Movie Hits

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

℗ & © «2019 UMG Recordings, Inc.»
© «2020»
℗ «2020 FP»

Countries where available (Spotify + Deezer)

(As of 2020-02-29).

  • Northern America: 🇨🇦 Canada (ca) 🇲🇽 Mexico (mx) 🇺🇸 United States (us)
  • Central America: 🇨🇷 Costa Rica (cr) 🇬🇹 Guatemala (gt) 🇭🇳 Honduras (hn) 🇳🇮 Nicaragua (ni) 🇵🇦 Panama (pa) 🇸🇻 El Salvador (sv)
  • Caribbean: 🇩🇴 Dominican Republic (do)
  • South America: 🇦🇷 Argentina (ar) 🇧🇴 Bolivia (bo) 🇧🇷 Brazil (br) 🇨🇱 Chile (cl) 🇨🇴 Colombia (co) 🇪🇨 Ecuador (ec) 🇵🇪 Peru (pe) 🇵🇾 Paraguay (py) 🇺🇾 Uruguay (uy) 🇻🇪 Venezuela (ve)
  • Western Europe: 🇦🇹 Austria (at) 🇧🇪 Belgium (be) 🇨🇭 Switzerland (ch) 🇩🇪 Germany (de) 🇫🇷 France (fr) 🇱🇺 Luxembourg (lu) 🇳🇱 Netherlands (nl)
  • Northern Europe: 🇩🇰 Denmark (dk) 🇪🇪 Estonia (ee) 🇫🇮 Finland (fi) 🇬🇧 United Kingdom (gb) 🇮🇪 Ireland (ie) 🇮🇸 Iceland (is) 🇱🇹 Lithuania (lt) 🇱🇻 Latvia (lv) 🇳🇴 Norway (no) 🇸🇪 Sweden (se)
  • Southern Europe: 🇨🇾 Cyprus (cy) 🇪🇸 Spain (es) 🇬🇷 Greece (gr) 🇮🇹 Italy (it) 🇲🇹 Malta (mt) 🇵🇹 Portugal (pt) 🇭🇷 Croatia (hr) 🇷🇸 Serbia (rs) 🇸🇮 Slovenia (si)
  • Eastern Europe: 🇧🇬 Bulgaria (bg) 🇨🇿 Czech Republic (cz) 🇭🇺 Hungary (hu) 🇵🇱 Poland (pl) 🇷🇴 Romania (ro) 🇸🇰 Slovakia (sk) 🇧🇾 Belarus (by) 🇷🇺 Russian Federation (ru) 🇺🇦 Ukraine (ua)
  • Northern Africa: 🇩🇿 Algeria (dz) 🇪🇬 Egypt (eg) 🇲🇦 Morocco (ma)
  • Western Africa: 🇨🇮 Cote D’Ivoire (ci) 🇬🇭 Ghana (gh) 🇳🇬 Nigeria (ng)
  • Eastern Africa: 🇰🇪 Kenya (ke)
  • Southern Africa: 🇿🇦 South Africa (za)
  • Western Asia: 🇦🇪 United Arab Emirates (ae) 🇧🇭 Bahrain (bh) 🇮🇱 Israel (il) 🇰🇼 Kuwait (kw) 🇱🇧 Lebanon (lb) 🇴🇲 Oman (om) 🇶🇦 Qatar (qa) 🇸🇦 Saudi Arabia (sa) 🇹🇷 Turkey (tr)
  • Southern Asia: 🇮🇳 India (in) 🇱🇰 Sri Lanka (lk)
  • Eastern Asia: 🇭🇰 Hong Kong (hk) 🇯🇵 Japan (jp) 🇹🇼 Taiwan (tw) 🇰🇷 Korea (kr)
  • South-Eastern Asia: 🇮🇩 Indonesia (id) 🇲🇾 Malaysia (my) 🇵🇭 Philippines (ph) 🇸🇬 Singapore (sg) 🇹🇭 Thailand (th) 🇻🇳 Viet‐Nam (vn) 🇰🇭 Cambodia (kh)
  • Oceania: 🇦🇺 Australia (au) 🇳🇿 New Zealand (nz)
Annotation last modified on 2020-02-29 10:52 UTC.

