael Bremner (producer/engineer)
piano:
John Ogdon (pianist and composer) (from 1970-12-14 until 1970-12-16)
orchestra:
Academy of St Martin in the Fields (from 1970-12-14 until 1970-12-16)
conductor:
Sir Neville Marriner (conductor) (from 1970-12-14 until 1970-12-16)
additional balance engineer:
Kenneth Wilkinson (engineer) (in 1970-12)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (from 1970-12-14 until 1970-12-16)
recording of:
Capriccio for Piano and Orchestra: I. Presto (from 1970-12-14 until 1970-12-16)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1926 until 1929)
part of:
Capriccio for Piano and Orchestra (1st edition, contained some errors)
Igor Stravinsky6:25
2Capriccio for Piano & Orchestra: 2. Andante Rapsodico
producer:
Michael Bremner (producer/engineer)
piano:
John Ogdon (pianist and composer) (from 1970-12-14 until 1970-12-16)
orchestra:
Academy of St Martin in the Fields (from 1970-12-14 until 1970-12-16)
conductor:
Sir Neville Marriner (conductor) (from 1970-12-14 until 1970-12-16)
balance engineer:
Kenneth Wilkinson (engineer) (in 1970-12)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (from 1970-12-14 until 1970-12-16)
recording of:
Capriccio for Piano and Orchestra: II. Andante rapsodico (from 1970-12-14 until 1970-12-16)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1926 until 1929)
part of:
Capriccio for Piano and Orchestra (1st edition, contained some errors)
Igor Stravinsky5:16
3Capriccio for Piano & Orchestra: 3. Allegro Capriccioso
producer:
Michael Bremner (producer/engineer)
piano:
John Ogdon (pianist and composer) (from 1970-12-14 until 1970-12-16)
orchestra:
Academy of St Martin in the Fields (from 1970-12-14 until 1970-12-16)
conductor:
Sir Neville Marriner (conductor) (from 1970-12-14 until 1970-12-16)
balance engineer:
Kenneth Wilkinson (engineer) (in 1970-12)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (from 1970-12-14 until 1970-12-16)
recording of:
Capriccio for Piano and Orchestra: III. Allegro capriccioso ma tempo giusto (from 1970-12-14 until 1970-12-16)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1926 until 1929)
part of:
Capriccio for Piano and Orchestra (1st edition, contained some errors)
Igor Stravinsky5:24
4Concerto for Piano, Trumpet & Strings: Allegro moderato
recording engineer:
Kenneth Wilkinson (engineer) (in 1970-12)
engineer:
Kenneth Wilkinson (engineer)
producer:
Michael Bremner (producer/engineer)
piano:
John Ogdon (pianist and composer) (in 1970-12, on 1970-12-14)
trumpet:
John Wilbraham (trumpet player) (in 1970-12, on 1970-12-14)
orchestra:
Academy of St Martin in the Fields (in 1970-12, on 1970-12-14)
conductor:
Neville Marriner (conductor) (in 1970-12) and Sir Neville Marriner (conductor) (on 1970-12-14)
recorded at:
Snape Maltings in Suffolk, England, United Kingdom (in 1970-12) and Snape Maltings Concert Hall in Suffolk, England, United Kingdom (on 1970-12-14)
live recording of:
Concerto for Piano, Trumpet and String Orchestra no. 1 in C minor, op. 35: I. Allegretto (on 1970-12-14)
composer:
Дмитрий Дмитриевич Шостакович (Dmitri Shostakovich, composer) (in 1933)
part of:
Concerto for Piano, Trumpet and String Orchestra no. 1 in C minor, op. 35
recording of:
Concerto No. 1 in C Minor, Op. 35 for Piano, Trumpet and Strings: I. Allegro moderato (arranged by Dokshizer and Merkelo) (in 1970-12)
composer:
Дмитрий Дмитриевич Шостакович (Dmitri Shostakovich, composer)
arranger:
Tимофей Докшицер (Timofei Aleksandrovich Dokschitzer, trumpet player) (in 2005) and Paul Merkelo (Trumpeter) (in 2019)
arrangement of:
Concerto for Piano, Trumpet and String Orchestra no. 1 in C minor, op. 35: I. Allegretto
Dmitri Shostakovich6:16
5Concerto for Piano, Trumpet & Strings: Lento
recording engineer:
Kenneth Wilkinson (engineer) (in 1970-12)
engineer:
Kenneth Wilkinson (engineer)
producer:
Michael Bremner (producer/engineer)
piano:
John Ogdon (pianist and composer) (in 1970-12, on 1970-12-14)
trumpet:
John Wilbraham (trumpet player) (in 1970-12, on 1970-12-14)
orchestra:
Academy of St Martin in the Fields (in 1970-12, on 1970-12-14)
conductor:
Neville Marriner (conductor) (in 1970-12) and Sir Neville Marriner (conductor) (on 1970-12-14)
recorded at:
Snape Maltings in Suffolk, England, United Kingdom (in 1970-12) and Snape Maltings Concert Hall in Suffolk, England, United Kingdom (on 1970-12-14)
live recording of:
Concerto for Piano, Trumpet and String Orchestra no. 1 in C minor, op. 35: II. Lento (on 1970-12-14)
composer:
Дмитрий Дмитриевич Шостакович (Dmitri Shostakovich, composer) (in 1933)
part of:
Concerto for Piano, Trumpet and String Orchestra no. 1 in C minor, op. 35
recording of:
Concerto No. 1 in C Minor, Op. 35 for Piano, Trumpet and Strings: II. Lento (arranged by Dokshizer and Merkelo) (in 1970-12)
composer:
Дмитрий Дмитриевич Шостакович (Dmitri Shostakovich, composer)
arranger:
Tимофей Докшицер (Timofei Aleksandrovich Dokschitzer, trumpet player) (in 2005) and Paul Merkelo (Trumpeter) (in 2019)
arrangement of:
Concerto for Piano, Trumpet and String Orchestra no. 1 in C minor, op. 35: II. Lento
Dmitri Shostakovich6:50
6Concerto for Piano, Trumpet & Strings: Moderato
recording engineer:
Kenneth Wilkinson (engineer) (in 1970-12)
engineer:
Kenneth Wilkinson (engineer)
producer:
Michael Bremner (producer/engineer)
piano:
John Ogdon (pianist and composer) (in 1970-12, on 1970-12-14)
trumpet:
John Wilbraham (trumpet player) (in 1970-12, on 1970-12-14)
orchestra:
Academy of St Martin in the Fields (in 1970-12, on 1970-12-14)
conductor:
Neville Marriner (conductor) (in 1970-12) and Sir Neville Marriner (conductor) (on 1970-12-14)
recorded at:
Snape Maltings in Suffolk, England, United Kingdom (in 1970-12) and Snape Maltings Concert Hall in Suffolk, England, United Kingdom (on 1970-12-14)
live recording of:
Concerto for Piano, Trumpet and String Orchestra no. 1 in C minor, op. 35: III. Moderato (on 1970-12-14)
composer:
Дмитрий Дмитриевич Шостакович (Dmitri Shostakovich, composer) (in 1933)
part of:
Concerto for Piano, Trumpet and String Orchestra no. 1 in C minor, op. 35
recording of:
Concerto No. 1 in C Minor, Op. 35 for Piano, Trumpet and Strings: III. Moderato (arranged by Dokshizer and Merkelo) (in 1970-12)
composer:
Дмитрий Дмитриевич Шостакович (Dmitri Shostakovich, composer)
arranger:
Tимофей Докшицер (Timofei Aleksandrovich Dokschitzer, trumpet player) (in 2005) and Paul Merkelo (Trumpeter) (in 2019)
arrangement of:
Concerto for Piano, Trumpet and String Orchestra no. 1 in C minor, op. 35: III. Moderato
Dmitri Shostakovich1:14
7Concerto for Piano, Trumpet & Strings: Allegro con brio
recording engineer:
Kenneth Wilkinson (engineer) (in 1970-12)
engineer:
Kenneth Wilkinson (engineer)
producer:
Michael Bremner (producer/engineer)
piano:
John Ogdon (pianist and composer) (in 1970-12, on 1970-12-14)
trumpet:
John Wilbraham (trumpet player) (in 1970-12, on 1970-12-14)
orchestra:
Academy of St Martin in the Fields (in 1970-12, on 1970-12-14)
conductor:
Neville Marriner (conductor) (in 1970-12) and Sir Neville Marriner (conductor) (on 1970-12-14)
recorded at:
Snape Maltings in Suffolk, England, United Kingdom (in 1970-12) and Snape Maltings Concert Hall in Suffolk, England, United Kingdom (on 1970-12-14)
live recording of:
Concerto for Piano, Trumpet and String Orchestra no. 1 in C minor, op. 35: IV. Allegro con brio (on 1970-12-14)
composer:
Дмитрий Дмитриевич Шостакович (Dmitri Shostakovich, composer) (in 1933)
part of:
Concerto for Piano, Trumpet and String Orchestra no. 1 in C minor, op. 35
recording of:
Concerto No. 1 in C Minor, Op. 35 for Piano, Trumpet and Strings: IV. Allegro con brio (arranged by Dokshizer and Merkelo) (in 1970-12)
composer:
Дмитрий Дмитриевич Шостакович (Dmitri Shostakovich, composer)
arranger:
Tимофей Докшицер (Timofei Aleksandrovich Dokschitzer, trumpet player) and Paul Merkelo (Trumpeter)
arrangement of:
Concerto for Piano, Trumpet and String Orchestra no. 1 in C minor, op. 35: IV. Allegro con brio
Dmitri Shostakovich6:30
5▼Digital Media
#TitleArtistRatingLength
1Sonata for Strings: 1. Allegro
producer:
Michael Bremner (producer/engineer)
orchestra:
Academy of St Martin in the Fields (on 1972-10-27)
conductor:
Sir Neville Marriner (conductor) (on 1972-10-27)
balance engineer:
Stanley Goodall (engineer)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (on 1972-10-27)
recording of:
Sonata for String Orchestra: I. Allegro (on 1972-10-27)
composer:
William Walton (British composer and conductor)
part of:
Sonata for String Orchestra
William Walton7:43
2Sonata for Strings: 2. Presto
producer:
Michael Bremner (producer/engineer)
orchestra:
Academy of St Martin in the Fields (on 1972-10-27)
conductor:
Sir Neville Marriner (conductor) (on 1972-10-27)
balance engineer:
Stanley Goodall (engineer)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (on 1972-10-27)
recording of:
Sonata for String Orchestra: II. Presto (on 1972-10-27)
composer:
William Walton (British composer and conductor)
part of:
Sonata for String Orchestra
William Walton4:16
3Sonata for Strings: 3. Lento
producer:
Michael Bremner (producer/engineer)
orchestra:
Academy of St Martin in the Fields (on 1972-10-27)
conductor:
Sir Neville Marriner (conductor) (on 1972-10-27)
balance engineer:
Stanley Goodall (engineer)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (on 1972-10-27)
recording of:
Sonata for String Orchestra: III. Lento (on 1972-10-27)
composer:
William Walton (British composer and conductor)
part of:
Sonata for String Orchestra
William Walton8:13
4Sonata for Strings: 4. Allegro molto
producer:
Michael Bremner (producer/engineer)
orchestra:
Academy of St Martin in the Fields (on 1972-10-27)
conductor:
Sir Neville Marriner (conductor) (on 1972-10-27)
balance engineer:
Stanley Goodall (engineer)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (on 1972-10-27)
recording of:
Sonata for String Orchestra: IV. Allegro molto (on 1972-10-27)
composer:
William Walton (British composer and conductor)
part of:
Sonata for String Orchestra
William Walton4:21
5Visions fugitives, op. 22 (arranger Rudolph Barshai): 1. Lentamente
producer:
Michael Bremner (producer/engineer) (in 1973-05)
orchestra:
Academy of St Martin in the Fields (in 1973-05)
conductor:
Sir Neville Marriner (conductor) (in 1973-05)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1973-05)
recording of:
Visions fugitives, op. 22: No. 1. Lentamente (arr. for orchestra by Rudolph Barshai) (in 1973-05)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
arranger:
Rudolf Barshai (viola player and conductor)
arrangement of:
Visions fugitives, op. 22: No. 1. Lentamente
part of:
Visions fugitives, op. 22 (for orchestra, arr. Barshai)
Sergei Prokofiev1:36
6Visions fugitives, op. 22 (arranger Rudolph Barshai): 2. Andante
producer:
Michael Bremner (producer/engineer) (in 1973-05)
orchestra:
Academy of St Martin in the Fields (in 1973-05)
conductor:
Sir Neville Marriner (conductor) (in 1973-05)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1973-05)
recording of:
Visions fugitives, op. 22: No. 2. Andante (arr. for orchestra by Rudolph Barshai) (in 1973-05)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
arranger:
Rudolf Barshai (viola player and conductor)
arrangement of:
Visions fugitives, op. 22: No. 2. Andante
part of:
Visions fugitives, op. 22 (for orchestra, arr. Barshai)
Sergei Prokofiev1:18
7Visions fugitives, op. 22 (arranger Rudolph Barshai): 3. Allegretto
producer:
Michael Bremner (producer/engineer) (in 1973-05)
orchestra:
Academy of St Martin in the Fields (in 1973-05)
conductor:
Sir Neville Marriner (conductor) (in 1973-05)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1973-05)
recording of:
Visions fugitives, op. 22: No. 3. Allegretto (arr. for orchestra by Rudolph Barshai) (in 1973-05)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
arranger:
Rudolf Barshai (viola player and conductor)
arrangement of:
Visions fugitives, op. 22: No. 3. Allegretto
part of:
Visions fugitives, op. 22 (for orchestra, arr. Barshai)
Sergei Prokofiev1:04
8Visions fugitives, op. 22 (arranger Rudolph Barshai): 4. Animato
producer:
Michael Bremner (producer/engineer) (in 1973-05)
orchestra:
Academy of St Martin in the Fields (in 1973-05)
conductor:
Sir Neville Marriner (conductor) (in 1973-05)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1973-05)
recording of:
Visions fugitives, op. 22: No. 4. Animato (arr. for orchestra by Rudolph Barshai) (in 1973-05)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
arranger:
Rudolf Barshai (viola player and conductor)
arrangement of:
Visions fugitives, op. 22: No. 4. Animato
part of:
Visions fugitives, op. 22 (for orchestra, arr. Barshai)
Sergei Prokofiev1:00
9Visions fugitives, op. 22 (arranger Rudolph Barshai): 5. Molto giocoso
producer:
Michael Bremner (producer/engineer) (in 1973-05)
orchestra:
Academy of St Martin in the Fields (in 1973-05)
conductor:
Sir Neville Marriner (conductor) (in 1973-05)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1973-05)
recording of:
Visions fugitives, op. 22: No. 5. Molto giocoso (arr. for orchestra by Rudolph Barshai) (in 1973-05)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
arranger:
Rudolf Barshai (viola player and conductor)
arrangement of:
Visions fugitives, op. 22: No. 5. Molto giocoso
part of:
Visions fugitives, op. 22 (for orchestra, arr. Barshai)
Sergei Prokofiev0:23
10Visions fugitives, op. 22 (arranger Rudolph Barshai): 6. Con eleganza
producer:
Michael Bremner (producer/engineer) (in 1973-05)
orchestra:
Academy of St Martin in the Fields (in 1973-05)
conductor:
Sir Neville Marriner (conductor) (in 1973-05)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1973-05)
recording of:
Visions fugitives, op. 22: No. 6. Con eleganza (arr. for orchestra by Rudolph Barshai) (in 1973-05)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
arranger:
Rudolf Barshai (viola player and conductor)
arrangement of:
Visions fugitives, op. 22: No. 6. Con eleganza
part of:
Visions fugitives, op. 22 (for orchestra, arr. Barshai)
Sergei Prokofiev0:33
11Visions fugitives, op. 22 (arranger Rudolph Barshai): 8. Commodo
producer:
Michael Bremner (producer/engineer) (in 1973-05)
orchestra:
Academy of St Martin in the Fields (in 1973-05)
conductor:
Sir Neville Marriner (conductor) (in 1973-05)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1973-05)
recording of:
Visions fugitives, op. 22: No. 8. Commodo (arr. for orchestra by Rudolph Barshai) (in 1973-05)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
arranger:
Rudolf Barshai (viola player and conductor)
arrangement of:
Visions fugitives, op. 22: No. 8. Commodo
part of:
Visions fugitives, op. 22 (for orchestra, arr. Barshai)
Sergei Prokofiev1:27
12Visions fugitives, op. 22 (arranger Rudolph Barshai): 9. Allegretto tranquillo
producer:
Michael Bremner (producer/engineer) (in 1973-05)
orchestra:
Academy of St Martin in the Fields (in 1973-05)
conductor:
Sir Neville Marriner (conductor) (in 1973-05)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1973-05)
recording of:
Visions fugitives, op. 22: No. 9. Allegretto tranquillo (arr. for orchestra by Rudolph Barshai) (in 1973-05)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
arranger:
Rudolf Barshai (viola player and conductor)
arrangement of:
Visions fugitives, op. 22: No. 9. Allegretto tranquillo
part of:
Visions fugitives, op. 22 (for orchestra, arr. Barshai)
Sergei Prokofiev1:12
13Visions fugitives, op. 22 (arranger Rudolph Barshai): 10. Ridicolosamente
producer:
Michael Bremner (producer/engineer) (in 1973-05)
orchestra:
Academy of St Martin in the Fields (in 1973-05)
conductor:
Sir Neville Marriner (conductor) (in 1973-05)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1973-05)
recording of:
Visions fugitives, op. 22: No. 10. Ridicolosamente (arr. for orchestra by Rudolph Barshai) (in 1973-05)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
arranger:
Rudolf Barshai (viola player and conductor)
arrangement of:
Visions fugitives, op. 22: No. 10. Ridicolosamente
part of:
Visions fugitives, op. 22 (for orchestra, arr. Barshai)
Sergei Prokofiev0:49
14Visions fugitives, op. 22 (arranger Rudolph Barshai): 11. Con vivacita
producer:
Michael Bremner (producer/engineer) (in 1973-05)
orchestra:
Academy of St Martin in the Fields (in 1973-05)
conductor:
Sir Neville Marriner (conductor) (in 1973-05)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1973-05)
recording of:
Visions fugitives, op. 22: No. 11. Con vivacità (arr. for orchestra by Rudolph Barshai) (in 1973-05)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
arranger:
Rudolf Barshai (viola player and conductor)
arrangement of:
Visions fugitives, op. 22: No. 11. Con vivacità
part of:
Visions fugitives, op. 22 (for orchestra, arr. Barshai)
Sergei Prokofiev1:17
15Visions fugitives, op. 22 (arranger Rudolph Barshai): 12. Assai moderato
producer:
Michael Bremner (producer/engineer) (in 1973-05)
orchestra:
Academy of St Martin in the Fields (in 1973-05)
conductor:
Sir Neville Marriner (conductor) (in 1973-05)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1973-05)
recording of:
Visions fugitives, op. 22: No. 12. Assai moderato (arr. for orchestra by Rudolph Barshai) (in 1973-05)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
arranger:
Rudolf Barshai (viola player and conductor)
arrangement of:
Visions fugitives, op. 22: No. 12. Assai moderato
part of:
Visions fugitives, op. 22 (for orchestra, arr. Barshai)
Sergei Prokofiev1:25
16Visions fugitives, op. 22 (arranger Rudolph Barshai): 13. Allegretto
producer:
Michael Bremner (producer/engineer) (in 1973-05)
orchestra:
Academy of St Martin in the Fields (in 1973-05)
conductor:
Sir Neville Marriner (conductor) (in 1973-05)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1973-05)
recording of:
Visions fugitives, op. 22: No. 13. Allegretto (arr. for orchestra by Rudolph Barshai) (in 1973-05)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
arranger:
Rudolf Barshai (viola player and conductor)
arrangement of:
Visions fugitives, op. 22: No. 13. Allegretto
part of:
Visions fugitives, op. 22 (for orchestra, arr. Barshai)
Sergei Prokofiev0:50
17Visions fugitives, op. 22 (arranger Rudolph Barshai): 14. Feroce
producer:
Michael Bremner (producer/engineer) (in 1973-05)
orchestra:
Academy of St Martin in the Fields (in 1973-05)
conductor:
Sir Neville Marriner (conductor) (in 1973-05)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1973-05)
recording of:
Visions fugitives, op. 22: No. 14. Feroce (arr. for orchestra by Rudolph Barshai) (in 1973-05)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
arranger:
Rudolf Barshai (viola player and conductor)
arrangement of:
Visions fugitives, op. 22: No. 14. Feroce
part of:
Visions fugitives, op. 22 (for orchestra, arr. Barshai)
Sergei Prokofiev0:58
18Visions fugitives, op. 22 (arranger Rudolph Barshai): 15. Inquieto
producer:
Michael Bremner (producer/engineer) (in 1973-05)
orchestra:
Academy of St Martin in the Fields (in 1973-05)
conductor:
Sir Neville Marriner (conductor) (in 1973-05)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1973-05)
recording of:
Visions fugitives, op. 22: No. 15. Inquieto (arr. for orchestra by Rudolph Barshai) (in 1973-05)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
arranger:
Rudolf Barshai (viola player and conductor)
arrangement of:
Visions fugitives, op. 22: No. 15. Inquieto
part of:
Visions fugitives, op. 22 (for orchestra, arr. Barshai)
Sergei Prokofiev1:00
19Visions fugitives, op. 22 (arranger Rudolph Barshai): 16. Dolente
producer:
Michael Bremner (producer/engineer) (in 1973-05)
orchestra:
Academy of St Martin in the Fields (in 1973-05)
conductor:
Sir Neville Marriner (conductor) (in 1973-05)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1973-05)
recording of:
Visions fugitives, op. 22: No. 16. Dolente (arr. for orchestra by Rudolph Barshai) (in 1973-05)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
arranger:
Rudolf Barshai (viola player and conductor)
arrangement of:
Visions fugitives, op. 22: No. 16. Dolente
part of:
Visions fugitives, op. 22 (for orchestra, arr. Barshai)
Sergei Prokofiev2:32
6▼Digital Media
#TitleArtistRatingLength
1Symphony in C: 1. Allegro (Allegro vivo)
engineer:
Stanley Goodall (engineer)
producer:
Michael Bremner (producer/engineer)
orchestra:
Academy of St Martin in the Fields (in 1973-05)
conductor:
Sir Neville Marriner (conductor) (in 1973-05)
balance engineer:
Stanley Goodall (engineer) (in 1973-05)
phonographic copyright (℗) by:
Boosey & Hawkes (publisher; do NOT use as release label)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom and St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1973-05)
recording of:
Symphonie no. 1 en ut majeur : I. Allegro vivo (Symphony no. 1 in C major: I. Allegro vivo) (in 1973-05)
composer:
Georges Bizet (French composer) (from 1855-10 until 1855-11)
part of:
Symphonie no. 1 en ut majeur
Georges Bizet7:22
2Symphony in C: 2. Andante (Adagio)
engineer:
Stanley Goodall (engineer)
producer:
Michael Bremner (producer/engineer)
orchestra:
Academy of St Martin in the Fields (in 1973-05)
conductor:
Sir Neville Marriner (conductor) (in 1973-05)
balance engineer:
Stanley Goodall (engineer) (in 1973-05)
phonographic copyright (℗) by:
Boosey & Hawkes (publisher; do NOT use as release label)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom and St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1973-05)
recording of:
Symphonie no. 1 en ut majeur : II. Andante (Adagio) (Symphony No. 1 in C major: II. Adagio) (in 1973-05)