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Stuck in the Middle With You
recording engineer:
Geoff Emerick (British recording engineer) (in 1972) and John Mills (recording/mix engineer) (in 1972)
producer:
Jerry Leiber and Mike Stoller
drums (drum set):
Rod Coombes (in 1972)
electric bass guitar:
Tony Williams (bass) (in 1972)
guitar:
Paul Pilnick (in 1972) and Gerry Rafferty (in 1972)
keyboard:
Joe Egan (Scottish singer-songwriter) (in 1972)
vocals:
Joe Egan (Scottish singer-songwriter) (in 1972) and Gerry Rafferty (in 1972)
phonographic copyright (℗) by:
A&M Records, Inc. (in 1972) and A&M Records, Ltd. (in 1972)
music videos:
Stuck in the Middle With You by Stealers Wheel
recording of:
Stuck in the Middle With You (in 1972)
lyricist and composer:
Gerald Rafferty and Joe Egan (Scottish singer-songwriter)
publisher:
Baby Bun Music Ltd, Mushroom Music Pty. Ltd., Polygram Music, PolyGram Music Publishing Ltd. and Universal Music Publishing (use ONLY if no country‐specific information is available)
Stealers Wheel43:25
2Now We Are Free (from “Gladiator” soundtrack)
recording engineer and mixer:
Alan Meyerson
assistant engineer:
Jake Jackson (recording engineer) and Nick Wollage
producer:
Klaus Badelt (German score composer) and Hans Zimmer (German score composer)
orchestra:
The Lyndhurst Orchestra
conductor:
Gavin Greenaway
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 2000), Dreamworks Productions LLC (in 2000) and Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.) (in 2000)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
recording of:
Now We Are Free (Gladiator)
lyricist:
Lisa Gerrard
composer:
Klaus Badelt (German score composer), Lisa Gerrard and Hans Zimmer (German score composer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), SKG Songs and Universal‐MCA Music Publishing (US)
part of:
Gladiator
medley including a cover recording of:
Now We Are Free (Gladiator)
lyricist:
Niloofar Rafiei
is based on:
Now We Are Free (Gladiator)
medley of:
Now We Are Free (Gladiator)
Lisa Gerrard54:17
3Flashdance… What a Feeling (from “Flashdance”)
producer:
Giorgio Moroder
vocals:
Irene Cara
phonographic copyright (℗) by:
Polygram Records, Inc. (New York) (not for release label use! US division of PolyGram) (in 1983), Unidisc Music Inc. (not for release label use! use “Unidisc” instead) (in 1983) and Universal Music TV (UK, a division of Universal Music Operations Limited) (in 1995)
part of:
Billboard: Greatest of All Time Hot 100 Songs (number: 38) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 492)
recording of:
Flashdance… What a Feeling
lyricist:
Irene Cara and Keith Forsey (drummer, producer and songwriter)
composer:
Giorgio Moroder
publisher:
Alcor Music (publisher), Carasmatic Music, Carub Music (publisher), Chappell Music Ltd., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), GMPC, Intersong Music, Intersong Music Ltd., Intersong U.S.A. (publisher), Sony/ATV Harmony and WB Music Corp. (1929–2019)
part of:
The 56th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1983 winner)
Irene Cara3.553:54
4Don’t You (Forget About Me)
producer:
Keith Forsey (drummer, producer and songwriter)
mixer:
Jez Coad
performer:
Simple Minds (Scottish rock band) (on 1984-07-10)
phonographic copyright (℗) by:
Simple Minds Ltd
part of:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (number: 25) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 340)
recording of:
Don’t You (Forget About Me) (on 1984-07-10)
writer:
Keith Forsey (drummer, producer and songwriter) and Steve Schiff
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music Ltd. and Universal Music (plain logo: “Universal Music”)
Simple Minds4.254:21
5Never Tear Us Apart (from “Fifty Shades Freed (Original Motion Picture Soundtrack)”)
co-producer:
Mark Jackson (ex-member of Dorothy) and Ian Scott (Pop/rock writer/producer)
producer and mixer:
Hybrid (progressive breakbeat group from Swansea, South Wales)
cover recording of:
Never Tear Us Apart (in 2018)
lyricist and composer:
Andrew Farriss (in band INXS) and Michael Hutchence
publisher:
MCA Music Ltd., Stuffed Monkey and Warner/Chappell (Warner/Chappell Music, Inc.)
Bishop Briggs3:15
6That’s Life
recorded in:
Hollywood, Los Angeles, California, United States (on 1966-10-18)
producer:
Jimmy Bowen (producer, rockabilly musician and songwriter)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1966-10-18)
conductor:
Ernie Freeman (on 1966-10-18)
arranger:
Ernie Freeman
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1966)
cover recording of:
That’s Life (on 1966-10-18)
lyricist:
Kelly Gordon and Dean Kay
composer:
Dean Kay
publisher:
Four Star Television Music Co., Lichelle Music Company, PolyGram Music Publishing Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
recording of:
That’s Life
lyricist:
Kelly Gordon and Dean Kay
composer:
Dean Kay
publisher:
Four Star Television Music Co., Lichelle Music Company, PolyGram Music Publishing Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Frank Sinatra4.53:07
7Whatta Man
recording engineer:
Al "Taz" Machera and Andre DeBourg
executive producer:
Herby "Luvbug" Azor
producer:
Herby "Luvbug" Azor
mixer:
Al "Taz" Machera, Andre DeBourg and Herby "Luvbug" Azor
background vocals:
3 feet and En Vogue
vocals:
En Vogue
vocals arranger:
Khadejia Bass and Kimiko Whittaker
phonographic copyright (℗) by:
London Records USA (not for release label use - for copyrights only) (in 1993)
recorded at and mixed at:
Sound Trek Studios in Kansas City, Missouri, United States
part of:
RuPaul’s Drag Race Lip Sync Performances (season 6) (number: 6)
recording of:
Whatta Man
writer:
Hurby Azor, Cheryl James (Member of Salt-n-Pepa) and Dave Crawford (US soul songwriter, keyboard player, singer & producer)
version of:
What a Man
Salt‐N‐Pepa55:10
8Guardians Inferno (from “Guardians of the Galaxy, Vol. 2”)
producer:
Tyler Bates (American musician and score composer)
mixer:
Gustavo Borner
recording of:
Guardians Inferno
writer:
Tyler Bates (American musician and score composer) and James Gunn (United States filmmaker/actor)
The Sneepers3.453:17
9Celebrity Skin
mixer:
Tom Lord‐Alge
phonographic copyright (℗) by:
Geffen Records, Inc. (company credits only; do NOT use as release label) (in 1998)
part of:
NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (number: 16)
recording of:
Celebrity Skin
writer:
Billy Corgan, Eric Erlandson and Courtney Love (US rock vocalist, widow to Kurt Cobain)
publisher:
Echo Echo Tunes, Mother May I Music (Publisher associated with the band Hole (2)), Strictly Confidential and Universal Music Publishing (use ONLY if no country‐specific information is available)
Hole4.452:42
10Man on the Moon
additional engineer:
George Cowan (US engineer), Mark Howard (producer/recording engineer, New Orleans/Los Angeles based), John Keane (US indie rock producer/engineer), Ted Malia and Andrew Roshberg
engineer:
Clif Norrell
producer:
Scott Litt (producer and engineer) and R.E.M. (American rock band)
additional mixer:
Ed Brooks (audio engineer at RFI Mastering in Seattle)
assistant mixer:
Tod Lemkuhl
mixer:
Scott Litt (producer and engineer) and Clif Norrell
vocals:
Michael Stipe
phonographic copyright (℗) by:
R.E.M./Athens, Ltd. (in 1992) and R.E.M./Athens L.L.C. (in 2017)
additionally recorded at:
Bosstown Recording Studios in Atlanta, Georgia, United States, John Keane Studios in Athens, Georgia, United States and Kingsway Studios (New Orleans) in New Orleans, Louisiana, United States
recorded at:
Bearsville Studios in Bearsville, New York, United States and Criteria Studios in Miami, Florida, United States