composer:
Georges Bizet (French composer) (from 1855-10 until 1855-11)
part of:
Symphonie no. 1 en ut majeur
Georges Bizet10:07
3Symphony in C: 3. Scherzo (Allegro vivace)
engineer:
Stanley Goodall (engineer)
producer:
Michael Bremner (producer/engineer)
orchestra:
Academy of St Martin in the Fields (in 1973-05)
conductor:
Sir Neville Marriner (conductor) (in 1973-05)
balance engineer:
Stanley Goodall (engineer) (in 1973-05)
phonographic copyright (℗) by:
Boosey & Hawkes (publisher; do NOT use as release label)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom and St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1973-05)
recording of:
Symphonie no. 1 en ut majeur : III. Scherzo. Allegro vivace (Symphony no. 1 in C major: III. Allegro vivace) (in 1973-05)
composer:
Georges Bizet (French composer) (from 1855-10 until 1855-11)
part of:
Symphonie no. 1 en ut majeur
Georges Bizet5:33
4Symphony in C: 4. Finale (Allegro vivace)
engineer:
Stanley Goodall (engineer)
producer:
Michael Bremner (producer/engineer)
orchestra:
Academy of St Martin in the Fields (in 1973-05)
conductor:
Sir Neville Marriner (conductor) (in 1973-05)
balance engineer:
Stanley Goodall (engineer) (in 1973-05)
phonographic copyright (℗) by:
Boosey & Hawkes (publisher; do NOT use as release label)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom and St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1973-05)
recording of:
Symphonie no. 1 en ut majeur : IV. Finale. Allegro vivace (Symphony no. 1 in C major: IV. Allegro vivace) (in 1973-05)
composer:
Georges Bizet (French composer) (from 1855-10 until 1855-11)
part of:
Symphonie no. 1 en ut majeur
Georges Bizet8:48
5Classical Symphony: 1. Allegro
engineer:
Stanley Goodall (engineer)
producer:
Michael Bremner (producer/engineer)
orchestra:
Academy of St Martin in the Fields (in 1973-05)
conductor:
Sir Neville Marriner (conductor) (in 1973-05)
balance engineer:
Stanley Goodall (engineer) (in 1973-05)
phonographic copyright (℗) by:
Boosey & Hawkes (publisher; do NOT use as release label)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom and St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1973-05)
recording of:
Symphony no. 1 in D major, op. 25 “Classical”: I. Allegro (in 1973-05)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1917)
publisher:
Boosey & Hawkes Music Publishers, Ltd
part of:
Symphony no. 1 in D major, op. 25 “Classical”
Sergei Prokofiev4:18
6Classical Symphony: 2. Larghetto
engineer:
Stanley Goodall (engineer)
producer:
Michael Bremner (producer/engineer)
orchestra:
Academy of St Martin in the Fields (in 1973-05)
conductor:
Sir Neville Marriner (conductor) (in 1973-05)
balance engineer:
Stanley Goodall (engineer) (in 1973-05)
phonographic copyright (℗) by:
Boosey & Hawkes (publisher; do NOT use as release label)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom and St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1973-05)
recording of:
Symphony no. 1 in D major, op. 25 “Classical”: II. Larghetto (in 1973-05)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1917)
publisher:
Boosey & Hawkes Music Publishers, Ltd
part of:
Symphony no. 1 in D major, op. 25 “Classical”
Sergei Prokofiev3:54
7Classical Symphony: 3. Gavotte: non troppo allegro
engineer:
Stanley Goodall (engineer)
producer:
Michael Bremner (producer/engineer)
orchestra:
Academy of St Martin in the Fields (in 1973-05)
conductor:
Sir Neville Marriner (conductor) (in 1973-05)
balance engineer:
Stanley Goodall (engineer) (in 1973-05)
phonographic copyright (℗) by:
Boosey & Hawkes (publisher; do NOT use as release label)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom and St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1973-05)
recording of:
Symphony no. 1 in D major, op. 25 “Classical”: III. Gavotta. Non troppo allegro (in 1973-05)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1917)
publisher:
Boosey & Hawkes Music Publishers, Ltd
part of:
Symphony no. 1 in D major, op. 25 “Classical”
Sergei Prokofiev1:31
8Classical Symphony: 4. Finale: Molto vivace
engineer:
Stanley Goodall (engineer)
producer:
Michael Bremner (producer/engineer)
orchestra:
Academy of St Martin in the Fields (in 1973-05)
conductor:
Sir Neville Marriner (conductor) (in 1973-05)
balance engineer:
Stanley Goodall (engineer) (in 1973-05)
phonographic copyright (℗) by:
Boosey & Hawkes (publisher; do NOT use as release label)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom and St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1973-05)
recording of:
Symphony no. 1 in D major, op. 25 “Classical”: IV. Finale. Molto vivace (in 1973-05)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1917)
publisher:
Boosey & Hawkes Music Publishers, Ltd
part of:
Symphony no. 1 in D major, op. 25 “Classical”
Sergei Prokofiev4:16
7▼Digital Media
#TitleArtistRatingLength
1Verklärte Nacht, op. 4
producer:
Michael Bremner (producer/engineer)
orchestra:
Academy of St Martin in the Fields (in 1973-06)
conductor:
Sir Neville Marriner (conductor) (in 1973-06)
balance engineer:
Stanley Goodall (engineer) (in 1973-06)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1973-06)
recording of:
Verklärte Nacht, op. 4 (for string orchestra) (in 1973-06)
composer:
Arnold Schönberg (Arnold Schoenberg, composer) (in 1899)
strings arranger:
Arnold Schönberg (Arnold Schoenberg, composer) (in 1917)
premiered at:
[concert] (1924-12)
arrangement of:
Verklärte Nacht, op. 4 (Transfigured Night, op. 4)
Arnold Schoenberg29:19
2Fünf Stücke: 1. Langsam
engineer:
Stanley Goodall (engineer)
producer:
Michael Bremner (producer/engineer)
orchestra:
Academy of St Martin in the Fields (in 1974-07)
conductor:
Sir Neville Marriner (conductor) (in 1974-07)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1974-07)
recording of:
Fünf Stücke, op. 44 no. 4: I. Langsam
composer:
Paul Hindemith (German composer, 1895–1963) (in 1927)
part of:
Fünf Stücke, op. 44 no. 4
Paul Hindemith2:06
3Fünf Stücke: 2. Langsam - Schnell
engineer:
Stanley Goodall (engineer)
producer:
Michael Bremner (producer/engineer)
orchestra:
Academy of St Martin in the Fields (in 1974-07)
conductor:
Sir Neville Marriner (conductor) (in 1974-07)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1974-07)
recording of:
Fünf Stücke, op. 44 no. 4: II. Langsam - Schnell
composer:
Paul Hindemith (German composer, 1895–1963) (in 1927)
part of:
Fünf Stücke, op. 44 no. 4
Paul Hindemith1:39
4Fünf Stücke: 3. Lebhaft
engineer:
Stanley Goodall (engineer)
producer:
Michael Bremner (producer/engineer)
orchestra:
Academy of St Martin in the Fields (in 1974-07)
conductor:
Sir Neville Marriner (conductor) (in 1974-07)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1974-07)
recording of:
Fünf Stücke, op. 44 no. 4: III. Lebhaft
composer:
Paul Hindemith (German composer, 1895–1963) (in 1927)
part of:
Fünf Stücke, op. 44 no. 4
Paul Hindemith1:29
5Fünf Stücke: 4. Sehr langsam
engineer:
Stanley Goodall (engineer)
producer:
Michael Bremner (producer/engineer)
orchestra:
Academy of St Martin in the Fields (in 1974-07)
conductor:
Sir Neville Marriner (conductor) (in 1974-07)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1974-07)
recording of:
Fünf Stücke, op. 44 no. 4: IV. Sehr langsam
composer:
Paul Hindemith (German composer, 1895–1963) (in 1927)
part of:
Fünf Stücke, op. 44 no. 4
Paul Hindemith3:13
6Fünf Stücke: 5. Lebhaft
engineer:
Stanley Goodall (engineer)
producer:
Michael Bremner (producer/engineer)
orchestra:
Academy of St Martin in the Fields (in 1974-07)
conductor:
Sir Neville Marriner (conductor) (in 1974-07)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1974-07)
recording of:
Fünf Stücke, op. 44 no. 4: V. Lebhaft
composer:
Paul Hindemith (German composer, 1895–1963) (in 1927)
part of:
Fünf Stücke, op. 44 no. 4
Paul Hindemith3:02
75 Movements for String Quartet, op. 5 (arr. by Webern for orch) (1929): 1. Heftig bewegt
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Fünf Sätze for String Orchestra, op. 5: I. Heftig bewegt
orchestrator:
Anton Webern (composer)
composer:
Anton Webern (composer) (in 1909)
orchestration of:
Five Movements for String Quartet, op. 5: I. Heftig bewegt
part of:
Fünf Sätze for String Orchestra, op. 5
Anton Webern3:01
85 Movements for String Quartet, op. 5 (arr. by Webern for orch) (1929): 2. Sehr langsam
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Fünf Sätze for String Orchestra, op. 5: II. Sehr langsam
orchestrator:
Anton Webern (composer)
composer:
Anton Webern (composer) (in 1909)
orchestration of:
Five Movements for String Quartet, op. 5: II. Sehr langsam
part of:
Fünf Sätze for String Orchestra, op. 5
Anton Webern2:22
95 Movements for String Quartet, op. 5 (arr. by Webern for orch) (1929): 3. Sehr bewegt
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Fünf Sätze for String Orchestra, op. 5: III. Sehr lebhaft
orchestrator:
Anton Webern (composer)
composer:
Anton Webern (composer) (in 1909)
orchestration of:
Five Movements for String Quartet, op. 5: III. Sehr bewegt
part of:
Fünf Sätze for String Orchestra, op. 5
Anton Webern0:43
105 Movements for String Quartet, op. 5 (arr. by Webern for orch) (1929): 4. Sehr langsam
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Fünf Sätze for String Orchestra, op. 5: IV. Sehr langsam
orchestrator:
Anton Webern (composer)
composer:
Anton Webern (composer) (in 1909)
orchestration of:
Five Movements for String Quartet, op. 5: IV. Sehr langsam
part of:
Fünf Sätze for String Orchestra, op. 5
Anton Webern1:29
115 Movements for String Quartet, op. 5 (arr. by Webern for orch) (1929): 5. In zarter Bewegung
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Fünf Sätze for String Orchestra, op. 5: V. In zarter Bewegung
orchestrator:
Anton Webern (composer)
composer:
Anton Webern (composer) (in 1909)
orchestration of:
Five Movements for String Quartet, op. 5: V. In zarter Bewegung
part of:
Fünf Sätze for String Orchestra, op. 5
Anton Webern3:13
8▼Digital Media
#TitleArtistRatingLength
1Adagio for Strings, op. 11 (live)
engineer:
Simon Eadon (classical music engineer) and Stanley Goodall (engineer)
producer:
Chris Hazell
orchestra:
Academy of St Martin in the Fields (in 1976-10)
conductor:
Sir Neville Marriner (conductor) (in 1976-10)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1976)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1976-10)
recording of:
Adagio for Strings (in 1976-10)
orchestrator:
Samuel Barber (American composer) (in 1938)
composer:
Samuel Barber (American composer) (in 1936)
premiered by:
NBC Symphony Orchestra (on 1938-11-05) and Arturo Toscanini (conductor) (on 1938-11-05)
premiered at:
[radio broadcast] (1938-11-05)
publisher:
Chappell (Warner/Chappell Music, Inc.) and G. Schirmer Inc.