mixed at:
Bad Animals Studio in Seattle, Washington, United States
recording of:
Man on the Moon
writer:
Bill Berry (R.E.M. drummer), Peter Buck (R.E.M. guitarist), Mike Mills (R.E.M. bass player) and Michael Stipe
publisher:
Night Garden Music
R.E.M.4.055:13
11Just a Girl
recording engineer:
Phil Kaffel and George Landress
producer:
Matthew Wilder
mixer:
Holman and Paul Palmer (engineer)
additional keyboard:
Matthew Wilder
bass guitar:
Tony Kanal
drums (drum set) and percussion:
Adrian Young (drummer for No Doubt)
guitar:
Tom Dumont
keyboard and piano:
Eric Stefani
trombone:
Gabrial McNair
trumpet:
Phil Jordan (trumpet player)
lead vocals:
Gwen Stefani
performer:
No Doubt (American rock band)
phonographic copyright (℗) by:
Interscope Records (part of UMG Recordings, Inc.) (in 1995)
mixed at:
Cactus Studios in California, United States
part of:
Indie 88: Top 500 Indie Rock Songs (number: 133) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 192)
recording of:
Just a Girl
writer:
Gwen Stefani and Thomas Dumont
publisher:
Knock Yourself Out Music and Universal‐MCA Music Publishing (US)
No Doubt4.33:31
12Still Falling for You (from “Bridget Jones’s Baby”)
vocals and performer:
Ellie Goulding
recording of:
Still Falling For You
Ellie Goulding4.54:01
13Spider‐Man (From “Marvel’s Spider‐Man"/score)
recording of:
Spider-Man
composer:
John Paesano
John Paesano3:27
14Father and Son
producer:
Paul Samwell-Smith
bass guitar:
John Ryan (producer a/k/a “The Chicago Kid”) (in 1970-07)
drums (drum set):
Harvey Burns (in 1970-07)
guitar and keyboard:
Cat Stevens (now known as Yusuf Islam) (in 1970-07)
guitar [2nd]:
Alun Davies (in 1970-07)
solo violin:
John Rostein (in 1970-07)
vocals:
Cat Stevens (now known as Yusuf Islam) (in 1970-07)
strings arranger:
Del Newman (British conductor, orchestrator, arranger)
phonographic copyright (℗) by:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1970) and Universal Island Records Ltd. (not for release label use! company known by this name from 1999-03-29 to 2014-06-25) (in 1970)
recorded at:
Morgan Studios (Morgan Sound Studios) in Willesden, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1970-07)
instrumental version of:
Father and Son by Giacomo Bucci
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 408)
recording of:
Father and Son (Cat Stevens) (in 1970-07)
lyricist and composer:
Cat Stevens (now known as Yusuf Islam)
publisher:
Cat Music Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), Island Music Ltd., Island Music, Inc. (work publisher – NOT related to the Island imprint now owned by UMG), Freshwater Music Ltd. (from 1970 to present) and Irving Music, Inc. (from 1970 to present)
Yusuf / Cat Stevens4.253:41
15City of Stars (from “La La Land” soundtrack)
producer:
Marius de Vries and Justin Hurwitz (American score composer)
vocals:
Ryan Gosling and Emma Stone
phonographic copyright (℗) by:
Interscope Records (part of UMG Recordings, Inc.) (in 2016)
edit of:
City of Stars / May Finally Come True by Justin Hurwitz (American score composer) featuring Ryan Gosling, Emma Stone
recording of:
City of Stars
orchestrator and composer:
Justin Hurwitz (American score composer)
lyricist:
Benj Pasek and Justin Paul
publisher:
B Lion Music (from 2016 to present), Justin Hurwitz Music (from 2016 to present) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (from 2016 to present)