arrangement of:
String Quartet, op. 11: II. Molto adagio
Samuel Barber8:43
2Symphony no. 3 "The Camp Meeting": 1. Old Folks Gatherin' (Andante maestoso)
engineer:
Simon Eadon (classical music engineer) and Stanley Goodall (engineer)
producer:
Chris Hazell
orchestra:
Academy of St Martin in the Fields (in 1976-10)
conductor:
Sir Neville Marriner (conductor) (in 1976-10)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1976)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1976-10)
recording of:
Symphony no. 3, S. 3 "The Camp Meeting": I. Old Folks Gatherin'. Andante maestoso (in 1976-10)
composer:
Charles Ives (American composer) (from 1904 until 1911)
part of:
Symphony no. 3, S. 3 "The Camp Meeting"
Charles Ives7:50
3Symphony no. 3 "The Camp Meeting": 2. Children's Day (Allegro moderato)
engineer:
Simon Eadon (classical music engineer) and Stanley Goodall (engineer)
producer:
Chris Hazell
orchestra:
Academy of St Martin in the Fields (in 1976-10)
conductor:
Sir Neville Marriner (conductor) (in 1976-10)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1976)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1976-10)
recording of:
Symphony no. 3, S. 3 "The Camp Meeting": II. Children's Day. Allegro (in 1976-10)
composer:
Charles Ives (American composer) (from 1904 until 1911)
part of:
Symphony no. 3, S. 3 "The Camp Meeting"
Charles Ives7:19
4Symphony no. 3 "The Camp Meeting": 3. Communion (Largo)
engineer:
Simon Eadon (classical music engineer) and Stanley Goodall (engineer)
producer:
Chris Hazell
orchestra:
Academy of St Martin in the Fields (in 1976-10)
conductor:
Sir Neville Marriner (conductor) (in 1976-10)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1976)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1976-10)
recording of:
Symphony no. 3, S. 3 "The Camp Meeting": III. Communion. Largo (in 1976-10)
composer:
Charles Ives (American composer) (from 1904 until 1911)
part of:
Symphony no. 3, S. 3 "The Camp Meeting"
Charles Ives6:12
5Quiet City
engineer:
Simon Eadon (classical music engineer) and Stanley Goodall (engineer)
producer:
Chris Hazell
cor anglais [cor anglais]:
Celia Nicklin (oboist) (in 1976-10)
trumpet:
Michael Laird (classical trumpeter) (in 1976-10)
orchestra:
Academy of St Martin in the Fields (in 1976-10)
conductor:
Sir Neville Marriner (conductor) (in 1976-10)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1976)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1976-10)
recording of:
Quiet City (suite for English horn, trumpet and string orchestra) (in 1976-10)
premiered in:
New York, New York, United States (on 1941-01-28)
composer:
Aaron Copland (composer) (in 1940)
premiered by:
Daniel Saidenberg (on 1941-01-28)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
is based on:
Quiet City (incidental music)
Aaron Copland8:42
6Hymn And Fuguing Tune no. 10
engineer:
Simon Eadon (classical music engineer) and Stanley Goodall (engineer)
producer:
Chris Hazell
cor anglais [cor anglais]:
Celia Nicklin (oboist) (in 1976-10)
orchestra:
Academy of St Martin in the Fields (in 1976-10)
conductor:
Sir Neville Marriner (conductor) (in 1976-10)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1976)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1976-10)
recording of:
Hymn and Fuguing Tune no. 10 (in 1976-10)
composer:
Henry Cowell (American composer)
Henry Cowell6:51
7A Rumor
engineer:
Simon Eadon (classical music engineer) and Stanley Goodall (engineer)
producer:
Chris Hazell
orchestra:
Academy of St Martin in the Fields (in 1976-10)
conductor:
Sir Neville Marriner (conductor) (in 1976-10)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1976)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1976-10)
recording of:
A Rumour (in 1976-10)
composer:
Paul Creston (American composer) (in 1941)
Paul Creston5:52
9▼Digital Media
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1A Shropshire Lad - Rhapsody
producer:
Chris Hazell
orchestra:
Academy of St Martin in the Fields (from 1975-12-12 until 1975-12-13)
conductor:
Sir Neville Marriner (conductor) (from 1975-12-12 until 1975-12-13)
balance engineer:
Simon Eadon (classical music engineer) (in 1976-01) and Stanley Goodall (engineer) (in 1976-01)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1976)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1975-12-12 until 1975-12-13)
recording of:
A Shropshire Lad (orchestral rhapsody) (from 1975-12-12 until 1975-12-13)
composer:
George Butterworth (composer)
publisher:
Novello & Co. Ltd.
George Butterworth10:22
2The Banks of Green Willow
producer:
Chris Hazell
orchestra:
Academy of St Martin in the Fields (from 1975-12-12 until 1975-12-13)
conductor:
Neville Marriner (conductor) (from 1975-12-12 until 1975-12-13)
balance engineer:
Simon Eadon (classical music engineer) and Stanley Goodall (engineer)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1976)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1975-12-12 until 1975-12-13)
recording of:
The Banks of Green Willow, Idyll (from 1975-12-12 until 1975-12-13)
composer:
George Butterworth (composer) (in 1913)
George Butterworth6:05
3Two English Idylls
producer:
Chris Hazell
orchestra:
Academy of St Martin in the Fields (from 1975-12-12 until 1975-12-13)
conductor:
Sir Neville Marriner (conductor) (from 1975-12-12 until 1975-12-13)
balance engineer:
Simon Eadon (classical music engineer) (in 1976-01) and Stanley Goodall (engineer) (in 1976-01)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1976)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1975-12-12 until 1975-12-13)
recording of:
Two English Idylls for Small Orchestra (from 1975-12-12 until 1975-12-13)
composer:
George Butterworth (composer)
George Butterworth9:45
4Variations on a theme of Frank Bridge, op. 10: 1. Introduction & Theme
engineer:
Stanley Goodall (engineer) and Simon Eden (classical music engineer)
producer:
Chris Hazell
orchestra:
Academy of St Martin in the Fields (from 1975-12-12 until 1975-12-13)
conductor:
Sir Neville Marriner (conductor) (from 1975-12-12 until 1975-12-13)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1975-12-12 until 1975-12-13)
recording of:
Variations on a Theme by Frank Bridge, op. 10: I. Introduction and Theme. Lento maestoso (from 1975-12-12 until 1975-12-13)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1937)
part of:
Variations on a Theme by Frank Bridge, op. 10
Benjamin Britten2:00
5Variations on a theme of Frank Bridge, op. 10: 2. Adagio
engineer:
Stanley Goodall (engineer) and Simon Eden (classical music engineer)
producer:
Chris Hazell
orchestra:
Academy of St Martin in the Fields (from 1975-12-12 until 1975-12-13)
conductor:
Sir Neville Marriner (conductor) (from 1975-12-12 until 1975-12-13)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1975-12-12 until 1975-12-13)
recording of:
Variations on a Theme by Frank Bridge, op. 10: II. Adagio (from 1975-12-12 until 1975-12-13)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1937)
part of:
Variations on a Theme by Frank Bridge, op. 10
Benjamin Britten2:10
6Variations on a theme of Frank Bridge, op. 10: 3. March
engineer:
Stanley Goodall (engineer) and Simon Eden (classical music engineer)
producer:
Chris Hazell
orchestra:
Academy of St Martin in the Fields (from 1975-12-12 until 1975-12-13)
conductor:
Sir Neville Marriner (conductor) (from 1975-12-12 until 1975-12-13)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1975-12-12 until 1975-12-13)
recording of:
Variations on a Theme by Frank Bridge, op. 10: III. March. Presto alla marcia (from 1975-12-12 until 1975-12-13)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1937)
part of:
Variations on a Theme by Frank Bridge, op. 10
Benjamin Britten1:11
7Variations on a theme of Frank Bridge, op. 10: 4. Romance
engineer:
Stanley Goodall (engineer) and Simon Eden (classical music engineer)
producer:
Chris Hazell
orchestra:
Academy of St Martin in the Fields (from 1975-12-12 until 1975-12-13)
conductor:
Sir Neville Marriner (conductor) (from 1975-12-12 until 1975-12-13)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1975-12-12 until 1975-12-13)
recording of:
Variations on a Theme by Frank Bridge, op. 10: IV. Romance. Allegretto grazioso (from 1975-12-12 until 1975-12-13)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1937)
part of:
Variations on a Theme by Frank Bridge, op. 10
Benjamin Britten1:23
8Variations on a theme of Frank Bridge, op. 10: 5. Aria Italiana
engineer:
Stanley Goodall (engineer) and Simon Eden (classical music engineer)
producer:
Chris Hazell
orchestra:
Academy of St Martin in the Fields (from 1975-12-12 until 1975-12-13)
conductor:
Sir Neville Marriner (conductor) (from 1975-12-12 until 1975-12-13)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1975-12-12 until 1975-12-13)
recording of:
Variations on a Theme by Frank Bridge, op. 10: V. Aria italiana. Allegro brillante (from 1975-12-12 until 1975-12-13)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1937)
part of:
Variations on a Theme by Frank Bridge, op. 10
Benjamin Britten1:23
9Variations on a theme of Frank Bridge, op. 10: 6. Bourrée Classique
engineer:
Stanley Goodall (engineer) and Simon Eden (classical music engineer)
producer:
Chris Hazell
orchestra:
Academy of St Martin in the Fields (from 1975-12-12 until 1975-12-13)
conductor:
Sir Neville Marriner (conductor) (from 1975-12-12 until 1975-12-13)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1975-12-12 until 1975-12-13)
recording of:
Variations on a Theme by Frank Bridge, op. 10: VI. Bourrée classique. Allegro e pesante (from 1975-12-12 until 1975-12-13)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1937)
part of:
Variations on a Theme by Frank Bridge, op. 10
Benjamin Britten1:20
10Variations on a theme of Frank Bridge, op. 10: 7. Wiener Waltzer
engineer:
Stanley Goodall (engineer) and Simon Eden (classical music engineer)
producer:
Chris Hazell
orchestra:
Academy of St Martin in the Fields (from 1975-12-12 until 1975-12-13)
conductor:
Sir Neville Marriner (conductor) (from 1975-12-12 until 1975-12-13)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1975-12-12 until 1975-12-13)
recording of:
Variations on a Theme by Frank Bridge, op. 10: VII. Wiener Walzer. Lento - Vivace (from 1975-12-12 until 1975-12-13)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1937)
part of:
Variations on a Theme by Frank Bridge, op. 10
Benjamin Britten2:54
11Variations on a theme of Frank Bridge, op. 10: 8. Moto Perpetuo
engineer:
Stanley Goodall (engineer) and Simon Eden (classical music engineer)
producer:
Chris Hazell
orchestra:
Academy of St Martin in the Fields (from 1975-12-12 until 1975-12-13)
conductor:
Sir Neville Marriner (conductor) (from 1975-12-12 until 1975-12-13)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1975-12-12 until 1975-12-13)
recording of:
Variations on a Theme by Frank Bridge, op. 10: VIII. Moto perpetuo. Allegro molto (from 1975-12-12 until 1975-12-13)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1937)
part of:
Variations on a Theme by Frank Bridge, op. 10
Benjamin Britten1:05
12Variations on a theme of Frank Bridge, op. 10: 9. Funeral March (II)
engineer:
Stanley Goodall (engineer) and Simon Eden (classical music engineer)
producer:
Chris Hazell
orchestra:
Academy of St Martin in the Fields (from 1975-12-12 until 1975-12-13)
conductor:
Sir Neville Marriner (conductor) (from 1975-12-12 until 1975-12-13)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1975-12-12 until 1975-12-13)
recording of:
Variations on a Theme by Frank Bridge, op. 10: IX. Funeral march. Andante ritmico (from 1975-12-12 until 1975-12-13)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1937)
part of:
Variations on a Theme by Frank Bridge, op. 10
Benjamin Britten3:36
13Variations on a theme of Frank Bridge, op. 10: 10. Chant
engineer:
Stanley Goodall (engineer) and Simon Eden (classical music engineer)
producer:
Chris Hazell
orchestra:
Academy of St Martin in the Fields (from 1975-12-12 until 1975-12-13)
conductor:
Sir Neville Marriner (conductor) (from 1975-12-12 until 1975-12-13)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1975-12-12 until 1975-12-13)
recording of:
Variations on a Theme by Frank Bridge, op. 10: X. Chant. Lento (from 1975-12-12 until 1975-12-13)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1937)
part of:
Variations on a Theme by Frank Bridge, op. 10
Benjamin Britten1:22
14Variations on a theme of Frank Bridge, op. 10: 11. Fugue & Finale
engineer:
Stanley Goodall (engineer) and Simon Eden (classical music engineer)
producer:
Chris Hazell
orchestra:
Academy of St Martin in the Fields (from 1975-12-12 until 1975-12-13)
conductor:
Sir Neville Marriner (conductor) (from 1975-12-12 until 1975-12-13)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1975-12-12 until 1975-12-13)
recording of:
Variations on a Theme by Frank Bridge, op. 10: XI. Fugue and Finale. Allegro molto vivace - Lento e solenne (from 1975-12-12 until 1975-12-13)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1937)
part of:
Variations on a Theme by Frank Bridge, op. 10
Benjamin Britten7:08
10▶Digital Media