part of:
The 89th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 2016 winner)
part of:
La La Land (2016 musical film score and soundtrack)
Ryan Gosling2:30
16(Everything I Do) I Do It for You (2017 Ultimate edit)
engineer:
Nigel Green (engineer)
producer:
Robert John “Mutt” Lange (Robert John Lange)
mixer:
Bob Clearmountain
phonographic copyright (℗) by:
A&M Records, Inc. (in 1991)
part of:
Billboard: Greatest of All Time Hot 100 Songs (number: 23)
recording of:
(Everything I Do) I Do It for You
writer:
Bryan Adams (Canadian singer/songwriter) (on 1991-04-10), Michael Kamen (American score composer) (on 1991-04-10) and Robert John “Mutt” Lange (Robert John Lange) (on 1991-04-10)
publisher:
2855 Music, MCA Music Ltd., Out-of-Pocket Productions Ltd., Rondor Music (London) Ltd., WorkSongs Ltd., Zomba Enterprises Inc., Almo Music Corp. (USA, affiliated with ASCAP) (in 1991), Miracle Creek Music, Inc. (in 1991), Zachary Creek Music Inc. (in 1991) and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing) (in 1991)
part of:
The 64th Academy Award for Best Original Song (number: 2)
Bryan Adams44:10
17Black Panther (Ludwig Göransson remix)
remixer:
Ludwig Göransson (Swedish score composer)
Ludwig Göransson1:17
18Lost Stars
recording of:
Lost Stars
writer:
Gregg Alexander, Danielle Brisebois, Nick Lashley and Nick Southwood
part of:
The 87th Academy Award for Best Original Song (number: 2)
Adam Levine3.54:28
19My Sanctuary (from “Mary Shelley”)
Amelia Warner3:01
20Life on the Road
producer:
Ricky Gervais (UK actor and comedian)
recording of:
Life on the Road
lyricist and composer:
Ricky Gervais (UK actor and comedian)
David Brent2:10
21The Wolf (from “fFfty Shades Freed (Original Motion Picture Soundtrack)”)
assistant recording engineer:
Jonathan Sterling (engineer)
drum machine programming:
Joe Pringle
engineer:
Daniel Glashauser (engineer) and Eric Valentine (Eric Dodd, producer and instrumentalist)
co-producer:
Eric Valentine (Eric Dodd, producer and instrumentalist)
producer:
Spencer Lee (The Spencer Lee Band), Joe Pringle and Freddy Wexler
mixer:
Eric Valentine (Eric Dodd, producer and instrumentalist)
bass guitar [bass]:
Dwayne Moore (US bassist)
drums (drum set) [drums]:
Juval Lion
electric guitar:
Spencer Lee (The Spencer Lee Band)
keyboard [keys]:
Joe Pringle
saxophone:
Peter Slocombe (saxophonist)
trombone:
Ryan Dragon (American trombonist)
trumpet:
Mike Rocha (trumpeter)
engineered at:
Barefoot Recording in Hollywood, Los Angeles, California, United States and The Brain Music in West Hollywood, California, United States
recording of:
The Wolf
writer:
Spencer Lee (The Spencer Lee Band), Eric Valentine (Eric Dodd, producer and instrumentalist) and Freddy Wexler
The Spencer Lee Band2:55
22Cups (movie version)
part of:
Billboard Year-End Hot 100 singles of 2013 (number: 21)
recording of:
Cups (You're Gonna Miss Me) (version with cup as percussion, made popular by Landshades and Anna Kendrick)
writer:
A.P. Carter
arranger:
Luisa Gerstein (Landshapes) and Heloise Tunstall‐Behrens
version of:
When I'm Gone (original 1931 version)
Anna Kendrick51:16
23Everybody Wants to Rule the World (from “The Hunger Games: Catching Fire” soundtrack)
cover recording of:
Everybody Wants to Rule the World (in 2013)
writer:
Christopher Merrick Hughes (producer, aka “Merrick”), Roland Orzabal (UK musician, songwriter and producer) and Ian Stanley
publisher:
10 Music Ltd., Amusements Ltd., BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Virgin Music (Publishers) Ltd.
sub-publisher:
フジパシフィック音楽出版 BMG事業部 (until 2014-12-31) and フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (from 2015-01-01 to present)
Lorde32:36
24Flashlight (from “Pitch Perfect 2” soundtrack)
recording of:
Flashlight (in 2015)
writer:
Christian Guzman, Jason Moore (producer), Sia Furler (Sia, Australian singer‐songwriter) and Sam Smith (English singer‐songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (from 2015 to present), EMI Music Publishing Ltd. (PRS‐affiliated) (from 2015 to present), Naughty Words Limited (from 2015 to present), Sony/ATV Songs LLC (from 2015 to present), Stellar Songs Limited (BMI-affiliated) (from 2015 to present), Universal Pictures Music (from 2015 to present) and UPG Music Publishing (from 2015 to present)
Jessie J23:30
25Give It All
recording of:
Give It All
writer:
Antoinette Colandero, Benito Benites, John Garrett III, David Taylor (House producer), Vincent Staples and Santi White
is based on:
The Power
With You.3:14
26Back to Life (from “Bumblebee”)
Hailee Steinfeld3:55
27The Avengers (from “Avengers: Infinity War"/score)
recording engineer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Adam Olmsted (engineer)
programming:
Jonathan Bartz
assistant engineer:
Toby Hulbert and Matt Jones (engineer, Abbey Road)
mixer:
Dennis Sands (American sound engineer)
assistant editor:
Anele Onyekwere
editor:
Kirsty Whalley (engineer and keyboardist)
conductor:
Mark Graham (conductor)
orchestrator:
Mark Graham (conductor)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
mixed at:
Sound Waves SB in Santa Barbara, California, United States
recording of:
The Avengers
composer:
Alan Silvestri (US score composer)
Alan Silvestri30:26
28Soul Bossa Nova
recording engineer:
Phil Ramone (on 1962-09-13)
producer:
Quincy Jones
double bass:
Chris White (jazz bassist) (on 1962-09-13)
drums (drum set):
Rudy Collins (drums) (on 1962-09-13)
flute:
Rahsaan Roland Kirk (on 1962-09-13)
piano:
Lalo Schifrin (pianist & composer) (on 1962-09-13)
tenor saxophone:
Paul Gonsalves (on 1962-09-13)
trumpet:
Clark Terry (American swing trumpeter) (on 1962-09-13)
conductor:
Quincy Jones (on 1962-09-13)
instruments arranger:
Quincy Jones
phonographic copyright (℗) by:
The Verve Music Group (now known as Verve Label Group; not for release label use!) (in 2013)
recording of:
Soul Bossa Nova (on 1962-09-13)
composer:
Quincy Jones
Quincy Jones42:45
29Theme From “Shaft”
producer:
Isaac Hayes
bass guitar:
James Alexander (US soul bassist, singer and songwriter)
bongos and congas:
Gary Jones (percussionist)
electric piano:
Lester Snell (Pianist/keyboardist, songwriter and producer)
electric piano, organ, piano and vibraphone and lead vocals:
Isaac Hayes
guitar:
Charles Pitts and Michael Toles
membranophone and tambourine:
Willie "Too Big" Hall
phonographic copyright (℗) by:
Stax Records (not for release) (in 1971)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 303)
recording of:
Theme From Shaft (Shaft, 1971)
lyricist and composer:
Isaac Hayes
publisher:
Irving Music, Inc.
part of:
The 44th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1971 winner)
part of:
Shaft (1971 film soundtrack)
Isaac Hayes3.554:36
30The Heat Is On (from “Beverly Hills Cop” soundtrack)
producer:
Harold Faltermeyer and Keith Forsey (drummer, producer and songwriter)
bass and keyboard:
Harold Faltermeyer
drums (drum set) and background vocals:
Keith Forsey (drummer, producer and songwriter)
guitar:
Rick Vito
solo guitar and lead vocals:
Glenn Frey (US musician/singer/songwriter, member of the Eagles)
vocals and performer:
Glenn Frey (US musician/singer/songwriter, member of the Eagles)
phonographic copyright (℗) by:
Geffen Records (in 1984) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1984)
recording of:
The Heat Is On
lyricist and composer:
Harold Faltermeyer and Keith Forsey (drummer, producer and songwriter)
publisher:
Famous Chappell
live cover recording of:
The Heat Is On
lyricist and composer:
Harold Faltermeyer and Keith Forsey (drummer, producer and songwriter)
publisher:
Famous Chappell
Glenn Frey3.53:47
31We Go Together (from “Grease”)
producer:
Louis St. Louis (American songwriter, music arranger and singer)
mixer:
David J. Holman
saxophone:
Ray Pizzi
lead vocals:
Olivia Newton‐John (British‐Australian singer, actress and activist) and John Travolta (American actor and singer)
arranger:
John Farrar, Michael Gibson (trombone) and Louis St. Louis (American songwriter, music arranger and singer)
phonographic copyright (℗) by:
RSO Records, Inc. (US company that owned the RSO label, not the label itself.) (in 1978)
recording of:
We Go Together
writer:
Ross Bagdasarian (Sr.; creator of Alvin and the Chipmunks), Warren Casey, Gerry Goffin, Jim Jacobs and Barry Mann
publisher:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.)
John Travolta4.653:00
32Theme From Jurassic Park (from “Jurassic Park” soundtrack)
assistant engineer:
Sue McLean
producer:
John Williams (American score composer)
mixer:
Shawn Murphy (producer/engineer)
editor:
Ramiro Belgart (editor)
conductor:
John Williams (American score composer) (in 1993)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.)
recorded at:
Barbra Streisand Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
recording of:
Theme From Jurassic Park (Jurassic Park) (in 1993)
composer:
John Williams (American score composer) (in 1993)
arrangement of:
Two Movie Themes (Eye of the Tiger & Jurrassic Park, Mabon)
part of:
Jurassic Park (1993 film score)
John Williams43:25
33Born to Be Wild (Easy Rider version)
producer:
Gabriel Mekler
phonographic copyright (℗) by:
Geffen Records (in 1968), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1968) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1968)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 53) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 129)
recording of:
Born to Be Wild
lyricist and composer:
Mars Bonfire
publisher:
Duchess Music Corporation (BMI-affiliated), Manitou Music, Manitou Music Canada, MCA Music Canada, Songs of Universal, Inc. (BMI), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing GmbH, Universal/MCA Music Publishing Pty Ltd, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Steppenwolf4.353:37
34Unchained Melody (single version)
engineer:
Larry Levine
producer:
Phil Spector
solo lead vocals:
Bobby Hatfield (in 1965-03)
arranger:
Jack Nitzsche (American musician and score composer)
phonographic copyright (℗) by:
Spectrum Music (Universal Music Group budget label), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1965, in 1968) and Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (in 1966)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (in 1965-03)
part of:
The Co-Op: Top 10 British Funeral Songs (number: 8), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 269) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 366)
cover recording of:
Unchained Melody (in 1965-03)
publisher:
Hy Zaret
lyricist:
Hy Zaret
composer:
Alex North (US composer)
publisher:
Frank Music Corp. (ended), HZUM Publishing, MPL Communication Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL Communications Australia, MPL Musik Verlags GmbH, North Melody Publishing and Unchained Melody Publishing, LLC
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
part of:
The 28th Academy Award for Best Original Song (number: 2)
The Righteous Brothers33:37
35Take Me to the River
background vocals:
Angeline Ball, Maria Doyle Kennedy and Bronagh Gallagher (Irish singer and actress)
vocals:
Andrew Strong (Irish singer)
cover recording of:
Take Me to the River
writer:
Al Green (US soul singer, songwriter, pastor and record producer) and Mabon Hodges (“Teenie”, soul guitarist)
publisher:
Al Green Music Inc. (BMI-affiliated), Burlington Music, Irving Music, Inc. and JEC Publishing
The Commitments23:38
36I Am a Man of Constant Sorrow (radio edit)
producer:
T‐Bone Burnett (musician, songwriter and producer)
guitar and lead vocals:
Dan Tyminski
background vocals [harmony vocals]:
Harley Allen and Pat Enright
arranger:
Carter Stanley
recording of:
Man of Constant Sorrow (traditional, arranger neutral)
writer:
[traditional] (special purpose artist)
publisher:
Southern Music Publishing Co. (publishing company)
The Soggy Bottom Boys43:12
37I Don’t Wanna Live Forever (Fifty Shades Darker) (from “Fifty Shades Darker (Original Motion Picture Soundtrack)”)
recording engineer:
Jack Antonoff, Laura Sisk and Daniel Zaidenstadt (engineer, producer)
additional engineer:
Saltwives
producer:
Jack Antonoff
mixer:
Serban Ghenea
instruments:
Jack Antonoff
background vocals:
Sam Dew
vocals:
Taylor Swift and Zayn Malik (ZAYN, British singer)
phonographic copyright (℗) by:
Universal Studios (plain “Universal” globe logo, currently underlined by “A Comcast Company”) (in 2016) and Big Machine Label Group, LLC (not for release label use) (in 2018)
recorded at:
Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States and Rough Customer Studio in Brooklyn Heights, New York, New York, United States
mixed at:
MixStar Studios in Virginia Beach, Virginia, United States
additionally engineered at:
Nightbird in West Hollywood, California, United States
part of:
Billboard Year-End Hot 100 singles of 2017 (number: 26) and BILLIONS CLUB
recording of:
I Don’t Wanna Live Forever
writer:
Jack Antonoff, Sam Dew and Taylor Swift
premiered at:
Super Saturday Night (2017-02-04)
ZAYN2.94:06
38Johnny B. Goode (from “Back to the Future” soundtrack)
producer:
Bones Howe
solo guitar:
Tim May (session/jazz guitarist)
vocals:
Mark Campbell (Marty McFly)
cover recording of:
Johnny B. Goode
lyricist and composer:
Chuck Berry (in 1955)
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Isalee Music, Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) and ロックンロール ミュージック (Rock ’n’ Roll Music)
part of:
Back to the Future: the Musical
Marty McFly3:08
39Escape (The Piña Colada Song)
engineer:
Alex Kercheval and Tyler Watkins
additional producer:
Mario Caldato Jr.
producer:
Zach Gill, Jack Johnson (singer‐songwriter from Hawaii), Merlo Podlewski and Adam Topol
acoustic guitar and lead vocals:
Jack Johnson (singer‐songwriter from Hawaii)
bongos and cajón:
Scott Seiver
electric guitar:
Merlo Podlewski
melodica and background vocals [harmony vocals]:
Zach Gill
percussion:
Adam Topol
engineered at:
The Lodge in Indianapolis, Indiana, United States
cover recording of:
Escape (The Piña Colada Song)
lyricist and composer:
Rupert Holmes
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), The Holmes Line of Music, Inc., WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Jack Johnson4:02
40Faith (from “Sing” original motion picture soundtrack)
phonographic copyright (℗) by:
Republic Records (from 1994–2006 and since 2012, a division of UMG Recordings, Inc.) (in 2016) and Universal Studios, Inc. (formerly known as MCA Inc.) (in 2016)
recording of:
Faith (Stevie Wonder song) (in 2016)
writer:
benny blanco (producer Benjamin Levin), Francis Starlite and Ryan Tedder (American singer, songwriter, and producer)
publisher:
Republic Records (from 1994–2006 and since 2012, a division of UMG Recordings, Inc.) and Universal Studios, Inc. (formerly known as MCA Inc.)
Stevie Wonder2:43